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JT (287 KP) rated Argo (2012) in Movies

Mar 10, 2020  
Argo (2012)
Argo (2012)
2012 | Drama, Mystery
Does making a film based on a true story make it any more endearing to the Oscar big wigs? Possibly, but one thing is for sure, Ben Affleck’s third film Argo is an outstanding piece of film making with exceptional attention to detail and sense of realism.

In 1979 Iran was overrun by Iranian revolutionaries, these revolutionaries stormed the American embassy taking several Americans hostage. Six of those managed to escape to the official residence of the Canadian Ambassador where the CIA was eventually ordered to get them out of the country by whatever means necessary.

Led by Tony Mendez (Affleck) a CIA expert in exfiltration he puts together an elaborate plan to go in as a film producer and rescue the six who’ll pose as a film crew on a location hunt for new sci-fi flick, Argo. Even if this was fiction it would be a pretty daring plan in an environment that was so hostile for its time they’re hanging people by cranes in the street, and women carry machine guns!

In order to make the film seem as real as possible Mendez enlists the help of John Chambers (John Goodman) a Hollywood make-up artist whose helped the CIA out before and film producer Lester Siegel (Alan Arkin). Between them they put the film into fake production, concoct false identities for the six and set about taking them out directly though the Iranian airport in a daring escape.

Affleck gets the cinematography spot on, creating a grainy perspective for that era and using some real footage as well. It all helps convey the narrative and plot that this was one of the most dangerous missions of its time and one what would live long in CIA and American history.

Goodman and Arkin add a humorous element to the proceedings “if it’s going to be a fake film I want it to be a fake hit” Lester claims when he’s approached about the project. The other side feels like a 70s version of 24 with the political suits in boardrooms arguing about the best way to execute the plan.

The tension is built slowly with everything climaxing to a pulsating last act which will have your heart pounding and seat gripped. Personally I didn’t endear to any of the six escapees, their stories are not built up enough other than they’re all unsure if they can trust Mendez to get them back on home soil safely.

Argo got the best picture Oscar over a lot of other seemingly worthy nominees, but you couldn’t deny Affleck his moment in the spotlight and cementing him as one of the best actor to director transitions. While the film might not be entirely accurate, Affleck just wants to get to the heart of this espionage thriller and does so while finding a perfect balance between comedy and drama.
  
All the President's Men (1976)
All the President's Men (1976)
1976 | Classics, Drama, History

"All the Presidents Men. Alan Pakula. I lived in Washington, D.C. all throughout Watergate and my mother worked for the government so she was hyper-aware of Nixon and all of this. The Watergate [Hotel] was a bike ride away from my home. It was just a building in a series of buildings that you drove by all the time. And the Howard Johnson’s where the plumbers all had their dinner before break-in? I used to eat at that Howard Johnson’s. This was a local story for me. The Woodward and Bernstein book is a read and a half, and I’ve watched that film I don’t know how many times — it is just perfect. I watched it like 10 days ago. I watched it on the Drake Passage on my way to the Antarctic peninsula. That’s the last time I saw it, like three weeks ago. It was then as it is now — a beautiful piece of work. It’s suspenseful. Again, there’s Hoffman. I guess I come off as some massive Hoffman fan. It’s merely coincidence, although I do think he’s great. Him and Redford together are just amazing. And again you see the genius of Hoffman. You see just how ready-to-go Robert Redford is as an actor. Handsome, leading guy, believable as hell. And that whole cast — I just love seeing older people in films who don’t necessarily look good, but they’re good actors. And that the entire weather-beaten, hard-chewed staff at the post that were cast in that film. They sit around and have those meetings, “Well screw that; what d’you got?” They’re just these tough newsmen, and I love it. They took down Nixon, these two young guys. I hung out with Bernstein; he’s just a true maniac. It’s an honor to hang out with him. I said, “Man, it’s an honor to meet you.” And he said, “I’m gonna tell my son that and boy, he’s gonna respect me now.” [Laughing] I’m like, “Yeah, right!” It speaks of a huge moment in American history when every American now had proof that you cannot trust your government, that you’d be stupid to trust the government. Like yes, vote. Elect these people. But you gotta keep a very Jeffersonian jaundiced eye on every politician: the ones you voted for, the ones you voted against, the ones you say you like. As Gore Vidal said, by the time anyone gets to the Oval Office, they’ve been bought and sold at least ten times. And All the President’s Men is a case study of that. Hal Holbrook’s character, you find out 30 years later, that dude did exist. It was Deep Throat. That was a real guy. And the fact that these little clandestine meetings happened in a place I may have well pumped my skateboard by makes that film very relevant to me."

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Hadley (567 KP) rated American Gods in Books

Jun 5, 2020  
American Gods
American Gods
Neil Gaiman | 2005 | Fiction & Poetry, Science Fiction/Fantasy
Mad Sweeney (1 more)
Gaiman's writing and descriptions
No character development (2 more)
Dehumanizes women
The ending
The gods of the old world still exist in Neil Gaiman's 2001 novel "American Gods."

A science fiction/ fantasy story set in today's America, American Gods tries to answer the question of what happens when people stop believing in the past gods, and start worshiping new ones?

Shadow is our main character, who we meet while he's attempting to get released from prison after three years of incarceration - - - afterall, he has a job, wife and life waiting for him on the outside. And even though he's built up a strong exterior while in prison, everything comes crashing down after he receives news that his wife and best friend have died in a car accident.

Cue Wednesday, an old, odd man who gives Shadow a job after his release from prison - - - with strings attached: Shadow can't ask any questions, he must protect his employer at all costs, and if people need to be hurt, he must hurt them. Although Wednesday doesn't tell him exactly what is going on, Shadow agrees to his duties and begins a road trip with the eccentric old man, meeting an array of colorful characters along the way. But soon, Shadow begins to realize that his employer may be a mythical god in disguise, yet, oddly Shadow never really questions it or anything in the entire book for that matter.

The novel takes an odd turn early on when Shadow's dead wife, Laura, comes back to life in a zombified way. While Shadow is staying in a cheap hotel room, and Wednesday sharing a room with a young hotel employee in another, Shadow sees his wife in the clothing she was buried in, but he doesn't flinch - - - he carries a very calm conversation with dead Laura, he even goes down to the lobby to buy her a pack of cigarettes, and the next morning, he still doesn't seem bothered by it when he sees her muddy footprints on the floor. Wednesday tries to convince Shadow it was a dream, but makes snarky remarks that tells Shadow that even he knows it wasn't a dream. The two simply move on on their road trip, no questions asked.

But during this road trip, Shadow's suspicions are confirmed. He gets to see not only Wednesday, but two others in their true god-form, and afterwards, Wednesday confirms that he is indeed the Norse god, Odin.

Gaiman's take on mythological gods living in today's society is interesting, but disappointing. From recognizable gods to the forgotten ones, readers with a liking to history would probably enjoy this story most.

American Gods centers on the question of what happens to gods when they are no longer worshipped, and Gaiman merely focuses on male gods, while making all female characters (gods and humans) either prostitutes and/or sexual objects which is really off-putting for me as a female reader. And Gaiman's character development in the novel for gods and humans is nowhere to be seen thus lending very little plot development that is actually believable or enjoyable. I was unable to bring myself to care about our main character, Shadow, nor the plight with his zombie wife.And speaking of Laura, the disappointing character traits makes her not just unlikable, but also an unnecessary character overall.

I just can't recommend this book: the novel is good for the first 100 pages, but you could easily skip the next 450 pages that is just filler, and not miss much of the story. Gaiman also dehumanizes women, introduces characters in a way that would make them seem an important part of the story to only drop them out of it as quickly as they came in, and the ending is just a huge disappointment. All in all, Gaiman had a great idea, but the execution he used was poorly done - - - some parts even seem like Gaiman wrote them in a completely different state of mind, contradicting story lines and character traits altogether.

I did, however, have three favorite characters that weren't utilized enough for me to rate the story higher than I have: Mad Sweeney, Ibis and Jacquel. Mad Sweeney is a giant leprechaun that can pull gold coins out of the air; Ibis and Jacquel are Anubis and Jackel from Egyptian mythology, who run a funeral home in Cairo, Illinois today.

American Gods takes place only over a few months, which is surprising with how long the novel is. But the story is a buildup with no climax. Most characters come and go before readers can even decide if they like them or not,and that paired up with severe lack of character development leaves most of the main characters pretty forgettable. With this special edition containing 1200 more words, the story is still not worth it in the end. Gaiman is still a great writer, but this is not the book to recommend to anyone who wants to begin reading his work.
  
Tight Quarters (Out of Uniform #6)
Tight Quarters (Out of Uniform #6)
Annabeth Albert | 2018 | Contemporary, LGBTQ+, Romance
10
10.0 (1 Ratings)
Book Rating
Tight Quarters (Out of Uniform #6) by Annabeth Albert
Tight Quarters is the sixth book in the Out of Uniform series, and if M/M Romance mixed in with a Military scenario does it for you, then you really need to check out this series.

In this book, we reunite with Bacon (and yep, that is his real name!). He is none too happy because he has been stuck with babysitting duty for an embedded journalist, one he actually admires and knows is gay. Bacon himself is Pan, and I loved him for it. Now, Bacon has a history, and is a SEAL. Bryant is a gay journalist. Whatever could go wrong?

This is a book of two halves - the first part being with Spencer embedded and them both fighting their attraction. The second is when Spencer is no longer in the team, and they give up fighting. I honestly can't tell you which half I prefer! For differing reasons, both parts are fantastic, and definitely make up the whole.

With stories that need to be written, but jobs that need to be protected, these two face a horrible decision that left me crossing my fingers and hoping for a happy ending. No knowledge of the American Military is needed as Ms. Albert gives out enough information for it all to make sense, without disclosing any secrets.

I keep thinking to myself that this series can't go on for much longer. How many different military stories can one author do? And then Ms. Albert comes out with something new, something refreshing and unique that makes me fall in love with her characters all over again. How many is too many? I don't have the answer to that, but I do know I definitely need more in this series. Absolutely and highly recommended by me.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
  
Risky Business (1983)
Risky Business (1983)
1983 | Comedy
That shot of Tom Cruise sliding across the hall in his trademark shades, pink shirt and the tightest pair of white briefs is synonymous with the spring board that launched his career.

A film that may have proved the inspiration for Ferris Bueller’s Day Off is one of Cruise’s most famous roles, and it has all the hall marks of a classic 80s comedy with an influx of drama that proved the catalyst for a great film.

Joel Goodsen (Cruise) is just your average American teen, when his parents go out of town for a few days he and fellow buddies look to have a little fun, in part by turning the homestead into a working brothel.

Of course there is a method behind the madness with Cruise hooking up with call girl Lana (De Mornay), they both have their problems and agree on a mutual business deal which also involves engaging in sex every now and again.

If you ever wonder what to do on the subway one night Cruise and De Mornay lead the lesson. That scene in itself is draped in 80s clichés, soft rock music and a strobe lighting effect from the train, it delivers on the steam factor.

The subject matter throughout is strong and covered across all angles. A highly sexed teenage boy, drug use, what not to do to your father’s Porche and being hunted down by a killer pimp, its all in there.

Cruise’s acting display is not the best, but he has the early raw talent to get him through, and of course as we know, the rest is history. What is always similar about teenage kids of this era getting into trouble is that they always seem to get away with it in the end, Ferris Bueller a prime example.

To think that anyone in this day and age would be as lucky is highly unlikely, and that goes for sliding around in tight white under garments.