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Debbiereadsbook (1454 KP) rated Booker's Bliss (Divergent Omegaverse #3) in Books
Jan 24, 2025
Booker is a freaking bear, but his heart?? Mush, absolute mush when it comes to Frey.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the Divergent Omegaverse series. It's not strictly necessary to have read the other books, but I do recommend that you do. It will give you a better picture of this world, and what it means to be Divergent: that is, you have an inner animal, but you cannot shift.
Booker is a bear, and Frey a fox, both of these men can shift, and Booker is a member of the Starling family, after he stood up for Silas, who cannot shift. Frey is Booker's PA, after a shake up within the company. Frey flirts a lot with everyone and it makes Booker grumpy! But hearing Frey ask another omega to help with an upcoming heat, and Booker's grumpiness goes up a notch or two. When Booker finds out the reasons Frey needs an omega rather than an alpha to help him, the grumpiness turns to concern and protectiveness. No one hurts his fox. He just needs to go at the pace Frey sets, even if it might kill him!
What I loved most about this, was once Booker was aware of Frey's past, he is all in, but only as and when Frey wants him to. He will go at his fox' pace, because Frey is his, he just needs Frey to fully commit. Frey wants Booker, deep in his heart but his head is messed up, along with his heat cycle because of the blockers he has been taking for so long. He needs a gentle soul, a kind soul, to help him through his trauma. Booker is a freaking bear, but his heart?? Mush, absolute mush when it comes to Frey.
Due to Frey's trauma, we have to wait for the main event. And I LOVED that we did. Once Frey's heat hits properly, in full force, he knows he can rely on Booker to stop if he needs him to. He doesn't necessarily want him to, but he might NEED Booker to be the gentle soul he knows him to be.
There is some overlap with Taylin's Temptation, regarding the factory, and what happens there. Book 4 is laid out for you, and I look forward to reading it. I have a feeling that it might well be a bit more of an emotional read.
Steamy and emotional, and a lot of fun, reading the group texts!
I look forward to watching the other brothers fall!
5 full and shiny stars!
This is book 3 in the Divergent Omegaverse series. It's not strictly necessary to have read the other books, but I do recommend that you do. It will give you a better picture of this world, and what it means to be Divergent: that is, you have an inner animal, but you cannot shift.
Booker is a bear, and Frey a fox, both of these men can shift, and Booker is a member of the Starling family, after he stood up for Silas, who cannot shift. Frey is Booker's PA, after a shake up within the company. Frey flirts a lot with everyone and it makes Booker grumpy! But hearing Frey ask another omega to help with an upcoming heat, and Booker's grumpiness goes up a notch or two. When Booker finds out the reasons Frey needs an omega rather than an alpha to help him, the grumpiness turns to concern and protectiveness. No one hurts his fox. He just needs to go at the pace Frey sets, even if it might kill him!
What I loved most about this, was once Booker was aware of Frey's past, he is all in, but only as and when Frey wants him to. He will go at his fox' pace, because Frey is his, he just needs Frey to fully commit. Frey wants Booker, deep in his heart but his head is messed up, along with his heat cycle because of the blockers he has been taking for so long. He needs a gentle soul, a kind soul, to help him through his trauma. Booker is a freaking bear, but his heart?? Mush, absolute mush when it comes to Frey.
Due to Frey's trauma, we have to wait for the main event. And I LOVED that we did. Once Frey's heat hits properly, in full force, he knows he can rely on Booker to stop if he needs him to. He doesn't necessarily want him to, but he might NEED Booker to be the gentle soul he knows him to be.
There is some overlap with Taylin's Temptation, regarding the factory, and what happens there. Book 4 is laid out for you, and I look forward to reading it. I have a feeling that it might well be a bit more of an emotional read.
Steamy and emotional, and a lot of fun, reading the group texts!
I look forward to watching the other brothers fall!
5 full and shiny stars!
Kristy H (1252 KP) rated River Road in Books
Feb 8, 2018
Nan Lewis is a creative writing professor at a state school in upstate New York. She lives alone after the tragic death of her young daughter, Emmy--an incident which her marriage could not survive. She's recently been denied tenure by her school and is upset and agitated the university's holiday party. On her way home, she hits a deer, but cannot find the animal when she goes to check on it. Nan eventually makes it back home in a snowstorm, leaving her car at the bottom of her icy, unplowed driveway. But when she wakes in the morning, she learns that one of her prized students, Leia, was killed in a hit-and-run the night before on River Road: the exact road where Nan hit the deer. Because her car was damaged from hitting the deer, Nan is the prime suspect, and she quickly loses the support of her colleagues, who point out that she has become a functioning alcoholic since her daughter's death. Even worse, Nan starts seeing signs that remind her of Emmy's death. Are Emmy and Leia's deaths related? How much did Nan have to drink the night she hit the deer? Will she clear her name before her entire life is destroyed?
I'm honestly not sure why I enjoyed this book as much as I did. It had several things working against it: 1) an unlikable narrator who drinks heavily; 2) a storyline that heavily involved dead children and pets (why?!); and 3) an easily guessed villain. Still, I found this one compulsively readable and stayed up far past my bedtime to finish the second half of the book. Nan grew on me, and I found myself almost protective of her. The lead policeman in the novel, Joe, was a favorite of mine. While I figured out the villain fairly early, I didn't understand the motives, so the plot kept me guessing until the end. Goodman weaves several storylines together--which intersect, but loosely--and somehow they all work. There are several supporting characters, including the woman who killed Nan's daughter and a young single mother from one of Nan's classes, who give the novel a surprising depth.
Anyway, despite some of the craziness, I found myself enjoying the book and racing to finish it. I first fell in love with Goodman due to her novel [b:The Lake of Dead Languages|120274|The Lake of Dead Languages|Carol Goodman|https://d.gr-assets.com/books/1320554718s/120274.jpg|3159707]. That book was impressive and still sits on my bookshelf to this day. If you haven't read it, I certainly recommend it. However, [b:River Road|25111007|River Road|Carol Goodman|https://d.gr-assets.com/books/1454544060s/25111007.jpg|44804735] is a fun thriller and a worthy diversion.
I'm honestly not sure why I enjoyed this book as much as I did. It had several things working against it: 1) an unlikable narrator who drinks heavily; 2) a storyline that heavily involved dead children and pets (why?!); and 3) an easily guessed villain. Still, I found this one compulsively readable and stayed up far past my bedtime to finish the second half of the book. Nan grew on me, and I found myself almost protective of her. The lead policeman in the novel, Joe, was a favorite of mine. While I figured out the villain fairly early, I didn't understand the motives, so the plot kept me guessing until the end. Goodman weaves several storylines together--which intersect, but loosely--and somehow they all work. There are several supporting characters, including the woman who killed Nan's daughter and a young single mother from one of Nan's classes, who give the novel a surprising depth.
Anyway, despite some of the craziness, I found myself enjoying the book and racing to finish it. I first fell in love with Goodman due to her novel [b:The Lake of Dead Languages|120274|The Lake of Dead Languages|Carol Goodman|https://d.gr-assets.com/books/1320554718s/120274.jpg|3159707]. That book was impressive and still sits on my bookshelf to this day. If you haven't read it, I certainly recommend it. However, [b:River Road|25111007|River Road|Carol Goodman|https://d.gr-assets.com/books/1454544060s/25111007.jpg|44804735] is a fun thriller and a worthy diversion.
Alice (12 KP) rated The Dead Seekers (Dead Seekers, #1) in Books
Jul 3, 2018
<i>I received a copy of this book from the publisher in exchange for an honest review </i>
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1Jk">here</a href>
<i>The Dead Seekers</i> is the first in a new series from Barb & J.C. Hendee which follows in the same vein as their Noble Dead series with strong characters and a good storyline. The Dead Seekers follows Tris - or as he is known throughout the book The Dead’s Man – a ghost hunter with the ability to see, interact with and control the dead after he was stillborn; and Mari, a shape-changing gypsy/traveller (known as a <i>Mondyalitko</i>) whose parents were killed when Tris was a child outside of his ancestral home who is convinced that The Dead’s Man is responsible.
The story begins with the birth/death of Tris and subsequent miracle of his rebirth and with the slaughter of Mari’s family a few years later. It then follows Tris as he performs his job as a ghost hunter and banisher of nasty spirits; Mari manages to track him down after a prolonged period of hunting him herself and follows him to his next job which involves the banishing of a spirit who has been kept on this plane against her will by her mother.
Mari saves Tris’ life the first night they are together as no one else can kill her prey and then continues to save his life on many occasions throughout the remainder of the book which is at odds with her nature to kill him as she believes he is the one responsible for murdering her family when she was a child – in a way, he is which is explained really well later on in the book at the end when their investigations into the spirit of the town take them further afield to a city barracks where several people are dying in odd manners.
The depiction of the ghosts were in themselves quite good, particularly how they weren’t depicted as what I refer to as basic ghosts but instead each one had a description of how they actually died – for example head wounds or missing limbs etc. which I quite liked. I also liked the tension between Tris and Mari which was eventually eased towards the end of the book once Mari realised who and what Tris actually was. The description of Mari as her other side was also written exceedingly well with a more animal personality at the forefront rather than the human side of her as with most shape-changers.
In all, it was an interesting concept with a couple of nifty little bits here and there that I liked. I look forward to the next installment.
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1Jk">here</a href>
<i>The Dead Seekers</i> is the first in a new series from Barb & J.C. Hendee which follows in the same vein as their Noble Dead series with strong characters and a good storyline. The Dead Seekers follows Tris - or as he is known throughout the book The Dead’s Man – a ghost hunter with the ability to see, interact with and control the dead after he was stillborn; and Mari, a shape-changing gypsy/traveller (known as a <i>Mondyalitko</i>) whose parents were killed when Tris was a child outside of his ancestral home who is convinced that The Dead’s Man is responsible.
The story begins with the birth/death of Tris and subsequent miracle of his rebirth and with the slaughter of Mari’s family a few years later. It then follows Tris as he performs his job as a ghost hunter and banisher of nasty spirits; Mari manages to track him down after a prolonged period of hunting him herself and follows him to his next job which involves the banishing of a spirit who has been kept on this plane against her will by her mother.
Mari saves Tris’ life the first night they are together as no one else can kill her prey and then continues to save his life on many occasions throughout the remainder of the book which is at odds with her nature to kill him as she believes he is the one responsible for murdering her family when she was a child – in a way, he is which is explained really well later on in the book at the end when their investigations into the spirit of the town take them further afield to a city barracks where several people are dying in odd manners.
The depiction of the ghosts were in themselves quite good, particularly how they weren’t depicted as what I refer to as basic ghosts but instead each one had a description of how they actually died – for example head wounds or missing limbs etc. which I quite liked. I also liked the tension between Tris and Mari which was eventually eased towards the end of the book once Mari realised who and what Tris actually was. The description of Mari as her other side was also written exceedingly well with a more animal personality at the forefront rather than the human side of her as with most shape-changers.
In all, it was an interesting concept with a couple of nifty little bits here and there that I liked. I look forward to the next installment.
Fred (860 KP) rated Dumbo (2019) in Movies
Jun 19, 2019
This is how you ruin a classic
Dumbo is one of my favorite Disney films. The original, not this crap. When told that his film was not long enough to be considered a full-length movie & that he would have to add 10 more minutes or so, Disney said "No. It's perfect the way it is." And he was right. The people who made this live-action remake apparently never heard that story. It's almost 2 hours long. The original story of the first film is done in about the first 20 minutes of this film, then it's an original sequel, basically.
The first & main problem of the film is the most obvious. The focus on the human characters over the animal characters. There are no talking animals in this one. Sure, Dumbo didn't talk, but he had Timothy mouse with him to speak for him. There's no stork, the bully elephants are gone, even the racist, but very entertaining crows are completely gone.
Second problem: Some of the music from the original film is here, but instrumental versions. Only "Baby Mine" is sung. We hear a clip of "Casey Jr." at the beginning. At the very end of the credits, we hear a bit of "When I See a Elephant Fly", but no "Look Out For Mr. Stork". But the biggest mistake was what they did with "Pink Elephants on Parade" In the original film, Dumbo accidentally drinks some champagne & gets drunk. He then blows bubbles & the bubbles take shape & thus begins one of the greatest scenes in Disney history. The bubbles take the shape of dancing, skating & tromping elephants. The scene is a nightmare & probably scared some kids in the day. The song itself is both fun & creepy. This should be perfect Tim Burton stuff, but in this film, it is not. In this film, circus performers are creating giant bubbles & somehow they are taking the shape of the elephants. In fact, they're copies of the elephants (and camel) from the original film. The song plays, but again, no lyrics. It's also not very well directed. Instead of looking like a nightmare, they keep cutting to Dumbo, watching the performers, with a smile.
And that brings me to another problem. Tim Burton. Like most Tim Burton movies, it looks fantastic, but it's just boring. The story is boring & unoriginal (Free Willy anyone?) I didn't get to like any of the human characters to care. They kind of just go through the motions. Dumbo himself lacks character & I never really felt for him.
I know Disney is set on remaking their classics & I haven't seen any before (and probably will not see anymore after this one). It breaks my heart to see Disney reduced to this sort of thing. I'll stick with the originals, thank you.
The first & main problem of the film is the most obvious. The focus on the human characters over the animal characters. There are no talking animals in this one. Sure, Dumbo didn't talk, but he had Timothy mouse with him to speak for him. There's no stork, the bully elephants are gone, even the racist, but very entertaining crows are completely gone.
Second problem: Some of the music from the original film is here, but instrumental versions. Only "Baby Mine" is sung. We hear a clip of "Casey Jr." at the beginning. At the very end of the credits, we hear a bit of "When I See a Elephant Fly", but no "Look Out For Mr. Stork". But the biggest mistake was what they did with "Pink Elephants on Parade" In the original film, Dumbo accidentally drinks some champagne & gets drunk. He then blows bubbles & the bubbles take shape & thus begins one of the greatest scenes in Disney history. The bubbles take the shape of dancing, skating & tromping elephants. The scene is a nightmare & probably scared some kids in the day. The song itself is both fun & creepy. This should be perfect Tim Burton stuff, but in this film, it is not. In this film, circus performers are creating giant bubbles & somehow they are taking the shape of the elephants. In fact, they're copies of the elephants (and camel) from the original film. The song plays, but again, no lyrics. It's also not very well directed. Instead of looking like a nightmare, they keep cutting to Dumbo, watching the performers, with a smile.
And that brings me to another problem. Tim Burton. Like most Tim Burton movies, it looks fantastic, but it's just boring. The story is boring & unoriginal (Free Willy anyone?) I didn't get to like any of the human characters to care. They kind of just go through the motions. Dumbo himself lacks character & I never really felt for him.
I know Disney is set on remaking their classics & I haven't seen any before (and probably will not see anymore after this one). It breaks my heart to see Disney reduced to this sort of thing. I'll stick with the originals, thank you.
Ivana A. | Diary of Difference (1171 KP) rated I Know Who You Are in Books
Feb 3, 2020
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/05/I-Know-Who-You-Are-blog-tour-banner.jpg?resize=768%2C909&ssl=1"/>;
<b>I Know Who You Are by Alice Feeney is a book that stays with you after you read it. Dark, twisted and unpredictable until the very last chapter.</b>
In the very beginning, we are met with the unknown. Aimee Sinclair is an actress and when she comes home, she realizes her husband is missing. The police suspect she is hiding something. They are right, she does have a secret…
The book switches between two timelines; the first being Aimee today and the second being Aimee’s childhood. We get to enjoy these parallel stories and understand how Aimee’s childhood directly influences her decisions as a grown up.
<b><i>‘’Sometimes it only takes one person to believe in you, to change your life forever. Sometimes it only takes one person not believing in you to destroy it. Humans are a highly sensitive species.’’</i></b>
Alice’s writing is brilliant, and when reading the two timelines, you feel the child and you feel the adult. A skill not many writers can perfect.
Aimee’s whole life has been about being a different person. That is why she choose to become an actress. She can change into different people as she wants, and keep her true self hidden somewhere safe. But she didn’t learn this all by herself.
The book will leave things unpredictable until the very end. I had my theories and they kept changing all the time. The moment you feel you are close to the truth, something happens and you are back at the start. I loved it!
I wasn’t disappointed with the ending, but I did feel grossed out and disgusted by a certain someone. At times, some scenes felt like too much, but they were crucial to the story.
<b><i>If you love dark and twisted psychological thrillers, you will most probably enjoy reading I Know Who You Are by Alice Feeney.</i></b>
<b>Trigger warnings for abuse in all shapes and forms, animal cruelty and childhood trauma.</b>
Thank you to the team at HQ, for the opportunity to be part of this blog tour, and for sending me a paperback copy in exchange for an honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/05/I-Know-Who-You-Are-blog-tour-banner.jpg?resize=768%2C909&ssl=1"/>;
<b>I Know Who You Are by Alice Feeney is a book that stays with you after you read it. Dark, twisted and unpredictable until the very last chapter.</b>
In the very beginning, we are met with the unknown. Aimee Sinclair is an actress and when she comes home, she realizes her husband is missing. The police suspect she is hiding something. They are right, she does have a secret…
The book switches between two timelines; the first being Aimee today and the second being Aimee’s childhood. We get to enjoy these parallel stories and understand how Aimee’s childhood directly influences her decisions as a grown up.
<b><i>‘’Sometimes it only takes one person to believe in you, to change your life forever. Sometimes it only takes one person not believing in you to destroy it. Humans are a highly sensitive species.’’</i></b>
Alice’s writing is brilliant, and when reading the two timelines, you feel the child and you feel the adult. A skill not many writers can perfect.
Aimee’s whole life has been about being a different person. That is why she choose to become an actress. She can change into different people as she wants, and keep her true self hidden somewhere safe. But she didn’t learn this all by herself.
The book will leave things unpredictable until the very end. I had my theories and they kept changing all the time. The moment you feel you are close to the truth, something happens and you are back at the start. I loved it!
I wasn’t disappointed with the ending, but I did feel grossed out and disgusted by a certain someone. At times, some scenes felt like too much, but they were crucial to the story.
<b><i>If you love dark and twisted psychological thrillers, you will most probably enjoy reading I Know Who You Are by Alice Feeney.</i></b>
<b>Trigger warnings for abuse in all shapes and forms, animal cruelty and childhood trauma.</b>
Thank you to the team at HQ, for the opportunity to be part of this blog tour, and for sending me a paperback copy in exchange for an honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Gareth von Kallenbach (980 KP) rated Happy Feet Two (2011) in Movies
Aug 7, 2019
Mumble is back and dancing his way back into our hearts. Happy Feet Two is a follow up to the 2006 Academy Award winning movie, Happy Feet directed by George Miller. Mumble (Elijah Wood) is now married to Gloria (Alecia “PiNK” Moore, who replaced the late Brittany Murphy) and they have a son, Erik (Ava Acres).
Mumble struggles to help Erik with his insecurities and inability to find his own heart song and dance steps. Erik ends up running away from Emperorland with a couple of friends, following the love struck Ramon (Robin Williams). Unsuccessful in love within Mumble’s penguin community, Ramon decides to head back to Adelieland and falls for Carmen (Sophia Vergara) who, of course, plays hard to get. So begins Ramon’s hilarious attempts at trying to win Carmen’s affection. While on their adventure, Erik and company stumble across Sven (Hank Azaria), a puffin that is mistaken for a penguin who can fly. Erik becomes enamored with Sven’s ability to fly and attempts to follow in Sven’s footsteps.
Once Mumble has found the runaway chicks, he forces them to return to Emperorland. Upon their return to home, they find a landslide has caused an iceberg to shift and ends up trapping their colony with no way out. Mumble must find help before it’s too late. In flies the self-help guru and fraud Sven to come and teach the penguins how to fly. Meanwhile, other animals in peril are an elephant seal (Anthony Lapaglia) and a couple of codependent krill named Will (Brad Pitt) and Bill (Matt Damon) who realized that their only place in life is to provide sustenance for the whales. Unwilling to succumb to their fate, the delusional Will forces the terrified Bill to swim away from their swarm and become omnivores in an attempt to move up the food chain.
In the end all these stories tie together to show a strong sense of community among different species. I do believe George Miller seems to have taken more of a commercialized approach when creating this movie. Miller once again attempts to send an eco-message regarding global warming with Happy Feet Two. Unfortunately the sequel’s message does not create the same emotional and heartfelt impact as its predecessor. Miller focused more on entertaining and visuals and less on the actual storyline which was very choppy and quite odd at times.
The animators definitely give Pixar a run for their money with their amazing Antarctica scenery details, their incredible animal close-up shots, the undersea moments with the krill and spectacular action sequences. The movie may not have had the substance of the first movie; however it was definitely enjoyable to watch. There was lots of dancing, singing and great laugh-out-loud moments; an absolute visual delight.
Mumble struggles to help Erik with his insecurities and inability to find his own heart song and dance steps. Erik ends up running away from Emperorland with a couple of friends, following the love struck Ramon (Robin Williams). Unsuccessful in love within Mumble’s penguin community, Ramon decides to head back to Adelieland and falls for Carmen (Sophia Vergara) who, of course, plays hard to get. So begins Ramon’s hilarious attempts at trying to win Carmen’s affection. While on their adventure, Erik and company stumble across Sven (Hank Azaria), a puffin that is mistaken for a penguin who can fly. Erik becomes enamored with Sven’s ability to fly and attempts to follow in Sven’s footsteps.
Once Mumble has found the runaway chicks, he forces them to return to Emperorland. Upon their return to home, they find a landslide has caused an iceberg to shift and ends up trapping their colony with no way out. Mumble must find help before it’s too late. In flies the self-help guru and fraud Sven to come and teach the penguins how to fly. Meanwhile, other animals in peril are an elephant seal (Anthony Lapaglia) and a couple of codependent krill named Will (Brad Pitt) and Bill (Matt Damon) who realized that their only place in life is to provide sustenance for the whales. Unwilling to succumb to their fate, the delusional Will forces the terrified Bill to swim away from their swarm and become omnivores in an attempt to move up the food chain.
In the end all these stories tie together to show a strong sense of community among different species. I do believe George Miller seems to have taken more of a commercialized approach when creating this movie. Miller once again attempts to send an eco-message regarding global warming with Happy Feet Two. Unfortunately the sequel’s message does not create the same emotional and heartfelt impact as its predecessor. Miller focused more on entertaining and visuals and less on the actual storyline which was very choppy and quite odd at times.
The animators definitely give Pixar a run for their money with their amazing Antarctica scenery details, their incredible animal close-up shots, the undersea moments with the krill and spectacular action sequences. The movie may not have had the substance of the first movie; however it was definitely enjoyable to watch. There was lots of dancing, singing and great laugh-out-loud moments; an absolute visual delight.
CHOMP by Christoph Niemann
Book and Education
App
"Editor´s Choice Award" by Children´s Technology Review for Excellence in Design! wired.com:...
Peter_mark84 (59 KP) rated Maneater in Video Games
Jul 7, 2020
Playing as a shark (4 more)
Nice open world
Funny characters
Location collection quest
Story
Bugs (3 more)
Lack of targeting
Bit repetitive
Similar to other open world RPG titles
A game with Bite
Let me start by saying any game where you play as a "monster/ animal" against evil people is fun. This game is really fun and addictive.
The controls are simple enough and work, never felt I had no control over my shark. Graphics are not AAA for this generation and sometimes takes few seconds to render the Shark or some environment.
Gameplay by far is what I love about this game even when it is a bit repetitive. In fairness Sharks can only do so much. Nothing more fun than swimming around eating other predators and humans.
Game starts you of as a "pup" meaning you need to avoid alligators and eat as much as possible to level up to a "teen". Even then alligators will kill you 90% of the time. Once you get to around level 10 you grow to an "adult" then you can take it to the gators and pretty much anything in your first few areas.
Yes this game is open world, however it uses a trope seen in Witcher 3 and Assassin's Creed. Where by the story keeps you in areas to allow you enjoy the increase in difficulty. Letting you level up and evolve your shark before heading out into the ocean.
The games story is fun, full of over the top characters, like a throw back to GTA3 etc. Only just getting started. But the main Villain Scaly Pete is fair flushed out. Based on a sort of Ahab type character seeking revenge against sharks.
Gameplay is a mix of kill so many humans/prey, kill this predator/ human, collection quests and starting trouble to kill hunters which increases you infamy rating.
The ideas are not original, but they work really well. Knowing when to pick a fight with a rival predator is key. This is based on their and your level. As seen in AC Origns/ Odyssey and Witcher 3. Evolving reminds me of upgrading Max's car in Mad Max and feels fun. The story has elements of GTA or Saints Row with its OTT characters.
Sadly it can be a bit repetitive and sometimes feels bit of a slog having to swim somewhere to kill so many of something. But sometimes this is good as it is easy to drop in and out off. If you like Jaws, Deep Blue Sea, The Meg and any SyFy B Movie with killer sharks. Then this is the game for you.
It's a good game kept from greatest by few bugs and the limitations of being a Shark.
The controls are simple enough and work, never felt I had no control over my shark. Graphics are not AAA for this generation and sometimes takes few seconds to render the Shark or some environment.
Gameplay by far is what I love about this game even when it is a bit repetitive. In fairness Sharks can only do so much. Nothing more fun than swimming around eating other predators and humans.
Game starts you of as a "pup" meaning you need to avoid alligators and eat as much as possible to level up to a "teen". Even then alligators will kill you 90% of the time. Once you get to around level 10 you grow to an "adult" then you can take it to the gators and pretty much anything in your first few areas.
Yes this game is open world, however it uses a trope seen in Witcher 3 and Assassin's Creed. Where by the story keeps you in areas to allow you enjoy the increase in difficulty. Letting you level up and evolve your shark before heading out into the ocean.
The games story is fun, full of over the top characters, like a throw back to GTA3 etc. Only just getting started. But the main Villain Scaly Pete is fair flushed out. Based on a sort of Ahab type character seeking revenge against sharks.
Gameplay is a mix of kill so many humans/prey, kill this predator/ human, collection quests and starting trouble to kill hunters which increases you infamy rating.
The ideas are not original, but they work really well. Knowing when to pick a fight with a rival predator is key. This is based on their and your level. As seen in AC Origns/ Odyssey and Witcher 3. Evolving reminds me of upgrading Max's car in Mad Max and feels fun. The story has elements of GTA or Saints Row with its OTT characters.
Sadly it can be a bit repetitive and sometimes feels bit of a slog having to swim somewhere to kill so many of something. But sometimes this is good as it is easy to drop in and out off. If you like Jaws, Deep Blue Sea, The Meg and any SyFy B Movie with killer sharks. Then this is the game for you.
It's a good game kept from greatest by few bugs and the limitations of being a Shark.
Lucy Buglass (45 KP) rated Lynn + Lucy (2019) in Movies
Oct 14, 2019
The titular characters in Lynn + Lucy are lifelong best friends, and even live opposite each other on the same street. But the film explores tragic circumstances where a bond this strong can swiftly be broken.
Lynn (Roxanne Scrimshaw) is a married stay-at-home mum turned hairdressing assistant, who is delighted when her best friend Lucy (Nichola Burley) gives birth to her first child. But she is clearly struggling with a new baby and her volatile relationship.
The two friends differ in a lot of ways, as Lynn seems more grounded and content with being a mother, whereas Lucy is a party animal, impulsive and misses life before motherhood. Yet their friendship works and has stood the test of time – until one awful day where everything changes.
Lynn + Lucy plays like an elevated soap opera, that’s reminiscent of kitchen sink realism. The film is fuelled by honest depictions of everyday domestic life, and as a result you won’t see any beautiful cinematography from this.
It’s bleak, it’s raw, and it even feels intrusive at times. It’s likely you’ll feel uncomfortable watching this as a result. Director and writer Fyzal Boulifa forces you to join this community even if you don’t want to be there.
As we’re given insight into what happens behind closed doors, we’re able to see exactly why Lynn and Lucy’s friendship rapidly falls apart. It’s not long before others start gossiping about the tragedy that unfolds for the two friends and the community they live in.
Lynn is forced to get a job as her husband is injured and she’s never been employed before, so she goes to a hairdressers owned by a former classmate. There is certainly a hierarchy there, Lynn sweeps the floors and makes teas and coffees, whilst being reminded that it’s typically a job for a school leaver.
But with no formal qualifications on her CV, it’s all she’s got. And salon owner Janelle (Jennifer Lee Moon) makes sure Lynn knows that, making her life hell and talking about her behind her back. However, Lynn grows close to hairdresser Caroline (Kacey Ainsworth) once her friendship with Lucy is tested.
The salon feels like a high school clique, and is a sad reminder of history repeating itself. I really enjoyed the performances here as it reflected the bleak, realistic nature of the overall story, and how horrible people can still be even when several years have passed.
Lynn + Lucy is a tragic, sometimes amusing, look at working class families and close knit communities, as well as the devastating effects of a personal tragedy.
Expect very difficult themes, lingering camera shots, and a sinking feeling in your stomach at the end. Bring tissues.
Lynn (Roxanne Scrimshaw) is a married stay-at-home mum turned hairdressing assistant, who is delighted when her best friend Lucy (Nichola Burley) gives birth to her first child. But she is clearly struggling with a new baby and her volatile relationship.
The two friends differ in a lot of ways, as Lynn seems more grounded and content with being a mother, whereas Lucy is a party animal, impulsive and misses life before motherhood. Yet their friendship works and has stood the test of time – until one awful day where everything changes.
Lynn + Lucy plays like an elevated soap opera, that’s reminiscent of kitchen sink realism. The film is fuelled by honest depictions of everyday domestic life, and as a result you won’t see any beautiful cinematography from this.
It’s bleak, it’s raw, and it even feels intrusive at times. It’s likely you’ll feel uncomfortable watching this as a result. Director and writer Fyzal Boulifa forces you to join this community even if you don’t want to be there.
As we’re given insight into what happens behind closed doors, we’re able to see exactly why Lynn and Lucy’s friendship rapidly falls apart. It’s not long before others start gossiping about the tragedy that unfolds for the two friends and the community they live in.
Lynn is forced to get a job as her husband is injured and she’s never been employed before, so she goes to a hairdressers owned by a former classmate. There is certainly a hierarchy there, Lynn sweeps the floors and makes teas and coffees, whilst being reminded that it’s typically a job for a school leaver.
But with no formal qualifications on her CV, it’s all she’s got. And salon owner Janelle (Jennifer Lee Moon) makes sure Lynn knows that, making her life hell and talking about her behind her back. However, Lynn grows close to hairdresser Caroline (Kacey Ainsworth) once her friendship with Lucy is tested.
The salon feels like a high school clique, and is a sad reminder of history repeating itself. I really enjoyed the performances here as it reflected the bleak, realistic nature of the overall story, and how horrible people can still be even when several years have passed.
Lynn + Lucy is a tragic, sometimes amusing, look at working class families and close knit communities, as well as the devastating effects of a personal tragedy.
Expect very difficult themes, lingering camera shots, and a sinking feeling in your stomach at the end. Bring tissues.
