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Gareth von Kallenbach (980 KP) rated Black Mass (2015) in Movies
Aug 6, 2019
He was one of the most dangerous men and most notorious gangsters in American history. For over sixteen years he evaded the FBI and law enforcement until his eventual capture in 2011. Black Mass tells the story of James “Whitey” Bulger and his alliance with the FBI. The film delves deep into the relationship that is built between Bulger and FBI agents which allows him to expand his power beyond the Boston area. Audiences will be awestruck by the actions permitted and overlooked on the part of FBI agents working with Bulger which fall in line with the advice that Bulger gives his son: “If no one saw it, it didn’t happen.”
Johnny Depp (Pirates of the Caribbean, Sleepy Hollow, Edward Scissorhands) assumes the role of Bulger and audiences will not be able to take their eyes off of him in this film. Every movement, word, and action that he provides on screen demonstrates his versatility and ability to wear the skin and assume identity of those that he portrays. His portrayal of Whitey Bulger separates him from the “Jack Sparrow” identity that his audiences have become accustomed to. Even more impressive about his acting is the way in which the film’s direction displays more of a human element to this monster. The audience is shown countless acts of brutality undertaken by Bulger or on his orders, but there are moments in which you feel a sense of sorrow for the character. In no way do the moments allow for redemption or offer excuses for his actions, but it allows for the portrayal of a more human element. Humanizing Bulger allows for a much fuller picture of what took place during his life and demonstrates that crime was not the only factor.
The film takes all of us into a very dark place. We see a monster in action. We see countless people fall victim to Bulger and his organization. Depp intimidates not only the other characters being portrayed, but the audience in the way that his eyes always seem so cold and heartless. It is said that when you look into someone’s eyes, you can see their soul. With Whitey Bulger, his soul is absent whenever he is portrayed onscreen. This helps to solidify Depp’s portrayal of Bulger and the way that he lived his life. He was a cold, heartless monster. The only sense of a soul or any humanity comes with the direction of the film to make this monster human.
Johnny Depp (Pirates of the Caribbean, Sleepy Hollow, Edward Scissorhands) assumes the role of Bulger and audiences will not be able to take their eyes off of him in this film. Every movement, word, and action that he provides on screen demonstrates his versatility and ability to wear the skin and assume identity of those that he portrays. His portrayal of Whitey Bulger separates him from the “Jack Sparrow” identity that his audiences have become accustomed to. Even more impressive about his acting is the way in which the film’s direction displays more of a human element to this monster. The audience is shown countless acts of brutality undertaken by Bulger or on his orders, but there are moments in which you feel a sense of sorrow for the character. In no way do the moments allow for redemption or offer excuses for his actions, but it allows for the portrayal of a more human element. Humanizing Bulger allows for a much fuller picture of what took place during his life and demonstrates that crime was not the only factor.
The film takes all of us into a very dark place. We see a monster in action. We see countless people fall victim to Bulger and his organization. Depp intimidates not only the other characters being portrayed, but the audience in the way that his eyes always seem so cold and heartless. It is said that when you look into someone’s eyes, you can see their soul. With Whitey Bulger, his soul is absent whenever he is portrayed onscreen. This helps to solidify Depp’s portrayal of Bulger and the way that he lived his life. He was a cold, heartless monster. The only sense of a soul or any humanity comes with the direction of the film to make this monster human.
Ross (3284 KP) rated The Shadow Man in Books
Feb 19, 2021 (Updated Feb 19, 2021)
Good thriller, but not a patch on Fields' other books
This standalone (as far as I know) book sits beside Fields' Luc Callanach (Ava Turner) series, again set in Edinburgh. Other than the brash Chief Superintendent Overbeck, none of those characters are introduced here. Instead, because of the workload of Edinburgh's Major Incident Team, DI Baarda has been called in from London to assist in a murder/kidnapping. Along with him is Dr Connie Woodwine, a brash American criminal psychologist. They are looking into the disappearance of one woman, and quickly link it to the death of another and find that they are on the hunt for someone with issues.
Connie is a fairly stereotypical academic, clinical type as she has virtually no people skills on the surface, issuing demands and attacking conversations head-on in a very un-British way. And yet when we see her interviewing witnesses, such as a young girl who saw a schoolmate be abducted, she is suddenly very tactful and sensitive. In this way, she is both an interesting, complex character, but also a much seen cliched one. She has a tendency to do an awful lot of telling during interviews, explaining to all in the room the theory of her approach to the interview. While this was interesting, it took me right out of the book as something completely unnatural, and read more as a brain dump of the author's research for the book. A little more show, less tell as usual would have worked well here.
Baarda is similarly familiar, a dedicated career cop with marital problems (his wife having an open affair with another officer).
Together, the pair piece together few clues and start to evolve something of a profile for the man who has been kidnapping people. However, I felt this aspect didn't yield results until quite late on, all progress up to that point (next to none) was through standard police work/luck.
The antagonist here was interesting, but nowhere near as dark and mysterious as the blurb makes him sound. We're not talking Hannibal Lecter here, just a confused man with a fairly typical upbringing. Fields essentially cottoned on to an interesting medical/psychological condition and pieced together a plot based on it. While this was enjoyable, it made it somewhat crime-by-numbers.
A good book, but left me longing for Ava Turner's more likable policing style.
Advance reading copy received from the publishers and netgalley in exchange for an honest review.
Connie is a fairly stereotypical academic, clinical type as she has virtually no people skills on the surface, issuing demands and attacking conversations head-on in a very un-British way. And yet when we see her interviewing witnesses, such as a young girl who saw a schoolmate be abducted, she is suddenly very tactful and sensitive. In this way, she is both an interesting, complex character, but also a much seen cliched one. She has a tendency to do an awful lot of telling during interviews, explaining to all in the room the theory of her approach to the interview. While this was interesting, it took me right out of the book as something completely unnatural, and read more as a brain dump of the author's research for the book. A little more show, less tell as usual would have worked well here.
Baarda is similarly familiar, a dedicated career cop with marital problems (his wife having an open affair with another officer).
Together, the pair piece together few clues and start to evolve something of a profile for the man who has been kidnapping people. However, I felt this aspect didn't yield results until quite late on, all progress up to that point (next to none) was through standard police work/luck.
The antagonist here was interesting, but nowhere near as dark and mysterious as the blurb makes him sound. We're not talking Hannibal Lecter here, just a confused man with a fairly typical upbringing. Fields essentially cottoned on to an interesting medical/psychological condition and pieced together a plot based on it. While this was enjoyable, it made it somewhat crime-by-numbers.
A good book, but left me longing for Ava Turner's more likable policing style.
Advance reading copy received from the publishers and netgalley in exchange for an honest review.
Jesters_folly (230 KP) rated The Fast and the Furious: Tokyo Drift (2006) in Movies
Jun 6, 2021
I've been told that 'The Fast and the Furious: Tokyo Drift' is the worst of the franchise and, so far, I'd have to agree. For what it is it's not terrible but it's not great either.
In my review for the the first 'The Fast and the Furious' I mentioned that parts of it felt like one of those movies set in a high school, well, 'Tokyo Drift' takes that and runs (Rides?) with it. The opening scenes are exactly that, a high school movie, we have the jocks being, well, jocks, as portraited in most 80's & 90's movies, bulling and making life miserable for those that aren't there own. But don't worry the film soon shifts from an American high school to a Japanese one and, lets face it we knew it would have to happen, the clues in the title after all. To be fair, from this point on most of the action is on the roads and not the school but as a lot of the plot revolves around Sean and Neela, a girl he met in his new school the high school film feel remains.
One good thing that 'Tokyo Drift' manages is to continue the idea of 'Family' that is present in the previous films with Sean finding his new family in Tokyo and his relationship with his, first his mother and then his farther and also with Neela having to choose which side side (or which family) she belongs to as well as the surprise cameo at the end (it's an old film but I didn't know about it so I'm probably not the only one).
One thing missing from 'Tokyo Drift' was the crime aspect (except, of course the street racing), the first movie had touched on it with the truck robbery's and the second was almost all about finding and moving the drug money. The Yakuza are mentioned and there are underground clubs but the yakuza are there more as another symbol of family and the clubs just are, there is no one investigating them and they are more just an excuse to have lots of scantily clad women wondering around.
If you just want a film that you can turn your brain off to then 'The Fast and the Furious: Tokyo Drift' is ok, it has action in the form of car chases, plenty of 'eye candy' and a bit of a story. Just don't expect anything to taxing.
In my review for the the first 'The Fast and the Furious' I mentioned that parts of it felt like one of those movies set in a high school, well, 'Tokyo Drift' takes that and runs (Rides?) with it. The opening scenes are exactly that, a high school movie, we have the jocks being, well, jocks, as portraited in most 80's & 90's movies, bulling and making life miserable for those that aren't there own. But don't worry the film soon shifts from an American high school to a Japanese one and, lets face it we knew it would have to happen, the clues in the title after all. To be fair, from this point on most of the action is on the roads and not the school but as a lot of the plot revolves around Sean and Neela, a girl he met in his new school the high school film feel remains.
One good thing that 'Tokyo Drift' manages is to continue the idea of 'Family' that is present in the previous films with Sean finding his new family in Tokyo and his relationship with his, first his mother and then his farther and also with Neela having to choose which side side (or which family) she belongs to as well as the surprise cameo at the end (it's an old film but I didn't know about it so I'm probably not the only one).
One thing missing from 'Tokyo Drift' was the crime aspect (except, of course the street racing), the first movie had touched on it with the truck robbery's and the second was almost all about finding and moving the drug money. The Yakuza are mentioned and there are underground clubs but the yakuza are there more as another symbol of family and the clubs just are, there is no one investigating them and they are more just an excuse to have lots of scantily clad women wondering around.
If you just want a film that you can turn your brain off to then 'The Fast and the Furious: Tokyo Drift' is ok, it has action in the form of car chases, plenty of 'eye candy' and a bit of a story. Just don't expect anything to taxing.
Chris Sawin (602 KP) rated Harsh Times (2005) in Movies
Jun 18, 2019
Writer and director (and sometimes producer) David Ayer debuted in the film industry writing films such as Training Day, The Fast and the Furious, and S.W.A.T. but he came into his own once he started directing and producing (as well as continuing to write) his own projects with End of Watch and Fury being two of his best. In the past couple years, Ayer has produced and directed two big budget films (Suicide Squad and Bright) in the past few years that received a negative critical reputation that audiences still seem to love (sequels for both are in development). The first film David Ayer produced, wrote, and directed that’s more in the vein of Training Day and End of Watch and is largely based on the individuals Ayer knew while living in South Central, Los Angeles is a little crime film called Harsh Times.
Jim Luther Davis (Christian Bale) seems like a normal guy that anyone could know. Now that he’s done his time as a soldier, it’s now his dream to become a cop in Los Angeles. Unfortunately though, Jim likes to spend most days drinking, smoking pot, and looking for ways to either get laid or kick the snot out of someone and his time as a soldier gets to him more than he lets on. He has nightmares every night and wakes up screaming with cold chills and is on the verge of downright insanity.
His best friend, Mike Alonzo (Freddy Rodriguez), has the intention of getting a job to make his wife happy but his drinking problem stands in the way of that. While Mike has his wife, Sylvia (Eva Longoria), Jim has his girlfriend, Marta (Tammy Trull), back in Mexico that he hopes to get across the border once he gets that dream job. One day, Jim gets a call from Homeland Security and Mike has an interview go surprisingly well at one of the best businesses in town; the two best friends think their lives are beginning to look up. However, Jim gets pushed too far and innocent people are suddenly caught in the crossfire.
Harsh Times plays out like a song that becomes a sleeper hit or one that eventually evolves into one of your favorites; events unfold rather slowly but they’re also building towards a big finale. Once the ball gets rolling, it’s inevitable to try and resist the mayhem that’s sure to ensue. Harsh Times may not be that appealing on the surface, but David Ayer has mastered the dynamic of two cops (one is usually Caucasian and the other is usually Hispanic or African American) set within a broken neighborhood. Watching Jim and Mike give into their vices and basically flush their dreams down the toilet by relishing the deteriorated reputation they’re known for is a riveting train wreck. Aside from Christian Bale’s outstanding performance, the real gem of the film lies within the last 20 minutes.
Ayer typically aims to shock or catch you off guard with the finales of his crime films, but there’s also a scene involving Jim that is unexpected. It’s an intriguing scene that is spontaneous in nature, but it puts what Jim went through as a soldier into perspective. Jim is completely unfazed by what he puts himself through, but Mike seems to be physically traumatized by the whole ordeal. It seems rather unimportant as it’s occurring, but it’s also the most memorable sequence once the credits roll. Before Don’t Breathe came along in 2016, this was the worst way any Hollywood film ever utilized a turkey baster.
For several years, Christian Bale was known for dramatically changing his appearance and using a different accent in every project he was a part of. Watching Harsh Times after seeing Batman Begins (both films were released in 2005) for the first time allows you to appreciate Bale’s performance even more. Imagine Batman or even Bruce Wayne trying to say with a straight face, “Yeah, homie. That’s how we roll in these streets, dawg.” It seems implausible and almost otherworldly; it’s a transition you never expected Bale to make. The transformation of the Jim Luther Davis character is incredible. The film’s editing when Jim is going through one of his episodes is an admirable nod to how unstable he is. Once the screen has that yellow tint to it, you know something detrimental is about to go down.
Harsh Times has a reputation for being slow and boring, but it’s worth a watch especially if you’re a fan of David Ayer films. The crime film may not appeal to everyone, but it probably has a lot more to offer than anyone gives it credit for. Christian Bale has a particularly strong performance in the film that deserves to behold and the intense finale should make up for any slow or dragging sequences. If you’re watching the film for the first time, try giving it a chance when you know you have a more patient mentality. You may be pleasantly surprised with Harsh Times.
Harsh Times is available to stream on YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. It’s available on Amazon Prime for free if you have Showtime with Prime Video channels. The film is available on Amazon on DVD for $7.96 and Multi-Format Blu-ray for $13.49. The pre-owned DVD is currently $4.09 with free shipping while a brand new Multi-Format Blu-ray is $15.98 with free shipping on eBay.
Jim Luther Davis (Christian Bale) seems like a normal guy that anyone could know. Now that he’s done his time as a soldier, it’s now his dream to become a cop in Los Angeles. Unfortunately though, Jim likes to spend most days drinking, smoking pot, and looking for ways to either get laid or kick the snot out of someone and his time as a soldier gets to him more than he lets on. He has nightmares every night and wakes up screaming with cold chills and is on the verge of downright insanity.
His best friend, Mike Alonzo (Freddy Rodriguez), has the intention of getting a job to make his wife happy but his drinking problem stands in the way of that. While Mike has his wife, Sylvia (Eva Longoria), Jim has his girlfriend, Marta (Tammy Trull), back in Mexico that he hopes to get across the border once he gets that dream job. One day, Jim gets a call from Homeland Security and Mike has an interview go surprisingly well at one of the best businesses in town; the two best friends think their lives are beginning to look up. However, Jim gets pushed too far and innocent people are suddenly caught in the crossfire.
Harsh Times plays out like a song that becomes a sleeper hit or one that eventually evolves into one of your favorites; events unfold rather slowly but they’re also building towards a big finale. Once the ball gets rolling, it’s inevitable to try and resist the mayhem that’s sure to ensue. Harsh Times may not be that appealing on the surface, but David Ayer has mastered the dynamic of two cops (one is usually Caucasian and the other is usually Hispanic or African American) set within a broken neighborhood. Watching Jim and Mike give into their vices and basically flush their dreams down the toilet by relishing the deteriorated reputation they’re known for is a riveting train wreck. Aside from Christian Bale’s outstanding performance, the real gem of the film lies within the last 20 minutes.
Ayer typically aims to shock or catch you off guard with the finales of his crime films, but there’s also a scene involving Jim that is unexpected. It’s an intriguing scene that is spontaneous in nature, but it puts what Jim went through as a soldier into perspective. Jim is completely unfazed by what he puts himself through, but Mike seems to be physically traumatized by the whole ordeal. It seems rather unimportant as it’s occurring, but it’s also the most memorable sequence once the credits roll. Before Don’t Breathe came along in 2016, this was the worst way any Hollywood film ever utilized a turkey baster.
For several years, Christian Bale was known for dramatically changing his appearance and using a different accent in every project he was a part of. Watching Harsh Times after seeing Batman Begins (both films were released in 2005) for the first time allows you to appreciate Bale’s performance even more. Imagine Batman or even Bruce Wayne trying to say with a straight face, “Yeah, homie. That’s how we roll in these streets, dawg.” It seems implausible and almost otherworldly; it’s a transition you never expected Bale to make. The transformation of the Jim Luther Davis character is incredible. The film’s editing when Jim is going through one of his episodes is an admirable nod to how unstable he is. Once the screen has that yellow tint to it, you know something detrimental is about to go down.
Harsh Times has a reputation for being slow and boring, but it’s worth a watch especially if you’re a fan of David Ayer films. The crime film may not appeal to everyone, but it probably has a lot more to offer than anyone gives it credit for. Christian Bale has a particularly strong performance in the film that deserves to behold and the intense finale should make up for any slow or dragging sequences. If you’re watching the film for the first time, try giving it a chance when you know you have a more patient mentality. You may be pleasantly surprised with Harsh Times.
Harsh Times is available to stream on YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. It’s available on Amazon Prime for free if you have Showtime with Prime Video channels. The film is available on Amazon on DVD for $7.96 and Multi-Format Blu-ray for $13.49. The pre-owned DVD is currently $4.09 with free shipping while a brand new Multi-Format Blu-ray is $15.98 with free shipping on eBay.
Gareth von Kallenbach (980 KP) rated Dark Crimes (2018) in Movies
Jul 8, 2019
great many of us film aficionados have, at one time or another, thought that they’ve seen so many films from so many different genres or written by so many ‘messed up’ writers or directed by so many warped minds that have simply ‘walked off the map’ that nothing and I mean absolutely nothing could shock us. We think we’ve ‘seen everything’ or have been ‘prepared’ for anything shocking that filmmakers might throw our way. As today’s film for your consideration will demonstrate, even folks like ‘us’ can be caught off guard by the occasional ‘curve ball’ by a writer, director, or actor/actress we’ve become acquainted with through their work over the years. I can say this much before we go any further … I have never seen nor did I ever imagine seeing Jim Carrey in a film like this.
Today’s selection is a 2016 Polish-American dramatic-mystery film entitled ‘Dark Crimes’. The film is based upon an article published in ‘The New Yorker’ in 2008 entitled ‘True Crime:A Post-Modern Murder Mystery’ by David Grann about convicted Polish murderer, writer, and photographer Krystian Bala. Directed by Alexandros Avranas and written by Jeremey Brock, ‘Dark Crimes’ stars Jim Carrey, Marton Csokas, Agata Kulesza, Kati Outinen, Charlotte Gainsbourg, and Zbigniew Zamachowski. Jim Carrey is Detective Tadek. Formerly a highly decorated and respected detective, his recent work with the police department has been nothing more than administrative duties in the records department after a controversial case he was investigating involving an unsolved murder at a sex club was suddenly ‘shelved’ and he was relegated to his current desk job. A recent book by a controversial author Kozlow (Csokas), describes a murder almost identical to the unsolved murder of a businessman Tadek was investigating and even contains details that mirror many he discovered in his original investigation. After pleading with his immediate superior to allow him to continue examining the case, Tadek begins to delve deeper into the incident re-visiting the location of the murder and interviewing possible witnesses and others who may have been present or involved in the murder.
Soon Tadek’s determination overshadows everything else. He becomes paranoid and obsessed to such severity that he alienates his family and crosses lines professionally and personally as a sort of madness begins to take over. The moment he believes he has figured out the solution to the case that has become his obsession and cost him everything he has and the person he is, it all slips away as the truth about Kozlow’s involvement in the crime becomes clear and Tadek’s only remaining option is the one you don’t see coming.
This film is DARK and not for the faint of heart. The world knows Jim Carrey for comedy and that’s what he’ll ALWAYS be known for. This film metaphorically takes all that, throws it right out the window, then proceeds to run downstairs and then outside and stomp on it. Prepare to be shocked as this was Carrey like I’ve never seen him before. The film is dark, gritty, serious, and will tempt you to keep your finger on the ‘off button’ all the way through the film. In that regard, it is indeed a great film. It’s like a modern take on a classic well-written murder mystery novel where even in the end, the outcome is sometimes equal to if not worse than the actual crime itself. The world knows Marton Csokas for his villainous roles where he typically portrays Russian or Eastern European madmen and once again he does the same in this film with great flair. The film is rated R for strong and disturbing content and runs about an hour and a half so it’s most definitely NOT one for young folks. Which it late at night when it’s dark if you’re looking for something scary that will keep you awake all night. I’m going to give the film 3 out of 5 stars. It’s okay to see once but in all honesty, it’s nothing original that hasn’t been done in other films with other actors. This one is just a variation on a theme with deferent players and different aspects and details
Today’s selection is a 2016 Polish-American dramatic-mystery film entitled ‘Dark Crimes’. The film is based upon an article published in ‘The New Yorker’ in 2008 entitled ‘True Crime:A Post-Modern Murder Mystery’ by David Grann about convicted Polish murderer, writer, and photographer Krystian Bala. Directed by Alexandros Avranas and written by Jeremey Brock, ‘Dark Crimes’ stars Jim Carrey, Marton Csokas, Agata Kulesza, Kati Outinen, Charlotte Gainsbourg, and Zbigniew Zamachowski. Jim Carrey is Detective Tadek. Formerly a highly decorated and respected detective, his recent work with the police department has been nothing more than administrative duties in the records department after a controversial case he was investigating involving an unsolved murder at a sex club was suddenly ‘shelved’ and he was relegated to his current desk job. A recent book by a controversial author Kozlow (Csokas), describes a murder almost identical to the unsolved murder of a businessman Tadek was investigating and even contains details that mirror many he discovered in his original investigation. After pleading with his immediate superior to allow him to continue examining the case, Tadek begins to delve deeper into the incident re-visiting the location of the murder and interviewing possible witnesses and others who may have been present or involved in the murder.
Soon Tadek’s determination overshadows everything else. He becomes paranoid and obsessed to such severity that he alienates his family and crosses lines professionally and personally as a sort of madness begins to take over. The moment he believes he has figured out the solution to the case that has become his obsession and cost him everything he has and the person he is, it all slips away as the truth about Kozlow’s involvement in the crime becomes clear and Tadek’s only remaining option is the one you don’t see coming.
This film is DARK and not for the faint of heart. The world knows Jim Carrey for comedy and that’s what he’ll ALWAYS be known for. This film metaphorically takes all that, throws it right out the window, then proceeds to run downstairs and then outside and stomp on it. Prepare to be shocked as this was Carrey like I’ve never seen him before. The film is dark, gritty, serious, and will tempt you to keep your finger on the ‘off button’ all the way through the film. In that regard, it is indeed a great film. It’s like a modern take on a classic well-written murder mystery novel where even in the end, the outcome is sometimes equal to if not worse than the actual crime itself. The world knows Marton Csokas for his villainous roles where he typically portrays Russian or Eastern European madmen and once again he does the same in this film with great flair. The film is rated R for strong and disturbing content and runs about an hour and a half so it’s most definitely NOT one for young folks. Which it late at night when it’s dark if you’re looking for something scary that will keep you awake all night. I’m going to give the film 3 out of 5 stars. It’s okay to see once but in all honesty, it’s nothing original that hasn’t been done in other films with other actors. This one is just a variation on a theme with deferent players and different aspects and details
Hadley (567 KP) rated Those Bones Are Not My Child in Books
Nov 12, 2019
A different type of True Crime book (1 more)
Things you probably didn't know about the case
Writing transitions are confusing (1 more)
Smash poetry breaks up the flow
Toni Cade Bambara, a writer, documentary filmmaker and screenwriter, gives True Crime readers a unique viewpoint of the real Atlanta Child Murders. Bambara mostly writes from the eyes of Marzala, a mother of three whose oldest son goes missing during one of the worst murder sprees in Atlanta's history. Marzala and her family were not actual people during this time- - - all of them are based off of parents and siblings of the real victims. Not soon after Marzala does everything she can with the police to find her son, she joins a group of African-Americans that are outraged by the lack of progress to catch who is killing Atlanta's black children. This group forms what is called STOP (a citizen-run task force). For the majority of the book, Marzala with most of the black community in the area typed out letters to prominent government officials asking for help to stop the murders, also using Vietnam vets in the area to use their tracking skills to keep an eye on suspects, and investigating buildings that police refused to believe had anything to do with the childrens' disappearances and/or murders, which Bambara did an amazing job putting all the real facts together of the actual community members that were involved with this at the time. This story is upsetting, but enlightening on how politics may have caused so many children to be murdered. This is a story no reader will ever forget.
Bambara writes not in a normal narrative - - - just telling a story from specific viewpoints, but she often breaks off into smash poetry to depict a character's state-of-mind, which, sometimes can be off putting for the reader, breaking the flow of the story. Yet, the use of smash poetry combined with the era and the heart breaking subject at hand, separates Those Bones Are Not My Child from every True Crime book I have ever read. But a note for fans of True Crime, this story is from the view point of the victims' families and the search they went through to try and catch the murderer(s), unlike most TC books, which follow the police through the investigation leading to, usually, the capture of the perpetrator. From living in Atlanta during the time of the murders, Bambara was able to reconstruct the life of a black family in 1980's Georgia, while focusing on the effect these terrible crimes had on the surrounding community. Bambara did an amazing job on what most writers cannot.
The amount of characters, specifically the fictional ones, are very well created. She describes just enough to give readers the ability to tell them apart, showing every now and then from their own viewpoints. Out of all the characters, I came to really like Zala's two other children: Kenti and Kofi. One particular scene shows the strain of Sonny's disappearance on their family: " Zala parked the comb again and sat back. 'Listen, you two.' Kofi dropped down onto his knees. 'The police and the newspapers don't know what the hell is going on, so they feel stupid, because they're supposed to know, they're trained to know, they're paid to know. It's their job. Understand? But it's hard for grown-ups to admit they're stupid, especially if they're professionals like police and reporters. So they blame the children. Or they ignore them and fill up the papers with the hostages in Iran. Understand? And now... Jesus... they've got people calling those kids juvenile delinquents.'
'Don't cry.' Kenti tried to lean into her lap and got pushed away.
'They don't know a damn thing and they act like they don't want to know. So they blame the kids 'cause they can't speak up for themselves. They say the kids had no business being outdoors, getting themselves in trouble.'
'You let us go outdoors.'
'Of course I do, baby. We go lots of places, 'cause a lot of people fought hard for our right to go any damn where we please. But when the children go out like they've a right to and some maniac grabs them, then it's the children's fault or the parents who should've been watching every minute, like we don't have to work like dogs just to put food on the table.'
Kofi walked on his knees towards the bed, but he didn't lean on her like he wanted 'cause she might push him away. So he just put his hand on the mattress next to hers."
During the Atlanta Child Murders, victims were random, except for that they were children from the same neighborhood, and they were African-American. At first, police didn't believe a serial murderer was going around abducting children, but rather that 'poor, broken' families were killing their own. In the Prologue, Bambara shows that the victims' families and private detectives came up with more ideas of the motive than the police did:
" White cops taking license in Black neighborhoods.
The Klan and other Nazi thugs on the rampage.
Diabolical scientists experimenting on Third World people.
Demonic cults engaging in human sacrifices.
A 'Nam vet unable to make the transition.
UFO aliens conducting exploratory surgery.
Whites avenging Dewey Baugus, a white youth beaten to death in spring '79, allegedly by Black youths.
Parents of a raped child running amok with 'justice.'
Porno filmmakers doing snuff flicks for entertainment.
A band of child molesters covering their tracks.
New drug forces killing the young (unwitting?) couriers of the old in a bid for turf.
Unreconstructed peckerwoods trying to topple the Black administration.
Plantation kidnappers of slave labor issuing the pink slip.
White mercenaries using Black targets to train death squadrons for overseas jobs and for domestic wars to come. "
All of these theories are explored with evidence in Those Bones Are Not My Child. One scene in Part III, Zala's cop friend, B.J. shows up to her house to tell her to stop bringing attention to the investigation, " 'That Eubanks woman - - - your husband's friend? - - - she said you were bringing in the TV networks to blow the case open. I thought we had an agreement to keep each other informed. This morning I find out through the grapevine that you parents got a medium stashed in a hotel here in town, some woman who's been making headlines up north with cases that supposedly have the authorities stumped. If you knew how much work has been done on this case - - - no, listen, don't interrupt me. Then I find out - - - and not from you - - - that some of you parents are planning to tour the country cracking on the investigation. That's not too smart. And you should have told me.' " These two may have been fictional characters, but in Bambara's Acknowledgments, she states that all scenarios were true, and that she made B.J. to tell about the actual police officers who were involved with the investigation.
The tension between the police and the public is felt throughout the entire story. Despite all of the work the citizen task force put in, police arrested a man named Wayne Williams for the murder of two adult victims (who, due to their mental age, which was stated to be that of children, were placed on the victims' list of the Atlanta Child Murders): " Wayne Williams, charged with the murder of twenty-seven-year-old Nathaniel Cater and implicated in the murder of the other adults and children on the official list..." Zala, having worked for almost a year at the STOP offices, she, along with most of the community, doubt that Williams was a lone killer or even the killer at all. Williams never stood trial for the childrens' murders, but the police informed the public that he did it, case closed - - - although, after Williams' arrest, children were still being abducted and their bodies were still being found. Even after Williams' trial and the guilty verdict for two adult victims, some people stuck around to continue to investigate and claim Williams a 'scapegoat' of politics: " There were still pockets of interest and people who wouldn't let the case go. James Baldwin had been coming to town off and on; a book was rumored. Sondra O'Neale, the Emory University professor, hadn't abandoned her research, either. From time to time, TV and movie types were in the city poking around for an angle. Camille Bell was moving to Tallahassee to write up the case from the point of view of the STOP committee. The vets had taken over The Call now that Speaker was working full-time with the Central American Committee. The Revolutionary Communist Party kept running pieces on the case in the Revolutionary Worker. Whenever Abby Mann sent down a point man for his proposed TV docudrama, the Atlanta officials and civil rights leaders would go off the deep end. " At the end of it all, the questions still remain: did Williams kill all of those children by himself? Was he part of a pornographic cult that killed the children? Or is Williams completely innocent, and the murderer(s) are still out there? In Those Bones Are Not My Child, I guarantee you will be left questioning if the police were right.
All in all, the writing transitions can become confusing sometimes, especially the interludes of smash poetry, but I highly recommend this book to people who like the True Crime genre, especially of any interest in this specific case.
Bambara writes not in a normal narrative - - - just telling a story from specific viewpoints, but she often breaks off into smash poetry to depict a character's state-of-mind, which, sometimes can be off putting for the reader, breaking the flow of the story. Yet, the use of smash poetry combined with the era and the heart breaking subject at hand, separates Those Bones Are Not My Child from every True Crime book I have ever read. But a note for fans of True Crime, this story is from the view point of the victims' families and the search they went through to try and catch the murderer(s), unlike most TC books, which follow the police through the investigation leading to, usually, the capture of the perpetrator. From living in Atlanta during the time of the murders, Bambara was able to reconstruct the life of a black family in 1980's Georgia, while focusing on the effect these terrible crimes had on the surrounding community. Bambara did an amazing job on what most writers cannot.
The amount of characters, specifically the fictional ones, are very well created. She describes just enough to give readers the ability to tell them apart, showing every now and then from their own viewpoints. Out of all the characters, I came to really like Zala's two other children: Kenti and Kofi. One particular scene shows the strain of Sonny's disappearance on their family: " Zala parked the comb again and sat back. 'Listen, you two.' Kofi dropped down onto his knees. 'The police and the newspapers don't know what the hell is going on, so they feel stupid, because they're supposed to know, they're trained to know, they're paid to know. It's their job. Understand? But it's hard for grown-ups to admit they're stupid, especially if they're professionals like police and reporters. So they blame the children. Or they ignore them and fill up the papers with the hostages in Iran. Understand? And now... Jesus... they've got people calling those kids juvenile delinquents.'
'Don't cry.' Kenti tried to lean into her lap and got pushed away.
'They don't know a damn thing and they act like they don't want to know. So they blame the kids 'cause they can't speak up for themselves. They say the kids had no business being outdoors, getting themselves in trouble.'
'You let us go outdoors.'
'Of course I do, baby. We go lots of places, 'cause a lot of people fought hard for our right to go any damn where we please. But when the children go out like they've a right to and some maniac grabs them, then it's the children's fault or the parents who should've been watching every minute, like we don't have to work like dogs just to put food on the table.'
Kofi walked on his knees towards the bed, but he didn't lean on her like he wanted 'cause she might push him away. So he just put his hand on the mattress next to hers."
During the Atlanta Child Murders, victims were random, except for that they were children from the same neighborhood, and they were African-American. At first, police didn't believe a serial murderer was going around abducting children, but rather that 'poor, broken' families were killing their own. In the Prologue, Bambara shows that the victims' families and private detectives came up with more ideas of the motive than the police did:
" White cops taking license in Black neighborhoods.
The Klan and other Nazi thugs on the rampage.
Diabolical scientists experimenting on Third World people.
Demonic cults engaging in human sacrifices.
A 'Nam vet unable to make the transition.
UFO aliens conducting exploratory surgery.
Whites avenging Dewey Baugus, a white youth beaten to death in spring '79, allegedly by Black youths.
Parents of a raped child running amok with 'justice.'
Porno filmmakers doing snuff flicks for entertainment.
A band of child molesters covering their tracks.
New drug forces killing the young (unwitting?) couriers of the old in a bid for turf.
Unreconstructed peckerwoods trying to topple the Black administration.
Plantation kidnappers of slave labor issuing the pink slip.
White mercenaries using Black targets to train death squadrons for overseas jobs and for domestic wars to come. "
All of these theories are explored with evidence in Those Bones Are Not My Child. One scene in Part III, Zala's cop friend, B.J. shows up to her house to tell her to stop bringing attention to the investigation, " 'That Eubanks woman - - - your husband's friend? - - - she said you were bringing in the TV networks to blow the case open. I thought we had an agreement to keep each other informed. This morning I find out through the grapevine that you parents got a medium stashed in a hotel here in town, some woman who's been making headlines up north with cases that supposedly have the authorities stumped. If you knew how much work has been done on this case - - - no, listen, don't interrupt me. Then I find out - - - and not from you - - - that some of you parents are planning to tour the country cracking on the investigation. That's not too smart. And you should have told me.' " These two may have been fictional characters, but in Bambara's Acknowledgments, she states that all scenarios were true, and that she made B.J. to tell about the actual police officers who were involved with the investigation.
The tension between the police and the public is felt throughout the entire story. Despite all of the work the citizen task force put in, police arrested a man named Wayne Williams for the murder of two adult victims (who, due to their mental age, which was stated to be that of children, were placed on the victims' list of the Atlanta Child Murders): " Wayne Williams, charged with the murder of twenty-seven-year-old Nathaniel Cater and implicated in the murder of the other adults and children on the official list..." Zala, having worked for almost a year at the STOP offices, she, along with most of the community, doubt that Williams was a lone killer or even the killer at all. Williams never stood trial for the childrens' murders, but the police informed the public that he did it, case closed - - - although, after Williams' arrest, children were still being abducted and their bodies were still being found. Even after Williams' trial and the guilty verdict for two adult victims, some people stuck around to continue to investigate and claim Williams a 'scapegoat' of politics: " There were still pockets of interest and people who wouldn't let the case go. James Baldwin had been coming to town off and on; a book was rumored. Sondra O'Neale, the Emory University professor, hadn't abandoned her research, either. From time to time, TV and movie types were in the city poking around for an angle. Camille Bell was moving to Tallahassee to write up the case from the point of view of the STOP committee. The vets had taken over The Call now that Speaker was working full-time with the Central American Committee. The Revolutionary Communist Party kept running pieces on the case in the Revolutionary Worker. Whenever Abby Mann sent down a point man for his proposed TV docudrama, the Atlanta officials and civil rights leaders would go off the deep end. " At the end of it all, the questions still remain: did Williams kill all of those children by himself? Was he part of a pornographic cult that killed the children? Or is Williams completely innocent, and the murderer(s) are still out there? In Those Bones Are Not My Child, I guarantee you will be left questioning if the police were right.
All in all, the writing transitions can become confusing sometimes, especially the interludes of smash poetry, but I highly recommend this book to people who like the True Crime genre, especially of any interest in this specific case.
Lyndsey Gollogly (2893 KP) rated Killing for Company: Case of Dennis Nilsen in Books
May 19, 2021
64 of 250
Book
Killing for Company: The Case of Dennis Nilsen
By Brian Masters
Once read a review will be written via Smashbomb and link posted in comments
__________________
Dennis Nilsen, who died in May 2018, admitted to killing at least 15 people before his arrest in 1983. This ground-breaking criminal study of his killings was written with Nilsen's full cooperation, resulting in a fascinating - and horrifying - portrait of the man who worshipped death.
In February 1983, residents of Muswell Hill had been plagued by blocked drains. When a plumber was called to investigate, he discovered a large blockage of biological material. To his horror, it appeared to be formed of human flesh and bones.
The next day, local resident Dennis Nilsen was arrested.
'Are we talking about one body or two?' a detective asked. Nilsen replied 'Fifteen or sixteen, since 1978. I'll tell you everything.'
Within days he had confessed to fifteen gruesome murders over a period of four years. His victims, mostly young gay men at a time when society cared little for them, had been overlooked. Killing for Company is a unique study of a murderer's mind, essential reading for true crime aficionados.
__________________
This is a seriously hard book to read and review! I grew up loving true crimes and British serial killers and a bit later American serial killers and although I knew this case as I’d read lots about it growing up I found this book hard going, not because it was poorly written but by the content and knowing Nilsen had a lot to say to Masters. I have read Masters book on Jeffery Dahmer and it was a decent retelling but to me it always seemed so far away! This however was in the UK and only 100+ miles down the motorway, he was in the army the same time as my dad and the fact he on paper seemed so bloody normal! He held a steady job and campaigned via the union for people under discrimination, he loved pets he didn’t have all the common markers as your typical serial killer! It’s only when he was on remand you start seeing how mentally ill he really was! It’s always hard to say you enjoy these types of books I tend to find them fascinating not enjoyable this one really hit home I cried and felt physically sick at several points. I want to know how it can suddenly change from being the person he was before the first murder to that monster ( the only word to describe him). Reading his reactions to how one victims parents would hopefully forgive him is chilling! Also the illustrations at the end of the book are just shocking! Worth a read and I would recommend but this left me asking so many questions!
Book
Killing for Company: The Case of Dennis Nilsen
By Brian Masters
Once read a review will be written via Smashbomb and link posted in comments
__________________
Dennis Nilsen, who died in May 2018, admitted to killing at least 15 people before his arrest in 1983. This ground-breaking criminal study of his killings was written with Nilsen's full cooperation, resulting in a fascinating - and horrifying - portrait of the man who worshipped death.
In February 1983, residents of Muswell Hill had been plagued by blocked drains. When a plumber was called to investigate, he discovered a large blockage of biological material. To his horror, it appeared to be formed of human flesh and bones.
The next day, local resident Dennis Nilsen was arrested.
'Are we talking about one body or two?' a detective asked. Nilsen replied 'Fifteen or sixteen, since 1978. I'll tell you everything.'
Within days he had confessed to fifteen gruesome murders over a period of four years. His victims, mostly young gay men at a time when society cared little for them, had been overlooked. Killing for Company is a unique study of a murderer's mind, essential reading for true crime aficionados.
__________________
This is a seriously hard book to read and review! I grew up loving true crimes and British serial killers and a bit later American serial killers and although I knew this case as I’d read lots about it growing up I found this book hard going, not because it was poorly written but by the content and knowing Nilsen had a lot to say to Masters. I have read Masters book on Jeffery Dahmer and it was a decent retelling but to me it always seemed so far away! This however was in the UK and only 100+ miles down the motorway, he was in the army the same time as my dad and the fact he on paper seemed so bloody normal! He held a steady job and campaigned via the union for people under discrimination, he loved pets he didn’t have all the common markers as your typical serial killer! It’s only when he was on remand you start seeing how mentally ill he really was! It’s always hard to say you enjoy these types of books I tend to find them fascinating not enjoyable this one really hit home I cried and felt physically sick at several points. I want to know how it can suddenly change from being the person he was before the first murder to that monster ( the only word to describe him). Reading his reactions to how one victims parents would hopefully forgive him is chilling! Also the illustrations at the end of the book are just shocking! Worth a read and I would recommend but this left me asking so many questions!
Bob Mann (459 KP) rated The Many Saints of Newark (2021) in Movies
Oct 5, 2021
Production design (1 more)
Great cast
Sopranos prequel that failed to hit the high note with this Sopranos virgin.
With Bond showing on virtually every screen of my local Cineworld, there were few other choices for movies to go see this week. So even though I've never seen "The Sopranos" TV series, I decided to give this movie prequel a shot.
Positives:
- Like any good mafia story, there's a nicely developed sense of place for the action. The film is set in the late 60's / early 70's, and the score and the production design nicely portray the period. The rise of black factions to challenge the white status quo, even in the crime world, make this a nice companion piece to "Judas and the Black Messiah" .
- Although he's been in films like "American Hustle" and "Selma", I wouldn't have been able to pick Alessandro Nivola out of a line-up. But he did a great job portraying the different sides of Dickie: both caring uncle and psychopathic gangster. And Odom Jnr is again impressive: I've not yet seen him deliver any role that's been sub-par.
- It's also impressive that they had Michael Gandolfini to play the younger self of his late father's role. Although I kept being distracted by how much he looks and acts like a young John Cusack!
Negatives:
- The story is told over many years and the script came across as quite uneven. There are regular cut-aways to Dickie visiting his uncle "Hollywood Dick" (Ray Liotta) in prison, which a lot of the time, to me, felt disconnected from the main plot.
- Whilst most of the ensemble cast do a good job, some of the portrayals felt like forced caricatures of "Goodfellas" characters.
- As a "Sopranos" virgin, I could tell that there were lots of Easter Eggs and in-jokes in the movie (e.g. The baby Christopher crying whenever Anthony talked to him). WIth "Sopranos" regulars Alan Taylor and David Chase in charge, that's not surprising. But I'm afraid all of these went right over my head.
Summary Thoughts on "The Many Saints of Newark": This wasn't a complete bust for me, which it might have been if it had been a sequel rather than a prequel. Indeed there are the occasional flashes of brilliance with certain scenes. But neither did I find it so engrossing that it's going to trouble my top 20 for the year.
I guess is that if you are a "Sopranos" fan, then you would get a lot more out of this than I did. But it's still an interesting way to spend a couple of hours.
(For the full graphical review, please check out #oemannsmovies on the web, Facebook or Tiktok. Thanks.)
Positives:
- Like any good mafia story, there's a nicely developed sense of place for the action. The film is set in the late 60's / early 70's, and the score and the production design nicely portray the period. The rise of black factions to challenge the white status quo, even in the crime world, make this a nice companion piece to "Judas and the Black Messiah" .
- Although he's been in films like "American Hustle" and "Selma", I wouldn't have been able to pick Alessandro Nivola out of a line-up. But he did a great job portraying the different sides of Dickie: both caring uncle and psychopathic gangster. And Odom Jnr is again impressive: I've not yet seen him deliver any role that's been sub-par.
- It's also impressive that they had Michael Gandolfini to play the younger self of his late father's role. Although I kept being distracted by how much he looks and acts like a young John Cusack!
Negatives:
- The story is told over many years and the script came across as quite uneven. There are regular cut-aways to Dickie visiting his uncle "Hollywood Dick" (Ray Liotta) in prison, which a lot of the time, to me, felt disconnected from the main plot.
- Whilst most of the ensemble cast do a good job, some of the portrayals felt like forced caricatures of "Goodfellas" characters.
- As a "Sopranos" virgin, I could tell that there were lots of Easter Eggs and in-jokes in the movie (e.g. The baby Christopher crying whenever Anthony talked to him). WIth "Sopranos" regulars Alan Taylor and David Chase in charge, that's not surprising. But I'm afraid all of these went right over my head.
Summary Thoughts on "The Many Saints of Newark": This wasn't a complete bust for me, which it might have been if it had been a sequel rather than a prequel. Indeed there are the occasional flashes of brilliance with certain scenes. But neither did I find it so engrossing that it's going to trouble my top 20 for the year.
I guess is that if you are a "Sopranos" fan, then you would get a lot more out of this than I did. But it's still an interesting way to spend a couple of hours.
(For the full graphical review, please check out #oemannsmovies on the web, Facebook or Tiktok. Thanks.)
Darren (1599 KP) rated Formula 51 (2002) in Movies
Jun 20, 2019
Story: The 51st State starts in 1971 California where Elmo McElroy (Jackson) getting caught smoking weed losing he recently receive diploma in pharmacy. Move forward 30 years Elmo works as a drug maker for The Lizard (Meat Loaf). We learn that Dakota (Mortimer) owes The Lizard a debt which she pays off with her assassin skills. Elmo has taken it upon himself to escape The Lizard but he doesn’t get the job done, this leads to The Lizard giving Dakota a chance to clean her slate for good by sending her to kill Elmo and the drug dealer who never turned up for the deal Durant (Tomlinson).
Next we meet Felix DeSouza (Carlyle) a fellow dealer who is happy to live in Manchester while cheering for Liverpool putting him into conflict when he doesn’t need too. Felix has to deliver Elmo to Durant to help with the latest deal as Elmo brings his product to England but to keep things interesting Dakota just so happens to be Felix’s ex make the assassination attempt difficult due to the personal side.
It is up to Felix and Elmo to try and work out a deal in the city before the time runs out with Dakota trying to track down Elmo to for The Lizard. All this while determined detective Kane (Pertwee) want in on the action and to stop the deal taking place. All these factors lead to the final outcome of the film when we find out just who is playing who.
The 51st State is a film that really made me want to switch it off very early because the needless amount of swearing and aggressive toning of the language just seemed to be there because someone couldn’t think of any real words. I wasn’t the most interested in this film because of the heavy drug use either because I feel drugs over use makes people out to stupid because not everyone needs drugs but the films seems to make the point everyone does. After getting through the opening half of the film and getting used the poorly written script the story does unfold to be quite interesting. We get plenty of twists and turn along the way and the final twist does actually make you smile because of how Elmo has handled it all. (5/10)
Actor Review
Samuel L Jackson: Elmo McElroy is the most wanted chemist in the world of drugs, he decides to leave his old market behind and take his work to England where he gets stuck in the middle of a battle for power between the drug lords. Samuel does end up giving us a performance you would expect but his image if something that will shock with his kilt. (7/10)
elmo
Robert Carlyle: Felix DeSouza is the hot head Liverpool fan who works for a drug lord in the city but when things get out of hand he has to help settle the deal for Elmo and his price tickets to Liverpool v Manchester United. Robert gives the performance you would expect from the British star. (7/10)
robert
Emily Mortimer: Dakota Parker is the deadly beautiful assassin who is working off a debt from The Lizard, she has history with Felix but is working on catching Elmo for The Lizard. Emily does a good job as the assassin with a past. (7/10)
dakota
Meat Loaf: The Lizard is the American drug lord that has been double crossed by Elmo but he isn’t taking it lightly when he sends his best assassin to bring him back to complete the business deal they had going down. Meat Loaf does end up giving a performance you wouldn’t expect from the musician. (7/10)
Rhys Ifans: Iki is the local dealer who can help get the deal done in Liverpool once everything gets out of hand. He is playing both sides because he is the go to guy in the city. Rhys is one of the best over the top crazy performers in the acting work and he shows why here. (7/10)
ike
Support Cast: The 51st State has a supporting cast that includes plenty of different characters involved in the drug world that all help motive our characters.
Director Review: Ronny Yu – Ronny does try to give us a crime caper but does he need to just have the characters swearing for the sake of it. (5/10)
Action: The 51st State has a couple of fights but most of the action is almost happening. (5/10)
Crime: The 51st State puts us in a drug world well giving us a mixture of colourful characters. (8/10)
Thriller: The 51st State doesn’t pull you in as much as it should because we think everything is done and dusted early on and by the time it has changed we are not sure what to think. (6/10)
Settings: The 51st State uses the setting of Liverpool very well making everything feel like a normal day with the crime happening around it. (8/10)
Suggestion: The 51st State is one to try, I think if you are a fan of the genre you will enjoy but otherwise it might end up feeling like too much. (Try It)
Best Part: Final deal.
Worst Part: Too much needless aggressive swearing.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: Early on in the credits.
Oscar Chances: No
Budget: $28 Million
Runtime: 1 Hour 33 Minutes
Tagline: In a world of shady characters and dirty deals, this is just business as usual.
Overall: This is a typical over aggressive drug filled film that has a twist that makes it more enjoyable.
https://moviesreview101.com/2015/12/11/the-51st-state-2001/
Next we meet Felix DeSouza (Carlyle) a fellow dealer who is happy to live in Manchester while cheering for Liverpool putting him into conflict when he doesn’t need too. Felix has to deliver Elmo to Durant to help with the latest deal as Elmo brings his product to England but to keep things interesting Dakota just so happens to be Felix’s ex make the assassination attempt difficult due to the personal side.
It is up to Felix and Elmo to try and work out a deal in the city before the time runs out with Dakota trying to track down Elmo to for The Lizard. All this while determined detective Kane (Pertwee) want in on the action and to stop the deal taking place. All these factors lead to the final outcome of the film when we find out just who is playing who.
The 51st State is a film that really made me want to switch it off very early because the needless amount of swearing and aggressive toning of the language just seemed to be there because someone couldn’t think of any real words. I wasn’t the most interested in this film because of the heavy drug use either because I feel drugs over use makes people out to stupid because not everyone needs drugs but the films seems to make the point everyone does. After getting through the opening half of the film and getting used the poorly written script the story does unfold to be quite interesting. We get plenty of twists and turn along the way and the final twist does actually make you smile because of how Elmo has handled it all. (5/10)
Actor Review
Samuel L Jackson: Elmo McElroy is the most wanted chemist in the world of drugs, he decides to leave his old market behind and take his work to England where he gets stuck in the middle of a battle for power between the drug lords. Samuel does end up giving us a performance you would expect but his image if something that will shock with his kilt. (7/10)
elmo
Robert Carlyle: Felix DeSouza is the hot head Liverpool fan who works for a drug lord in the city but when things get out of hand he has to help settle the deal for Elmo and his price tickets to Liverpool v Manchester United. Robert gives the performance you would expect from the British star. (7/10)
robert
Emily Mortimer: Dakota Parker is the deadly beautiful assassin who is working off a debt from The Lizard, she has history with Felix but is working on catching Elmo for The Lizard. Emily does a good job as the assassin with a past. (7/10)
dakota
Meat Loaf: The Lizard is the American drug lord that has been double crossed by Elmo but he isn’t taking it lightly when he sends his best assassin to bring him back to complete the business deal they had going down. Meat Loaf does end up giving a performance you wouldn’t expect from the musician. (7/10)
Rhys Ifans: Iki is the local dealer who can help get the deal done in Liverpool once everything gets out of hand. He is playing both sides because he is the go to guy in the city. Rhys is one of the best over the top crazy performers in the acting work and he shows why here. (7/10)
ike
Support Cast: The 51st State has a supporting cast that includes plenty of different characters involved in the drug world that all help motive our characters.
Director Review: Ronny Yu – Ronny does try to give us a crime caper but does he need to just have the characters swearing for the sake of it. (5/10)
Action: The 51st State has a couple of fights but most of the action is almost happening. (5/10)
Crime: The 51st State puts us in a drug world well giving us a mixture of colourful characters. (8/10)
Thriller: The 51st State doesn’t pull you in as much as it should because we think everything is done and dusted early on and by the time it has changed we are not sure what to think. (6/10)
Settings: The 51st State uses the setting of Liverpool very well making everything feel like a normal day with the crime happening around it. (8/10)
Suggestion: The 51st State is one to try, I think if you are a fan of the genre you will enjoy but otherwise it might end up feeling like too much. (Try It)
Best Part: Final deal.
Worst Part: Too much needless aggressive swearing.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: Early on in the credits.
Oscar Chances: No
Budget: $28 Million
Runtime: 1 Hour 33 Minutes
Tagline: In a world of shady characters and dirty deals, this is just business as usual.
Overall: This is a typical over aggressive drug filled film that has a twist that makes it more enjoyable.
https://moviesreview101.com/2015/12/11/the-51st-state-2001/
TM
The Making of the President 2016: How Donald Trump Orchestrated a Revolution
Book
In the tradition of Theodore White's landmark books, the definitive look at how Donald J. Trump...