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Matthew Krueger (10051 KP) rated Amos & Andrew (1993) in Movies
Nov 2, 2019 (Updated Nov 2, 2019)
Ghost Rider and Nick Fury
The plot: When erudite black playwright Andrew Sterling (Samuel L. Jackson) moves to a predominantly white suburb, the buffoonish local police surround his home, assuming he's a burglar. To avoid a scandal, unscrupulous Chief Tolliver (Dabney Coleman) conscripts low-rent criminal Amos Odell (Nicolas Cage) to break in and take Sterling hostage. But Amos and Andrew soon realize Tolliver has no plans to let either survive, so they must put their differences aside and work together to get out alive.
This movie is funny as hell, both Nicolas Cage and Samuel L Jackson are excellent. Also Brad Dourif is funny in this movie.
I dont why this film got bad reviews because it is great. A highly reccordmend movie.
This movie is funny as hell, both Nicolas Cage and Samuel L Jackson are excellent. Also Brad Dourif is funny in this movie.
I dont why this film got bad reviews because it is great. A highly reccordmend movie.
Sarah (7798 KP) rated Black Mirror - Season 5 in TV
Jun 15, 2019
Not up to it’s usual high standard
Black Mirror is known for having a dark and futuristic take on modern society, and this is why it has always succeeded. It’s bleak and harrowing at times and whilst it’s not a happy programme to watch, it’s bloody good. The problem with series 5 is that it feels like an entirely different show, and not for the better.
Whilst each episode has it’s own take on modern society and technology (VR, social media and musical pop culture), none of this felt particularly new or unique. Don’t get me wrong, the episodes aren’t bad at all. But they’re just not brilliant. There are good performances (Andrew Scott especially) and the storylines are vaguely interesting, they just don’t get pushed far enough into the dark and bleak Black Mirror world we’re used to. Not only that, but none of these stories have particularly bad endings. It all just feels a little bit meh and after the rather wonderful Bandersnatch, I’d been looking forward to another great season. Sadly, it’s been a bit of a letdown. I’m really hoping that this is just a blip and that the next series is back on form, and not a sign that Black Mirror has run out of decent ideas...
Whilst each episode has it’s own take on modern society and technology (VR, social media and musical pop culture), none of this felt particularly new or unique. Don’t get me wrong, the episodes aren’t bad at all. But they’re just not brilliant. There are good performances (Andrew Scott especially) and the storylines are vaguely interesting, they just don’t get pushed far enough into the dark and bleak Black Mirror world we’re used to. Not only that, but none of these stories have particularly bad endings. It all just feels a little bit meh and after the rather wonderful Bandersnatch, I’d been looking forward to another great season. Sadly, it’s been a bit of a letdown. I’m really hoping that this is just a blip and that the next series is back on form, and not a sign that Black Mirror has run out of decent ideas...
LeftSideCut (3778 KP) rated Black Water: Abyss (2020) in Movies
Jan 14, 2021
What to say about Black Water: Abyss... There's a lot of heavy breathing. And loads of the characters shouting eachothers names. Plenty of tropes ripped straight out of the first movie - minimal crocodile, a character who is injured and becomes a burden, a pregnant character for that extra pinch of drama - but it's once again helmed by Andrew Traucki, so is it really plagiarism if he's stealing from himself?
Its not the worst killer animal film I've ever seen. There are a few tense moments, a good cast, and the choice to not show the crocodile too often is probably a good one, considering it looks dodgy as fuck when the films climax arrives, but it's a little too drawn out for my taste, and the tension isn't good enough to stop the overall film from dragging hard, and ends up being a mediocre watch at best.
Its not the worst killer animal film I've ever seen. There are a few tense moments, a good cast, and the choice to not show the crocodile too often is probably a good one, considering it looks dodgy as fuck when the films climax arrives, but it's a little too drawn out for my taste, and the tension isn't good enough to stop the overall film from dragging hard, and ends up being a mediocre watch at best.
MelanieTheresa (997 KP) rated A Star Is Born (2018) in Movies
Oct 8, 2018
Give Bradley Cooper ALL the awards.
Let me start off by saying I've never seen the 1937 or 1954 versions of A Star Is Born, and I only very vaguely remember the 1976 Streisand version. That said, this movie was everything I wanted it to be, and I was enthralled from the very beginning.
While Lady Gaga's performance was amazing, Bradley Cooper's performance was a level above, and the fact that he directed as well just adds to that for me. The supporting cast was wonderful - notably Andrew Dice Clay as Ally's father, and Dave Chappelle as Jack's childhood friend.
The music was great, and I've already downloaded the soundtrack for the express purpose of listening to "Black Eyes" on repeat.
I went through all the emotions while watching this movie, and I'd definitely watch it again. It didn't feel too long, which is the case with so many movies these days, and the pace was steady but not slow.
Plus, as I overheard from one moviegoer: "I've never seen Bradley Cooper so hot." Amen, sister.
While Lady Gaga's performance was amazing, Bradley Cooper's performance was a level above, and the fact that he directed as well just adds to that for me. The supporting cast was wonderful - notably Andrew Dice Clay as Ally's father, and Dave Chappelle as Jack's childhood friend.
The music was great, and I've already downloaded the soundtrack for the express purpose of listening to "Black Eyes" on repeat.
I went through all the emotions while watching this movie, and I'd definitely watch it again. It didn't feel too long, which is the case with so many movies these days, and the pace was steady but not slow.
Plus, as I overheard from one moviegoer: "I've never seen Bradley Cooper so hot." Amen, sister.
Kirk Bage (1775 KP) rated Black Mirror - Season 5 in TV
Mar 3, 2020 (Updated Mar 3, 2020)
Contains spoilers, click to show
Striking Vipers - 5.5
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Erika Kehlet (21 KP) rated Palmetto Poison (Caroline Slade Mystery Series, #3) in Books
Feb 21, 2018
This was my first Carolina Slade (or Slade as she prefers to be called) mystery. I do think I would have liked to read or listen to the others first just to better understand some of Slade's fears and reactions to things. There are lots of references to previous events, with enough explanation that there's no problem understanding what is going on, but I am very curious about her past now.
After the Governor's brother-in-law is charged with possessing and distrusting prescription medications illegally, Slade's boss asks her to look into the matter. As soon as she starts investigating though, people start dying, and no one seems to want to cooperate with her investigation.
She really has a lot to deal with in this story - the Governor is angry at her continued snooping, there is a black SUV stalking her, her boyfriend's ex-wife shows up on the trail of said boyfriend's missing sister, and her teenage daughter thinks Slade is too old to have a handle on reality. Even so, I occasionally found her stubborn and unreasonable enough to make me want to slap her. I really think she behaves the way she does out of fear after her past experiences, though, so it doesn't make her less likable.
I think anyone who is a fan of the Temperance Brennan (Slade and Wayne reminded me a bit of Tempe and Andrew Ryan) or Kay Scarpetta novels would enjoy this one.
Disclaimer - I was provided with a free copy of this audiobook in exchange for an honest review
After the Governor's brother-in-law is charged with possessing and distrusting prescription medications illegally, Slade's boss asks her to look into the matter. As soon as she starts investigating though, people start dying, and no one seems to want to cooperate with her investigation.
She really has a lot to deal with in this story - the Governor is angry at her continued snooping, there is a black SUV stalking her, her boyfriend's ex-wife shows up on the trail of said boyfriend's missing sister, and her teenage daughter thinks Slade is too old to have a handle on reality. Even so, I occasionally found her stubborn and unreasonable enough to make me want to slap her. I really think she behaves the way she does out of fear after her past experiences, though, so it doesn't make her less likable.
I think anyone who is a fan of the Temperance Brennan (Slade and Wayne reminded me a bit of Tempe and Andrew Ryan) or Kay Scarpetta novels would enjoy this one.
Disclaimer - I was provided with a free copy of this audiobook in exchange for an honest review
Joe Goodhart (27 KP) rated Faction Paradox: The Book of the Enemy in Books
Nov 30, 2020
This is, for all intents and purposes, as close to identifying, or, at the very least, understanding who the Enemy is. The stories that make up the whole of this collection is as follows: Subjective
<b>"Interlock" and "The Annotated Autopsy of Agent A" Simon Bucher-Jones
"Cobweb and Ivory" Nate Bumber
"The Book of the Enemy" Andrew Hickey
T.memeticus: A Morphology" Philip Purser-Hallard
"The Short Briefing Sergeant's Tale" Simon Bucher-Jones
"A Bloody (And Public) Domaine" Jacob Black
"Life-Cycle" Grant Springford
"First Draft" Nick Wallace
"Eyes" Christian Read
"We are the Enemy" Lawrence Burton
"Timeshare" Helen Angove
"A Choice of Houses" Simon Bucher-Jones
"Houses of Cards" Lisa Sarah Good
"The Enemy - The Hole in Everything" Simon Bucher-Jones
"The Enemy of My Enemy Is My Enemy" Jay Eales
"No Enemy But Despair" Simon Bucher-Jones
"The Map and the Spiders" Wilhelm Liebknecht</b>
I quite enjoyed the book as a whole, even though there was some weak pieces that did not really seem to fit, like Helen Angove's "Timeshare". Overall, it was a fitting collection for what it was intended to be. Of particular interest were Simon Bucher-Jones' interconnecting briefs that tie it all together. Quite brilliant, despite some of the weaker stories.
And, yes, as some people have remarked in their reviews, there were some noticeable punctuation and formatting errors. However, the stories are good enough to overlook and not focus on those shortcomings.
Recommended to all fans of Faction Paradox as a whole!!
<b>"Interlock" and "The Annotated Autopsy of Agent A" Simon Bucher-Jones
"Cobweb and Ivory" Nate Bumber
"The Book of the Enemy" Andrew Hickey
T.memeticus: A Morphology" Philip Purser-Hallard
"The Short Briefing Sergeant's Tale" Simon Bucher-Jones
"A Bloody (And Public) Domaine" Jacob Black
"Life-Cycle" Grant Springford
"First Draft" Nick Wallace
"Eyes" Christian Read
"We are the Enemy" Lawrence Burton
"Timeshare" Helen Angove
"A Choice of Houses" Simon Bucher-Jones
"Houses of Cards" Lisa Sarah Good
"The Enemy - The Hole in Everything" Simon Bucher-Jones
"The Enemy of My Enemy Is My Enemy" Jay Eales
"No Enemy But Despair" Simon Bucher-Jones
"The Map and the Spiders" Wilhelm Liebknecht</b>
I quite enjoyed the book as a whole, even though there was some weak pieces that did not really seem to fit, like Helen Angove's "Timeshare". Overall, it was a fitting collection for what it was intended to be. Of particular interest were Simon Bucher-Jones' interconnecting briefs that tie it all together. Quite brilliant, despite some of the weaker stories.
And, yes, as some people have remarked in their reviews, there were some noticeable punctuation and formatting errors. However, the stories are good enough to overlook and not focus on those shortcomings.
Recommended to all fans of Faction Paradox as a whole!!
Phil Leader (619 KP) rated Deadly Harm in Books
Nov 25, 2019
Mackenzie is a survivor. She has survived a brutal kidnap ordeal and now runs a refuge for women who need to escape domestic violence. But when she has to turn a young woman away only for her husband to kill her, Mackenzie blames herself and resolves that she will do anything to prevent anything like that happening again. It isn't long before she must test her resolve. She has survived before. What will she do to survive now?
Once again Mullen demonstrates his credentials as one of the best crime writers out there, throwing a couple of extra murders into the mix and once again having dogged and dog-eared policeman Andrew Geddes play a large part, not only as an upholder of the law but also as Mackenzie's potential love interest. But how can a man who lives in terms of black and white cope when his girlfriend lives in the grey areas? The moral choices made by the leading characters may be questioned by the reader, but their motivations are always clear.
And what a cast of characters. The beauty of this is that everyone - Mackenzie, Geddes, the women at the refuge and killer Malkie Boyle - are all damaged from their lives and experiences. Even when Mullen's clean-cut private investigator Charlie Cameron crops up, it only serves to cast a light that reveals the shadows around the others. Everybody rings very true and the whole plot is very believable, and could be playing out at this moment.
And speaking of the plot, as usual this moves along at a breezy pace, introducing characters as it goes without slowing its momentum. This isn't a classic 'whodunnit' - it is clear exactly who did what - but isn't without twists and surprises, several plots simmering along next to each other and coming to the boil perfectly throughout the book.
Another fantastic read from simply one of the best authors there is. Very highly recommended
Once again Mullen demonstrates his credentials as one of the best crime writers out there, throwing a couple of extra murders into the mix and once again having dogged and dog-eared policeman Andrew Geddes play a large part, not only as an upholder of the law but also as Mackenzie's potential love interest. But how can a man who lives in terms of black and white cope when his girlfriend lives in the grey areas? The moral choices made by the leading characters may be questioned by the reader, but their motivations are always clear.
And what a cast of characters. The beauty of this is that everyone - Mackenzie, Geddes, the women at the refuge and killer Malkie Boyle - are all damaged from their lives and experiences. Even when Mullen's clean-cut private investigator Charlie Cameron crops up, it only serves to cast a light that reveals the shadows around the others. Everybody rings very true and the whole plot is very believable, and could be playing out at this moment.
And speaking of the plot, as usual this moves along at a breezy pace, introducing characters as it goes without slowing its momentum. This isn't a classic 'whodunnit' - it is clear exactly who did what - but isn't without twists and surprises, several plots simmering along next to each other and coming to the boil perfectly throughout the book.
Another fantastic read from simply one of the best authors there is. Very highly recommended
Logan Eccles (135 KP) rated Hellboy (2019) in Movies
Oct 1, 2020 (Updated Oct 2, 2020)
For TRUE Hellboy fans
Ok, I know I didn't give this a super high rating but I did rate it higher than IMDBs' 5.2. Now being a fan of "Stranger Things" I was super excited when David Harbour(Hopper) was cast as Hellboy. And boy did he nail it! All the cast and crew nailed it. You could tell what they were going for as soon as the movie started.
Before I go on with my Review fans of the Ron Pearlman Hellboy who are expecting this one to be the same especially after the first official trailer came out and it did just look like the same movie. It is not. I repeat IT IS NOT. Director Neil Marshall and screenplay writer Andrew Cosby made a movie more based on Mike Mignolas' comic. I know, I know, some of you are reading this going "so did Guillermo idiot!" And yes you are right but this film is Centered around the work from start to finish. I felt like I was watching a comic. As soon as it starts black and Wight with only red popping out it gives that Hellboy comic tone. Even the makeup and structure of Hellboy in this film look more like the comic.
Though the story is somewhat similar to the original movie it is just enough different to set it apart. The ensemble of characters does a good job of that. The set up of the new characters is great and they feel like they belong as opposed to just being replacements like I thought theywould be. Sasha Lanes' Alice and Daniel Dae Kims' Major Ben Daimio are great and different. When they finally come together as a full-fledged team, in the end, I was ready for more. As unlikely as that is I hope they do get a sequel because it showed potential for one and it was really fun. However, I am sorta glad I didn't see it in theaters I feel like its a better-enjoyed movie for home.
Before I go on with my Review fans of the Ron Pearlman Hellboy who are expecting this one to be the same especially after the first official trailer came out and it did just look like the same movie. It is not. I repeat IT IS NOT. Director Neil Marshall and screenplay writer Andrew Cosby made a movie more based on Mike Mignolas' comic. I know, I know, some of you are reading this going "so did Guillermo idiot!" And yes you are right but this film is Centered around the work from start to finish. I felt like I was watching a comic. As soon as it starts black and Wight with only red popping out it gives that Hellboy comic tone. Even the makeup and structure of Hellboy in this film look more like the comic.
Though the story is somewhat similar to the original movie it is just enough different to set it apart. The ensemble of characters does a good job of that. The set up of the new characters is great and they feel like they belong as opposed to just being replacements like I thought theywould be. Sasha Lanes' Alice and Daniel Dae Kims' Major Ben Daimio are great and different. When they finally come together as a full-fledged team, in the end, I was ready for more. As unlikely as that is I hope they do get a sequel because it showed potential for one and it was really fun. However, I am sorta glad I didn't see it in theaters I feel like its a better-enjoyed movie for home.
Kristy H (1252 KP) rated In a Holidaze in Books
Oct 29, 2020
A joyful and flirty holiday romance
Maelyn Jones spends every Christmas at her favorite place in the world: a cabin owned by her parents' friends in Utah. She joins her (divorced) parents, younger brother Miles, and two other families for a magical Christmas experience--cookie baking, snow creature making contests, holiday scavenger hunts, and more. She's been sleeping in the basement in the "kid bunk beds" with Miles and family friends Theo and Andrew for years, despite the fact that they are adults now. But this year, it's all ruined: their friends are selling the cabin and Mae is humiliated after an embarrassing encounter with Theo. As her family drives away from the cabin one last time, she makes a desperate plea for happiness. Then she sees a car headed straight toward theirs, and it all goes black. When she awakes, she's back on a plane headed to Utah, headed to the same holiday trip. As various disasters return Mae to the plane over and over, she realizes she's in a time loop--she needs to break free, and figure out to find true love and happiness, once and for all.
"So I ask the universe, simply: Can you show me what will make me happy?"
I know I must have read this synopsis when I requested this book, but I didn't reread it before starting, because hello, CLo, enough said. So I was slightly surprised by the Groundhog Day-esque story to this one, but I went with the flow. Luckily Mae is funny and charming enough to make just about anything fly, even a crazy time loop plot where you're not exactly sure how or why she's in it or quite what she's supposed to do to get out of it.
"'I think it's possible I'm in the past, repeating the same holiday, and I'm the only one who knows it.'"
It took a little while for the romance to heat up here, but once it did, the book was off and running. And boom! It's a sweet read, but flirty and romantic too. I loved Mae and her crush--they crackled and simmered. Honestly, the time loop piece was secondary to their joyful love. Seeing Mae come into her own made everything else less important, including Mae's reliving of her holiday. (And I enjoyed how she took to it so quickly--don't eat that, you're going to need this, tell me a secret so I can prove this to you next time--you go girl, embrace the loop!).
So, yes, while this book is a little crazy, it's also sweet and happy, too. It's a perfect Christmas read for a snowy day (or a fall day when you feel like the world is falling apart). 4 stars.
"So I ask the universe, simply: Can you show me what will make me happy?"
I know I must have read this synopsis when I requested this book, but I didn't reread it before starting, because hello, CLo, enough said. So I was slightly surprised by the Groundhog Day-esque story to this one, but I went with the flow. Luckily Mae is funny and charming enough to make just about anything fly, even a crazy time loop plot where you're not exactly sure how or why she's in it or quite what she's supposed to do to get out of it.
"'I think it's possible I'm in the past, repeating the same holiday, and I'm the only one who knows it.'"
It took a little while for the romance to heat up here, but once it did, the book was off and running. And boom! It's a sweet read, but flirty and romantic too. I loved Mae and her crush--they crackled and simmered. Honestly, the time loop piece was secondary to their joyful love. Seeing Mae come into her own made everything else less important, including Mae's reliving of her holiday. (And I enjoyed how she took to it so quickly--don't eat that, you're going to need this, tell me a secret so I can prove this to you next time--you go girl, embrace the loop!).
So, yes, while this book is a little crazy, it's also sweet and happy, too. It's a perfect Christmas read for a snowy day (or a fall day when you feel like the world is falling apart). 4 stars.