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Gareth von Kallenbach (980 KP) rated BlacKkKlansman (2018) in Movies
Jul 8, 2019
From Director Spike Lee comes the incredible story of true American hero. In the early 1970s, Ron Stallworth (John David Washington) is the first African-American detective to serve in the Colorado Springs Police Department. Determined to make a name for himself, Stallworth bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan. The movie is based on Stallworth’s 2014 book Black Klansman, which details his experience. When it came time to meet the Klan members face-to-face, he utilized the help of a white undercover narcotics officer (Adam Driver in the movie), who posed as Stallworth for all in-person meetings with the Klan. Together, they team up to take down the extremist hate group as the organization aims to sanitize its violent rhetoric to appeal to the mainstream.
The film is very creative in the way that it presents history and allows the audience ride along with the action, suspense, and anxiety experience by Washington and Driver’s characters. The tone of the film, at times, is lighthearted in its approach but quickly draws you back in when faced with the reality that David Duke, and people like him walk among us dressing up their racism with non-threatening slogans, professional attire, and a clean-cut package.
The story displayed is a reminder that racism in America has a long history and is not isolated geographically to the south nor limited to Charlottesville or Charleston. The attitudes and actions committed by those who agree with the stances of white supremacy and white supremacist organizations have had a drastic impact on the development of American society. It has shaped and misshapen our attitudes towards one another. It continues to affect us today as we all bear witness to unbridled racism or the downplaying of racism with terms like “political correctness.” This film is timely in its approach and offers audiences a more full and expansive view of what combatting racism and racist attitudes and actions looks like.
Blackkklansman is a film that many have waited for when first hearing about the story of Ron Stallworth and they will not be disappointed with what they witness on screen. Sadly, the people who desperately need to see this movie may pass on it because they are uncomfortable with the subject matter and the reality that they themselves may be complicit in the continuance of racism and white supremacy. This film feels like a conversation being conducted directly between the director and audience. There are subtleties that allow the audience to think about the meaning and even parallel between the early 1970s and the current political environment, as well as, moments where there is no hiding of the message, no metaphor, no allegory. The filmmakers make it clear for those watching that many of us need to wake up almost as blatantly as Spike Lee promotes one of his earlier films, School Daze.
The only problem I found with the film was that I was left wanting more discussion. I wanted to see more of what Ron Stallworth dealt with as the only black detective in his department. If anything, this shows a real strength in the film by leaving audiences emotionally connected with the horrors that he faced, as well as, the way that those around him come to grips with the reality of the hatred and racial violence that had overlooked before because it did not have a direct effect on them. Blackkklansman is a film that will have audiences reflecting long after the credits have rolled. Hopefully the themes, metaphors, and overall message will help foster overdue and well-needed conversations about race, racism, prejudice, and violence. This film takes audiences out of their comfort zones and forces them to face some of the dark corners of America for two hours. Within that two hours, hopefully the people who don’t recognize racism and bigotry get a glimpse of the true horror and fear that marginalized communities feel on a daily basis so that they themselves can be agents of change and fight against racism.
The film is very creative in the way that it presents history and allows the audience ride along with the action, suspense, and anxiety experience by Washington and Driver’s characters. The tone of the film, at times, is lighthearted in its approach but quickly draws you back in when faced with the reality that David Duke, and people like him walk among us dressing up their racism with non-threatening slogans, professional attire, and a clean-cut package.
The story displayed is a reminder that racism in America has a long history and is not isolated geographically to the south nor limited to Charlottesville or Charleston. The attitudes and actions committed by those who agree with the stances of white supremacy and white supremacist organizations have had a drastic impact on the development of American society. It has shaped and misshapen our attitudes towards one another. It continues to affect us today as we all bear witness to unbridled racism or the downplaying of racism with terms like “political correctness.” This film is timely in its approach and offers audiences a more full and expansive view of what combatting racism and racist attitudes and actions looks like.
Blackkklansman is a film that many have waited for when first hearing about the story of Ron Stallworth and they will not be disappointed with what they witness on screen. Sadly, the people who desperately need to see this movie may pass on it because they are uncomfortable with the subject matter and the reality that they themselves may be complicit in the continuance of racism and white supremacy. This film feels like a conversation being conducted directly between the director and audience. There are subtleties that allow the audience to think about the meaning and even parallel between the early 1970s and the current political environment, as well as, moments where there is no hiding of the message, no metaphor, no allegory. The filmmakers make it clear for those watching that many of us need to wake up almost as blatantly as Spike Lee promotes one of his earlier films, School Daze.
The only problem I found with the film was that I was left wanting more discussion. I wanted to see more of what Ron Stallworth dealt with as the only black detective in his department. If anything, this shows a real strength in the film by leaving audiences emotionally connected with the horrors that he faced, as well as, the way that those around him come to grips with the reality of the hatred and racial violence that had overlooked before because it did not have a direct effect on them. Blackkklansman is a film that will have audiences reflecting long after the credits have rolled. Hopefully the themes, metaphors, and overall message will help foster overdue and well-needed conversations about race, racism, prejudice, and violence. This film takes audiences out of their comfort zones and forces them to face some of the dark corners of America for two hours. Within that two hours, hopefully the people who don’t recognize racism and bigotry get a glimpse of the true horror and fear that marginalized communities feel on a daily basis so that they themselves can be agents of change and fight against racism.
Veronica Pena (690 KP) rated In the Time of the Butterflies in Books
Jan 25, 2020
Oh my goodness, this book. I am simultaneously at a loss for words and still have so much to say. My first inclination after reading this book is disappointment. Not in the writing or the story itself, but in me, actually. I am Dominican. Though I was born in the United States, I speak Spanglish - definitely more English than Spanish - and I've never been to the DR, I still felt this deep disappointment in myself. For not knowing my own history. I'm a first-generation American. My father was born in Santo Domingo and as a product of my circumstances, I don't know enough about my family's native country. And in a large way, that's on me. It's not like I'm incapable of learning, I'm 20 years old and I live in the digital age, for goodness sake. I don't know if I have any sort of excuse, and even if I did, I'm not sure it's a good one. But regardless, the disappointment is there.
This book gave me a connection. A connection to the history, to the language, to the land - one I didn't have before. As I moved through the novel and became familiar with Dedé, Minerva, Patria, and María Teresa, I found bits of myself in each of them. I found myself talking to them as if I knew them or they were my friends, wanting to provide them comfort, advice, a swift kick in the butt when I thought they needed more of a push. I wish I could truly put into words all the things this novel did for me and made me feel. I'm not sure if I'll ever be able to find them.
What I loved most about this story is the truth in it all. Trujillo was a dictator and under his regime, the DR fell apart. I loved that the Mirabal sisters were real and that while their story was one worth telling, the one in this book was fictionalized but still rang true in some aspects. I loved that their story was told from all four of their perspectives, not just Dedé, as the survivor.
I think this novel is one that should be read by many, and I think this story - one of the Mirabal sisters - is one that should be shouted from as many rooftops as possible.
"The function of freedom is to free someone else." - Toni Morrison
This book gave me a connection. A connection to the history, to the language, to the land - one I didn't have before. As I moved through the novel and became familiar with Dedé, Minerva, Patria, and María Teresa, I found bits of myself in each of them. I found myself talking to them as if I knew them or they were my friends, wanting to provide them comfort, advice, a swift kick in the butt when I thought they needed more of a push. I wish I could truly put into words all the things this novel did for me and made me feel. I'm not sure if I'll ever be able to find them.
What I loved most about this story is the truth in it all. Trujillo was a dictator and under his regime, the DR fell apart. I loved that the Mirabal sisters were real and that while their story was one worth telling, the one in this book was fictionalized but still rang true in some aspects. I loved that their story was told from all four of their perspectives, not just Dedé, as the survivor.
I think this novel is one that should be read by many, and I think this story - one of the Mirabal sisters - is one that should be shouted from as many rooftops as possible.
"The function of freedom is to free someone else." - Toni Morrison
Single, Dating, Engaged, Married: Navigating Life and Love in the Modern Age
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***TO OUR USERS: Smithsonian magazine’s digital edition is undergoing a change of production...
Hazel (1853 KP) rated Killers of the Flower Moon: The Osage Murder and the Birth of the FBI in Books
Dec 7, 2018
<I>I received this book for free through Goodreads First Reads.</I>
It is well known that throughout history, facts have been omitted from history books. Written accounts of events ostensibly make important figures and countries appear to be in the right, whereas reality reveals otherwise. One such exclusion is the fate of the Native Americans inhabiting the southern states at the beginning of the 1900s. Children are brought up to believe the stories that “Red Indians” are bad and the cowboys are good, but this was unlikely the case. David Grann has researched into a particular period of Native American history that most people may never have heard of.<I> Killers of the Flower Moon</I> reveals the horrors innocent people faced at the hands of perfidious criminals.
The majority of the book is written as a third person narrative, recounting the lives of some of the members of the Osage Indian Nation in Oklahoma. White people, believing themselves to be superior, had forced the natives off their homelands and onto rocky, unwanted ground. What they did not anticipate, however, was the abundance of oil residing beneath the surface. The Osage went from being oppressed to being the wealthiest people in the state. Full of avarice, the whites were not going to let them get away with this fortune for long.
David Grann takes a particular interest in Mollie Burkhart, an Osage member with a white husband. Mollie had three sisters, but within a few short years they were all dead, and so was her mother. Believing they had been murdered, Mollie fears for her life. Other Osage members were also being killed, as well as those who tried to investigate the spreading slaughter. However, the case remained stubbornly unsolved.
Nevertheless, there was still hope for Mollie after the arrival of Tom White, an agent of the soon to be known as Federal Bureau of Investigation (FBI). Determined to get to the bottom of the so-called Reign of Terror, Tom and his team carefully analyse the behaviours and motives of the disingenuous citizens, narrowing down the suspects until eventually finding their duplicitous killer.
Learning about this unknown period of history is eye opening and offers a completely new view on the relations between whites and Native Americans. It was a time of prejudice and racism, not unlike the attitude towards black people emphasised with the civil rights movement in the mid-1900s. Greed was a significant motivator, particularly where making money was involved. But, David Grann does not stop here.
The final section of <i>Killers of the Flower Moon</i> is written from the author’s perspective. As a staff writer at <i>The New Yorker</i>, the evidence of the Osage murders case intrigued David Grann, but he was concerned about some unresolved holes in the story. Determined to uncover the truth, Grann conducted his own research to discover the culprits behind the undocumented murders unrelated to Mollie Burkhart’s family. What he stumbles on highlights the severity of the dark fate the Osage Indians were threatened with.
Despite being written as a narrative, it is obvious that <i>Killers of the Flower Moon</i> is a work of non-fiction. It lacks emotion and character insight, however, since it is not meant to be a fabricated story, these elements are not required. Instead, it shocks and disturbs the reader with its unbelievable truths.
An extensive biography proves the authenticity of David Grann’s revelation. With the reinforcement of FBI files, jury testimonials, statements, court transcripts, letters, telegrams, diaries and confessions, Grann produces a strong historical record of events that should not be glossed over. Without authors and books such as <i>Killers of the Flower Moon</i>, people will blindly go around believing falsehoods. The truth needs to be discovered, and readers can start by reading this book.
It is well known that throughout history, facts have been omitted from history books. Written accounts of events ostensibly make important figures and countries appear to be in the right, whereas reality reveals otherwise. One such exclusion is the fate of the Native Americans inhabiting the southern states at the beginning of the 1900s. Children are brought up to believe the stories that “Red Indians” are bad and the cowboys are good, but this was unlikely the case. David Grann has researched into a particular period of Native American history that most people may never have heard of.<I> Killers of the Flower Moon</I> reveals the horrors innocent people faced at the hands of perfidious criminals.
The majority of the book is written as a third person narrative, recounting the lives of some of the members of the Osage Indian Nation in Oklahoma. White people, believing themselves to be superior, had forced the natives off their homelands and onto rocky, unwanted ground. What they did not anticipate, however, was the abundance of oil residing beneath the surface. The Osage went from being oppressed to being the wealthiest people in the state. Full of avarice, the whites were not going to let them get away with this fortune for long.
David Grann takes a particular interest in Mollie Burkhart, an Osage member with a white husband. Mollie had three sisters, but within a few short years they were all dead, and so was her mother. Believing they had been murdered, Mollie fears for her life. Other Osage members were also being killed, as well as those who tried to investigate the spreading slaughter. However, the case remained stubbornly unsolved.
Nevertheless, there was still hope for Mollie after the arrival of Tom White, an agent of the soon to be known as Federal Bureau of Investigation (FBI). Determined to get to the bottom of the so-called Reign of Terror, Tom and his team carefully analyse the behaviours and motives of the disingenuous citizens, narrowing down the suspects until eventually finding their duplicitous killer.
Learning about this unknown period of history is eye opening and offers a completely new view on the relations between whites and Native Americans. It was a time of prejudice and racism, not unlike the attitude towards black people emphasised with the civil rights movement in the mid-1900s. Greed was a significant motivator, particularly where making money was involved. But, David Grann does not stop here.
The final section of <i>Killers of the Flower Moon</i> is written from the author’s perspective. As a staff writer at <i>The New Yorker</i>, the evidence of the Osage murders case intrigued David Grann, but he was concerned about some unresolved holes in the story. Determined to uncover the truth, Grann conducted his own research to discover the culprits behind the undocumented murders unrelated to Mollie Burkhart’s family. What he stumbles on highlights the severity of the dark fate the Osage Indians were threatened with.
Despite being written as a narrative, it is obvious that <i>Killers of the Flower Moon</i> is a work of non-fiction. It lacks emotion and character insight, however, since it is not meant to be a fabricated story, these elements are not required. Instead, it shocks and disturbs the reader with its unbelievable truths.
An extensive biography proves the authenticity of David Grann’s revelation. With the reinforcement of FBI files, jury testimonials, statements, court transcripts, letters, telegrams, diaries and confessions, Grann produces a strong historical record of events that should not be glossed over. Without authors and books such as <i>Killers of the Flower Moon</i>, people will blindly go around believing falsehoods. The truth needs to be discovered, and readers can start by reading this book.
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The MLB.com Ballpark app is your favorite mobile companion when visiting any Major League Baseball...
BookwormMama14 (18 KP) rated A Lesson in Love and Murder (Herringford and Watts Mysteries, #2) in Books
Jan 2, 2019
From the iconic cover through to the Epilogue, Rachel McMillan has delivered another thrilling Herringford & Watts adventure. Filled with love and mystery, sorrow and murder, trust and anarchy...You will be drawn into the story and fight alongside Merinda and Jem for justice and freedom. Can I just say..."Mounties"...Even this redneck American girl can appreciate the Royal North-West Mounted Police. And I was giddy with delight that Rachel incorporated them into this story. I loved this book so much (more than the first one I think). There was so much going on in history at this time. It was interesting to watch those with the desire to bring change, they had the passion and drive to see things through to the end...But they had a warped view of how to go about it. Unfortunately, it reminds me of society today. It breaks my heart knowing that not much has changed in that aspect. Protests, bombings, violence and murder...These are not the answers. That is all I will say about that...Back to the book...Full of the same witty dialogue and precarious circumstances that I have come to expect (and adore) from Herringford & Watts. The footnotes also make their appearance in this story, which I still think is BRILLIANT! If you are interested in mystery, humour, and romance, these are the books for you. You will want to start with the first book, A Bachelor Girl's Guide to Murder. Trust me, you don't want to miss out on this adventure. I received a free copy of A Lesson in Love & Murder in exchange for my honest review. All opinions expressed are mine alone.
This one's a bit too close for comfort...
Well, this was a bit of a disconcerting and frankly worrying book. but it's one that made me really think.
Set in present day, it follows Jon Keller, an American Historian, and his fellow guests at a hotel in Switzerland, following a nuclear war. Pretty much every major city in the world has been bombed. The majority of guests have left, trying to get back to their homes even thought the media has advised them against doing so (no aeroplanes, no public transport). Jon and a small group of other guests decide to stay and make the best of it.
Whilst checking water supplies in the roof storage tanks, they find the body of a child, and Jon decides to investigate.
The book is written in Jon's voice as he writes a diary, a history, of his and the other guests survival, and his investigation.
I really liked this. It wasn't sensationalised, it all seemed so reasonable, and in our current worldwide political climate, so plausible - which is what made it really scary. It did have a bit of the "Huis Clos" (a play by Jean Paul Sartre) feeling about it: a feeling of being trapped with the same day coming around again and again, no escape, stuck with the same people that you neither particularly like or trust. And I liked that about it.
By the way, in the advent of a nuclear holocaust, Switzerland would seem to be a pretty civilised place to be 'stuck'.
Many thanks to NetGalley and Viking for the copy of this book to read and review!
Set in present day, it follows Jon Keller, an American Historian, and his fellow guests at a hotel in Switzerland, following a nuclear war. Pretty much every major city in the world has been bombed. The majority of guests have left, trying to get back to their homes even thought the media has advised them against doing so (no aeroplanes, no public transport). Jon and a small group of other guests decide to stay and make the best of it.
Whilst checking water supplies in the roof storage tanks, they find the body of a child, and Jon decides to investigate.
The book is written in Jon's voice as he writes a diary, a history, of his and the other guests survival, and his investigation.
I really liked this. It wasn't sensationalised, it all seemed so reasonable, and in our current worldwide political climate, so plausible - which is what made it really scary. It did have a bit of the "Huis Clos" (a play by Jean Paul Sartre) feeling about it: a feeling of being trapped with the same day coming around again and again, no escape, stuck with the same people that you neither particularly like or trust. And I liked that about it.
By the way, in the advent of a nuclear holocaust, Switzerland would seem to be a pretty civilised place to be 'stuck'.
Many thanks to NetGalley and Viking for the copy of this book to read and review!
Oxford Learner’s Thesaurus: A Dictionary of Synonyms
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Understand the differences between similar words in written and spoken English and find the right...