Search
100 Shakespeare Films
Book
From Oscar-winning British classics to Hollywood musicals and Westerns, from Soviet epics to...
Blue Moon City
8.0
Rate It
Tabletop Game
Blue Moon City - the board game - picks up where the two-player game, (Blue Moon), ended: the...
Norman van Aken's Florida Kitchen
Book
"The big dog of Florida cooking."--Anthony Bourdain "An excellent collection of recipes that...
Darren (1599 KP) rated The Keeping Room (2015) in Movies
Aug 6, 2019
Story: The Keeping Room starts as during the civil war, Augusta (Marling), Louise (Steinfeld) and their slave Mad (Otaru) must work together to look after their family home together, while the men are out at war, they are getting by with Louise wanting to do more than just work around the house.
The women soon become targets for the rogue soldiers Moses (Worthington) and Henry (Soller), without the normal support they must defend their home before the war comes to them.
Thoughts on The Keeping Room
Characters – Augusta is the lady of the house, keeping Louise in line, while making it fair for everyone under the roof, no matter what their status is. She will be the one that will go for help and risk her life to protect the rest. Louise is the younger of the two women, she doesn’t like being forced into work believing the slave should do it all, her failure to follow instructions only makes it difficult for Augusta. Mad is the slave that has been welcomed as part of the family, joining in the defence of the home too. Moses is one of the soldiers that is leaving a path of destruction as they run away from the war. He targets the women’s home and the women to make his own for the time being.
Performances – Brit Marling is good in the leading role, we see strong performances from the three women if we are being honest, Hailee Steinfeld continues to show her ability, where as unknown Muna Otaru should be a name we pay more attention too. Sam Worthington does a fine job in the villainous role where we see him deliver lines in a disturbing manner.
Story – The story follows three women that must put their classes a side during the American Civil War to protect their home from rogue soldiers that only want to do unthinkable things to them. We get to see how the women do have their own problems to deal without the soldier adding to them, the unsure feeling about whether they will have the men in their lives returning to them. Once the soldiers arrive it does become a survival story which is good, it shows how difficult and risky it would be for either side just to attack they must focus on defending. The pacing of the story seems solid with giving away too much too early before leading to the night of the event.
Western – The film does use the western themes in the elements of the war time western not the wild west style it works well enough with the rogue soldiers trying to take a home.
Settings – The film uses the lone settings of the house in the middle of nowhere and the paths leading to it, to show us how isolated people would become during the war time.
Scene of the Movie – The night of the event.
That Moment That Annoyed Me – Certain parts feel slow though.
Final Thoughts – This is a slow-moving western that shows the effects of the civil war on the women left behind that could face their own uncertain future as the men out at war. It has strong performances and a dark feeling about what could happen next.
Overall: darkly depressive look at the American Civil War.
The women soon become targets for the rogue soldiers Moses (Worthington) and Henry (Soller), without the normal support they must defend their home before the war comes to them.
Thoughts on The Keeping Room
Characters – Augusta is the lady of the house, keeping Louise in line, while making it fair for everyone under the roof, no matter what their status is. She will be the one that will go for help and risk her life to protect the rest. Louise is the younger of the two women, she doesn’t like being forced into work believing the slave should do it all, her failure to follow instructions only makes it difficult for Augusta. Mad is the slave that has been welcomed as part of the family, joining in the defence of the home too. Moses is one of the soldiers that is leaving a path of destruction as they run away from the war. He targets the women’s home and the women to make his own for the time being.
Performances – Brit Marling is good in the leading role, we see strong performances from the three women if we are being honest, Hailee Steinfeld continues to show her ability, where as unknown Muna Otaru should be a name we pay more attention too. Sam Worthington does a fine job in the villainous role where we see him deliver lines in a disturbing manner.
Story – The story follows three women that must put their classes a side during the American Civil War to protect their home from rogue soldiers that only want to do unthinkable things to them. We get to see how the women do have their own problems to deal without the soldier adding to them, the unsure feeling about whether they will have the men in their lives returning to them. Once the soldiers arrive it does become a survival story which is good, it shows how difficult and risky it would be for either side just to attack they must focus on defending. The pacing of the story seems solid with giving away too much too early before leading to the night of the event.
Western – The film does use the western themes in the elements of the war time western not the wild west style it works well enough with the rogue soldiers trying to take a home.
Settings – The film uses the lone settings of the house in the middle of nowhere and the paths leading to it, to show us how isolated people would become during the war time.
Scene of the Movie – The night of the event.
That Moment That Annoyed Me – Certain parts feel slow though.
Final Thoughts – This is a slow-moving western that shows the effects of the civil war on the women left behind that could face their own uncertain future as the men out at war. It has strong performances and a dark feeling about what could happen next.
Overall: darkly depressive look at the American Civil War.
Midge (525 KP) rated Whatever It Takes in Books
Jan 22, 2019
Beautifully compelling (1 more)
Strong and confident main character
Captivating and Engaging
"Whatever It Takes" is a beautifully compelling story that has a bit of everything. From drama, romance and conflict, to joy and sorrow, there is really something for everyone.
It is a contemporary fiction and romance novel set in Highland Springs, West Virginia, a wonderfully scenic, American small town with a close-knit community.
What’s really likeable about it straight-away are the opening chapters that draw you straight into the main character, Darla Jean Heartwood. She is a strong, confident, very successful businesswoman, however, she is also emotional and impulsive. You feel instantly on her side, particularly in her initial dealings with Jason Byrne the handsome fellow who has been following her. You can immediately sense there is something going on, and one of the highlights of the book is following how that relationship develops. The handsome, charismatic, distinguished, silver fox Jason is, at first, hard to work out but you gradually get to know him as the story unfolds and see that he has many surprising qualities.
Darla has kept a family secret for eighteen years until she receives an unwanted telephone call. Family relationships are put to the test when she decides to correct some of her past decisions, for her daughter, Meghan, the man she loves, and also herself. She will let nothing stand in her way to expose the high-profile Governor, a man who took away her innocence and brought great angst to her life for years.
Both the plot and the character development are excellent, and the story-line is very believable. The story is also both captivating and engaging. It held my interest from start to finish, and I found myself rooting for Darla as she showed extremes of courage in confronting her challenges.
The writing style is very easy to read and it’s an interesting novel particularly for the interplay of the different characters - a wacky and psychic aunty, a loud and pushy cousin and a large group of girlfriends. Plenty of romantic ups and downs along the way and plenty of surprises. I loved it!
I highly recommend this book and suggest wholeheartedly that you add it to your booklist.
Thank you to Hidden Gems for a free ARC of this book in exchange for a voluntary, honest review.
It is a contemporary fiction and romance novel set in Highland Springs, West Virginia, a wonderfully scenic, American small town with a close-knit community.
What’s really likeable about it straight-away are the opening chapters that draw you straight into the main character, Darla Jean Heartwood. She is a strong, confident, very successful businesswoman, however, she is also emotional and impulsive. You feel instantly on her side, particularly in her initial dealings with Jason Byrne the handsome fellow who has been following her. You can immediately sense there is something going on, and one of the highlights of the book is following how that relationship develops. The handsome, charismatic, distinguished, silver fox Jason is, at first, hard to work out but you gradually get to know him as the story unfolds and see that he has many surprising qualities.
Darla has kept a family secret for eighteen years until she receives an unwanted telephone call. Family relationships are put to the test when she decides to correct some of her past decisions, for her daughter, Meghan, the man she loves, and also herself. She will let nothing stand in her way to expose the high-profile Governor, a man who took away her innocence and brought great angst to her life for years.
Both the plot and the character development are excellent, and the story-line is very believable. The story is also both captivating and engaging. It held my interest from start to finish, and I found myself rooting for Darla as she showed extremes of courage in confronting her challenges.
The writing style is very easy to read and it’s an interesting novel particularly for the interplay of the different characters - a wacky and psychic aunty, a loud and pushy cousin and a large group of girlfriends. Plenty of romantic ups and downs along the way and plenty of surprises. I loved it!
I highly recommend this book and suggest wholeheartedly that you add it to your booklist.
Thank you to Hidden Gems for a free ARC of this book in exchange for a voluntary, honest review.
The Marinated Meeple (1848 KP) rated Coloma in Tabletop Games
Nov 11, 2019
Tight economy (3 more)
You build your engine for resources
everything is a good choice, there are no terrible choices.
good amount of planning is needed without being too deep.
Very well made Western Euro style game
I have played two games of it and so far I really like it. This is a euro game based in the gold rush american west about managing your resources and building an town (engine), and you select the actions you want to take and get a bonus if you don't do the same as other players. it's simultaneous, so you have to guess what other players are doing. I got my Kickstarter copy about a week or two ago, and finally got to break it out this weekend. we played it Saturday and then Sunday morning my wife requested we play it a 2nd time... always a very good indicator of a great game. We generally like more medium to heavy weight games, so the fact that she requested a game that is this light was another vote in its favor. It's not light like Catan, or Kingdomino, or splendor, but it's Lighter than say a Tzolkin, Newton, Castles of Burgundy, or Terraforming Mars. I would say this game is above gateway, but not too deep past that. We plan to introduce this to our newer game friends and see what happens, the turns are quite quick early as you don't do much and then get longer as you get to do more, and I'm anxious to see how that plays with larger play counts. One of the major pluses in the game is how you control how you want to play the game and what you want to do. You could go after horses, and then ride the territory and focus on the post office and stables, and then also go after gold and dudes and then chase the rivers and bridges.... or maybe you just buildup your town to the max and get more of everything on every turn... there seems to be lots of plausible routes to winning and it's just about how efficient you are with your strategy. Looking forward to having this in my collection for a long time.
The Ideas Industry: How Pessimists, Partisans, and Plutocrats are Transforming the Marketplace of Ideas
Book
The concept of the "public intellectual" has a rich and colorful history. It began in the early...
From German Cavalry Officer to Reconnaissance Pilot: The World War I History, Memories, and Photographs of Leonhard Rempe, 1914-1921
Book
Twentyoneyearold Leonhard Rempe volunteered to serve Germany in 1914. By the time World War One...
This Old Dog by Mac DeMarco
9.0
Rate It
Album Watch
Mac DeMarco (A.K.A. 26-year old MacBriare Samuel Lanyon DeMarco) will release This Old Dog, his...
Psychedelic rock pop
Bob Mann (459 KP) rated Colette (2018) in Movies
Sep 28, 2021
“The hand that holds the pen writes history”.
Colette is yet another tale of female empowerment: a woman with real talent trying to break out of the gilded cage she finds herself trapped in.
The plot
This is a true story, set in Paris in the late 19th Century. Colette (Keira Knightley), a beautiful country girl living in Burgundy is seduced by and then married to the much older Parisian ‘literary entrepreneur’ Willy (Dominic West). Willy is a “brand” in Paris: a well-known critic turned author. The only problem being that he does virtually no writing of his own but ghosts work out to his team. Colette exhibits a gift for writing slightly lascivious tales of her life (under the pseudonym Claudine) at her girl’s school, where clearly nighttime swimming lessons taught more than back stroke! As a result, Willy fills a financial hole by publishing Colette’s work in his name. The books fly off the shelves faster than the publishers can print them. But Willy has expensive habits and Colette gets locked into writing an ever-popular series but without a voice of her own.
Bohemian Rhapsodies
If the swinging 60’s started anywhere, it was probably in Paris during this time period! While Victorian England was staid and conservative, Paris – home of the Moulin Rouge – was a hot-bed of liberation. As a result, Colette and Willy’s marital affairs are – erm – sexually ‘fluid’. While Colette has to learn to live with her philandering ‘Free Willy’, he positively encourages the bi-sexual Colette to explore the other camp, as it were.
The turns
Keira Knightley turns in a truly cracking performance in the titular lead. No-one does ‘brooding’ better than Knightley, and she gets ample chance here to exercise that look, most notably in a train scene near the end of the film: if looks could kill.
Dominic West delivers as reliably a solid performance as you would expect from him, but he is such a despicable and loathsome character that it is difficult to warm to him.
Driving me mad (not sexually you understand…. although…) was the girl playing the American double-dip love interest Georgie: I knew her so well but just couldn’t place her. It was the American accent that threw me: she is of course Eleanor Tomlinson, Demelza from TV’s “Poldark”, here showing a lot more flesh than she can get away with on a Sunday night on BBC1!
An interesting choice of language
The film is obviously in English about one of France’s literary greats (although curiously Colette writes in French). My guess is that the film will go down like a lead balloon in France as a result. A part of me would have liked this to be French language with subtitles, but maybe that’s just me.
When you look at it objectively, Colette’s story is quite remarkable: what a clever and determined woman.
Gorgeous to look at
Aside from Knightley, the other star turn in the film comes from cinematographer Giles Nuttgens (who also did “Hell or High Water“). The scenes, particularly the bucolic ones set in the French countryside, are simply gorgeously photographed. The framing of the shots is also exquisite with an impressive shot of the slog up a spiral staircase to the couple’s flat being repeatedly used.
Sex vs violence – still not on a par in 2019
It remains curious to me how prudish both the UK and the US are still about sex on screen. In the UK the film is a 15 certificate; in the US the film is R-rated! Yes, there are some breasts on show, and a few mixed- and same-sex couplings (particularly during a frenetic 5 minute period in the middle of the film!), but they are artfully done and you don’t get to see much more than the breasts. In comparison, the violence that would get meted out during a 15/R action thriller would typically makes my eyes water.
But is it any good?
This is one of those films that is worthy, beautifully done, well acted but for some reason it felt to me like a bit of a slog. At 111 minutes it certainly felt a lot longer than it was. The middle reel of the film in particular is rather pedestrian (and yes, I recognise the irony of the fact that I just said there was the frenetic 5 minutes of sex during that part!). Maybe on the night I was just not in the mood for this type of film.
The director is Englishman Wash Westmoreland, whose last film back in 2014 was the impressive “Still Alice”.
I’m glad I’ve seen it, and it is a lot better than many films I saw last year. But in terms of my “re-watchability” quotient, its not going to rate that highly.
The plot
This is a true story, set in Paris in the late 19th Century. Colette (Keira Knightley), a beautiful country girl living in Burgundy is seduced by and then married to the much older Parisian ‘literary entrepreneur’ Willy (Dominic West). Willy is a “brand” in Paris: a well-known critic turned author. The only problem being that he does virtually no writing of his own but ghosts work out to his team. Colette exhibits a gift for writing slightly lascivious tales of her life (under the pseudonym Claudine) at her girl’s school, where clearly nighttime swimming lessons taught more than back stroke! As a result, Willy fills a financial hole by publishing Colette’s work in his name. The books fly off the shelves faster than the publishers can print them. But Willy has expensive habits and Colette gets locked into writing an ever-popular series but without a voice of her own.
Bohemian Rhapsodies
If the swinging 60’s started anywhere, it was probably in Paris during this time period! While Victorian England was staid and conservative, Paris – home of the Moulin Rouge – was a hot-bed of liberation. As a result, Colette and Willy’s marital affairs are – erm – sexually ‘fluid’. While Colette has to learn to live with her philandering ‘Free Willy’, he positively encourages the bi-sexual Colette to explore the other camp, as it were.
The turns
Keira Knightley turns in a truly cracking performance in the titular lead. No-one does ‘brooding’ better than Knightley, and she gets ample chance here to exercise that look, most notably in a train scene near the end of the film: if looks could kill.
Dominic West delivers as reliably a solid performance as you would expect from him, but he is such a despicable and loathsome character that it is difficult to warm to him.
Driving me mad (not sexually you understand…. although…) was the girl playing the American double-dip love interest Georgie: I knew her so well but just couldn’t place her. It was the American accent that threw me: she is of course Eleanor Tomlinson, Demelza from TV’s “Poldark”, here showing a lot more flesh than she can get away with on a Sunday night on BBC1!
An interesting choice of language
The film is obviously in English about one of France’s literary greats (although curiously Colette writes in French). My guess is that the film will go down like a lead balloon in France as a result. A part of me would have liked this to be French language with subtitles, but maybe that’s just me.
When you look at it objectively, Colette’s story is quite remarkable: what a clever and determined woman.
Gorgeous to look at
Aside from Knightley, the other star turn in the film comes from cinematographer Giles Nuttgens (who also did “Hell or High Water“). The scenes, particularly the bucolic ones set in the French countryside, are simply gorgeously photographed. The framing of the shots is also exquisite with an impressive shot of the slog up a spiral staircase to the couple’s flat being repeatedly used.
Sex vs violence – still not on a par in 2019
It remains curious to me how prudish both the UK and the US are still about sex on screen. In the UK the film is a 15 certificate; in the US the film is R-rated! Yes, there are some breasts on show, and a few mixed- and same-sex couplings (particularly during a frenetic 5 minute period in the middle of the film!), but they are artfully done and you don’t get to see much more than the breasts. In comparison, the violence that would get meted out during a 15/R action thriller would typically makes my eyes water.
But is it any good?
This is one of those films that is worthy, beautifully done, well acted but for some reason it felt to me like a bit of a slog. At 111 minutes it certainly felt a lot longer than it was. The middle reel of the film in particular is rather pedestrian (and yes, I recognise the irony of the fact that I just said there was the frenetic 5 minutes of sex during that part!). Maybe on the night I was just not in the mood for this type of film.
The director is Englishman Wash Westmoreland, whose last film back in 2014 was the impressive “Still Alice”.
I’m glad I’ve seen it, and it is a lot better than many films I saw last year. But in terms of my “re-watchability” quotient, its not going to rate that highly.