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House of The Rising Sun (2011)
5.7
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Movie
Ray, an ex-con, is starting a new life looking to stay out of trouble. One evening, on Ray's watch,...
Mirrors (2008)
6.2
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Movie Watch
Kiefer Sutherland stars in this supernatural thriller as Ben Carson, an ex-cop who quit his job...
Awix (3310 KP) rated Moxie (2021) in Movies
Mar 28, 2021
Superior Netflix high-school comedy-drama. A teenage girl is provoked into starting a feminist club at her high school and resist the double-standards she sees everywhere. (There are jokes, too.)
Sounds like another crashingly didactic piece of post-Weinstein agitprop, but director Amy Poehler is smart enough to mix a little more grit and nuance into the formula. There are still things about the movie which grate slightly - the female principal of the school is almost comically indifferent, there's a rather-too-glib piece of plotting about a rape, and the demonisation of white men is surely problematic - but this is subtle and funny and occasionally sweet and tender, and you do care about the characters and their situations. The film is insightful enough to imply that even if an injustice is brazen and obvious, it doesn't necessarily follow that the solution to it is straightforward. This is an openly feminist film with an axe to grind, but still an accessible piece of entertainment.
Sounds like another crashingly didactic piece of post-Weinstein agitprop, but director Amy Poehler is smart enough to mix a little more grit and nuance into the formula. There are still things about the movie which grate slightly - the female principal of the school is almost comically indifferent, there's a rather-too-glib piece of plotting about a rape, and the demonisation of white men is surely problematic - but this is subtle and funny and occasionally sweet and tender, and you do care about the characters and their situations. The film is insightful enough to imply that even if an injustice is brazen and obvious, it doesn't necessarily follow that the solution to it is straightforward. This is an openly feminist film with an axe to grind, but still an accessible piece of entertainment.
Awix (3310 KP) rated Little Women (2019) in Movies
Jan 7, 2020
Not my usual kind of movie, but I turn up for anything with Greta Gerwig or Florence Pugh involved in it. Happily this proved not to be the leaden piece of post-MeToo agitprop some of the advertising suggested, but a sensitive and subtle adaptation of a classic piece of literature (it says here). During and after the American Civil War, four sisters (Meg, Amy, Little Jo and Hoss) grow up and come of age, under the steely gaze of their Aunt Ben Cartwright (Meryl Streep). (I may be getting this mixed up with something else.)
Strong performances, especially from Ronan and Pugh, and a generally classy movie in most respects. This is mainly due to a very smart script and evocative direction, both from Gerwig, which finds clever resonances between events at different points in the narrative (the story is told somewhat out of chronological order) and creates just the right kind of atmosphere. There is inevitably a little bit of gender politics, but also a scene where a character suggests that there's nothing wrong with wanting to get married and have children, either. Engaging, likeable, and even quite moving in places.
Strong performances, especially from Ronan and Pugh, and a generally classy movie in most respects. This is mainly due to a very smart script and evocative direction, both from Gerwig, which finds clever resonances between events at different points in the narrative (the story is told somewhat out of chronological order) and creates just the right kind of atmosphere. There is inevitably a little bit of gender politics, but also a scene where a character suggests that there's nothing wrong with wanting to get married and have children, either. Engaging, likeable, and even quite moving in places.
The Big Bang Theory - Season 1
7.7
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TV Season Watch
Leonard and Sheldon are brilliant physicists - geniuses in the laboratory, but socially challenged...
Gareth von Kallenbach (965 KP) rated Bad Moms (2016) in Movies
Aug 6, 2019 (Updated Aug 6, 2019)
When moms get tired of being perfect, not being appreciated and decide to give their spoiled children a lesson and just enjoy every minute of their day instead – that’s when the movie Bad Moms happens.
Amy Mitchell (Mila Kunis) is a 32-year-old modern mom, who has a seemingly perfect life: a great marriage, over-achieving kids, a beautiful home and a career. However, she is over-worked and so exhausted that she’s reached the point where she is about to snap. Her life has been reduced to spending a lot of time driving her kids to their extracurricular activities and trying to be just in time for everything. Her perfect life is just a smoke screen, her husband Mike (David Walton) has been unemployed for a while, doesn’t care about helping with anything house- or kids-related, and enjoys a little bit too much online entertainment. In addition to being spoiled, her daughter Jane (Oona Laurence) has some anxiety issues and her son Dylan (Emjay Anthony) has never done his own homework. To make it even more interesting, Amy has to deal with the judgement of PTA Queen, Bee Gwendolyn, (Christina Applegate) and her minions Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).
After one hectic day, all Amy can do is stop at a bar and grab a glass of whiskey. There she meets two other underappreciated moms, Kiki (Kristen Bell) and Carla (Kathryn Hahn). Over drinks they vent and declare that they’re tired of living up to expectations and not being appreciated for all their hard work. So they decide to be bad moms.
I love seeing Christina Applegate as the villain; she is smart, evil and pulls all the strings, driving everyone to the edge but nobody can say anything because they’re terrified of her. But the one that dominates the comedy is Kathryn Hann. You would think you might be tired of seeing her in just about every movie released in the last 10 years, but oh boy is this woman hilarious! She plays the divorced working mother whose every line, good or bad, makes the audience ask again and again “Did she just say that?”
I really enjoyed this movie. It is the perfect summer comedy that all audiences can enjoy, especially moms who can really relate. This is The Hangover for moms. I assure you will laugh nonstop because it has a wild drunk trip to the grocery store, a memorable show-and-tell demonstration and a really funny lecture about unflattering bras. I promise you will leave the theater with a smile.
Amy Mitchell (Mila Kunis) is a 32-year-old modern mom, who has a seemingly perfect life: a great marriage, over-achieving kids, a beautiful home and a career. However, she is over-worked and so exhausted that she’s reached the point where she is about to snap. Her life has been reduced to spending a lot of time driving her kids to their extracurricular activities and trying to be just in time for everything. Her perfect life is just a smoke screen, her husband Mike (David Walton) has been unemployed for a while, doesn’t care about helping with anything house- or kids-related, and enjoys a little bit too much online entertainment. In addition to being spoiled, her daughter Jane (Oona Laurence) has some anxiety issues and her son Dylan (Emjay Anthony) has never done his own homework. To make it even more interesting, Amy has to deal with the judgement of PTA Queen, Bee Gwendolyn, (Christina Applegate) and her minions Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).
After one hectic day, all Amy can do is stop at a bar and grab a glass of whiskey. There she meets two other underappreciated moms, Kiki (Kristen Bell) and Carla (Kathryn Hahn). Over drinks they vent and declare that they’re tired of living up to expectations and not being appreciated for all their hard work. So they decide to be bad moms.
I love seeing Christina Applegate as the villain; she is smart, evil and pulls all the strings, driving everyone to the edge but nobody can say anything because they’re terrified of her. But the one that dominates the comedy is Kathryn Hann. You would think you might be tired of seeing her in just about every movie released in the last 10 years, but oh boy is this woman hilarious! She plays the divorced working mother whose every line, good or bad, makes the audience ask again and again “Did she just say that?”
I really enjoyed this movie. It is the perfect summer comedy that all audiences can enjoy, especially moms who can really relate. This is The Hangover for moms. I assure you will laugh nonstop because it has a wild drunk trip to the grocery store, a memorable show-and-tell demonstration and a really funny lecture about unflattering bras. I promise you will leave the theater with a smile.
What the Hell Did I Just Read: A Novel of Cosmic Horror
8.0
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Book
It's the story "They" don't want you to read. Though, to be fair, "They" are probably right about...
Comedy science fiction fantasy
Gareth von Kallenbach (965 KP) rated The Butterfly Effect (2004) in Movies
Aug 14, 2019
For most people, childhood is a time filled mainly with happy memories of carefree playing, a loving family, and counting the days until the next school vacation.
Sadly, not everyone has fond memories of their childhood as for some; the years of joy and laughter are filled with pain and sadness. Such is the case of Evan Treborn (Ashton Kutcher) a gifted and caring individual who suffers from memory lapses much like his institutionalized father before him.
A series of traumatic events occur forcing Evan and his mother to move from their home leaving his best friends Kayleigh and Lenny behind.
Years later Evan is a successful and popular student at the state college and has not had a blackout for seven years, which is about the time his mother, moved him from the old neighborhood. Evan is persuaded by a friend to read his old journal entries and in doing so starts to recover some of his lost memories.
With the understanding that he has blacked out traumatic events in his life, Evan returns to his old home to seek out his friends with the hope that his missing memories can be restored. Sadly Evans return does not go well and his questions cause consequences for those who can remember what exactly happened.
Desperate to make sense of what is happening, Evan studies his journals and discovers that he is able to travel back to the time he has blacked out, and proceeds to make changes that he believes will improve the long-term outcome.
Evan awakens to find himself with Kayleigh (Amy Smart) and learns that the two of them have been an item ever since his childhood. What at first seems like a dream come true soon sours when Evan realizes that the ripple effects from his changes in the past have affected others around him. Desperate to undo a situation that now threatens him as well, Evan begins a series of trips into his past in an effort to recover his memories and right the wrongs that he is slowly starting to remember. Evan soon finds himself in a situation gone wild as no matter what Evan changes in the past, things are not put right as improving things for one person often makes others suffer as a result of the altered history.
Skillfully written and directed by Eric Bress and J Mackye Gruber The Butterfly Effect is a stunning look into a troubled psyche and a study in the effects of childhood trauma. The film is equally gripping and disturbing and tackles a wide-range of controversial topics. There is no sugar coating to the film as the depths of Evans repressed memories are explored making the film one of the best Dramas in recent memory.
Kutcher is amazing as he handles a difficult and complex role with skill and passion showing that he is capable of so much more than the brain dead beefcake roles he has been cast in previously. Kutcher is the key that makes the film work as the entire film and supporting cast center on him and he pulls it off brilliantly. Strong supporting work by Amy Smart, Ethan Suplee, and Eldon Henson keep the film gripping and tense.
The only issue I had with the film was the ending, which seemed to me like a tacked on Hollywood ending and not in keeping with the tone of the film. That being said, “The Butterfly Effect is a strong film and one that will not easily be forgotten.
Sadly, not everyone has fond memories of their childhood as for some; the years of joy and laughter are filled with pain and sadness. Such is the case of Evan Treborn (Ashton Kutcher) a gifted and caring individual who suffers from memory lapses much like his institutionalized father before him.
A series of traumatic events occur forcing Evan and his mother to move from their home leaving his best friends Kayleigh and Lenny behind.
Years later Evan is a successful and popular student at the state college and has not had a blackout for seven years, which is about the time his mother, moved him from the old neighborhood. Evan is persuaded by a friend to read his old journal entries and in doing so starts to recover some of his lost memories.
With the understanding that he has blacked out traumatic events in his life, Evan returns to his old home to seek out his friends with the hope that his missing memories can be restored. Sadly Evans return does not go well and his questions cause consequences for those who can remember what exactly happened.
Desperate to make sense of what is happening, Evan studies his journals and discovers that he is able to travel back to the time he has blacked out, and proceeds to make changes that he believes will improve the long-term outcome.
Evan awakens to find himself with Kayleigh (Amy Smart) and learns that the two of them have been an item ever since his childhood. What at first seems like a dream come true soon sours when Evan realizes that the ripple effects from his changes in the past have affected others around him. Desperate to undo a situation that now threatens him as well, Evan begins a series of trips into his past in an effort to recover his memories and right the wrongs that he is slowly starting to remember. Evan soon finds himself in a situation gone wild as no matter what Evan changes in the past, things are not put right as improving things for one person often makes others suffer as a result of the altered history.
Skillfully written and directed by Eric Bress and J Mackye Gruber The Butterfly Effect is a stunning look into a troubled psyche and a study in the effects of childhood trauma. The film is equally gripping and disturbing and tackles a wide-range of controversial topics. There is no sugar coating to the film as the depths of Evans repressed memories are explored making the film one of the best Dramas in recent memory.
Kutcher is amazing as he handles a difficult and complex role with skill and passion showing that he is capable of so much more than the brain dead beefcake roles he has been cast in previously. Kutcher is the key that makes the film work as the entire film and supporting cast center on him and he pulls it off brilliantly. Strong supporting work by Amy Smart, Ethan Suplee, and Eldon Henson keep the film gripping and tense.
The only issue I had with the film was the ending, which seemed to me like a tacked on Hollywood ending and not in keeping with the tone of the film. That being said, “The Butterfly Effect is a strong film and one that will not easily be forgotten.
The Subway Girls
10.0
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Book
(via goodreads.com) "Schnall has written a book that is smart and timely...Feels perfect for fans...
RəX Regent (349 KP) rated The Butterfly Effect (2004) in Movies
Mar 7, 2019
Deeper than it first appears...
Contains spoilers, click to show
Having always being a fan of Time Travel and Science Fiction, I was always keen on seeing this film upon its initial release, seven years ago, now. But for one reason or another, this just didn't happen, leaving me to watch this on TV a couple of years later.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
