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Marvel Masterworks: The Uncanny X-Men, Vol. 4
Marvel Masterworks: The Uncanny X-Men, Vol. 4
Chris Claremont | 2012 | Comics & Graphic Novels
8
8.0 (3 Ratings)
Book Rating
This was a hella good tine, re-reading issues I have not read since they first came out in the 70s! As I immersed myself, it was actually thrilling me to remember how good the team of [Chris] Claremont, [John] Byrne and [Terry] Austin were together. Each subsequent showed the art team developing it's own style, becoming more comfortable with the characters, each set of pencils and inks that much tighter!

One thing I definitely noticed, and did not think about altogether until my wife and I started rewatching FIREFLY, was how Wolverine/Logan was like the Jayne Cobb of the X-Men. Serious similarities! Even down to how both characters would have barbs toward their respective leaders (Jayne/Mal; Wolverine/Cry-clops), but when it came down to it, both were pretty good at fighting/backing up the team.

One other observation.. I did not realize how "politically incorrect" some of the early characters were. For example, a member of Alpha Force, "the Canadian X-Men, was Michael Twoyoungmen (codename: Shaman). That is probably the WORST Native American name EVER! I am surprised they have not tried to retcon his real name! Then again, now that I think about it, I can't recall the last time any of the Alpha Flight team members were mentioned in last 10 years, other than Northstar! I wonder if that had anything to do with it.

Overall. it's good run of X-Men stories. Yeah, many times the dialogue will seem corny AF, but the overall story is what really matters, and at the end, that will really be what matters! Check it out, or miss it, but I think you will be sorry if you overlook it...
  
    Prague

    Prague

    Arthur Phillips

    (0 Ratings) Rate It

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    A first novel of startling scope and ambition, Prague depicts an intentionally lost Lost Generation...

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JT (287 KP) rated Argo (2012) in Movies

Mar 10, 2020  
Argo (2012)
Argo (2012)
2012 | Drama, Mystery
Does making a film based on a true story make it any more endearing to the Oscar big wigs? Possibly, but one thing is for sure, Ben Affleck’s third film Argo is an outstanding piece of film making with exceptional attention to detail and sense of realism.

In 1979 Iran was overrun by Iranian revolutionaries, these revolutionaries stormed the American embassy taking several Americans hostage. Six of those managed to escape to the official residence of the Canadian Ambassador where the CIA was eventually ordered to get them out of the country by whatever means necessary.

Led by Tony Mendez (Affleck) a CIA expert in exfiltration he puts together an elaborate plan to go in as a film producer and rescue the six who’ll pose as a film crew on a location hunt for new sci-fi flick, Argo. Even if this was fiction it would be a pretty daring plan in an environment that was so hostile for its time they’re hanging people by cranes in the street, and women carry machine guns!

In order to make the film seem as real as possible Mendez enlists the help of John Chambers (John Goodman) a Hollywood make-up artist whose helped the CIA out before and film producer Lester Siegel (Alan Arkin). Between them they put the film into fake production, concoct false identities for the six and set about taking them out directly though the Iranian airport in a daring escape.

Affleck gets the cinematography spot on, creating a grainy perspective for that era and using some real footage as well. It all helps convey the narrative and plot that this was one of the most dangerous missions of its time and one what would live long in CIA and American history.

Goodman and Arkin add a humorous element to the proceedings “if it’s going to be a fake film I want it to be a fake hit” Lester claims when he’s approached about the project. The other side feels like a 70s version of 24 with the political suits in boardrooms arguing about the best way to execute the plan.

The tension is built slowly with everything climaxing to a pulsating last act which will have your heart pounding and seat gripped. Personally I didn’t endear to any of the six escapees, their stories are not built up enough other than they’re all unsure if they can trust Mendez to get them back on home soil safely.

Argo got the best picture Oscar over a lot of other seemingly worthy nominees, but you couldn’t deny Affleck his moment in the spotlight and cementing him as one of the best actor to director transitions. While the film might not be entirely accurate, Affleck just wants to get to the heart of this espionage thriller and does so while finding a perfect balance between comedy and drama.