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Emma @ The Movies (1786 KP) rated Spider-Man: Homecoming (2017) in Movies
Sep 25, 2019
And so to the latest incarnation in Spider-man Homecoming. After seeing Tom Holland in Civil War, well, let's just say that I was not convinced. Then the adverts where he's making the home movie of everything... yeah that began to grate a bit.
There's no origin story with this one, or with his appearance in Civil War. I'm not sure how I feel about no Uncle Ben, or that they're regressing Aunt May every time she appears. But I do love Marisa Tomei, and she does get a fantastic last line.
Somewhere before this film went into production I reckon someone thought "We need something that's not quite a bad a Spider-man, but not quite as serious as The Amazing Spider-man." Someone else was walking by and overheard. "You should zhush it up with the Avengers treatment."... and so Homecoming was born.
The effects are of course way better than 2002, and everything is pretty bright and shiny since it was properly Marvelised. As much as I initially didn't like Tom Holland, I have to admit that he makes a good film. My only major issue is that it seems more concerned about bringing him into the Marvel Universe than leaving him out there developing his own film.
For a nerd, Peter has got game. We're on the third incarnation of films this side of 2000, and we're on the third (and potential fourth) love interest. I like that they're jumping that around a little, it does help make each lot feel slightly different, but it does get confusing... and obviously you can keep an eye out for other love interests who make appearances.
It seems unfair to compare all three films (which is a bit tricky as that was partly the idea of this whole post) because each of them have their own bit of the movie spectrum. The daft, the heart-wrenching and the blockbuster, all have their place in the collection. Gun against my head I'd probably still pick Andrew Garfield as my favourite, but Holland is right there too.
That being said, I still don't like Spider-man as a superhero...
*ducks under the table to avoid the barrage of abuse*
He's too chaotic, he's just too young (in this one) to really understand the full implications of what he's doing. I personally don't understand why he would be worthy of movie fame over other characters. It has been pointed out to me that as he's just a "regular Joe", that people can identify with him more over the other options of Gods or mutants... but hell... I'm mutant and proud!
There's no origin story with this one, or with his appearance in Civil War. I'm not sure how I feel about no Uncle Ben, or that they're regressing Aunt May every time she appears. But I do love Marisa Tomei, and she does get a fantastic last line.
Somewhere before this film went into production I reckon someone thought "We need something that's not quite a bad a Spider-man, but not quite as serious as The Amazing Spider-man." Someone else was walking by and overheard. "You should zhush it up with the Avengers treatment."... and so Homecoming was born.
The effects are of course way better than 2002, and everything is pretty bright and shiny since it was properly Marvelised. As much as I initially didn't like Tom Holland, I have to admit that he makes a good film. My only major issue is that it seems more concerned about bringing him into the Marvel Universe than leaving him out there developing his own film.
For a nerd, Peter has got game. We're on the third incarnation of films this side of 2000, and we're on the third (and potential fourth) love interest. I like that they're jumping that around a little, it does help make each lot feel slightly different, but it does get confusing... and obviously you can keep an eye out for other love interests who make appearances.
It seems unfair to compare all three films (which is a bit tricky as that was partly the idea of this whole post) because each of them have their own bit of the movie spectrum. The daft, the heart-wrenching and the blockbuster, all have their place in the collection. Gun against my head I'd probably still pick Andrew Garfield as my favourite, but Holland is right there too.
That being said, I still don't like Spider-man as a superhero...
*ducks under the table to avoid the barrage of abuse*
He's too chaotic, he's just too young (in this one) to really understand the full implications of what he's doing. I personally don't understand why he would be worthy of movie fame over other characters. It has been pointed out to me that as he's just a "regular Joe", that people can identify with him more over the other options of Gods or mutants... but hell... I'm mutant and proud!
Sarah (7798 KP) rated A Simple Favor (2018) in Movies
Sep 26, 2018
Confused and dull
Having read other Smashbombers reviews, I did at least go into this film knowing it wasn't an out an out thriller, but that still didn't prepare me for what followed.
This film really can't decide what it is; dark comedy, thriller? It seems to seesaw between the two for the entire 2 hour run time, with very little success in either genre. There are a few funny-ish (I smiled a bit) parts but most of the humour is a little bit cheesy or niche. The thriller side too is very predictable, and most of the twists you can see coming a mile off - this almost feels like a second rate comedy rip off of Gone Girl. And then the final act just goes completely bonkers and ridiculous.
Anna Kendrick plays the same character she always does, and I've finally had enough as shes starting to grate on me. Some of the supporting actors like Andrew Rannells aren't given anywhere near enough screen time (loved him in Girls). The only one to come out of this film unscathed is Blake Lively. She's very charismatic and surprisingly endearing, despite her characters reputation and actions. I have to admit, I have a bit of a girl crush on her - id love to be able to dress like that at work!
For the most part, this film was pretty dull and predictable, and was only entertaining whenever Lively is on screen, which wasn't nearly often enough.
This film really can't decide what it is; dark comedy, thriller? It seems to seesaw between the two for the entire 2 hour run time, with very little success in either genre. There are a few funny-ish (I smiled a bit) parts but most of the humour is a little bit cheesy or niche. The thriller side too is very predictable, and most of the twists you can see coming a mile off - this almost feels like a second rate comedy rip off of Gone Girl. And then the final act just goes completely bonkers and ridiculous.
Anna Kendrick plays the same character she always does, and I've finally had enough as shes starting to grate on me. Some of the supporting actors like Andrew Rannells aren't given anywhere near enough screen time (loved him in Girls). The only one to come out of this film unscathed is Blake Lively. She's very charismatic and surprisingly endearing, despite her characters reputation and actions. I have to admit, I have a bit of a girl crush on her - id love to be able to dress like that at work!
For the most part, this film was pretty dull and predictable, and was only entertaining whenever Lively is on screen, which wasn't nearly often enough.
Justin Taylor (59 KP) rated Spider-Man: Homecoming (2017) in Movies
Oct 31, 2018
Great comedy (3 more)
Relatable villain
John Hughes-esque movie disguised as a superhero movie and I dig it
Lots and lots of references
Best spider Man movie
Contains spoilers, click to show
While Tobey maguire will always be my spider man, Tom Holland is the second best (at Least he's better than Andrew Garfield) and Micheal Keaton is an awesome villain. The cast of side characters are hilarious and the jokes are on point. And the two side characters that stand out to me are Ned and Zendaya's character Michelle which later to be revealed that her nickname is MJ (do I smell an upcoming romance that they'll probably explore more in Far From Home?) Also there's no mention of Mary Jane or Gwen Stacy for those who haven't watched this movie and don't care about spoilers are wondering
Also there are tons of references to the spider Man mythology so make sure your following along.
If I had to pick one negative although not a bad thing its just it tries too much to tie in to the MCU although the stuff with reusing elements of the MCU weapons is kinda cool although Luke cage beat them to that plotline and let me make it clear referencing the universe isn't a bad thing because they bring stuff up that'll be important later on in either the upcoming sequels or the next avengers movies but when they do it constantly it just kinda distracts me but if u love the marvel movies like I do then u won't have a problem.
Also there are tons of references to the spider Man mythology so make sure your following along.
If I had to pick one negative although not a bad thing its just it tries too much to tie in to the MCU although the stuff with reusing elements of the MCU weapons is kinda cool although Luke cage beat them to that plotline and let me make it clear referencing the universe isn't a bad thing because they bring stuff up that'll be important later on in either the upcoming sequels or the next avengers movies but when they do it constantly it just kinda distracts me but if u love the marvel movies like I do then u won't have a problem.
Mike Wilder (20 KP) rated St. Elmo's Fire (1985) in Movies
May 30, 2018
A great underrated and often overlooked 80's movie
Contains spoilers, click to show
In the mid 80's there were a group of young actors known as the "Brat Pack". It was made up of up and coming talented actors, many of them starred in a number of films together, St. Elmo's Fire being one of them.
The film is about seven University friends and the changes they find themselves going through once they graduate and try to make it as adults. Some thrive and others can't handle the new responsibilities that come with adulthood.
The cast is incredible made of Emilio Estevez, Rob Lowe, Andrew McCarthy, Demi Moore, Judd Nelson, Ally Sheedy, Mare Winningham, & Andie MacDowell. All of them bring a special charm to the characters they play. Every actor is great in this film, their friendships seem genuine and come across well. The emotions each character goes through are portrayed exceptionally well. There really isn't a stand out performance of any of the main cast. They are all perfect performances.
The characters go through every possible emotion a person can go through, you will be able to empathise with most if not all the situations from debt, love, death, marriage, break ups and infatuation to name a few of them. Even with all seven characters having their own individual stories, the film isn't overloaded. There is a perfect balance between the each one. Each character has their hardships and each finds a resolution in their own way.
This is another great one of the great underrated and often overlooked 80's movies, with a great cast, engaging story and a perfect soundtrack. This is watchable time and time again.
For a perfect Sunday afternoon film it doesn't get much better than this.
The film is about seven University friends and the changes they find themselves going through once they graduate and try to make it as adults. Some thrive and others can't handle the new responsibilities that come with adulthood.
The cast is incredible made of Emilio Estevez, Rob Lowe, Andrew McCarthy, Demi Moore, Judd Nelson, Ally Sheedy, Mare Winningham, & Andie MacDowell. All of them bring a special charm to the characters they play. Every actor is great in this film, their friendships seem genuine and come across well. The emotions each character goes through are portrayed exceptionally well. There really isn't a stand out performance of any of the main cast. They are all perfect performances.
The characters go through every possible emotion a person can go through, you will be able to empathise with most if not all the situations from debt, love, death, marriage, break ups and infatuation to name a few of them. Even with all seven characters having their own individual stories, the film isn't overloaded. There is a perfect balance between the each one. Each character has their hardships and each finds a resolution in their own way.
This is another great one of the great underrated and often overlooked 80's movies, with a great cast, engaging story and a perfect soundtrack. This is watchable time and time again.
For a perfect Sunday afternoon film it doesn't get much better than this.
Johnny Marr recommended Out of Our Heads by The Rolling Stones in Music (curated)
Louise (64 KP) rated Nirvana (Nirvana #1) in Books
Jul 2, 2018
I received an advanced readers copy of this book from NetGalley in exchange for an honest review.
To start off, the cover of this book is beautiful, it’s so inviting and definitely would catch my eye in store or even on-line. This book is a Young Adult dystopian novel.
Extinction is the world as never seen before. It first started when the bees disappeared, without the aid of the bees for pollination, the crops and animals started to die. With windstorms and drought, earth is a desert where no one can exist.
Hexagon is the newly reformed government that provide people with their basic needs, living in bunkers and working for pittance, apart from the rich. The rich get to live in the ‘bubble’, which is where they still have pretty much the same lifestyle. They also run what is called ‘The Farm’ which is where they are growing their own crops and have siphoned off their own water reserve for crops and the bubble. Hexagon also monitors everybody, with camera’s, surveilance and bugs set everywhere, nothing gets past them.
Nirvana is a virtual reality, where the population can pay half of their wages for 15 minutes in the holographic world, they are able to choose certain situations such as earth, the moon, space whatever they want really, however this is all monitored by Hexagon.
Kenders is a 17-year-old animal activist and also a lead singer for a band named Sixty Sextet, before extinction she was singing lyrics about liberation, however nowadays she is working in Nirvana as ‘help support’ for Hexagon. Andrew her long-term boyfriend has gone missing, it’s a journey of Kenders trying to find out what really happened and whats going on and who she can really trust.
Andrew is a holographic/virtual reality designer, with a high-profile job for Hexagon, however he’s not really happy with how things are panning out. Then all of a sudden he goes missing, assumed dead. He starts contact with Kenders through Nirvana giving her clues.
There were a few things that let this book down for me, there was not much world building, it could have been more fleshed out and could have got a real feel for the world. The characters were bland they didn’t really have any characteristics. The romance was just blah! It was an easy read and a short novel of 186 pages. There were things that were not properly explained and then parts which just had a quick explanation and then it was moving on again. It was very plot driven. There was a bit near the ending which was a bit cheesy and made me cringe a little(this might only be me though).
The ending was left on a bit of a cliffhanger, however I wasn’t really left wanting more. It was just a Meh ending. I just feel like the next book is just going to be the same all over again.
If you are a fan of dystopian, romance with a bit of a love triangle going on, this might be the book for you.
Overall I rated this book 2.5 out of 5 stars
To start off, the cover of this book is beautiful, it’s so inviting and definitely would catch my eye in store or even on-line. This book is a Young Adult dystopian novel.
Extinction is the world as never seen before. It first started when the bees disappeared, without the aid of the bees for pollination, the crops and animals started to die. With windstorms and drought, earth is a desert where no one can exist.
Hexagon is the newly reformed government that provide people with their basic needs, living in bunkers and working for pittance, apart from the rich. The rich get to live in the ‘bubble’, which is where they still have pretty much the same lifestyle. They also run what is called ‘The Farm’ which is where they are growing their own crops and have siphoned off their own water reserve for crops and the bubble. Hexagon also monitors everybody, with camera’s, surveilance and bugs set everywhere, nothing gets past them.
Nirvana is a virtual reality, where the population can pay half of their wages for 15 minutes in the holographic world, they are able to choose certain situations such as earth, the moon, space whatever they want really, however this is all monitored by Hexagon.
Kenders is a 17-year-old animal activist and also a lead singer for a band named Sixty Sextet, before extinction she was singing lyrics about liberation, however nowadays she is working in Nirvana as ‘help support’ for Hexagon. Andrew her long-term boyfriend has gone missing, it’s a journey of Kenders trying to find out what really happened and whats going on and who she can really trust.
Andrew is a holographic/virtual reality designer, with a high-profile job for Hexagon, however he’s not really happy with how things are panning out. Then all of a sudden he goes missing, assumed dead. He starts contact with Kenders through Nirvana giving her clues.
There were a few things that let this book down for me, there was not much world building, it could have been more fleshed out and could have got a real feel for the world. The characters were bland they didn’t really have any characteristics. The romance was just blah! It was an easy read and a short novel of 186 pages. There were things that were not properly explained and then parts which just had a quick explanation and then it was moving on again. It was very plot driven. There was a bit near the ending which was a bit cheesy and made me cringe a little(this might only be me though).
The ending was left on a bit of a cliffhanger, however I wasn’t really left wanting more. It was just a Meh ending. I just feel like the next book is just going to be the same all over again.
If you are a fan of dystopian, romance with a bit of a love triangle going on, this might be the book for you.
Overall I rated this book 2.5 out of 5 stars
Phil Leader (619 KP) rated Deadly Harm in Books
Nov 25, 2019
Mackenzie is a survivor. She has survived a brutal kidnap ordeal and now runs a refuge for women who need to escape domestic violence. But when she has to turn a young woman away only for her husband to kill her, Mackenzie blames herself and resolves that she will do anything to prevent anything like that happening again. It isn't long before she must test her resolve. She has survived before. What will she do to survive now?
Once again Mullen demonstrates his credentials as one of the best crime writers out there, throwing a couple of extra murders into the mix and once again having dogged and dog-eared policeman Andrew Geddes play a large part, not only as an upholder of the law but also as Mackenzie's potential love interest. But how can a man who lives in terms of black and white cope when his girlfriend lives in the grey areas? The moral choices made by the leading characters may be questioned by the reader, but their motivations are always clear.
And what a cast of characters. The beauty of this is that everyone - Mackenzie, Geddes, the women at the refuge and killer Malkie Boyle - are all damaged from their lives and experiences. Even when Mullen's clean-cut private investigator Charlie Cameron crops up, it only serves to cast a light that reveals the shadows around the others. Everybody rings very true and the whole plot is very believable, and could be playing out at this moment.
And speaking of the plot, as usual this moves along at a breezy pace, introducing characters as it goes without slowing its momentum. This isn't a classic 'whodunnit' - it is clear exactly who did what - but isn't without twists and surprises, several plots simmering along next to each other and coming to the boil perfectly throughout the book.
Another fantastic read from simply one of the best authors there is. Very highly recommended
Once again Mullen demonstrates his credentials as one of the best crime writers out there, throwing a couple of extra murders into the mix and once again having dogged and dog-eared policeman Andrew Geddes play a large part, not only as an upholder of the law but also as Mackenzie's potential love interest. But how can a man who lives in terms of black and white cope when his girlfriend lives in the grey areas? The moral choices made by the leading characters may be questioned by the reader, but their motivations are always clear.
And what a cast of characters. The beauty of this is that everyone - Mackenzie, Geddes, the women at the refuge and killer Malkie Boyle - are all damaged from their lives and experiences. Even when Mullen's clean-cut private investigator Charlie Cameron crops up, it only serves to cast a light that reveals the shadows around the others. Everybody rings very true and the whole plot is very believable, and could be playing out at this moment.
And speaking of the plot, as usual this moves along at a breezy pace, introducing characters as it goes without slowing its momentum. This isn't a classic 'whodunnit' - it is clear exactly who did what - but isn't without twists and surprises, several plots simmering along next to each other and coming to the boil perfectly throughout the book.
Another fantastic read from simply one of the best authors there is. Very highly recommended
Ali A (78 KP) rated When We Were Vikings in Books
Mar 4, 2020
When We Were Vikings is about Zelda, a high functioning 21 year old diagnosed with fetal alcohol syndrome, who is a Viking enthusiast trying to figure out her life quest. Zelda lives with her brother Gert after both of their parents died when they were young. Gert and his on again/off again girlfriend Annie, whom Zelda calls AK47, make up Zelda's main tribe. Together, they try to figure out their legacies.
Andrew David MacDonald delivered an amazing story. I absolutely adored the character of Zelda. The way she loved Vikings and applied the Viking culture to make it through life's difficulties was endearing. I loved Zelda and I just wanted her to succeed. Her blunt, unembellished language was easy to read and refreshing. Whether it's telling off thugs or talking about sex and periods, Zelda says what she thinks.
Her brother Gert also tried to figure out how to not only live his life and figure the world out, but also tried to help Zelda figure hers out. He attempted to work with the cards he'd been dealt, but in all honesty, he seemed to constantly grab from the pile ones that just made life harder - he was always making messes that others were cleaning up after, even Zelda herself. I just wanted to sit him down and tell him to get it together and keep it together.
This book had a lot of concepts in it that worked for me. The characters are both quirky and realistic. It's endearing and heartwarming; it's full of love and hate. Some portions of the book made me laugh out loud while others made me want to slam the book shut out of frustration. It had some light themes but also some pretty dark themes. When We Were Vikings earned a spot on my Recommended Fiction List.
"...The point is you're willing to give it a try. That's what makes someone a legend."
Andrew David MacDonald delivered an amazing story. I absolutely adored the character of Zelda. The way she loved Vikings and applied the Viking culture to make it through life's difficulties was endearing. I loved Zelda and I just wanted her to succeed. Her blunt, unembellished language was easy to read and refreshing. Whether it's telling off thugs or talking about sex and periods, Zelda says what she thinks.
Her brother Gert also tried to figure out how to not only live his life and figure the world out, but also tried to help Zelda figure hers out. He attempted to work with the cards he'd been dealt, but in all honesty, he seemed to constantly grab from the pile ones that just made life harder - he was always making messes that others were cleaning up after, even Zelda herself. I just wanted to sit him down and tell him to get it together and keep it together.
This book had a lot of concepts in it that worked for me. The characters are both quirky and realistic. It's endearing and heartwarming; it's full of love and hate. Some portions of the book made me laugh out loud while others made me want to slam the book shut out of frustration. It had some light themes but also some pretty dark themes. When We Were Vikings earned a spot on my Recommended Fiction List.
"...The point is you're willing to give it a try. That's what makes someone a legend."
Kristy H (1252 KP) rated In a Holidaze in Books
Oct 29, 2020
A joyful and flirty holiday romance
Maelyn Jones spends every Christmas at her favorite place in the world: a cabin owned by her parents' friends in Utah. She joins her (divorced) parents, younger brother Miles, and two other families for a magical Christmas experience--cookie baking, snow creature making contests, holiday scavenger hunts, and more. She's been sleeping in the basement in the "kid bunk beds" with Miles and family friends Theo and Andrew for years, despite the fact that they are adults now. But this year, it's all ruined: their friends are selling the cabin and Mae is humiliated after an embarrassing encounter with Theo. As her family drives away from the cabin one last time, she makes a desperate plea for happiness. Then she sees a car headed straight toward theirs, and it all goes black. When she awakes, she's back on a plane headed to Utah, headed to the same holiday trip. As various disasters return Mae to the plane over and over, she realizes she's in a time loop--she needs to break free, and figure out to find true love and happiness, once and for all.
"So I ask the universe, simply: Can you show me what will make me happy?"
I know I must have read this synopsis when I requested this book, but I didn't reread it before starting, because hello, CLo, enough said. So I was slightly surprised by the Groundhog Day-esque story to this one, but I went with the flow. Luckily Mae is funny and charming enough to make just about anything fly, even a crazy time loop plot where you're not exactly sure how or why she's in it or quite what she's supposed to do to get out of it.
"'I think it's possible I'm in the past, repeating the same holiday, and I'm the only one who knows it.'"
It took a little while for the romance to heat up here, but once it did, the book was off and running. And boom! It's a sweet read, but flirty and romantic too. I loved Mae and her crush--they crackled and simmered. Honestly, the time loop piece was secondary to their joyful love. Seeing Mae come into her own made everything else less important, including Mae's reliving of her holiday. (And I enjoyed how she took to it so quickly--don't eat that, you're going to need this, tell me a secret so I can prove this to you next time--you go girl, embrace the loop!).
So, yes, while this book is a little crazy, it's also sweet and happy, too. It's a perfect Christmas read for a snowy day (or a fall day when you feel like the world is falling apart). 4 stars.
"So I ask the universe, simply: Can you show me what will make me happy?"
I know I must have read this synopsis when I requested this book, but I didn't reread it before starting, because hello, CLo, enough said. So I was slightly surprised by the Groundhog Day-esque story to this one, but I went with the flow. Luckily Mae is funny and charming enough to make just about anything fly, even a crazy time loop plot where you're not exactly sure how or why she's in it or quite what she's supposed to do to get out of it.
"'I think it's possible I'm in the past, repeating the same holiday, and I'm the only one who knows it.'"
It took a little while for the romance to heat up here, but once it did, the book was off and running. And boom! It's a sweet read, but flirty and romantic too. I loved Mae and her crush--they crackled and simmered. Honestly, the time loop piece was secondary to their joyful love. Seeing Mae come into her own made everything else less important, including Mae's reliving of her holiday. (And I enjoyed how she took to it so quickly--don't eat that, you're going to need this, tell me a secret so I can prove this to you next time--you go girl, embrace the loop!).
So, yes, while this book is a little crazy, it's also sweet and happy, too. It's a perfect Christmas read for a snowy day (or a fall day when you feel like the world is falling apart). 4 stars.
Bob Mann (459 KP) rated Eurovision Song Contest: The Story of Fire Saga (2020) in Movies
Jun 27, 2020
Rachel McAdams and Dan Stevens steal most of the scenes (1 more)
A real feelgood movie that spoofs the unspoofable pretty well
My lovely farce
Will Ferrell's output over the last few years has been decidedly patchy. I have to go back to "Get Hard" to find one of his movies that really got to my funny bone. But this latest Netflix offering hits the spot for me.
We start with the song recently voted the number one Eurovision song of all time by UK viewers: "Waterloo" by Abba. Young Lars Erickssong (LOL) (Alfie Melia) is transfixed watching the 1974 Eurovision winner with his recently bereaved father and local Lothario Erick (Pierce Brosnan). (Mental note to women: never marry Brosnan on screen... he gets through wives faster than you can murder "S.O.S."). Also present are his friends and young Sigrit ("probably not by sister") Ericksdottir (Sophia-Grace Donnelly). Lars vows to one day stand on that stage and make his father and his remote Icelandic fishing village proud.
Now all grown up, Lars (now Will Ferrell) and Sigrit (now Rachel McAdams) are still pursuing their dream of representing Iceland in the upcoming Eurovision Song Contest. They are, of course, dreadful - - so they should fit right in! But their way is blocked by the immensely talented Katiana (Demi Lovato) and all seems hopeless. Will Sigrit's faith in the power of the Elves see them through?
There's an obvious problem here. The Eurovision Song Contest is in itself so bat-s**t bonkers that it is almost impossible to spoof. (If anyone is not on this wavelength, checkout the genuine Russian entry in this year's (cancelled) contest on Youtube). But the team here (writers Will Ferrell and Andrew Steele and director David "The Judge" Dobkin) do a really great job. I'd love to know what a US audience - who I guess will mostly be unfamiliar with Eurovision - make of this. Since Australia are now honorary Europeans in the contest.... wouldn't it be great if there was a Mexican mariachi band attending and a country and western act from the States? (Brits would love the US to be involved.... as spoofed in the film, there's only one country European's hate more than the UK.... be nice to have someone else to join us in the "nul points" club!)
Wherever you may be on the "Ferrell-funny-or-not-ometer", there's one thing I hope we can all agree on here, and that is that Rachel McAdams continues to shine as a comic lead. She was fantastic in "Game Night" - one of my favourite comedies of recent years - and here she is both gorgeous and hilarious. She knocks it out of the park playing the elf-loving Icelandic pixie with the golden voice. (McAdams "sings" but is significantly "helped" in the mix by Swedish pop star Molly Sandén (aka My Marianne)).
Here she even gets to almost reprise her wonderful "YEESSSSS! Oh no, he died!" line from "Game Night".
Almost matching her in the scene-stealing stakes though is Downton's Dan Stevens as Lemtov: a Russian 'Tom Jones'-like contestant singing "Lion of Love" ("Let's get together; I'm a lion lover; And I hunt for love!"). He's DEFINITELY not gay ("There are no gays in Russia") but are his multi-millions enough to turn Sigrit's head?
For those who love their annual Eurovision parties, there are also an impressive array of nice cameos that will delight.
But where the film-makers really score (no pun intended) is making the music so fitting. Some of the tracks make you think "Yeah, if this was the real content, this might have got my vote". Director Dobkin is quoted as saying "It's okay if it's funny, but it has to be really good music. It has to still be great and just kitschy enough to be Eurovision, because that's part of what's fun about Eurovision" (Source: Vulture). Very true. This success is down to the involvement of pop writer/producer Savan Kotecha on the project: the man behind hits by Katy Petty, Ariana Grande and Ellie Goulding.
A comedy needs to make me laugh, and this one really did - numerous times. It's not just the dialogue. Some of the cut-away scenes are priceless and perfectly executed: jumping whales; a collapsing glacier; a small slamming door!
Sure, it borrows from a number of other sources in its plot: most notably THAT episode of "Father Ted" and the rap-battle scenes from "Pitch Perfect". And sure, some of the outRAGEOUS Icelandic accents sometimes swerve into an alarming mix of Indian, Welsh and Caribbean dialects! But above all, this is movie with real heart. The plot is pretty well signposted, but the finale still packs a (surprisingly) hefty emotional punch, and it leaves you with a really nice afterglow.
As we struggle out of Covid lockdown, it may not be a vaccine, but it is a pretty good medicine for the side-effects. Did I love this? Jaja Ding Dong!
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/06/27/one-manns-movies-film-review-eurovision-song-contest-the-story-of-fire-saga-2020/ ).
We start with the song recently voted the number one Eurovision song of all time by UK viewers: "Waterloo" by Abba. Young Lars Erickssong (LOL) (Alfie Melia) is transfixed watching the 1974 Eurovision winner with his recently bereaved father and local Lothario Erick (Pierce Brosnan). (Mental note to women: never marry Brosnan on screen... he gets through wives faster than you can murder "S.O.S."). Also present are his friends and young Sigrit ("probably not by sister") Ericksdottir (Sophia-Grace Donnelly). Lars vows to one day stand on that stage and make his father and his remote Icelandic fishing village proud.
Now all grown up, Lars (now Will Ferrell) and Sigrit (now Rachel McAdams) are still pursuing their dream of representing Iceland in the upcoming Eurovision Song Contest. They are, of course, dreadful - - so they should fit right in! But their way is blocked by the immensely talented Katiana (Demi Lovato) and all seems hopeless. Will Sigrit's faith in the power of the Elves see them through?
There's an obvious problem here. The Eurovision Song Contest is in itself so bat-s**t bonkers that it is almost impossible to spoof. (If anyone is not on this wavelength, checkout the genuine Russian entry in this year's (cancelled) contest on Youtube). But the team here (writers Will Ferrell and Andrew Steele and director David "The Judge" Dobkin) do a really great job. I'd love to know what a US audience - who I guess will mostly be unfamiliar with Eurovision - make of this. Since Australia are now honorary Europeans in the contest.... wouldn't it be great if there was a Mexican mariachi band attending and a country and western act from the States? (Brits would love the US to be involved.... as spoofed in the film, there's only one country European's hate more than the UK.... be nice to have someone else to join us in the "nul points" club!)
Wherever you may be on the "Ferrell-funny-or-not-ometer", there's one thing I hope we can all agree on here, and that is that Rachel McAdams continues to shine as a comic lead. She was fantastic in "Game Night" - one of my favourite comedies of recent years - and here she is both gorgeous and hilarious. She knocks it out of the park playing the elf-loving Icelandic pixie with the golden voice. (McAdams "sings" but is significantly "helped" in the mix by Swedish pop star Molly Sandén (aka My Marianne)).
Here she even gets to almost reprise her wonderful "YEESSSSS! Oh no, he died!" line from "Game Night".
Almost matching her in the scene-stealing stakes though is Downton's Dan Stevens as Lemtov: a Russian 'Tom Jones'-like contestant singing "Lion of Love" ("Let's get together; I'm a lion lover; And I hunt for love!"). He's DEFINITELY not gay ("There are no gays in Russia") but are his multi-millions enough to turn Sigrit's head?
For those who love their annual Eurovision parties, there are also an impressive array of nice cameos that will delight.
But where the film-makers really score (no pun intended) is making the music so fitting. Some of the tracks make you think "Yeah, if this was the real content, this might have got my vote". Director Dobkin is quoted as saying "It's okay if it's funny, but it has to be really good music. It has to still be great and just kitschy enough to be Eurovision, because that's part of what's fun about Eurovision" (Source: Vulture). Very true. This success is down to the involvement of pop writer/producer Savan Kotecha on the project: the man behind hits by Katy Petty, Ariana Grande and Ellie Goulding.
A comedy needs to make me laugh, and this one really did - numerous times. It's not just the dialogue. Some of the cut-away scenes are priceless and perfectly executed: jumping whales; a collapsing glacier; a small slamming door!
Sure, it borrows from a number of other sources in its plot: most notably THAT episode of "Father Ted" and the rap-battle scenes from "Pitch Perfect". And sure, some of the outRAGEOUS Icelandic accents sometimes swerve into an alarming mix of Indian, Welsh and Caribbean dialects! But above all, this is movie with real heart. The plot is pretty well signposted, but the finale still packs a (surprisingly) hefty emotional punch, and it leaves you with a really nice afterglow.
As we struggle out of Covid lockdown, it may not be a vaccine, but it is a pretty good medicine for the side-effects. Did I love this? Jaja Ding Dong!
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/06/27/one-manns-movies-film-review-eurovision-song-contest-the-story-of-fire-saga-2020/ ).
