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Andy K (10823 KP) rated Okja (2017) in Movies
Nov 17, 2019
1st half vs. 2nd half
Director Bong Joon Ho has a phenomenal track record of producing engaging, interesting, rich, vibrant and complex stories. From Snowpiercer to The Host to current critic favorite, Parasite his unique storytelling has proven he can be imaginative and still bring an audience through an entertaining, creative story. This time, as others have said in their reviews, it seems like a tale of two halves remarkably different in tone, scale and narrative.
A large corporation sells itself as leading the world in global food production as it creates 26 "Super Pigs" that it disperses throughout the world and allows them to grow for 10 years adopted by farmers. During that time, one of them, Okja, is seen alongside their adopted family in South Korea. A young girl and her grandfather have made Okja part of their family and love their companion immensely Eventually the corporation, along with one of their weird spokespeople goons arrive and say they are going to bring Okja to New York.
The girl, Mija, doesn't want this to happen and for her to lose her friend and life-mate, Okja, so she decides to pursue the creature and rescue it from whatever plans are happening and bring back to their mountainous farm.
Unfortunately, the differences in tone really handicap the film almost immediately. I really thought this appeared to be a family film like Babe or Homeward Bound, but then turned into some kind of exposition to inhibit cruelty to animals? Not sure. There was profanity throughout which of course doesn't bother me but would be off putting if you wanted to show this movie in schools or for small children. The innocence is lost when thugs arrive and try and kidnap Okja, or this animal advocacy group also arrives to attempt their own rescue to prevent anything against their will of happening to the beast.
It doesn't happen too often for me, but I was really confused as to what the movie was trying to say. I am a meat eater myself and am not sorry for it. I certainly believe people should be who they are and would not push my beliefs on anyone else. Is that what the movie intends? Does it want to just be an entertaining adventure?
My confusion prevented me from enjoying the movie as much as I wanted to, but was still entertained by what I saw.
A large corporation sells itself as leading the world in global food production as it creates 26 "Super Pigs" that it disperses throughout the world and allows them to grow for 10 years adopted by farmers. During that time, one of them, Okja, is seen alongside their adopted family in South Korea. A young girl and her grandfather have made Okja part of their family and love their companion immensely Eventually the corporation, along with one of their weird spokespeople goons arrive and say they are going to bring Okja to New York.
The girl, Mija, doesn't want this to happen and for her to lose her friend and life-mate, Okja, so she decides to pursue the creature and rescue it from whatever plans are happening and bring back to their mountainous farm.
Unfortunately, the differences in tone really handicap the film almost immediately. I really thought this appeared to be a family film like Babe or Homeward Bound, but then turned into some kind of exposition to inhibit cruelty to animals? Not sure. There was profanity throughout which of course doesn't bother me but would be off putting if you wanted to show this movie in schools or for small children. The innocence is lost when thugs arrive and try and kidnap Okja, or this animal advocacy group also arrives to attempt their own rescue to prevent anything against their will of happening to the beast.
It doesn't happen too often for me, but I was really confused as to what the movie was trying to say. I am a meat eater myself and am not sorry for it. I certainly believe people should be who they are and would not push my beliefs on anyone else. Is that what the movie intends? Does it want to just be an entertaining adventure?
My confusion prevented me from enjoying the movie as much as I wanted to, but was still entertained by what I saw.
Gareth von Kallenbach (980 KP) rated The Secret Life of Pets (2016) in Movies
Aug 6, 2019
Every wonder what your pets do while you’re away? The premise of this film is the social lives pets lead while their owners are out of the picture. From throwing parties, to visiting each other’s apartments, and utilizing all the household tools to create their own lap of luxury lifestyle.
From the studio that brought you those lovable Minions, the Secret Life of Pets is Illumination Entertainment’s pet version of Disney’s Toy Story. The film opens up with Max (Louis CK), a cute, funny loving, gregarious little terrier with an extreme attachment to his owner, Katie (Ellie Kemper). One day, Katie brings home a new “brother” to keep Max company. Duke (Eric Stonestreet), a scruffy, friendly, shaggy dog that competes with Max for Katie’s affection. The competition gets so out of hand that both Max and Duke end up lost in the streets of New York City and without their only form of identification, their collars. Now, they are on the run from the dogcatchers that want to take them to the Pound. They manage to make their way to the sewers and befriend a group of rebel castaway pets whose mission is to destroy all the pampered pets and their owners. Fortunately for Max, his pet friends band together to try to find Max and Duke and help bring them home.
Despite the similar storyline tone as Toy Story, this movie definitely stands on its own. Albeit, the emotional tones were not as poignant. Even though Max seemed to be the primary character in the movie, each individual character stood out on their own. Gidget (Jenny Slate), the feisty Pomeranian who will stop at nothing to save the Max, her true love. Snowball (Kevin Hart), the wise cracking leader of the rebel animal gang. You would have never thought so much hilarity and animosity could come from such a cute little bunny.
Visually, Pets gives us a great animal’s perspective into what it would be like to wander the city as a pet. It took us on an adventure through the not only between the city skyscrapers, the adventure continued through the sewers, and even the Hudson River.
There is enough in this movie to keep parents entertained, kiddos laughing, and it will definitely bring you closer to your own pet!
From the studio that brought you those lovable Minions, the Secret Life of Pets is Illumination Entertainment’s pet version of Disney’s Toy Story. The film opens up with Max (Louis CK), a cute, funny loving, gregarious little terrier with an extreme attachment to his owner, Katie (Ellie Kemper). One day, Katie brings home a new “brother” to keep Max company. Duke (Eric Stonestreet), a scruffy, friendly, shaggy dog that competes with Max for Katie’s affection. The competition gets so out of hand that both Max and Duke end up lost in the streets of New York City and without their only form of identification, their collars. Now, they are on the run from the dogcatchers that want to take them to the Pound. They manage to make their way to the sewers and befriend a group of rebel castaway pets whose mission is to destroy all the pampered pets and their owners. Fortunately for Max, his pet friends band together to try to find Max and Duke and help bring them home.
Despite the similar storyline tone as Toy Story, this movie definitely stands on its own. Albeit, the emotional tones were not as poignant. Even though Max seemed to be the primary character in the movie, each individual character stood out on their own. Gidget (Jenny Slate), the feisty Pomeranian who will stop at nothing to save the Max, her true love. Snowball (Kevin Hart), the wise cracking leader of the rebel animal gang. You would have never thought so much hilarity and animosity could come from such a cute little bunny.
Visually, Pets gives us a great animal’s perspective into what it would be like to wander the city as a pet. It took us on an adventure through the not only between the city skyscrapers, the adventure continued through the sewers, and even the Hudson River.
There is enough in this movie to keep parents entertained, kiddos laughing, and it will definitely bring you closer to your own pet!
Gareth von Kallenbach (980 KP) rated War Horse (2011) in Movies
Aug 7, 2019
“War Horse” is one of Steven Spielberg’s newest silver screen stories. His flair and panache are present, as ever. This gorgeous film pulls on the heart strings, and plays on several different emotional chords.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
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