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Merissa (12066 KP) rated Tight Quarters (Out of Uniform #6) in Books

Jul 10, 2018

Tight Quarters (Out of Uniform #6)

Annabeth Albert | 2018 | Contemporary, LGBTQ+, Romance

10.0

(1 Ratings)

Book Rating

Tight Quarters (Out of Uniform #6) by Annabeth Albert

Tight Quarters is the sixth book in the Out of Uniform series, and if M/M Romance mixed in with a Military scenario does it for you, then you really need to check out this series.

In this book, we reunite with Bacon (and yep, that is his real name!). He is none too happy because he has been stuck with babysitting duty for an embedded journalist, one he actually admires and knows is gay. Bacon himself is Pan, and I loved him for it. Now, Bacon has a history, and is a SEAL. Bryant is a gay journalist. Whatever could go wrong?

This is a book of two halves - the first part being with Spencer embedded and them both fighting their attraction. The second is when Spencer is no longer in the team, and they give up fighting. I honestly can't tell you which half I prefer! For differing reasons, both parts are fantastic, and definitely make up the whole.

With stories that need to be written, but jobs that need to be protected, these two face a horrible decision that left me crossing my fingers and hoping for a happy ending. No knowledge of the American Military is needed as Ms. Albert gives out enough information for it all to make sense, without disclosing any secrets.

I keep thinking to myself that this series can't go on for much longer. How many different military stories can one author do? And then Ms. Albert comes out with something new, something refreshing and unique that makes me fall in love with her characters all over again. How many is too many? I don't have the answer to that, but I do know I definitely need more in this series. Absolutely and highly recommended by me.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!

Kudos

Gareth von Kallenbach (980 KP) rated Inglourious Basterds (2009) in Movies

Aug 9, 2019

Should we be allowed to laugh at brutality? Is there room for comedy in a film about the Second World War? These are just some of the questions Quentin Tarantino’s latest film “Inglorious Bastards” is sure to bring to mind.

“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.

Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.

While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.

The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.

“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.

Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.