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ClareR (6054 KP) rated The Dream Weavers in Books
Apr 25, 2021
The Dream Weavers is an historical fiction novel, with one foot in Saxon Mercia and the other in modern day Hereford. There’s a touch of the supernatural as well - all the better to see the past with. And I loved reading it.
Simon is writing a book of Anglo-Saxon history, and starts to hear a woman calling a name outside his rented cottage. When he goes out to look, no one is there.
The cottage owner brings in her local spiritual advisor, Bea, who hopes to put the ghost outside to rest. This is only the beginning.
The timelines alternate between King Offa’s daughter, Eadburh, and Bea’s life in Hereford with her husband who is a priest at the cathedral.
I honestly didn’t think I’d enjoy this - but I really did! It uses religion without being overly religious, and the same goes for the more Pagan elements. It was a a really interesting, highly readable book. I haven’t read much about the history around King Offa’s time, so I enjoyed the opportunity to do that. It was a book that was difficult to put down - except that was done for me, as I read a stave a day on The Pigeonhole! It’s a big book, but it really didn’t feel that way. It sent me off on little internet searches as well - namely Anchorites, and what types of dogs Anglo-Saxons kept as pets (and whether they did or not!). I like a book that interests me enough to read around it!
This is definitely one for the historical fiction fans, especially those that like a bit of the magical element as well. I loved reading it!
Many thanks to The Pigeonhole, and to HarperCollins for giving me access via NetGalley for an honest review.
Simon is writing a book of Anglo-Saxon history, and starts to hear a woman calling a name outside his rented cottage. When he goes out to look, no one is there.
The cottage owner brings in her local spiritual advisor, Bea, who hopes to put the ghost outside to rest. This is only the beginning.
The timelines alternate between King Offa’s daughter, Eadburh, and Bea’s life in Hereford with her husband who is a priest at the cathedral.
I honestly didn’t think I’d enjoy this - but I really did! It uses religion without being overly religious, and the same goes for the more Pagan elements. It was a a really interesting, highly readable book. I haven’t read much about the history around King Offa’s time, so I enjoyed the opportunity to do that. It was a book that was difficult to put down - except that was done for me, as I read a stave a day on The Pigeonhole! It’s a big book, but it really didn’t feel that way. It sent me off on little internet searches as well - namely Anchorites, and what types of dogs Anglo-Saxons kept as pets (and whether they did or not!). I like a book that interests me enough to read around it!
This is definitely one for the historical fiction fans, especially those that like a bit of the magical element as well. I loved reading it!
Many thanks to The Pigeonhole, and to HarperCollins for giving me access via NetGalley for an honest review.
David McK (3687 KP) rated Sworn Sword (The Bloody Aftermath of 1066, #1) in Books
Jan 30, 2019 (Updated Jul 9, 2023)
About a month or so ago, I was in my local Waterstones when I spotted two books both set around the time of the Norman Invasion but telling the tale but different angles: <i>Hereward</i> and this. Humming ang haaing, I eventually decided on <i>Hereward</i> and then, later, came across this novel for sale in Tesco's picking it up there.
Of the two books, I have to say - and despite a title that sounds like a bad b-movie ('"Sworn Sword: 1066: The Aftermath!" coming soon to a theatre near you!') - this is the better. Told in first person prose, this novel is from the point of view of a Norman Knight (whereas <i>Hereward</i> was from that of an Anglo-Saxon), and reminded me very much of one of the better Bernard Cornwell books in that the history covered (albeit slighlty fictionalised to fit the demands of the story) is just as interesting as the actual plot.
The first in a series of books set in the same period, I think I will be picking up more of these!
Of the two books, I have to say - and despite a title that sounds like a bad b-movie ('"Sworn Sword: 1066: The Aftermath!" coming soon to a theatre near you!') - this is the better. Told in first person prose, this novel is from the point of view of a Norman Knight (whereas <i>Hereward</i> was from that of an Anglo-Saxon), and reminded me very much of one of the better Bernard Cornwell books in that the history covered (albeit slighlty fictionalised to fit the demands of the story) is just as interesting as the actual plot.
The first in a series of books set in the same period, I think I will be picking up more of these!
Bob Mann (459 KP) rated The Dig (2021) in Movies
Jan 31, 2021
Acting from Fiennes and Mulligan - top notch (1 more)
Cinematography is gorgeous
Why make it so "man heavy" when history was otherwise? (1 more)
Found the asynchronous editing irritating
Archaeology with no fedora required
It’s 1939, and as World War 2 approaches, widower Edith Pretty (Carey Mulligan) hires rough and ready excavator Basil Brown (Ralph Fiennes) to dig into one of the ancient earth mounds on her property at the site that will become famous as Sutton Hoo in Suffolk. Requesting the help of her cousin Rory Lomax (Johnny Flynn) to photograph the effort, the site slowly gives up its Anglo-Saxon treasures attracting the attention of first the Ipswich museum and then the pompous Charles Phillips (Ken Stott) of the British Museum. A battle is on for both the control of the site and the resting place for the treasures found.
Against this backdrop there is a critical illness emerging, a son (Archie Barnes) and his attachment to the father figure of Brown and a potential romance between Rory and archaeologist Peggy Piggott, trapped in a loveless marriage.
Talent:
Starring: Carey Mulligan, Ralph Fiennes, Johnny Flynn, Lily James, Archie Barnes, Ken Stott, Monica Donlan.
Directed by: Simon Stone.
Written by: Moira Buffini (from the novel by John Preston).
Bullet points of my thoughts:
+ Superb acting by Mulligan and Fiennes – Oscar noms for both?
+ Young Archie Barnes impresses as the son Robert
+ Cinematography by Mike Eley shows the open Suffolk skies at their best
+ Based on fact, a fascinating historical record of the real excitement of uncovering the past
o The script deftly melds the archeology with the love story subplot: but was the latter really necessary?
– Curious “man heavy” script, replacing some of the historical female characters with men and making Peggy Piggott (Lily James) a bit of a klutz
– Asynchronous editing decision I found to be distracting and unnecessary.
For my full review, please see the video at https://youtu.be/m8Ad8B8dkSY .
Against this backdrop there is a critical illness emerging, a son (Archie Barnes) and his attachment to the father figure of Brown and a potential romance between Rory and archaeologist Peggy Piggott, trapped in a loveless marriage.
Talent:
Starring: Carey Mulligan, Ralph Fiennes, Johnny Flynn, Lily James, Archie Barnes, Ken Stott, Monica Donlan.
Directed by: Simon Stone.
Written by: Moira Buffini (from the novel by John Preston).
Bullet points of my thoughts:
+ Superb acting by Mulligan and Fiennes – Oscar noms for both?
+ Young Archie Barnes impresses as the son Robert
+ Cinematography by Mike Eley shows the open Suffolk skies at their best
+ Based on fact, a fascinating historical record of the real excitement of uncovering the past
o The script deftly melds the archeology with the love story subplot: but was the latter really necessary?
– Curious “man heavy” script, replacing some of the historical female characters with men and making Peggy Piggott (Lily James) a bit of a klutz
– Asynchronous editing decision I found to be distracting and unnecessary.
For my full review, please see the video at https://youtu.be/m8Ad8B8dkSY .
