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Heaven's Gate (1980)
Heaven's Gate (1980)
1980 | Action, Drama, Western
Masterpiece or disaster? I think a little of both.
The controversy around the production, editing, release and financial and critical disaster around Heaven's Gate is long over now. The destruction of director Michael Cimino's career and the almost bankruptcy of United Artists over this film are several of the endless stories you can read about surrounding this western epic, but now it is 38 years later. How does the film stand up?

I'd say pretty darn well.

The essential story is a semi love triangle between a rich sheriff, a lawless brute and a prostitute/madam set against the American west in 1880s Wyoming. The story involves the decision by the government to kill anyone stealing cattle for their own purposes even if it is only to feed their starving family. (Kind of hard to explain). The main characters have to decide which side they are on for the slowly building eventual bloodbath standoff climax.

I had always heard about the film and it's extremes, including its length of almost 4 hours, but had not seen until today.

The movie does quite a bit right, but the shining star is the sprawling vistas depicting the American west including Wyoming, Idaho and Montana. Cimino filmed extensively during the "magic hour" meaning he could only film for a few minutes per day during that few minute period between sunset and night.

The film does go on a bit long, but the payoff is worth the wait and I would still highly recommend any film fan give it a try. You will not be disappointed.

  
The fourth book in Donald Jack's Bandy series of novels, following a Canadian aviator through the early parts of the 20th century.

This is the first novel not set in (or related to) The First World War, as it is set in the 1920s, and follows the trials and tribulations of its titular character upon his escape from Russia and return to America: events that see him join (and then get fired from) the postal service, and eventually become an unwitting early Hollywood star.

While it's still fitfully amusing, I have to say I didn't find this as funny as the earlier books: maybe because it is set in America, and relates to events and characters that we (in the West) are not as familiar with as our American or Canadian counter-parts.
  
How the West Was Won (1963)
How the West Was Won (1963)
1963 | Action, Western
Sprawling account of fifty years of American history, as encountered by various members of one pioneer family. Starts with the initial settlement of the west, takes in the Civil War, the coming of the railroads, and concludes with the triumph of law and order (well, sort of).

At least partly sold on the sheer number of stars involved, but in the end there's hardly any John Wayne, not much more Jimmy Stewart, and probably a bit more George Peppard than you'd honestly care for. It's quite naive, sentimental stuff, in many ways, and the technical side-effects of it being shot in VistaVision are very obvious. There's some magnificent photography, the odd effective cameo, and very occasionally a moving moment - but too often this is stodgy and episodic rather than a stirring saga.
  
Django (1966)
Django (1966)
1966 | Western
A man is forced to eat his own ear. (0 more)
Even the Mexicans speak Italian. (0 more)
Spaghetti Western
I love spaghetti westerns. The atmosphere is grittier than the mostly sanitized American ones. The blood looks like bright, thick Kool-Aid. Every hero has a casually disgruntled attitude without making an effort. Machismo with style. Violent and bloody, these films just feel more wild than your typical wild west film.

This one is no exception. Our man Django walks into town dragging a coffin behind him. His motives for antagonizing the villainous Major Jackson becomes more clear when the Mexican revolutionaries arrive. It all plays out with everyone adopting what are now stereotypical attitudes for each role. The climax is brief yet memorable.


Casual viewers may avoid this, but film buffs should see it simply for the inspiration it provided to other filmmakers.