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Daniel Boyd (1066 KP) rated Love, Death & Robots in TV
Apr 4, 2019 (Updated Apr 4, 2019)
A breezy pace throughout the series (1 more)
Some incredible animation work
Now For Something Completely Different
Love Death & Robots is an animated anthology series from David Fincher and Tim Miller, made up of 18 short films, with each one done in a completely different animation style, ranging from stylistic 2D to hyper realistic 3D. I felt compelled to watch this series, not only as a fan of Fincher's and Miller's previous respective works, but as an aspiring animator myself.
My favourite thing about this series is how brief each episode is. Even if there is a story that you aren't enjoying so much, it is over promptly and you are onto the next one. I also like the idea of this series perhaps being a way for filmmakers to pitch their ideas in the form of these short stories and then, - if they are well received, - they could maybe go on to be developed into a longer more fleshed out feature length movie.
The style of animation varies wildly and everyone who watches the series will no doubt have their own personal preference. My favourite of the series was episode 13, which was titled "Lucky 13." It was based around a spaceship owned by a pilot played by Samira Wiley, who gave an phenomenal performance throughout the short film.
If you are looking for something fresh and different to anything else on Netflix, give this one a go. You may not enjoy every single episode, but I guarantee you there will be at least a few that you like. I really hope that this gets a second series and I am looking forward to anything else that is coming in the future from this creative team.
My favourite thing about this series is how brief each episode is. Even if there is a story that you aren't enjoying so much, it is over promptly and you are onto the next one. I also like the idea of this series perhaps being a way for filmmakers to pitch their ideas in the form of these short stories and then, - if they are well received, - they could maybe go on to be developed into a longer more fleshed out feature length movie.
The style of animation varies wildly and everyone who watches the series will no doubt have their own personal preference. My favourite of the series was episode 13, which was titled "Lucky 13." It was based around a spaceship owned by a pilot played by Samira Wiley, who gave an phenomenal performance throughout the short film.
If you are looking for something fresh and different to anything else on Netflix, give this one a go. You may not enjoy every single episode, but I guarantee you there will be at least a few that you like. I really hope that this gets a second series and I am looking forward to anything else that is coming in the future from this creative team.
Neon's Nerd Nexus (360 KP) rated Shazam! (2019) in Movies
May 13, 2019
Pow right in the kisser
#shazam is DC's answer to #deadpool its witty, dark & stylish but also feels a tad 'weve seen all this before'. Shazam always looked to me like a film nobody asked for or a straight to #netflix film so when it started I was actually very surprised with what I was watching. Its an extremely well shot film with seemingly high production values, stylish cinematography & a pretty neat soundtrack too. I was also pleasantly surprised at the dark tone/atmosphere the film decided to go for & considering the trailers suggest this was to be a comedy for a younger audience there are some quite horrific deaths, adult #humour, nasty enemies & also some very dark subject matter. All this darkness however is balanced out quite nicely with goofy humour & some genuinely #funny gags & some brilliant references to films like #tomhanks #Big & the #terminator. Theres a running theme throughout about #family/sticking together & another about there being #heroes inside all of us be it from security guards that keep our schools safe, #mums raising #kids, people who adopt & even people who dress up as #santa can help #inspire our kids to do good. Shazam does alot right & at times its a spellbinding film full of #charm but sadly I found it to fall apart in the final act where it loses its #freakazoid mixed with #hancock & #batman the #animated series vibe in favour for a more generic & forgettable conclusion with a main #villain who came across more pedestrian than menacing which is a shame. Shazam is generally a really great #popcorn flick & crowed pleaser, its got #heart & #laughs but I can see it being forgotten about in a few years but for now its well worth your time. #odeon #odronlimitles #dc #dcuniverse #superhero #geek #comic
Charles Burbridge (13 KP) rated Ready Player One (2018) in Movies
Mar 29, 2018
Contains spoilers, click to show
"Ready Player One" is a good, almost great, popcorn flick. There are visual jokes throughout the film, references to every 80s pop culture item you can think of, and characters that are likeable.
The vast majority of the film is animated, which is obvious given the subject matter. The animation, however, doesn't allow the actors to deliver nuanced performances. Everything in the film is turned up to 11. There's no breaks, no subtle moments. It's full throttle, pedal to the metal, all the way through.
Now, there are some very cute character bits that are blown away by the bombast, not the least of which is the film's villain uses a Superman avatar in the Oasis, and I'm pretty sure it's the Injustice Superman, which is fitting. Yes, we've all seen the Iron Giant in the previews, as well as the cars in the race sequence.
The most surprising inclusion in the movie, the best filmed and the most impressive story-wise, is the sequence involving the retrieval of the second key. It's pitch perfect and the film should have done more like that and less Where's Waldo. Speaking of, I didn't see Waldo, but I'm sure he's in the film.
Spielberg did as Spielberg does when he wants to make enough money to finance another serious film. He made a popcorn flick. Ready Player One should please audiences and in a year without Marvel's juggernaut would have been the geek culture film of the season.
Instead, it's playing second fiddle to Black Panther, Infinity War, and, to me, Incredibles 2. Still, it's great fun and as long as you're part of geek culture, you'll enjoy it. And then tear it to pieces on the Internet because that's what we do.
The vast majority of the film is animated, which is obvious given the subject matter. The animation, however, doesn't allow the actors to deliver nuanced performances. Everything in the film is turned up to 11. There's no breaks, no subtle moments. It's full throttle, pedal to the metal, all the way through.
Now, there are some very cute character bits that are blown away by the bombast, not the least of which is the film's villain uses a Superman avatar in the Oasis, and I'm pretty sure it's the Injustice Superman, which is fitting. Yes, we've all seen the Iron Giant in the previews, as well as the cars in the race sequence.
The most surprising inclusion in the movie, the best filmed and the most impressive story-wise, is the sequence involving the retrieval of the second key. It's pitch perfect and the film should have done more like that and less Where's Waldo. Speaking of, I didn't see Waldo, but I'm sure he's in the film.
Spielberg did as Spielberg does when he wants to make enough money to finance another serious film. He made a popcorn flick. Ready Player One should please audiences and in a year without Marvel's juggernaut would have been the geek culture film of the season.
Instead, it's playing second fiddle to Black Panther, Infinity War, and, to me, Incredibles 2. Still, it's great fun and as long as you're part of geek culture, you'll enjoy it. And then tear it to pieces on the Internet because that's what we do.
Ross (3284 KP) rated The Grinch (2018) in Movies
Nov 12, 2018
Festive fun but could have been better
I was hoping this version would go back to the book as its sole reference point, and ignore Jim Carrey's version (although I love it, I didn't just want to see an animated version of it). I think they must have started out like that but ended up creating something fairly similar to the previous film.
Everything is toned down a little here, the Grinch isn't some hideous monster to be feared (he has a decent bit of awkward banter with his neighbour and pops to the shops for example), and he doesn't hate Christmas anywhere near as much as the story has it.
Cindy-Lou is back, but is significantly less annoying than Taylor Momsen's portrayal, and rather than herself feeling anti-festive and Grinchy she just wants her mum to be happy.
I enjoyed the Wallace and Gromit-esque moments, where Max uses a number of contraptions to make The Grinch a coffee etc.
The film doesn't overdo the festive spirit so, while we were left feeling Christmassy (or at least Christmassy enough for early November!) it wasn't ad nauseum.
The soundtrack became quite grating - I think the same singer as in the Despicable Me films - and the re-mastered version of "You're a Mean One..." did not work.
Few lines of the book (which I know pretty much off by heart now) are used in the film, and when they are used they stand out as a little jarring or are changed and just don't seem to work. While I am no fan of Dr Seuss' poetry and lazy rhyming this seemed to be a step down even from there. I felt they should either have stuck with it or ditched it altogether.
All in all, a decent, funny festive film for all the family.
Everything is toned down a little here, the Grinch isn't some hideous monster to be feared (he has a decent bit of awkward banter with his neighbour and pops to the shops for example), and he doesn't hate Christmas anywhere near as much as the story has it.
Cindy-Lou is back, but is significantly less annoying than Taylor Momsen's portrayal, and rather than herself feeling anti-festive and Grinchy she just wants her mum to be happy.
I enjoyed the Wallace and Gromit-esque moments, where Max uses a number of contraptions to make The Grinch a coffee etc.
The film doesn't overdo the festive spirit so, while we were left feeling Christmassy (or at least Christmassy enough for early November!) it wasn't ad nauseum.
The soundtrack became quite grating - I think the same singer as in the Despicable Me films - and the re-mastered version of "You're a Mean One..." did not work.
Few lines of the book (which I know pretty much off by heart now) are used in the film, and when they are used they stand out as a little jarring or are changed and just don't seem to work. While I am no fan of Dr Seuss' poetry and lazy rhyming this seemed to be a step down even from there. I felt they should either have stuck with it or ditched it altogether.
All in all, a decent, funny festive film for all the family.
Gareth von Kallenbach (980 KP) rated Planet 51 (2009) in Movies
Aug 8, 2019
On a planet far from our own, green creatures are experiencing their own version of the 1950’s. Among them is Lem (Justin Long) who has just gotten his first job as an assistant at the local planetarium. When a space ship appears harboring an alien, human astronaut Captain Charles T. Baker (Dwayne Johnson), the fearful locals are not so friendly. It is up to Lem to save the astronaut and help his people learn not to fear the world beyond what they know.
The film is written for both children and adults, like a toned down version of “Shrek†with a more relevant moral feel. Putting the characters in the 1950s adds to the film’s charm, allowing kids access to the blatant characterizations of the time period, such as the bumbling science professor and the hippy protestor who maintains from the start that the alien is friendly.
Other characters of note are Lem’s comic book and movie fanatic best friend, Skiff (Seann William Scott) and the military commander General Grawl (Gary Oldman) who is hell-bent on capturing the alien. Children will also enjoy the two pet creatures from a local alien dog that excretes acid to a rock-obsessed robot sent to pick up local specimens for Baker.
“Planet 51†is wholly entertaining. It provides some mature insight by displaying how we would appear to another culture if we ever did encounter aliens. This switch of perspective is sure to make children think and laugh over the simple cross-cultural mishaps that occur while Lem and Baker are attempting to find common ground.
A delightful, animated romp, “Planet 51†will make you hope for a groovy 1960’s sequel.
The film is written for both children and adults, like a toned down version of “Shrek†with a more relevant moral feel. Putting the characters in the 1950s adds to the film’s charm, allowing kids access to the blatant characterizations of the time period, such as the bumbling science professor and the hippy protestor who maintains from the start that the alien is friendly.
Other characters of note are Lem’s comic book and movie fanatic best friend, Skiff (Seann William Scott) and the military commander General Grawl (Gary Oldman) who is hell-bent on capturing the alien. Children will also enjoy the two pet creatures from a local alien dog that excretes acid to a rock-obsessed robot sent to pick up local specimens for Baker.
“Planet 51†is wholly entertaining. It provides some mature insight by displaying how we would appear to another culture if we ever did encounter aliens. This switch of perspective is sure to make children think and laugh over the simple cross-cultural mishaps that occur while Lem and Baker are attempting to find common ground.
A delightful, animated romp, “Planet 51†will make you hope for a groovy 1960’s sequel.
Lenard (726 KP) rated The Lion King (2019) in Movies
Jul 28, 2019
The short review: This film is a crowd pleasing movie for fans of the original animated film. This hits all the highlights you love about the first version.
The longer version: It does bring up an interesting point. Mufasa teaches Simba about the Circle of Life where the death of the lions replenishes the savanna with nutrients. The movie shows a circle of life by beginning with the birth of a lion prince cub and ends with the birth of the cub prince of the original cub. In the middle of the movie, the pride of African prey, meerkat, warthog, galago (one of my favorite animals), aardvark, etc., talk about how they only see food and predator. This illustrates that the animals in the middle of a food web can only see the linear relations that affect their life. Only the apex predator have any perspective of the complete circle, the prey/secondary predators have a more limited view of life.
Secondly, the soundtrack is so iconic that when "Can You Feel The Love Tonight" started, I had completely forgotten that oh yeah this is the song that actually won the Academy Award. However, I never once believed this part of the film. It seemed that the filmmakers had to put it here, but they had not earned the major plot point. I did not believe that Simba and Nala were starting to fall into love with each other. Maybe I had started to drift off into a timeline of the songs that had won Best Original Song, but still this is a major moment in the film and it needs to cohere. Unfortunately, though the film is beautiful and has great cinematography from Caleb Deschanel, it needed a much better story to work in "live action."
The longer version: It does bring up an interesting point. Mufasa teaches Simba about the Circle of Life where the death of the lions replenishes the savanna with nutrients. The movie shows a circle of life by beginning with the birth of a lion prince cub and ends with the birth of the cub prince of the original cub. In the middle of the movie, the pride of African prey, meerkat, warthog, galago (one of my favorite animals), aardvark, etc., talk about how they only see food and predator. This illustrates that the animals in the middle of a food web can only see the linear relations that affect their life. Only the apex predator have any perspective of the complete circle, the prey/secondary predators have a more limited view of life.
Secondly, the soundtrack is so iconic that when "Can You Feel The Love Tonight" started, I had completely forgotten that oh yeah this is the song that actually won the Academy Award. However, I never once believed this part of the film. It seemed that the filmmakers had to put it here, but they had not earned the major plot point. I did not believe that Simba and Nala were starting to fall into love with each other. Maybe I had started to drift off into a timeline of the songs that had won Best Original Song, but still this is a major moment in the film and it needs to cohere. Unfortunately, though the film is beautiful and has great cinematography from Caleb Deschanel, it needed a much better story to work in "live action."
Gareth von Kallenbach (980 KP) rated Penguins Of Madagascar (2014) in Movies
Aug 6, 2019
Those cute little feathery spy guys are back in an all new action packed adventure. If you are unfamiliar with the Penguins of Madagascar animated series on Nick there is no need to worry. Here is a quick rundown; Skipper is the leader, Kowalski is the brains, Rico is the loose cannon, and Private is the rookie. This film takes off right after Madagascar 3: Europe’s Most Wanted when the Penguins are trying to escape from the Afro Circus song that seems to be driving everybody insane but also shows how they became a group and got their start.
This lighthearted film takes a break from all others that seem to always tug at those heartstrings. It is packed full of recognizable actors and a great script. The Penguins themselves are voiced by not so recognizable actors but are the ones who worked on Madagascar like animators directors etc. The real recognizable voices are those from the rival espionage crew the North Wind. Benedict Cumberbatch plays the gray wolf leader of a pack, Ken Jeong from the Hangover films, as a cute little seal, Annet Mahendru as an owl and Peter Stormare as a polar bear with a huge heart. Let’s not forget the big purple octopus villain played by John Malkovich whom has the perfect villain voice.
The script is chalk full of great humor for both kids and adults and is very entertaining. The writers used a lot of clever word play and great gags to entertain the audience throughout the entire film. Visually though the film can be viewed in 3D but as in most films it is not necessary to enjoy the 90 minutes of sheer silliness. This is a great film to take the kiddies to and also the adults like myself who are big fans of the flightless feathered quartet.
4 out of 5 herring
This lighthearted film takes a break from all others that seem to always tug at those heartstrings. It is packed full of recognizable actors and a great script. The Penguins themselves are voiced by not so recognizable actors but are the ones who worked on Madagascar like animators directors etc. The real recognizable voices are those from the rival espionage crew the North Wind. Benedict Cumberbatch plays the gray wolf leader of a pack, Ken Jeong from the Hangover films, as a cute little seal, Annet Mahendru as an owl and Peter Stormare as a polar bear with a huge heart. Let’s not forget the big purple octopus villain played by John Malkovich whom has the perfect villain voice.
The script is chalk full of great humor for both kids and adults and is very entertaining. The writers used a lot of clever word play and great gags to entertain the audience throughout the entire film. Visually though the film can be viewed in 3D but as in most films it is not necessary to enjoy the 90 minutes of sheer silliness. This is a great film to take the kiddies to and also the adults like myself who are big fans of the flightless feathered quartet.
4 out of 5 herring
Gareth von Kallenbach (980 KP) rated Finding Nemo (2003) in Movies
Aug 7, 2019
“Finding Nemo” is the fifth Disney/Pixar film ever made and when it released in May of 2003, and it had the biggest opening weekend for an animated film. How could it not with a heartwarming story and an outstanding cast including; Albert Brooks (Marlin), Ellen DeGeneres (Dory), Willem Dafoe (Gill), and many other big names providing the voices. Like many other Disney/Pixar films, “Finding Nemo” has once again swam to the big screen in Disney Digital 3-D using digital projection to bring the audience along on the journey to help an overly cautious father and his forgetful sidekick find his son Nemo.
The Walt Disney studios along with Pixar studios have a great opportunity to bring in more box office dollars by giving movie-goers of all walks of life to either experience the story for the first time or for the millionth time but in a new and exciting way. A lot of people don’t like 3D technology and at times I am one of those people. Only when a film is filmed in 3D is it actually worth going to see in my opinion. Though I am about to contradict myself, I must say that I was amazed at how well the 3D effects had on the film as the conversion process was masterfully done. One of my favorite things about the film has always been the vibrant colors and attention to detail that the creators put in, all of which can be experienced to a higher extent with the 3D technology. If your doubtful when asking yourself “should I take the kids to see this?” don’t be. It is well worth the price of the ticket.
The Walt Disney studios along with Pixar studios have a great opportunity to bring in more box office dollars by giving movie-goers of all walks of life to either experience the story for the first time or for the millionth time but in a new and exciting way. A lot of people don’t like 3D technology and at times I am one of those people. Only when a film is filmed in 3D is it actually worth going to see in my opinion. Though I am about to contradict myself, I must say that I was amazed at how well the 3D effects had on the film as the conversion process was masterfully done. One of my favorite things about the film has always been the vibrant colors and attention to detail that the creators put in, all of which can be experienced to a higher extent with the 3D technology. If your doubtful when asking yourself “should I take the kids to see this?” don’t be. It is well worth the price of the ticket.
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