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Matt Dentler recommended Slacker (1991) in Movies (curated)
Lyndsey Gollogly (2893 KP) rated Time's Convert in Books
Jan 15, 2022
9 of 230
Book
Times Convert
By Deborah Harkness
Reread
Marcus Whitmore was made a vampire in the eighteenth century. Over two hundred years later, he finds himself in love with Phoebe Taylor, a human who decides to become a vampire herself.
And with tradition enforcing separation from Marcus, Phoebe's transformation will prove as challenging now as it was for Marcus when he first encountered Matthew de Clermont, his sire.
Time's Convert moves with epic sweep from the battlefields of the American Revolutionary War, through the treachery of the French Revolution to a bloody finale in New Orleans.
This is one of my favourite books as it follows on from one of my favourite series The All Souls Trilogy!
Book
Times Convert
By Deborah Harkness
Reread
Marcus Whitmore was made a vampire in the eighteenth century. Over two hundred years later, he finds himself in love with Phoebe Taylor, a human who decides to become a vampire herself.
And with tradition enforcing separation from Marcus, Phoebe's transformation will prove as challenging now as it was for Marcus when he first encountered Matthew de Clermont, his sire.
Time's Convert moves with epic sweep from the battlefields of the American Revolutionary War, through the treachery of the French Revolution to a bloody finale in New Orleans.
This is one of my favourite books as it follows on from one of my favourite series The All Souls Trilogy!
Goddess in the Stacks (553 KP) rated A Hundred Veils in Books
Sep 6, 2017
Pretty good book
So the book is set at the very beginning of the Iranian Revolution – Marco is an American English teacher who’s come to Iran for a year. While there, he falls in love with his roommate’s cousin. The book is really their love story, while surrounded by political and religious unrest.
The writing is excellent. I’m sure I would get more out of the book if I could read Farsi, as each chapter is begun by a few lines of poetry in Farsi, written in both Arabic script and English letters. But the pacing is perfect, the descriptions apt – I really enjoyed this book.
Read my full review at https://goddessinthestacks.wordpress.com/2017/08/22/book-review-a-hundred-veils/
The writing is excellent. I’m sure I would get more out of the book if I could read Farsi, as each chapter is begun by a few lines of poetry in Farsi, written in both Arabic script and English letters. But the pacing is perfect, the descriptions apt – I really enjoyed this book.
Read my full review at https://goddessinthestacks.wordpress.com/2017/08/22/book-review-a-hundred-veils/
Alison Pink (7 KP) rated The Headmaster's Wager in Books
Jan 15, 2018
I won this book awhile back on goodreads. I finally got around to reading it & have to say that I wasn't overly impressed. The book got off to a slow start. It got more interesting but not until I was into the second half of the novel.
The characters are very well written. I had a hard time connecting with Percival the Manu character however. The setting alternated between China & Vietnam in the time period of the Cultural Revolution & the Vietnam War. The story didn't really flow until Percival's son was arrested by the silent police for staging a "protest" in an attempt to impress his father who was headmaster of an American school in Cholon.
The book was well written, don't get me wrong! I just couldn't get into the story itself.
The characters are very well written. I had a hard time connecting with Percival the Manu character however. The setting alternated between China & Vietnam in the time period of the Cultural Revolution & the Vietnam War. The story didn't really flow until Percival's son was arrested by the silent police for staging a "protest" in an attempt to impress his father who was headmaster of an American school in Cholon.
The book was well written, don't get me wrong! I just couldn't get into the story itself.
Caitlin Ann Cherniak (85 KP) rated The Dragon Queen in Books
Oct 20, 2018
A very strong and intelligent female protagonist (2 more)
The Korean history
Rich detail
Mr. Simon bits (1 more)
The king is so weak!
Taken from my review on Goodreads: I won this book during a Kindle giveaway, and I'm very happy I was one of the lucky winners of this book. For a book that almost has five stars on this forum, it definitely deserves its ranking. This book not only tells a legend to an ignorant American government official, it tells the story of how a shy girl became a queen that sparked a revolution between the Koreans and the Japanese in the late 1800's. Honestly, the present day parts didn't add much except for why Anna is telling the story in the first place, which I guess adds some relevance, but the core of the story is the story of Ja-young, who should count as a princess Disney will never write about considering how sexist and violent her situation got throughout the entire novel. My greatest advice for encountering this book is skip the beginning and go straight to Ja-young's story. Waaaaaaaaaaay more influential than listening to a white man ramble about North and South Korean issues any day of the week.
TravelersWife4Life (31 KP) rated The Shopkeeper's Widow in Books
Feb 23, 2021
I love the era that this book was set in! The American Revolution was an is a time of difficult decisions and torn loyalties which Izzy James portrays in very well laid out detail. I believe that this book is standalone.
The main characters Delany and Field were very interesting. They made some very hard decisions, and by the end of the book, you could vividly see their growth as a character. I liked Delany’s strength and fortitude through her trials in life (I can only hope to weather life like her!) and Flint really seemed to come to life through the story. I enjoyed Izzy James’ portrayal of what indentured people went through and how some of them overcame their circumstances. Mixed along with the ever-increasing threat of war, I thought this book was very intriguing. I will say that I had a hard time getting into it at first, I think due to the way the characters speak, but after a couple of chapters, I started to enjoy the flow of their words.
I give this book 4 out of 5 stars for the themes presented, the interesting time period, and the well-done characters. I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
The main characters Delany and Field were very interesting. They made some very hard decisions, and by the end of the book, you could vividly see their growth as a character. I liked Delany’s strength and fortitude through her trials in life (I can only hope to weather life like her!) and Flint really seemed to come to life through the story. I enjoyed Izzy James’ portrayal of what indentured people went through and how some of them overcame their circumstances. Mixed along with the ever-increasing threat of war, I thought this book was very intriguing. I will say that I had a hard time getting into it at first, I think due to the way the characters speak, but after a couple of chapters, I started to enjoy the flow of their words.
I give this book 4 out of 5 stars for the themes presented, the interesting time period, and the well-done characters. I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Daniel Boyd (1066 KP) rated American Idiot by Green Day in Music
Nov 2, 2017
Soda Pop & Ritalin
For some reason people like to slag Green Day, they are the butt of a lot of punk music jokes and to be honest I do get why. I understand why people see their use of makeup and their whole zany persona as a farce and don’t take them seriously, but no matter what you think of them in general, it is hard to deny that their seventh album, ‘American Idiot,’ perfectly captured the zeitgeist at the time, especially in the US. The album was an unexpected maturation of any of the band’s previous efforts and capitalised on their potential. When Billie Joe Armstrong wrote the album, he chose to channel his feelings into a cast of various characters and use a concept album format to display the emotions he and his peers felt at the time. I would argue the fact that American Idiot is definitively a concept album, as it doesn’t actually tell a cohesive story with a beginning, middle and end, instead opting for the approach of latching on to a certain feeling, whether it be rage or love and assigning that to a specific character and then throwing all of these characters into the mixing pot together. We hear the album from the perspective of the protagonist in the story, Jesus Of Suburbia, a young man who is sick of a broken system and feels disillusioned and uninspired by everything that he sees around him. The reason that so many people felt this way at the time of this album’s release, 2004, was due to the Bush administration’s misguidance and outright lies and due to the fallout from the 9/11 terrorists attacks that has never really gone away in America since the incident occurred. So, fed up of his suburban, dead end town Jesus leaves home and begins a quest of self discovery that involves a great deal of substance abuse, which ends up leading to the creation of an alter ego residing in Jesus’ mind who calls himself Saint Jimmy. Think Tyler Durden in fight club, but if he had a Mohican and ear stretchers. Jimmy leads Jesus on the thinly veiled path to revolution, which simply turns out to be a path to self destruction and eventually when Jesus hits rock bottom, (just like Fight Club,) he forces Jimmy to commit suicide and rids his mind of him. At the end of the album though Jesus’ fate is left ambiguous, but what is clear is that his journey has taken its toll on him, which is signified by the fact that he forgets the name of the girl that he fell in and out of love with during his spiritual quest. This album perfectly captured the mindset of a generation of kids forgotten by the system that was put in place to help them grow. American Idiot gives the man on the street a well informed, unified voice and actually injects some form of leadership into the political and social landscape at the time, even if it probably isn’t the form of leadership that your parents had in mind, or the government had put in place for you. A wake up call that is essential and still relevant today, this album and its story and character carries the important message that we shouldn’t settle for any less than what we deserve and what we deserve is often a lot better than what we end up getting. This album is pretty much the American version of Never Mind The Bollocks.
Sophia (Bookwyrming Thoughts) (530 KP) rated Marie Antoinette, Serial Killer in Books
Jan 23, 2020
I only picked up <i>Marie Antoinette, Serial Killer</i> for two reasons: 1) Marie Antoinette is a serial killer. I <i>had</i> to see it. 2) I'm in need of a book that's less of a romance. Oh, and I need a break from all of the books out there that do before I blow a gasket. Really, it's for everyone's benefit.
This book is a fantastic break for me – it's <b>not a fluffy book set in Paris with a Paris romance</b> (though there <i>is</i> a sort-of Paris romance I'm totally peachy with), despite the fact Alender starts things off with a gruesome murder involving a head being chopped off by a ghost.
No, I did not actually enjoy reading a person getting her head chopped off by a flying broken mirror shard caused by a ghost. I might be a ninja and secretly evil, but I don't actually enjoy those kinds of things.
France's history in the late 18th century is quite intriguing – from helping the US with the American Revolution against the British and then entering their own Revolution against the monarchy a little over a decade later. Alender's book is <b>full of rich details involving French history and culture circulating the Revolution</b> (despite the fact some facts were liberated by Alender to fit the overall plot of the story) as Colette tours France with her classmates, questions her roots and her friendship with Hannah, and tries to figure out why she's seeing a Marie Antoinette lookalike everywhere.
<b>The amount of French the author uses throughout the book isn't overwhelming</b> – it's enough to keep the intrigue, but not enough where it'll be overly confusing and categorizing the book as a piece of French literature. Then again, it's probably helpful when 1) the main character isn't entirely proficient at French, and 2) the romance languages are so similar, I pretty much understand the basis of the conversations with my sliver understanding of Spanish and Italian.
On the overall basis of the book being well written, I had mixed feelings for Colette for awhile – she's both likable and not likable at the same time. She's not likable because <b>she just seems to have a very snobby attitude of sorts, tries too hard to fit in with the rich and wealthy at her private school, and spends her time being a doormat in the beginning of the book for fear of facing Hannah's wrath</b>. As the book goes on and everyone makes Colette questions her friendship with Hannah, Colette slowly becomes likable – someone who isn't snobby after all, and her ending with Hannah is quite fantastic. Of course, it does become a little obvious there's some sort of gap between their friendship (and growing) since Colette secretly rebels at times without Hannah's knowledge.
All in all, <i>Marie Antoinette, Serial Killer</i> is <b>a book about deception, loyalty, and how even the dead can come back for revenge to complete unfinished business before they can finally rest in peace.</b>
<a href="https://bookwyrmingthoughts.com/review-marie-antoinette-serial-killer-by-katie-alender/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
This book is a fantastic break for me – it's <b>not a fluffy book set in Paris with a Paris romance</b> (though there <i>is</i> a sort-of Paris romance I'm totally peachy with), despite the fact Alender starts things off with a gruesome murder involving a head being chopped off by a ghost.
No, I did not actually enjoy reading a person getting her head chopped off by a flying broken mirror shard caused by a ghost. I might be a ninja and secretly evil, but I don't actually enjoy those kinds of things.
France's history in the late 18th century is quite intriguing – from helping the US with the American Revolution against the British and then entering their own Revolution against the monarchy a little over a decade later. Alender's book is <b>full of rich details involving French history and culture circulating the Revolution</b> (despite the fact some facts were liberated by Alender to fit the overall plot of the story) as Colette tours France with her classmates, questions her roots and her friendship with Hannah, and tries to figure out why she's seeing a Marie Antoinette lookalike everywhere.
<b>The amount of French the author uses throughout the book isn't overwhelming</b> – it's enough to keep the intrigue, but not enough where it'll be overly confusing and categorizing the book as a piece of French literature. Then again, it's probably helpful when 1) the main character isn't entirely proficient at French, and 2) the romance languages are so similar, I pretty much understand the basis of the conversations with my sliver understanding of Spanish and Italian.
On the overall basis of the book being well written, I had mixed feelings for Colette for awhile – she's both likable and not likable at the same time. She's not likable because <b>she just seems to have a very snobby attitude of sorts, tries too hard to fit in with the rich and wealthy at her private school, and spends her time being a doormat in the beginning of the book for fear of facing Hannah's wrath</b>. As the book goes on and everyone makes Colette questions her friendship with Hannah, Colette slowly becomes likable – someone who isn't snobby after all, and her ending with Hannah is quite fantastic. Of course, it does become a little obvious there's some sort of gap between their friendship (and growing) since Colette secretly rebels at times without Hannah's knowledge.
All in all, <i>Marie Antoinette, Serial Killer</i> is <b>a book about deception, loyalty, and how even the dead can come back for revenge to complete unfinished business before they can finally rest in peace.</b>
<a href="https://bookwyrmingthoughts.com/review-marie-antoinette-serial-killer-by-katie-alender/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
RəX Regent (349 KP) rated V for Vendetta (2005) in Movies
Mar 7, 2019
Missed the point... Ponderously
Contains spoilers, click to show
"BOLLOCKS!" This is the standard British insult which is banded about by the stereotypical characters as perceived by our American cousins. Or is this a succinct review of the film? Alan Moore, more famously known for Watchmen, was the original author of the graphic novel of the same name, which was published between 1982 and '85 and then later reprinted in full by DC comics, had his name removed during production. The Brothers Wachowski, of The Matrix fame, a seminal film, penned the adaptation and did so without truly understanding the source.
We ended up with a dull, overly bombastic and ponderous take on a much more subversive novel, with stereotypical fascist villains, shown to have taken power by releasing a virus upon the country's population, rather than the comic's thesis on the apathetic voters, legitimately electing them.
This is Hollywood does Britain, and as usual, they got it wrong. This is a sci-fi fantasy, where the hero/terrorist dons a Guy Fawkes mask and romantically spreads revolution across the country. But Hugo Weaving's ranting, good though he always is, is just boring and overblown. He is a Nutter and not in the good sense. I don't understand what gives him the right to blow up Parliament for us? I think that he's the other side of the same coin; a dictator in his own right. Is this the point? Maybe, but that point is lost when the film is trying to walk the fine line between epic political film-making with an edge, and a major comic book adaptation by the creators of the revolutionary Matrix. Though, the ill-conceived sequels should have served as a warning to us all as to what to expect from this project.
When I first watched this, I thought it was okay, but on repeat viewings it just continues to fall further and further down in my estimation. Boring, contrived, and misconceived. The Brothers Grimm Wachowski need to rethink their strategy and their role in the business and they are in no way, shape or form serious filmmakers. They have a fantastic and they did have a revolutionary view of cinematography, but as for being deep and meaningful writers... more ponderous and self absorbed than anything else.
We ended up with a dull, overly bombastic and ponderous take on a much more subversive novel, with stereotypical fascist villains, shown to have taken power by releasing a virus upon the country's population, rather than the comic's thesis on the apathetic voters, legitimately electing them.
This is Hollywood does Britain, and as usual, they got it wrong. This is a sci-fi fantasy, where the hero/terrorist dons a Guy Fawkes mask and romantically spreads revolution across the country. But Hugo Weaving's ranting, good though he always is, is just boring and overblown. He is a Nutter and not in the good sense. I don't understand what gives him the right to blow up Parliament for us? I think that he's the other side of the same coin; a dictator in his own right. Is this the point? Maybe, but that point is lost when the film is trying to walk the fine line between epic political film-making with an edge, and a major comic book adaptation by the creators of the revolutionary Matrix. Though, the ill-conceived sequels should have served as a warning to us all as to what to expect from this project.
When I first watched this, I thought it was okay, but on repeat viewings it just continues to fall further and further down in my estimation. Boring, contrived, and misconceived. The Brothers Grimm Wachowski need to rethink their strategy and their role in the business and they are in no way, shape or form serious filmmakers. They have a fantastic and they did have a revolutionary view of cinematography, but as for being deep and meaningful writers... more ponderous and self absorbed than anything else.
Ross (3284 KP) rated Smoke and Summons in Books
Mar 18, 2019 (Updated Mar 18, 2019)
Flintlock Tangled
It took me a while to realise, but this book is basically a re-telling of Tangled, the Rapunzel Disney film.
We have the young girl with magical powers who is held prisoner (though she has been trained to appreciate her captor's benevolence) by someone wanting to benefit from her powers. She meets a ne'er-do-well thief looking for that one last score before he can move and settle down. They travel together trying to find somewhere safe for her to go but are tracked down at all stops, until finally the male protagonist is persuaded to hand her in and reap the rewards, before the inevitable emotional rescue.
Rather than magical healing hair, however, Sandis has the ability to act as a vessel to demons, and is linked to a specific one (a fire horse). Her captor, Kazen, uses her abilities to bolster his gangster crew and lead the city's underworld. Upon sensing Kazen's desire to summon a more powerful demon (which is likely to kill her) she escapes and becomes embroiled with Rone, a young thief.
Together they try to track down a family member Sandis has become aware of, who may be able to help save her.
The story flows quite well, with enough strength in the main characters to engage the reader. Their travails, and Kazen's crew's neverending chase, are enjoyable and thrilling.
The narrative is good, swapping between Sandis' and Rone's perspectives and telling of their increasing tiredness and running out of options. At times, the author's American tone slips in (words like "Mom", "they were a ways from their lodgings" etc), which would normally be fine, I'm not that big of a snob, but it really comes at odds with the majority of the narrative and does stand out.
The setting is more early industrial revolution than more medieval, so there is the use of firearms to spice up the action.
A few times, events become a little hard to accept - quite how quickly and persistently Kazen's goons catch up with them, and how easily Rone manages to accomplish his rescue seem quite hard to believe.
Overall, the story is good and while the format of "lets go here, oh they've somehow found us again" becomes a little tiring, the book is short enough for this not to be too much of an issue.
We have the young girl with magical powers who is held prisoner (though she has been trained to appreciate her captor's benevolence) by someone wanting to benefit from her powers. She meets a ne'er-do-well thief looking for that one last score before he can move and settle down. They travel together trying to find somewhere safe for her to go but are tracked down at all stops, until finally the male protagonist is persuaded to hand her in and reap the rewards, before the inevitable emotional rescue.
Rather than magical healing hair, however, Sandis has the ability to act as a vessel to demons, and is linked to a specific one (a fire horse). Her captor, Kazen, uses her abilities to bolster his gangster crew and lead the city's underworld. Upon sensing Kazen's desire to summon a more powerful demon (which is likely to kill her) she escapes and becomes embroiled with Rone, a young thief.
Together they try to track down a family member Sandis has become aware of, who may be able to help save her.
The story flows quite well, with enough strength in the main characters to engage the reader. Their travails, and Kazen's crew's neverending chase, are enjoyable and thrilling.
The narrative is good, swapping between Sandis' and Rone's perspectives and telling of their increasing tiredness and running out of options. At times, the author's American tone slips in (words like "Mom", "they were a ways from their lodgings" etc), which would normally be fine, I'm not that big of a snob, but it really comes at odds with the majority of the narrative and does stand out.
The setting is more early industrial revolution than more medieval, so there is the use of firearms to spice up the action.
A few times, events become a little hard to accept - quite how quickly and persistently Kazen's goons catch up with them, and how easily Rone manages to accomplish his rescue seem quite hard to believe.
Overall, the story is good and while the format of "lets go here, oh they've somehow found us again" becomes a little tiring, the book is short enough for this not to be too much of an issue.