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Sarah (7798 KP) rated Brooklyn Nine-Nine - Season 1 in TV
Feb 18, 2019
Hilarious
I usually avoid comedy shows, mostly because I have a very discerning/picky sense of humour and I've never really been able to get into most mainstream comedy shows (Friends, Big Bang etc). Whilst Brooklyn Nine-Nine probably isn't quite mainstream, it's by far the funniest show I've seen in a long time.
Andy Samberg is a writing genius, and a great actor too. I can't imagine anyone else playing Peralta as well as he does. Andre Braugher too is brilliantly deadpan as the Captain, and even Terry Crews is pretty funny. This is such a smart, witty and funny show, and I love that the humour is deadpan and just adult enough without bordering on crude or too childish. I'm also so happy that this show doesn't rely on the usual cheesy canned laughter that comes with sitcoms, and it's all the better off for it. This isn't a typical formulaic cop show, but you wouldn't expect it. Most of the plots are entirely irrelevant but there is at least a lot of character development over the course of the series.
I'm only one series in but I can't get enough of this show. I haven't laughed out loud like this in forever!
Andy Samberg is a writing genius, and a great actor too. I can't imagine anyone else playing Peralta as well as he does. Andre Braugher too is brilliantly deadpan as the Captain, and even Terry Crews is pretty funny. This is such a smart, witty and funny show, and I love that the humour is deadpan and just adult enough without bordering on crude or too childish. I'm also so happy that this show doesn't rely on the usual cheesy canned laughter that comes with sitcoms, and it's all the better off for it. This isn't a typical formulaic cop show, but you wouldn't expect it. Most of the plots are entirely irrelevant but there is at least a lot of character development over the course of the series.
I'm only one series in but I can't get enough of this show. I haven't laughed out loud like this in forever!
LeftSideCut (3778 KP) rated Child's Play 3 (1991) in Movies
Oct 22, 2019 (Updated Nov 8, 2019)
The third outing for Chucky unfortunately offers nothing new.
It's simply a less fun re tread of the first two.
The setting for Child's Play 3 mainly takes place at a military academy for young people, with typical character cliches thrown in - the nerdy coward type who will clearly redeem himself by the end of the movie, the harsh drill sergeant, the jock type bullies, the badass female, and of course a whole host of people who (for the third time!) don't believe a now teenage Andy Barcley, that there's a killer doll on the loose.
It's all pretty tiresome, and tied together by a poor script.
Chucky himself is the same old, shooting off sweary one liners and being a general prick to everyone he comes across (not necessarily a bad thing).
The finale is pretty lackluster, and not a patch on the seemingly never ending abuse parade against Chucky from Child's Play 2, but it does boast some nice animatronic work and some nasty practical effects.
Child's Play 3 is ultimately a thoroughly underwhelming sequel, sat in a weird purgatory between the more horror themed elements of the first movie, and the schlockier elements of the later films.
It's simply a less fun re tread of the first two.
The setting for Child's Play 3 mainly takes place at a military academy for young people, with typical character cliches thrown in - the nerdy coward type who will clearly redeem himself by the end of the movie, the harsh drill sergeant, the jock type bullies, the badass female, and of course a whole host of people who (for the third time!) don't believe a now teenage Andy Barcley, that there's a killer doll on the loose.
It's all pretty tiresome, and tied together by a poor script.
Chucky himself is the same old, shooting off sweary one liners and being a general prick to everyone he comes across (not necessarily a bad thing).
The finale is pretty lackluster, and not a patch on the seemingly never ending abuse parade against Chucky from Child's Play 2, but it does boast some nice animatronic work and some nasty practical effects.
Child's Play 3 is ultimately a thoroughly underwhelming sequel, sat in a weird purgatory between the more horror themed elements of the first movie, and the schlockier elements of the later films.
Gareth von Kallenbach (971 KP) rated Mowgli (2018) in Movies
Jul 2, 2019
When humans encroach on the jungle they get too close to the animals that call the jungle home. It’s inevitable that they clash. When Shere Khan (Benedict Cumberbatch), a tiger who has no regard for the rules of the jungle, slaughters a group of humans only a child survives. A black panther, Bagheera (Christian Bale), saves the boy, Mowgli (Rohan Chand), and takes him to live with a group of wolves. There he is raised by his mother, Nisha (Naomie Harris), and tried to become part of the pack by Baloo (Andy Serkis), a black bear. Mowgli must train with Baloo to become a member of the pack. As he trains he sees that man expand. With this expansion the man brings back Shere Khan. He kills many of the cows and leaves them for the humans to find. This makes the humans enlist a hunter, Lockwood (Matthew Rhys), to kill the tiger. Also Bagheera believes that sending Mowgli to the humans will keep him safe. Mowgli, just a young boy, must now try and bridge the animal world he knows in the jungle and the human world.
This is a live action retelling of the novel by Rudyard Kipling, The Jungle Book. Actor/Director Andy Serkis creates a beautiful story with really well done CGI. The visuals are really well done and by far the best part of the film. The cast, which also includes Cate Blanchett, Eddie Marsan, Tom Hollander, etc. make the animals they voice come to life. This take on the famous story is familiar but also changed ever so slightly from previous versions that it keeps it interesting. Young actor Rohan Chand does a decent job of carrying most of the live acting portions of the film.
The film really made me feel nostalgic at times. The film does take a little darker look at the old classic and would say it is for a little more mature audiences than the 1967 cartoon or 2016 live action, both The Jungle Book, takes on this story. The visuals are really good but the story does miss at times. I really thought that the climax really had a slow build but then really finished quickly. There was definitely room for improvement there but overall it was a pleasant movie experience. The theater viewing was visually really good and I am sure it would be a decent home experience with the Netflix release.
This is a live action retelling of the novel by Rudyard Kipling, The Jungle Book. Actor/Director Andy Serkis creates a beautiful story with really well done CGI. The visuals are really well done and by far the best part of the film. The cast, which also includes Cate Blanchett, Eddie Marsan, Tom Hollander, etc. make the animals they voice come to life. This take on the famous story is familiar but also changed ever so slightly from previous versions that it keeps it interesting. Young actor Rohan Chand does a decent job of carrying most of the live acting portions of the film.
The film really made me feel nostalgic at times. The film does take a little darker look at the old classic and would say it is for a little more mature audiences than the 1967 cartoon or 2016 live action, both The Jungle Book, takes on this story. The visuals are really good but the story does miss at times. I really thought that the climax really had a slow build but then really finished quickly. There was definitely room for improvement there but overall it was a pleasant movie experience. The theater viewing was visually really good and I am sure it would be a decent home experience with the Netflix release.
Charlie Cobra Reviews (1840 KP) rated Child's Play (2019) in Movies
Jul 7, 2020
Predictably Gruesome, But Entertaining
Child's Play is a 2019 slasher/horror movie directed by Lars Klevberg and written by Tyler Burton Smith. It was produced by Orion Pictures, KatzSmith Productions, and BRON Creative and distributed by United Artists Releasing. The film stars Aubrey Plaza, Gabriel Bateman, Brian Tyree Henry, and Mark Hamill.
A revolutionary line of high-tech dolls, designed to be life-long companions to their owners, called Buddi, is launched by the Kaslan Corporation. Buddi dolls learn from their surroundings and act accordingly by connecting and operating other Kaslan products making it a success with children world wide. Before committing suicide after being fired at a Buddi assembly plant in Vietnam, an employee disables all of the doll's safety protocols on the doll he is assembling. In Chicago, Karen Barclay (Aubrey Plaza), a retail clerk, encourages her son, Andy (Gabriel Bateman), to make new friends as she prepares for his upcoming birthday. She blackmails her boss to procure a Buddi doll as an early birthday gift but once Andy activates it, the doll begins to display violent tendencies.
This movie was pretty good, and that goes for remakes/reboots. I think everyone has seen a bad Chucky movie and this is not one. I really didn't like the redesign or new look of the Chucky doll but it grew on me as the movie progressed. Also I guess I'm just so used to his voice being different, that I also didn't think Mark Hamill's voice fit either, until the movie progressed further. I agree with certain critics that complained about the inconsistent tone, and how it lacked the principal's perverse originality. It definitely didn't have the me vibe of the original but I like how it made it, its own thing. But I think this was a very successful remake. The acting from Gabriel Bateman was really good and I wound up really liking Mark Hamill's performance as well. He actually made me feel sorry for the doll. I give this movie a 7/10. And I say you should definitely check it out, especially if you are a fan of the Child's Play movies.
A revolutionary line of high-tech dolls, designed to be life-long companions to their owners, called Buddi, is launched by the Kaslan Corporation. Buddi dolls learn from their surroundings and act accordingly by connecting and operating other Kaslan products making it a success with children world wide. Before committing suicide after being fired at a Buddi assembly plant in Vietnam, an employee disables all of the doll's safety protocols on the doll he is assembling. In Chicago, Karen Barclay (Aubrey Plaza), a retail clerk, encourages her son, Andy (Gabriel Bateman), to make new friends as she prepares for his upcoming birthday. She blackmails her boss to procure a Buddi doll as an early birthday gift but once Andy activates it, the doll begins to display violent tendencies.
This movie was pretty good, and that goes for remakes/reboots. I think everyone has seen a bad Chucky movie and this is not one. I really didn't like the redesign or new look of the Chucky doll but it grew on me as the movie progressed. Also I guess I'm just so used to his voice being different, that I also didn't think Mark Hamill's voice fit either, until the movie progressed further. I agree with certain critics that complained about the inconsistent tone, and how it lacked the principal's perverse originality. It definitely didn't have the me vibe of the original but I like how it made it, its own thing. But I think this was a very successful remake. The acting from Gabriel Bateman was really good and I wound up really liking Mark Hamill's performance as well. He actually made me feel sorry for the doll. I give this movie a 7/10. And I say you should definitely check it out, especially if you are a fan of the Child's Play movies.
Awix (3310 KP) rated Dirty Harry (1971) in Movies
Feb 17, 2018 (Updated Feb 17, 2018)
Supremely tough cop thriller that helped elevate Clint Eastwood to iconic status. Worthless hippie-scumbag Scorpio commences reign of terror in San Francisco, only laconic police detective Harry Callaghan has the spine to do what must be done in order to stop him.
Probably best not to think too hard about the morality and politics on display: they are at best deeply illiberal and at worst borderline fascist (antihero Harry doesn't give a fig about Scorpio's legal rights, tortures a wounded prisoner for information, etc). The film is playing with a stacked deck, anyway: Scorpio (nice performance from Andy Robinson - it almost ended his career, as he became so closely associated with the role) is an irredeemable monster, the embodiment of every concern respectable folks had about the 60s counterculture. Needless to say Harry (embodying traditional American values) shows no mercy as the story progresses. Story is very well-told, with just enough moments of ambiguity to keep it from being solely a piece of ultra-right-wing wish fulfilment. Essential Clint.
Probably best not to think too hard about the morality and politics on display: they are at best deeply illiberal and at worst borderline fascist (antihero Harry doesn't give a fig about Scorpio's legal rights, tortures a wounded prisoner for information, etc). The film is playing with a stacked deck, anyway: Scorpio (nice performance from Andy Robinson - it almost ended his career, as he became so closely associated with the role) is an irredeemable monster, the embodiment of every concern respectable folks had about the 60s counterculture. Needless to say Harry (embodying traditional American values) shows no mercy as the story progresses. Story is very well-told, with just enough moments of ambiguity to keep it from being solely a piece of ultra-right-wing wish fulfilment. Essential Clint.
Darren Pattison (2 KP) rated Black Panther (2018) in Movies
Mar 12, 2018
Over rated and disappointing
Way too much hype for a distinctly below average/bad film. Civil War is by far the better Marvel film. Black Panther (character) was great in a supporting role but he has zero on-screen charisma and fails to carry a film solo. I struggle to see how anybody was entertained by those awful challenge fight scenes and that ludicrous end battle. it was not a good movie. It looked cheap, the characters had no development. It played like low-rent TV show with unnbearably cheesy & clunky dialogue, boring unoriginal fights and god-awful CGI. I didn’t care about the fate of Wakanda because I wasn’t allowed to care for any of the characters in the film. The only consolation was the comic relief provided by Letitia Wright and Andy Serkis. For all the records it smashed and the praise it received, it wasn’t even the best Marvel film of the last 6 months. Thor Ragnarok was a lot more entertaining, genuine and had actual heart.
Erika (17788 KP) rated Black Panther (2018) in Movies
Feb 18, 2018
I'm only giving this movie a 9, because I've honestly seen the same story line in dozens of movies. AND, I felt like the previews gave way too much away.
But, although the story was predictable, it was still very well done. The afro-futurism was so amazing, the costumes were so good, and I loved that they brought in all sorts of different cultures on the continent to Wakanda.
The cast did a brilliant job, and I loved that the warriors were women.
Now, Killmonger: Micheal B Jordan did a fantastic job with the villain. This villain was one of the better ones in the MCU, in a sea of generic villains (Loki excluded). Killmonger (as well as Loki) was a sympathetic (IMO) villain, there was a reason for his fall into villainy, being a product of his circumstances. You understood where he was coming from, and damn, his last line was intense.
Now: Martin Freeman and Andy Serkis. I had a major Hobbit flashback when Ross went to Klaue, I was half-hoping they were fixin to have a riddle-off.
But, although the story was predictable, it was still very well done. The afro-futurism was so amazing, the costumes were so good, and I loved that they brought in all sorts of different cultures on the continent to Wakanda.
The cast did a brilliant job, and I loved that the warriors were women.
Now, Killmonger: Micheal B Jordan did a fantastic job with the villain. This villain was one of the better ones in the MCU, in a sea of generic villains (Loki excluded). Killmonger (as well as Loki) was a sympathetic (IMO) villain, there was a reason for his fall into villainy, being a product of his circumstances. You understood where he was coming from, and damn, his last line was intense.
Now: Martin Freeman and Andy Serkis. I had a major Hobbit flashback when Ross went to Klaue, I was half-hoping they were fixin to have a riddle-off.
Phil Leader (619 KP) rated An Advancement of Learning in Books
Nov 8, 2019
When a body is discovered under a statue at college, gruff old hand Andy Dalziel and idealistic, learned Peter Pascoe arrive to investigate. Whereas Pascoe is very much at home in the surroundings of an institute of learning (and indeed bumps into an old acquaintance), Dalziel is highly dismissive of the students, if not downright abusive. This doesn't help the tensions during the socially active early 70s when this was written.
What follows is in some ways a standard police procedural and in others another step in the road of the development of the characters of the two policemen. This novel is really the one where it becomes clear that the mismatched duo don't fit the standard templates, with Hill clearly creating something special with the two of them.
The result is very much the prototype of the rest of the series: their characters develop, they solve a seemingly baffling crime and Dalziel provides a dash of humour with his acerbic and often old-fashioned outlook on life and those around him.
What follows is in some ways a standard police procedural and in others another step in the road of the development of the characters of the two policemen. This novel is really the one where it becomes clear that the mismatched duo don't fit the standard templates, with Hill clearly creating something special with the two of them.
The result is very much the prototype of the rest of the series: their characters develop, they solve a seemingly baffling crime and Dalziel provides a dash of humour with his acerbic and often old-fashioned outlook on life and those around him.
Pete Fowler recommended Wolf City by Amon Duul in Music (curated)
Bob Mann (459 KP) rated Black Panther (2018) in Movies
Sep 29, 2021
Black Ops.
There was a joke on the internet the other day that made me laugh and laugh. Virtually the only white people in “Black Panther” are the Hobbit/LOTR stars Martin Freeman and Andy Serkis…. they are the Tolkein white guys! It’s actually getting to feel quite isolating as an ‘average white guy’ at the movies! After a plethora of #SheDo films about empowered women, now comes the first black-centred Marvel film… stuffed full of powerful women too!
The setting is the hidden African kingdom of Wakanda, where due to an abundance of a an all-powerful mineral called McGuffinite… so, sorry, Vibranium… the leaders have made their city a technological marvel and developed all sorts of ad tech to help the people keep their goats well and weave their baskets better (there are a few odd scenes in this film!). T’Challa (Chadwick Boseman) succeeds his father T’Chaka (John Kani) to become the king and adopt the role of The Black Panther, being bestowed superhero powers by drinking a glass of Ribena.
But it emerges that T’Chaka has a dark secret in the form of Eric Killmonger (Michael B Jordan, “Creed“) who is determined to muscle in on the king-stuff. ‘It never rains but it pours’, and the whole of Wakanda’s secrets are in danger of being exposed by the antics of the vicious South African mercenary Ulysses Klaue (Andy Serkis, “War For The Planet Of The Apes“), trying to get his hands on vibranium to sell on to CIA operative Everett Ross (Martin Freeman, “The Hobbit: The Battle of the Five Armies“, “The World’s End“).
After “Thor: Ragnarok“, this is back to the more seriously-played end of the superhero spectrum: there are a few jokes but it’s not overtly played for comedy. Holding the film together are some sterling performances from the ensemble cast with Michael B Jordan very good as the villain of the piece. Adding to the significant black girl power in the film are Angela Bassett (“London Has Fallen“) as the queen mother; Danai Gurira (“Wonder Woman“) as the leader of the Dora Milaje: the all-female king’s guard; and Lupita Nyong’o (“12 Years a Slave“, “Star Wars: The Force Awakens“) as the spy and love interest Nakia. But the star performance for me, and one I found absolutely spot-on as a role model for young people, was Letitia Wright (“The Commuter“) as Shuri, the king’s chief scientist. She is absolutely radiant, adding beauty, rude gestures and energy to every scene she is in.
Man of the moment Daniel Kaluuya (“Get Out“) also adds to his movie-cred as a conflicted courtier.
On the white side of the shop Andy Serkis has enormous fun as Klaue and I really wanted to see more of his character than I did. Martin Freeman feels rather lightweight and under-used, and I couldn’t quite get past his dodgy American accent.
In terms of storyline, the film is a hotch-potch of plots from multiple other films, with “The Lion King” featuring strongly (but almost in reverse!). But that’s no crime, when the Shakespearean-style narrative is good, and interpolating the strongly emotional story into the Marvel universe works well.
Where I felt a little uncomfortable is the element of racism – that is, racism *against* white people – reflected in the story. If there was a movie plot centred (basically) on the topic of whites killing blacks and taking control of every black-controlled country in the world (yes, I know, I’m British and we have historically been there!) then there would be justified uproar, and the film would be shunned.
In the technical department, I had real problems with some of the effects employed. Starting with a dodgy ‘aircraft’ shadow, things nose-dive with an astonishingly poor waterfall scene with Forest Whitaker (“Rogue One“, “Arrival“) as Zuri, green-screened against some Disneyworld cascades and hundreds of cut and pasted tribesmen randomly inserted onto the cliffs. Almost matching that is a studio-set scene in a jungle clearing, where if feels they could hardly have bothered to take the plants out of their pots. Think “Daktari” quality (kids, ask your parents/grandparents).
But overall, the film, directed by Ryan Coogler (“Creed“), is a high-energy and uniquely different take on Marvel that absolutely pays off. And it is without doubt an important movie in moving the black agenda forward into properly mainstream cinema.
The setting is the hidden African kingdom of Wakanda, where due to an abundance of a an all-powerful mineral called McGuffinite… so, sorry, Vibranium… the leaders have made their city a technological marvel and developed all sorts of ad tech to help the people keep their goats well and weave their baskets better (there are a few odd scenes in this film!). T’Challa (Chadwick Boseman) succeeds his father T’Chaka (John Kani) to become the king and adopt the role of The Black Panther, being bestowed superhero powers by drinking a glass of Ribena.
But it emerges that T’Chaka has a dark secret in the form of Eric Killmonger (Michael B Jordan, “Creed“) who is determined to muscle in on the king-stuff. ‘It never rains but it pours’, and the whole of Wakanda’s secrets are in danger of being exposed by the antics of the vicious South African mercenary Ulysses Klaue (Andy Serkis, “War For The Planet Of The Apes“), trying to get his hands on vibranium to sell on to CIA operative Everett Ross (Martin Freeman, “The Hobbit: The Battle of the Five Armies“, “The World’s End“).
After “Thor: Ragnarok“, this is back to the more seriously-played end of the superhero spectrum: there are a few jokes but it’s not overtly played for comedy. Holding the film together are some sterling performances from the ensemble cast with Michael B Jordan very good as the villain of the piece. Adding to the significant black girl power in the film are Angela Bassett (“London Has Fallen“) as the queen mother; Danai Gurira (“Wonder Woman“) as the leader of the Dora Milaje: the all-female king’s guard; and Lupita Nyong’o (“12 Years a Slave“, “Star Wars: The Force Awakens“) as the spy and love interest Nakia. But the star performance for me, and one I found absolutely spot-on as a role model for young people, was Letitia Wright (“The Commuter“) as Shuri, the king’s chief scientist. She is absolutely radiant, adding beauty, rude gestures and energy to every scene she is in.
Man of the moment Daniel Kaluuya (“Get Out“) also adds to his movie-cred as a conflicted courtier.
On the white side of the shop Andy Serkis has enormous fun as Klaue and I really wanted to see more of his character than I did. Martin Freeman feels rather lightweight and under-used, and I couldn’t quite get past his dodgy American accent.
In terms of storyline, the film is a hotch-potch of plots from multiple other films, with “The Lion King” featuring strongly (but almost in reverse!). But that’s no crime, when the Shakespearean-style narrative is good, and interpolating the strongly emotional story into the Marvel universe works well.
Where I felt a little uncomfortable is the element of racism – that is, racism *against* white people – reflected in the story. If there was a movie plot centred (basically) on the topic of whites killing blacks and taking control of every black-controlled country in the world (yes, I know, I’m British and we have historically been there!) then there would be justified uproar, and the film would be shunned.
In the technical department, I had real problems with some of the effects employed. Starting with a dodgy ‘aircraft’ shadow, things nose-dive with an astonishingly poor waterfall scene with Forest Whitaker (“Rogue One“, “Arrival“) as Zuri, green-screened against some Disneyworld cascades and hundreds of cut and pasted tribesmen randomly inserted onto the cliffs. Almost matching that is a studio-set scene in a jungle clearing, where if feels they could hardly have bothered to take the plants out of their pots. Think “Daktari” quality (kids, ask your parents/grandparents).
But overall, the film, directed by Ryan Coogler (“Creed“), is a high-energy and uniquely different take on Marvel that absolutely pays off. And it is without doubt an important movie in moving the black agenda forward into properly mainstream cinema.