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Lonely Planet Best of USA
Lonely Planet, Amy C. Balfour, Sandra Bao and Karla Zimmerman
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Lonely Planet: The world's leading travel guide publisher Lonely Planet's Best of USA is your...
Hazel (1853 KP) rated The Road to Reckoning in Books
Dec 17, 2018
My rating: 2.5.
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Road to Reckoning</i> is British author Robert Lautner’s debut western-style novel. Set in the 1830s it follows a young boy’s long journey home through the open lands of America.
Tom Walker, now an elderly (or so it suggests) man, is giving an account of what happened to him during the year 1837 when “my life began” at the age of twelve. Tom’s father was a salesman who often let his son accompany him on his trips to sell spectacles. So when he receives the opportunity to pitch a new type of pistol known as a revolving gun for Samuel Colt at the <i>Patent Arms Manufacturing Company</i>, he brings Tom with him on the road. Originally living in New York they set out on a journey of many miles over several days demonstrating and taking orders for the pistol. However a dangerous encounter with a man, Thomas, Heywood, and his gang leaves Tom alone and orphaned.
There are two main characters to this story with Tom naturally being one of them. The other is an aging ranger named Henry Stands who Tom insists on following as he is travelling in the direction of New York and Tom’s home. To begin with Stands is very reluctant to have Tom tailing him on his journey especially as it becomes evident that he would have to provide for the boy. Stands ends up abandoning him but has a change of heart and returns in time to prevent Tom from being sent to St John’s Orphan Asylum.
And so their journey continues with Stands becoming kinder and even fatherly towards Tom, saving his life on more than one occasion; and Tom becoming all the more bolder. However the entire time is the fear and knowledge that Thomas Heywood is searching for Tom with the intention of leaving him in the same situation as his father – dead.
I have not read many western-style novels, and those that I have read I did not enjoy much, but <i>The Road to Reckoning</i> was better than I was anticipating. The main character being only twelve years old made the storyline more emotional especially when taking into account the death of his father and his growing attachment to Henry Stands.
The novel was well written and, although fictional, had an essence of factual truth about it. Samuel Colt was a real life American inventor who founded the <i>Colt’s Patent Fire-Arms Manufacturing Company</i>, which produced the revolver for commercial use. The blurb claims that fans of <i>Cold Mountain</i> and <i>True Grit</i>, neither of which I have read, would enjoy this story. Obviously I cannot give my opinion on that but I would say that to get the most out of reading <i>The Road to Reckoning</i> having an interest in western-style literature would be beneficial.
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Road to Reckoning</i> is British author Robert Lautner’s debut western-style novel. Set in the 1830s it follows a young boy’s long journey home through the open lands of America.
Tom Walker, now an elderly (or so it suggests) man, is giving an account of what happened to him during the year 1837 when “my life began” at the age of twelve. Tom’s father was a salesman who often let his son accompany him on his trips to sell spectacles. So when he receives the opportunity to pitch a new type of pistol known as a revolving gun for Samuel Colt at the <i>Patent Arms Manufacturing Company</i>, he brings Tom with him on the road. Originally living in New York they set out on a journey of many miles over several days demonstrating and taking orders for the pistol. However a dangerous encounter with a man, Thomas, Heywood, and his gang leaves Tom alone and orphaned.
There are two main characters to this story with Tom naturally being one of them. The other is an aging ranger named Henry Stands who Tom insists on following as he is travelling in the direction of New York and Tom’s home. To begin with Stands is very reluctant to have Tom tailing him on his journey especially as it becomes evident that he would have to provide for the boy. Stands ends up abandoning him but has a change of heart and returns in time to prevent Tom from being sent to St John’s Orphan Asylum.
And so their journey continues with Stands becoming kinder and even fatherly towards Tom, saving his life on more than one occasion; and Tom becoming all the more bolder. However the entire time is the fear and knowledge that Thomas Heywood is searching for Tom with the intention of leaving him in the same situation as his father – dead.
I have not read many western-style novels, and those that I have read I did not enjoy much, but <i>The Road to Reckoning</i> was better than I was anticipating. The main character being only twelve years old made the storyline more emotional especially when taking into account the death of his father and his growing attachment to Henry Stands.
The novel was well written and, although fictional, had an essence of factual truth about it. Samuel Colt was a real life American inventor who founded the <i>Colt’s Patent Fire-Arms Manufacturing Company</i>, which produced the revolver for commercial use. The blurb claims that fans of <i>Cold Mountain</i> and <i>True Grit</i>, neither of which I have read, would enjoy this story. Obviously I cannot give my opinion on that but I would say that to get the most out of reading <i>The Road to Reckoning</i> having an interest in western-style literature would be beneficial.
A Bibliophagist (113 KP) rated The Gentlemen (2020) in Movies
Jan 27, 2020 (Updated Jan 27, 2020)
Well paced (1 more)
Good characters
Third times a charm
I am not terribly well versed in Guy Ritchie films, however "Snatch" is one of my favorite films. I went into this with no expectations, and without even knowing the basic plot, I was greated with a wonderful experience.
If "Snatch" is Ritchie's attempt at perfecting "Lock Stock and two smoking barrels" then "The Gentlemen" is the final attempt at perfecting this formula. He absolutely succeeded in this in every way. "Snatch" is a GOOD movie, but this is a good FILM, in the same distinction as literature from standard fiction. We revisit his pentient for sprawling plots with a slew of characters, all intertwined but the full scale of their involvement coming to a head at the end, but he elevated this with "The Gentlemen".
We open with Charlie Hunnan, proving to me he is a capable actor when he's not faking an american accent and given a role that suits him. A pot kingpin's right hand man being greeted by Hugh Grant in a role I've never seen him in, skeezy, unattractive, cockney accent, a reporter for tabloids offering his story for a mere 20mil pounds. Grant preceeds to tell this thrilling tale of Micky (mcconaughy) the aforementioned kingpin, attempting to sell his impressive pot empire so he can retire with his wife who he absolutely loves. Through Grant, we are given a new twist on the Ritchie formula, an unreliable narrator, which just brings the story to life. We see what goes down during these days of attempted sale, the involvent of another druglord wannabe (golding), wanting a piece of the pie, the accidental involvement of Coach(Farrel) when his group of trainees piss off the wrong people, and the twisty, turny, bullet flinging fights that ensue. This movie is beautifully paced, not feeling as long as it was, witty, with plenty of laugh out loud moments, but balanced with enough gritty reality to leave you quiet as soon as you finished laughing. In true Ritchie form, by the end all the pieces fall into place, the full reality revealed in a satisfying, fun finale. However, the twist of the unreliable narrator, leaves us with the reality that we may not know everything that happened. I would argue that beyond a part with some Russians, every character and event (and there were a number of them) felt purposeful, well thought oit and completely necessary to the plot. Like it's predecessors, the music was on point, the editting and cutting perfect and leading to a slightly old school vibe while feeling fully rooted to the present. The plot was over the top, but modern and believable. Overall, it was just exceptionally fun.
He finally figured it out, and gave us something as fun as "Snatch" but elevated it to true FILM status. Making it, arguably, the better film. Highly recommend it.
If "Snatch" is Ritchie's attempt at perfecting "Lock Stock and two smoking barrels" then "The Gentlemen" is the final attempt at perfecting this formula. He absolutely succeeded in this in every way. "Snatch" is a GOOD movie, but this is a good FILM, in the same distinction as literature from standard fiction. We revisit his pentient for sprawling plots with a slew of characters, all intertwined but the full scale of their involvement coming to a head at the end, but he elevated this with "The Gentlemen".
We open with Charlie Hunnan, proving to me he is a capable actor when he's not faking an american accent and given a role that suits him. A pot kingpin's right hand man being greeted by Hugh Grant in a role I've never seen him in, skeezy, unattractive, cockney accent, a reporter for tabloids offering his story for a mere 20mil pounds. Grant preceeds to tell this thrilling tale of Micky (mcconaughy) the aforementioned kingpin, attempting to sell his impressive pot empire so he can retire with his wife who he absolutely loves. Through Grant, we are given a new twist on the Ritchie formula, an unreliable narrator, which just brings the story to life. We see what goes down during these days of attempted sale, the involvent of another druglord wannabe (golding), wanting a piece of the pie, the accidental involvement of Coach(Farrel) when his group of trainees piss off the wrong people, and the twisty, turny, bullet flinging fights that ensue. This movie is beautifully paced, not feeling as long as it was, witty, with plenty of laugh out loud moments, but balanced with enough gritty reality to leave you quiet as soon as you finished laughing. In true Ritchie form, by the end all the pieces fall into place, the full reality revealed in a satisfying, fun finale. However, the twist of the unreliable narrator, leaves us with the reality that we may not know everything that happened. I would argue that beyond a part with some Russians, every character and event (and there were a number of them) felt purposeful, well thought oit and completely necessary to the plot. Like it's predecessors, the music was on point, the editting and cutting perfect and leading to a slightly old school vibe while feeling fully rooted to the present. The plot was over the top, but modern and believable. Overall, it was just exceptionally fun.
He finally figured it out, and gave us something as fun as "Snatch" but elevated it to true FILM status. Making it, arguably, the better film. Highly recommend it.
Hazel (1853 KP) rated Timmy Failure: The Cat Stole My Pants in Books
Sep 12, 2017
Amusing ... If you are a child
I received this book for free through Goodreads First Reads.
For fans of Diary of a Wimpy Kid (Kinney, 2004) is a juvenile series by American author, Stephan Pastis, about a young boy who believes he is the world’s greatest detective. A series that is continually growing, the sixth Timmy Failure story is now available for fans and new readers. Subtitled The Cat Stole My Pants, Timmy Failure embarks on an adventure of mystery and crime solving whilst getting himself into all sorts of mischief.
Emulating both real and fictional detectives, Timmy has established his own agency, Failure, Inc., of which he is the sole employee after the flight of his (imaginary) ex-business partner, Total the polar bear, who is currently seeking political asylum in Cuba. Unfortunately, Timmy has been forced to join his mother and Doorman Dave on their honeymoon in Key West, Florida, along with Doorman Dave’s nephew, Emilio.
“Crime doesn’t take a holiday. Neither does greatness.” Determined to continue solving crimes, Timmy hires Emilio as an unpaid intern and sets off searching for crimes, greatly over exaggerating every little piece of “evidence” he finds. However, it soon appears that someone is out to get Timmy and he, along with Emilio, is determined to find out whom.
Timmy is a melodramatic, unconventional child with a large ego and is constantly getting told off. From annoying adults to having his pants stolen by a polydactyl cat – or so he claims – there is no end to the hilarious situations he causes.
The cat that stole Timmy’s pants only makes a brief appearance in the book, therefore the subtitle is more to attract the attention of young readers with its silliness rather than be suggestive of a certain storyline.
Despite his grand claims, Timmy is not a very good detective and a lot of his unsolved crimes have been invented by his overactive imagination. This adds to the humour because, although he seems like an intelligent child, his ideas are completely silly.
Adorned with childish drawings and diagrams, Timmy Failure narrates the story from his subjective point of view, inflating his successes and blaming any failure on poor Emilio. No one takes Timmy seriously, which is something many of the target readers may appreciate, although they should also understand how futile Timmy’s attempts are at being a detective.
The storyline is not particularly clear until the final chapters of the book. Up until that moment, the book is full of disastrous, imaginary detective endeavours that prove Timmy to be nothing more than an annoying, inventive boy.
Some of the language may be above children’s reading capabilities, however, the humour is directly on their level. Whereas an adult may not find the idea of a cat stealing someone’s pants amusing, a child would find that hysterical.
There is no reason to read the Timmy Failure books in order, so if you, like me, read book six first, there is no problem. The stories are particularly aimed at young boys and will hopefully encourage the demographic to start reading more. Whilst it may not be a great feat of literature, it is a good enough introduction to the world of books.
For fans of Diary of a Wimpy Kid (Kinney, 2004) is a juvenile series by American author, Stephan Pastis, about a young boy who believes he is the world’s greatest detective. A series that is continually growing, the sixth Timmy Failure story is now available for fans and new readers. Subtitled The Cat Stole My Pants, Timmy Failure embarks on an adventure of mystery and crime solving whilst getting himself into all sorts of mischief.
Emulating both real and fictional detectives, Timmy has established his own agency, Failure, Inc., of which he is the sole employee after the flight of his (imaginary) ex-business partner, Total the polar bear, who is currently seeking political asylum in Cuba. Unfortunately, Timmy has been forced to join his mother and Doorman Dave on their honeymoon in Key West, Florida, along with Doorman Dave’s nephew, Emilio.
“Crime doesn’t take a holiday. Neither does greatness.” Determined to continue solving crimes, Timmy hires Emilio as an unpaid intern and sets off searching for crimes, greatly over exaggerating every little piece of “evidence” he finds. However, it soon appears that someone is out to get Timmy and he, along with Emilio, is determined to find out whom.
Timmy is a melodramatic, unconventional child with a large ego and is constantly getting told off. From annoying adults to having his pants stolen by a polydactyl cat – or so he claims – there is no end to the hilarious situations he causes.
The cat that stole Timmy’s pants only makes a brief appearance in the book, therefore the subtitle is more to attract the attention of young readers with its silliness rather than be suggestive of a certain storyline.
Despite his grand claims, Timmy is not a very good detective and a lot of his unsolved crimes have been invented by his overactive imagination. This adds to the humour because, although he seems like an intelligent child, his ideas are completely silly.
Adorned with childish drawings and diagrams, Timmy Failure narrates the story from his subjective point of view, inflating his successes and blaming any failure on poor Emilio. No one takes Timmy seriously, which is something many of the target readers may appreciate, although they should also understand how futile Timmy’s attempts are at being a detective.
The storyline is not particularly clear until the final chapters of the book. Up until that moment, the book is full of disastrous, imaginary detective endeavours that prove Timmy to be nothing more than an annoying, inventive boy.
Some of the language may be above children’s reading capabilities, however, the humour is directly on their level. Whereas an adult may not find the idea of a cat stealing someone’s pants amusing, a child would find that hysterical.
There is no reason to read the Timmy Failure books in order, so if you, like me, read book six first, there is no problem. The stories are particularly aimed at young boys and will hopefully encourage the demographic to start reading more. Whilst it may not be a great feat of literature, it is a good enough introduction to the world of books.
Data Mining for Business Analytics: Concepts, Techniques, and Applications with XLMiner
Galit Shmueli, Nitin R. Patel and Peter C. Bruce
Book
Data Mining for Business Analytics: Concepts, Techniques, and Applications in XLMiner(R), Third...
Melanie Caldicott (6 KP) rated Sorrowland in Books
Apr 29, 2021
You can also read my review at my blog - https://roamingthroughbooks.wordpress.com
Sorrowland is a genre-bending book which is like nothing I have ever read before and probably ever will again!
The story centres around Fern, an albino black teenage girl who gives birth to twins, Howling and Feral in the woods after escaping from a cult called Cainland. What follows is a mindboggling adventure surrounding her survival.
This is a coming of age story like no other – part sci-fi, part horror, part dystopian, part magical realism, this book defies genre. But amongst all the myriad of twists and turns this novel takes, what lies at the heart of it is a story about a girl who comes to understand her identity and rises above what has been spoken over her in her past.
During Fern’s journey of self-discovery the book examines themes such as racism, indoctrination, abuse and misogyny. There are many challenges in reading this book as we encounter a dystopian world that is disturbingly similar to our own exploring those who live on the fringe of society due to white domination. This not only includes Cainland, the cult set up by black people originally to challenge the white belief system, but also native American characters who quietly hold onto their truth in a far less bigoted and twisted way.
I love the big questions this book asks and the twisted paths it takes in asking them leading you into such unknown territories through the plot that you meet these issues head on in such different ways that you confront them anew and reexamine how you really feel about them and the impact that they have on our world.
Sorrowland is compelling and, although this would never be a genre I would normally read, I enjoyed the enigmatic nature of the evolving fantastical storyline and the constant surprises Rivers Solomon weaves into the plot. It is extremely well-written, with powerful characterisation, rich with poetic descriptions and intelligent themes.
However, the aims of the book seem to get a little muddled at times and I became confused about what Solomon wanted me to get out of the book. The story becomes so fast-paced and dense at times that this prevented me from taking a step back and truly immersing myself in the deeper themes of the novel.
This is a hard book to review. As I said, not something I would normally read, but the quality of the writing won me over. That said, I did not come away from the book feeling a sense of enjoyment, but instead, unsettled and disturbed by encountering a story of brutality with wild, savage characters and a frightening world where nothing is as it seems.
I would recommend this book – purely because you will be changed by it and this is one of the most powerful gifts of literature – but it is not a comfortable read and would not suit everyone.
Thanks to the publishers and NetGalley for the ARe-copy in exchange for this honest review.
Sorrowland is a genre-bending book which is like nothing I have ever read before and probably ever will again!
The story centres around Fern, an albino black teenage girl who gives birth to twins, Howling and Feral in the woods after escaping from a cult called Cainland. What follows is a mindboggling adventure surrounding her survival.
This is a coming of age story like no other – part sci-fi, part horror, part dystopian, part magical realism, this book defies genre. But amongst all the myriad of twists and turns this novel takes, what lies at the heart of it is a story about a girl who comes to understand her identity and rises above what has been spoken over her in her past.
During Fern’s journey of self-discovery the book examines themes such as racism, indoctrination, abuse and misogyny. There are many challenges in reading this book as we encounter a dystopian world that is disturbingly similar to our own exploring those who live on the fringe of society due to white domination. This not only includes Cainland, the cult set up by black people originally to challenge the white belief system, but also native American characters who quietly hold onto their truth in a far less bigoted and twisted way.
I love the big questions this book asks and the twisted paths it takes in asking them leading you into such unknown territories through the plot that you meet these issues head on in such different ways that you confront them anew and reexamine how you really feel about them and the impact that they have on our world.
Sorrowland is compelling and, although this would never be a genre I would normally read, I enjoyed the enigmatic nature of the evolving fantastical storyline and the constant surprises Rivers Solomon weaves into the plot. It is extremely well-written, with powerful characterisation, rich with poetic descriptions and intelligent themes.
However, the aims of the book seem to get a little muddled at times and I became confused about what Solomon wanted me to get out of the book. The story becomes so fast-paced and dense at times that this prevented me from taking a step back and truly immersing myself in the deeper themes of the novel.
This is a hard book to review. As I said, not something I would normally read, but the quality of the writing won me over. That said, I did not come away from the book feeling a sense of enjoyment, but instead, unsettled and disturbed by encountering a story of brutality with wild, savage characters and a frightening world where nothing is as it seems.
I would recommend this book – purely because you will be changed by it and this is one of the most powerful gifts of literature – but it is not a comfortable read and would not suit everyone.
Thanks to the publishers and NetGalley for the ARe-copy in exchange for this honest review.
Heather Cranmer (2721 KP) rated On Wings of Silence: Mexico '68 in Books
May 6, 2019
A Well Written and Interesting Historical Fiction Novel
I'm a fan of books written in verse. There's just something special about them that calls out to me. When I first heard about On Wings of Silence: Mexico '68 by Dede Fox, the synopsis intrigued me. When I heard that it was written in verse, it was then that I knew I had to read this book. I ended up loving this book.
I will admit that I had never heard of the Tlatelolco Massacre before I read On Wings of Silence: Mexico '68. The plot does a fantastic job of explaining the massacre to those who know nothing about it. It was also interesting to read about Diana's time in Mexico as an American university student. Everything is told through Diana's perspective. This book made me want to research more about the Tlatelolco Massacre that the Mexican government tried to keep hushed up.
The prose in On Wings of Silence: Mexico '68 was done beautifully and perfectly. Every word elicited all kinds of feelings whilst reading this book. Because this novel was written in verse, it really drove those feelings home and made them feel more realistic. I think I experienced a total spectrum of feelings while reading On Wings of Silence: Mexico '68. Some readers may have a little trouble with some of the Spanish in this book, but there are enough context clues to figure out what is being said.
I really cared and felt for Diana, the main character in On Wings of Silence: Mexico '68. Diana was such an authentic and fleshed out character which can sometimes be a challenge in books written in verse. Dede Fox made character writing appear easy! My heart felt so full while Diana was falling in love with Guillermo. I felt as if I was falling in love at the same time. When Guillermo went missing while on the phone with Diana, I felt such panic. Her search for her boyfriend felt as if it was my search. I was worried for Guillermo as if he was a real person instead of a fictional character. (Sadly, as this book is based on an actual historical event, I imagine that feeling was all too real for many people.) I lived in hope Guillermo would turn up at some point. I'll just leave it at that because you'll have to read the book in order to find out Guillermo's fate. Diana was such a strong female character as well. I really admired her. Natalie and Melinda, Diana's roommates, were likable characters, but we don't get much of a backstory on them. I feel as if this was done on purpose so the reader could really focus more on Diana's story.
The pacing was done fantastically! I devoured this book in one sitting. I couldn't get enough. Each word flowed beautifully into the next, and I was left captivated and hungry for more of the story.
Trigger warnings for On Wings of Silence: Mexico '68 include attempted rape, sexual assault, violence (although not graphic), drinking, some minor profanities in English and Spanish, and political corruption.
Overall, On Wings of Silence: Mexico '68 is a beautifully written piece of literature that will leave its reader with a plethora of feelings as well as a history lesson. I would definitely recommend On Wings of Silence: Mexico '68 by Dede Fox to everyone 16+.
--
(Thanks to the Dede Fox for providing me with a paperback of On Wings of Silence: Mexico '68 in exchange for an honest and unbiased review.)
I will admit that I had never heard of the Tlatelolco Massacre before I read On Wings of Silence: Mexico '68. The plot does a fantastic job of explaining the massacre to those who know nothing about it. It was also interesting to read about Diana's time in Mexico as an American university student. Everything is told through Diana's perspective. This book made me want to research more about the Tlatelolco Massacre that the Mexican government tried to keep hushed up.
The prose in On Wings of Silence: Mexico '68 was done beautifully and perfectly. Every word elicited all kinds of feelings whilst reading this book. Because this novel was written in verse, it really drove those feelings home and made them feel more realistic. I think I experienced a total spectrum of feelings while reading On Wings of Silence: Mexico '68. Some readers may have a little trouble with some of the Spanish in this book, but there are enough context clues to figure out what is being said.
I really cared and felt for Diana, the main character in On Wings of Silence: Mexico '68. Diana was such an authentic and fleshed out character which can sometimes be a challenge in books written in verse. Dede Fox made character writing appear easy! My heart felt so full while Diana was falling in love with Guillermo. I felt as if I was falling in love at the same time. When Guillermo went missing while on the phone with Diana, I felt such panic. Her search for her boyfriend felt as if it was my search. I was worried for Guillermo as if he was a real person instead of a fictional character. (Sadly, as this book is based on an actual historical event, I imagine that feeling was all too real for many people.) I lived in hope Guillermo would turn up at some point. I'll just leave it at that because you'll have to read the book in order to find out Guillermo's fate. Diana was such a strong female character as well. I really admired her. Natalie and Melinda, Diana's roommates, were likable characters, but we don't get much of a backstory on them. I feel as if this was done on purpose so the reader could really focus more on Diana's story.
The pacing was done fantastically! I devoured this book in one sitting. I couldn't get enough. Each word flowed beautifully into the next, and I was left captivated and hungry for more of the story.
Trigger warnings for On Wings of Silence: Mexico '68 include attempted rape, sexual assault, violence (although not graphic), drinking, some minor profanities in English and Spanish, and political corruption.
Overall, On Wings of Silence: Mexico '68 is a beautifully written piece of literature that will leave its reader with a plethora of feelings as well as a history lesson. I would definitely recommend On Wings of Silence: Mexico '68 by Dede Fox to everyone 16+.
--
(Thanks to the Dede Fox for providing me with a paperback of On Wings of Silence: Mexico '68 in exchange for an honest and unbiased review.)
Hazel (1853 KP) rated Timmy Failure: The Cat Stole My Pants in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
For fans of <i>Diary of a Wimpy Kid</i> (Kinney, 2004) is a juvenile series by American author, Stephan Pastis, about a young boy who believes he is the world’s greatest detective. A series that is continually growing, the sixth <i>Timmy Failure </i>story is now available for fans and new readers. Subtitled <i>The Cat Stole My Pants</i>, Timmy Failure embarks on an adventure of mystery and crime solving whilst getting himself into all sorts of mischief.
Emulating both real and fictional detectives, Timmy has established his own agency, Failure, Inc., of which he is the sole employee after the flight of his (imaginary) ex-business partner, Total the polar bear, who is currently seeking political asylum in Cuba. Unfortunately, Timmy has been forced to join his mother and Doorman Dave on their honeymoon in Key West, Florida, along with Doorman Dave’s nephew, Emilio.
“Crime doesn’t take a holiday. Neither does greatness.” Determined to continue solving crimes, Timmy hires Emilio as an unpaid intern and sets off searching for crimes, greatly over exaggerating every little piece of “evidence” he finds. However, it soon appears that someone is out to get Timmy and he, along with Emilio, is determined to find out whom.
Timmy is a melodramatic, unconventional child with a large ego and is constantly getting told off. From annoying adults to having his pants stolen by a polydactyl cat – or so he claims – there is no end to the hilarious situations he causes.
The cat that stole Timmy’s pants only makes a brief appearance in the book, therefore the subtitle is more to attract the attention of young readers with its silliness rather than be suggestive of a certain storyline.
Despite his grand claims, Timmy is not a very good detective and a lot of his unsolved crimes have been invented by his overactive imagination. This adds to the humour because, although he seems like an intelligent child, his ideas are completely silly.
Adorned with childish drawings and diagrams, Timmy Failure narrates the story from his subjective point of view, inflating his successes and blaming any failure on poor Emilio. No one takes Timmy seriously, which is something many of the target readers may appreciate, although they should also understand how futile Timmy’s attempts are at being a detective.
The storyline is not particularly clear until the final chapters of the book. Up until that moment, the book is full of disastrous, imaginary detective endeavours that prove Timmy to be nothing more than an annoying, inventive boy.
Some of the language may be above children’s reading capabilities, however, the humour is directly on their level. Whereas an adult may not find the idea of a cat stealing someone’s pants amusing, a child would find that hysterical.
There is no reason to read the <i>Timmy Failure</i> books in order, so if you, like me, read book six first, there is no problem. The stories are particularly aimed at young boys and will hopefully encourage the demographic to start reading more. Whilst it may not be a great feat of literature, it is a good enough introduction to the world of books.
For fans of <i>Diary of a Wimpy Kid</i> (Kinney, 2004) is a juvenile series by American author, Stephan Pastis, about a young boy who believes he is the world’s greatest detective. A series that is continually growing, the sixth <i>Timmy Failure </i>story is now available for fans and new readers. Subtitled <i>The Cat Stole My Pants</i>, Timmy Failure embarks on an adventure of mystery and crime solving whilst getting himself into all sorts of mischief.
Emulating both real and fictional detectives, Timmy has established his own agency, Failure, Inc., of which he is the sole employee after the flight of his (imaginary) ex-business partner, Total the polar bear, who is currently seeking political asylum in Cuba. Unfortunately, Timmy has been forced to join his mother and Doorman Dave on their honeymoon in Key West, Florida, along with Doorman Dave’s nephew, Emilio.
“Crime doesn’t take a holiday. Neither does greatness.” Determined to continue solving crimes, Timmy hires Emilio as an unpaid intern and sets off searching for crimes, greatly over exaggerating every little piece of “evidence” he finds. However, it soon appears that someone is out to get Timmy and he, along with Emilio, is determined to find out whom.
Timmy is a melodramatic, unconventional child with a large ego and is constantly getting told off. From annoying adults to having his pants stolen by a polydactyl cat – or so he claims – there is no end to the hilarious situations he causes.
The cat that stole Timmy’s pants only makes a brief appearance in the book, therefore the subtitle is more to attract the attention of young readers with its silliness rather than be suggestive of a certain storyline.
Despite his grand claims, Timmy is not a very good detective and a lot of his unsolved crimes have been invented by his overactive imagination. This adds to the humour because, although he seems like an intelligent child, his ideas are completely silly.
Adorned with childish drawings and diagrams, Timmy Failure narrates the story from his subjective point of view, inflating his successes and blaming any failure on poor Emilio. No one takes Timmy seriously, which is something many of the target readers may appreciate, although they should also understand how futile Timmy’s attempts are at being a detective.
The storyline is not particularly clear until the final chapters of the book. Up until that moment, the book is full of disastrous, imaginary detective endeavours that prove Timmy to be nothing more than an annoying, inventive boy.
Some of the language may be above children’s reading capabilities, however, the humour is directly on their level. Whereas an adult may not find the idea of a cat stealing someone’s pants amusing, a child would find that hysterical.
There is no reason to read the <i>Timmy Failure</i> books in order, so if you, like me, read book six first, there is no problem. The stories are particularly aimed at young boys and will hopefully encourage the demographic to start reading more. Whilst it may not be a great feat of literature, it is a good enough introduction to the world of books.
Sophia (Bookwyrming Thoughts) (530 KP) rated Marie Antoinette, Serial Killer in Books
Jan 23, 2020
I only picked up <i>Marie Antoinette, Serial Killer</i> for two reasons: 1) Marie Antoinette is a serial killer. I <i>had</i> to see it. 2) I'm in need of a book that's less of a romance. Oh, and I need a break from all of the books out there that do before I blow a gasket. Really, it's for everyone's benefit.
This book is a fantastic break for me – it's <b>not a fluffy book set in Paris with a Paris romance</b> (though there <i>is</i> a sort-of Paris romance I'm totally peachy with), despite the fact Alender starts things off with a gruesome murder involving a head being chopped off by a ghost.
No, I did not actually enjoy reading a person getting her head chopped off by a flying broken mirror shard caused by a ghost. I might be a ninja and secretly evil, but I don't actually enjoy those kinds of things.
France's history in the late 18th century is quite intriguing – from helping the US with the American Revolution against the British and then entering their own Revolution against the monarchy a little over a decade later. Alender's book is <b>full of rich details involving French history and culture circulating the Revolution</b> (despite the fact some facts were liberated by Alender to fit the overall plot of the story) as Colette tours France with her classmates, questions her roots and her friendship with Hannah, and tries to figure out why she's seeing a Marie Antoinette lookalike everywhere.
<b>The amount of French the author uses throughout the book isn't overwhelming</b> – it's enough to keep the intrigue, but not enough where it'll be overly confusing and categorizing the book as a piece of French literature. Then again, it's probably helpful when 1) the main character isn't entirely proficient at French, and 2) the romance languages are so similar, I pretty much understand the basis of the conversations with my sliver understanding of Spanish and Italian.
On the overall basis of the book being well written, I had mixed feelings for Colette for awhile – she's both likable and not likable at the same time. She's not likable because <b>she just seems to have a very snobby attitude of sorts, tries too hard to fit in with the rich and wealthy at her private school, and spends her time being a doormat in the beginning of the book for fear of facing Hannah's wrath</b>. As the book goes on and everyone makes Colette questions her friendship with Hannah, Colette slowly becomes likable – someone who isn't snobby after all, and her ending with Hannah is quite fantastic. Of course, it does become a little obvious there's some sort of gap between their friendship (and growing) since Colette secretly rebels at times without Hannah's knowledge.
All in all, <i>Marie Antoinette, Serial Killer</i> is <b>a book about deception, loyalty, and how even the dead can come back for revenge to complete unfinished business before they can finally rest in peace.</b>
<a href="https://bookwyrmingthoughts.com/review-marie-antoinette-serial-killer-by-katie-alender/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
This book is a fantastic break for me – it's <b>not a fluffy book set in Paris with a Paris romance</b> (though there <i>is</i> a sort-of Paris romance I'm totally peachy with), despite the fact Alender starts things off with a gruesome murder involving a head being chopped off by a ghost.
No, I did not actually enjoy reading a person getting her head chopped off by a flying broken mirror shard caused by a ghost. I might be a ninja and secretly evil, but I don't actually enjoy those kinds of things.
France's history in the late 18th century is quite intriguing – from helping the US with the American Revolution against the British and then entering their own Revolution against the monarchy a little over a decade later. Alender's book is <b>full of rich details involving French history and culture circulating the Revolution</b> (despite the fact some facts were liberated by Alender to fit the overall plot of the story) as Colette tours France with her classmates, questions her roots and her friendship with Hannah, and tries to figure out why she's seeing a Marie Antoinette lookalike everywhere.
<b>The amount of French the author uses throughout the book isn't overwhelming</b> – it's enough to keep the intrigue, but not enough where it'll be overly confusing and categorizing the book as a piece of French literature. Then again, it's probably helpful when 1) the main character isn't entirely proficient at French, and 2) the romance languages are so similar, I pretty much understand the basis of the conversations with my sliver understanding of Spanish and Italian.
On the overall basis of the book being well written, I had mixed feelings for Colette for awhile – she's both likable and not likable at the same time. She's not likable because <b>she just seems to have a very snobby attitude of sorts, tries too hard to fit in with the rich and wealthy at her private school, and spends her time being a doormat in the beginning of the book for fear of facing Hannah's wrath</b>. As the book goes on and everyone makes Colette questions her friendship with Hannah, Colette slowly becomes likable – someone who isn't snobby after all, and her ending with Hannah is quite fantastic. Of course, it does become a little obvious there's some sort of gap between their friendship (and growing) since Colette secretly rebels at times without Hannah's knowledge.
All in all, <i>Marie Antoinette, Serial Killer</i> is <b>a book about deception, loyalty, and how even the dead can come back for revenge to complete unfinished business before they can finally rest in peace.</b>
<a href="https://bookwyrmingthoughts.com/review-marie-antoinette-serial-killer-by-katie-alender/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Bob Mann (459 KP) rated Wordslingers: The Story of Self-Publishing (2021) in Movies
Sep 28, 2021
They say that everyone has a book in them. I guess the key question is whether anyone else wants to read it. Such is the subject of this new documentary from A. Brooks Bennett. As a publisher says at one point “Writing a book is a creative act; publishing a book is a business”.
The democratization of publishing
The internet has brought many advantages to modern life, but perhaps one of the most interesting is the democratization of publishing. No longer is control in the hands of publishing houses, who might glance at and immediately dismiss new ideas in literature. It’s worth remembering that 12 publishing houses turned down J.K. Rowling’s draft for Harry Potter! Now anyone can be creative in writing and self-publish on the web. My own wife – Sue Mann – did just this, self-publishing the WW1 poems and reminiscences of two of her great-uncles. (It’s available from all good bookshops… oh, no…. actually just from here!) Are the poems artistically any good? I have no idea! Will it sell many copies? Clearly not! Was it a personal goal achieved in honouring their memory? Absolutely! Different people want different things from the medium.
Very ‘American’.
It’s probably down to the pioneer spirit, but as a generalisation Americans seem far more ambitious than Brits: or at least, more OPENLY ambitious. Whereas most Brits will quietly get on with building their careers, some Americans will go hell-for-leather towards their vision of “success” no matter the cost: no guts; no glory; and be noisy about it!
But for every J.K. Rowling or Bill Bryson there are several thousand writers who have ‘failed to launch’.
Here we follow two budding authors – one from California; the other from North Carolina – self-publishing their work and seeking sales.
One – Giles A (“Andy”) Anderson – has self-published a seemingly disturbing work called “Vidu” – the first of what he hopes will be a five-part series. He first talks from a ghoulish bookstore, speaking psycho-babble with the requisite hyperbole of an ‘artiste’. (It suggests how the books might read… but perhaps that’s misjudging). It comes then as a surprise when we find he doesn’t live alone in a coffin playing video games on his own, but has a lovely wife and two young and perfectly normal children. So his book is an “off the beaten track kinda book”, but the man seems well-grounded and following his dream in bite-size pieces.
Moral: Avoid the Travel Books
As is often the case though, the documentary homes in on, and spends most of its time with, the other author – Adam Shephard. Shephard is struggling to launch as an author and also – in parallel – wrestling with the Green Card process for his supportive and vivacious Croatian wife Ivana. The problem is that Shephard has written an extended travel blog: ten-a-penny on sites like WordPress.
I read a Forbes article last year that reported that – astonishingly – in a survey 11% of American respondents had never travelled outside of their home state and 40% had never left the country. For such a well-heeled country, the US is incredibly insular. So Shephard’s vision is to encourage youngsters to step outside of their comfort zone and jump on that plane to Guatemala. It’s a fine objective. But does anyone want to listen? And – crucially – is the book any good and commercial enough? As the famous ‘founder of self-publishing’, the late Dan Poynter (to who the film is dedicated) says “You can’t make any money off a travel book”.
The film never goes as far as having either of the featured books critically reviewed: that might have added some extra spice to the story (and possibly provoked some painful reactions). But the piles of unopened boxes in Adam’s clinically white storage facility rather speaks for itself. Since Shephard never seems to do anything by halves, the boxes are piled high and thus the fall from grace is hard, long…. and absolutely riveting. (Ivana’s support and love in such difficult circumstances is commendable: he is a truly blessed man).
Jaw-dropping Walmart scene
At least at the start of the film, Adam’s self-belief and confidence in himself is infectious. The peak of his bravado, and a jaw-dropping highpoint in the movie for me, was a scene filmed in Walmart. Shephard, in a case of “reverse shoplifting”, sneaks HIS books onto the bookshelves of Walmart. What happens when they then try to buy one? It’s a real eye-opener and worth watching the documentary for in its own right.
It’s an interesting legal position: if Walmart were to be upset about this scene, what on earth could they charge them with!? Littering?
Highs and lows.
Shephard seems to have talent as a speaker, and it struck me that he would be genuinely suited to a job in sales. In the movie we see him performing self-confidence-building pitches to young people (and, boy, could we sometimes use that in the UK post-Brexit). A few books sold. But another event barely breaking even. The pattern becomes familiar and, in a way, rather tragic.
There are unexpected highs and lows for Adam and Ivana along the way though, unrelated to the publishing story, and the filmmaker skillfully weaves them into the narrative to good effect.
Thought-provoking.
I watched this on a whim and thought I’d probably switch off after 10 minutes. Documentaries normally are not my thing! But no. It had me gripped to see how things would turn out – like watching a slow-motion car crash! The journey was well-worth the ride: a real page-turner you might say.
The democratization of publishing
The internet has brought many advantages to modern life, but perhaps one of the most interesting is the democratization of publishing. No longer is control in the hands of publishing houses, who might glance at and immediately dismiss new ideas in literature. It’s worth remembering that 12 publishing houses turned down J.K. Rowling’s draft for Harry Potter! Now anyone can be creative in writing and self-publish on the web. My own wife – Sue Mann – did just this, self-publishing the WW1 poems and reminiscences of two of her great-uncles. (It’s available from all good bookshops… oh, no…. actually just from here!) Are the poems artistically any good? I have no idea! Will it sell many copies? Clearly not! Was it a personal goal achieved in honouring their memory? Absolutely! Different people want different things from the medium.
Very ‘American’.
It’s probably down to the pioneer spirit, but as a generalisation Americans seem far more ambitious than Brits: or at least, more OPENLY ambitious. Whereas most Brits will quietly get on with building their careers, some Americans will go hell-for-leather towards their vision of “success” no matter the cost: no guts; no glory; and be noisy about it!
But for every J.K. Rowling or Bill Bryson there are several thousand writers who have ‘failed to launch’.
Here we follow two budding authors – one from California; the other from North Carolina – self-publishing their work and seeking sales.
One – Giles A (“Andy”) Anderson – has self-published a seemingly disturbing work called “Vidu” – the first of what he hopes will be a five-part series. He first talks from a ghoulish bookstore, speaking psycho-babble with the requisite hyperbole of an ‘artiste’. (It suggests how the books might read… but perhaps that’s misjudging). It comes then as a surprise when we find he doesn’t live alone in a coffin playing video games on his own, but has a lovely wife and two young and perfectly normal children. So his book is an “off the beaten track kinda book”, but the man seems well-grounded and following his dream in bite-size pieces.
Moral: Avoid the Travel Books
As is often the case though, the documentary homes in on, and spends most of its time with, the other author – Adam Shephard. Shephard is struggling to launch as an author and also – in parallel – wrestling with the Green Card process for his supportive and vivacious Croatian wife Ivana. The problem is that Shephard has written an extended travel blog: ten-a-penny on sites like WordPress.
I read a Forbes article last year that reported that – astonishingly – in a survey 11% of American respondents had never travelled outside of their home state and 40% had never left the country. For such a well-heeled country, the US is incredibly insular. So Shephard’s vision is to encourage youngsters to step outside of their comfort zone and jump on that plane to Guatemala. It’s a fine objective. But does anyone want to listen? And – crucially – is the book any good and commercial enough? As the famous ‘founder of self-publishing’, the late Dan Poynter (to who the film is dedicated) says “You can’t make any money off a travel book”.
The film never goes as far as having either of the featured books critically reviewed: that might have added some extra spice to the story (and possibly provoked some painful reactions). But the piles of unopened boxes in Adam’s clinically white storage facility rather speaks for itself. Since Shephard never seems to do anything by halves, the boxes are piled high and thus the fall from grace is hard, long…. and absolutely riveting. (Ivana’s support and love in such difficult circumstances is commendable: he is a truly blessed man).
Jaw-dropping Walmart scene
At least at the start of the film, Adam’s self-belief and confidence in himself is infectious. The peak of his bravado, and a jaw-dropping highpoint in the movie for me, was a scene filmed in Walmart. Shephard, in a case of “reverse shoplifting”, sneaks HIS books onto the bookshelves of Walmart. What happens when they then try to buy one? It’s a real eye-opener and worth watching the documentary for in its own right.
It’s an interesting legal position: if Walmart were to be upset about this scene, what on earth could they charge them with!? Littering?
Highs and lows.
Shephard seems to have talent as a speaker, and it struck me that he would be genuinely suited to a job in sales. In the movie we see him performing self-confidence-building pitches to young people (and, boy, could we sometimes use that in the UK post-Brexit). A few books sold. But another event barely breaking even. The pattern becomes familiar and, in a way, rather tragic.
There are unexpected highs and lows for Adam and Ivana along the way though, unrelated to the publishing story, and the filmmaker skillfully weaves them into the narrative to good effect.
Thought-provoking.
I watched this on a whim and thought I’d probably switch off after 10 minutes. Documentaries normally are not my thing! But no. It had me gripped to see how things would turn out – like watching a slow-motion car crash! The journey was well-worth the ride: a real page-turner you might say.