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Tiger King: Murder, Mayhem and Madness
Tiger King: Murder, Mayhem and Madness
2020 | Crime, Documentary
And so, this is the one you are probably most familiar with, even if you have never watched a True Crime Doc before. Essentially a 7 part mini series with a making of extra program tagged on at the end that definitely does not need to be watched. Does any of it? It certainly showcases the nuttier side of America and some of the more eccentric characters that exist, not Least the compelling car crash human that is Joe Exotic – at times likeable, often very unlikable and almost certainly criminally insane. But it isn’t really about murder. The title is misleading in that sense. Mayhem and madness, oh for sure, but the murder part is an almost incidental detail of the show, as if to give it more gravitas.

It focuses on rivalries that existed between exotic animal parks that seem to take pride in mistreating tigers and other wild animals that have no place being there at all. The “fun” of it is watching “crazy” people, mostly Joe rolling around as if they were tiny kittens, and holding your breathe waiting for the inevitable moment they rip him to shreds. As it turns out, there is so much filler and false promise in this show that I would have to put it at the bottom of the list. It may not even have got on there at all if it wasn’t for the fact Lockdown viewing made it a shared experience that became ubiquitous. Otherwise, it is a poor circus freak show, badly presented and entirely cheap.
  
Sonic the Hedgehog (2020)
Sonic the Hedgehog (2020)
2020 | Action, Adventure, Animation
Kind of shit, but a total blast where it counts. I have so many grievances, firstly - did this honestly have to take the form of one of those trite, throwaway kids' films from the 90s/2000s where some obnoxious animal/alien has to team up with a bland cardboard cutout fuck and they learn to love alone the way? Gag, I feel deep shame that my peer group has such devout nostalgia for such a bastardized, lazy corporate gash-grab of a film era - which is of course is only exacerbated more so here by Fowler shooting this thing about as blandly as can be. Not to mention Marden absolutely sucks in it doing - what I can only assume is - some sort of scuffed, bored Ryan Reynolds impersonation. But it's easy to forgive a film that gives such ample time to Jim Carrey (in like his... third or fourth "return to form" now?) giving the single greatest performance of 2020 in a loving homage to the OG elastic, hyperactive roles of which he built his career upon. The action is fair, and for all its deafening faults the final showdown between Sonic and Eggman is exhilarating (even if I find Ben Schwartz's Sonic voice to be mostly a non-presence). Cute and fun enough to suffice - frequently hilarious too - but not really the resuscitator of video game movies when we got the sumptuous and similarly nonsensical 𝘈𝘴𝘴𝘢𝘴𝘴𝘪𝘯'𝘴 𝘊𝘳𝘦𝘦𝘥 just over three years before it. Truthfully I think this would have been better if they kept that monstrous abomination Sonic from the first trailer.
  
Split (2016)
Split (2016)
2016 | Horror, Thriller
M. Night Shyamalan once again has audiences very excited for absolutely no reason. The trailer portrays an interesting psychological thriller of a man (James McAvoy) subjected to many different forms of consciousness, as the plot tells he is one of the first to openly portray over twenty different personalities.

He even takes on different physical characteristics down to a metabolic level as he switches from persona to persona. This combined with the character of a doctor (Betty Buckley) who is thrilled to perhaps have discovered the missing link to understanding the unused portion of the human mind, sounds like it makes for a great sci-fi thriller.

Unfortunately rather quickly the plot devolves after the disturbed man’s abduction of three teenage girls turns over the top hokey and stereotypical. Nothing can be said that will make up for the impending disappointment of viewers as yet again Mr. Shyamalan has an idea that sounds quite intriguing, yet falls completely flat and leaves viewers feeling as if they are the brunt of the joke.

As the psychotic killer develops into a character audiences could really be scared of, a turn for the worst happens when he is transformed by his own mind into an animal. Reaching beyond anything physically possible in a much staged way, he becomes a superhuman creature who rampages until he is caught.

Even with skilled acting at his disposal Shyamalan has managed to make another very poor quality film. At each step of the way, the suspense almost grabs you but is completely predictable. It’s too bad but this one earns