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The Lion King (2019)
The Lion King (2019)
2019 | Adventure, Animation, Family
Middle of the Road
I have to give the Walt Disney Company credit, with their Live Action remakes of their classic animated movies, they have developed a very lucrative profit stream with properties that they already own - and are well known to audiences. Some are successful (THE JUNGLE BOOK, ALADDIN), some are not quite so successful (DUMBO, ALICE IN WONDERLAND).

And...somewhere in the middle...is the LION KING.

Directed by Jon Favreau (THE JUNGLE BOOK, IRON MAN), this Lion King is a fairly faithful reproduction of the animated movie - and that is a blessing and a curse - and it, ultimately, keeps this remake squarely in the middle in terms of quality, interest and achievement.

What works: the CGI animation of the animals and scenery. Favreau shot CGI-fest films like THE JUNGLE BOOK and IRON MAN, so he knows how to do these things and they work here in a very workmanlike way. The are all professionally done - there's not a bad shot in the film. But the "wow" moments are few and far between in this film as well

The story is a timeless classic (kind of an "animal adventure Hamlet") and that works as do OME of the voice cast (more on that later)...and...of course...the songs - especially the faithful recreation of the CIRCLE OF LIFE opening - one of the best opening musical numbers in movie history.

What doesn't work: The first 1/2 of the film's pacing. It drags pretty badly early on and the songs in that part of the film (like I CAN'T WAIT TO BE KING) just don't have the energy and pizzazz that is needed. And SOME of the voice work is just plain bland and boring and (in one case) I found irritating.

So...let's talk about the voice cast. James Earl Jones (reprising Mufasa) is terrific (of course) as is John Oliver's Zazu (a much bigger presence in this film than the animated film), Chiwetel Ejiofor's Scar is appropriately menacing, if a bit bland, but "good enough" as is Beyonce's grown up Nala. I would have liked to see/feel a bit more of her "presence" in this character's voice, but that might be a Director choice and not an actress choice. John Kani's Rafiki is quite good as is the always steady/credible Alfre Woodward as Sarabi.

What doesn't work is the two voice actors cast to play Simba. Donald Glover (TV's ATLANTA) is just too bland and boring as the adult Simba. He doesn't really bring anything interesting to his voice work of this character (but does hold his own in the musical duet "Can You Feel The Love Tonight" opposite the great Beyonce).

I usually don't comment on child performances that I don't like (they are kids after all), so I won't really comment much on JD McCrary's voice performance as the young Simba except to say I didn't really how much MORE the young Simba is in this film as opposed to the older Simba - or at least it felt to me that the weakest voice performance in this film was on screen for far longer than I remembered from the animated film.

As for the best voice performances in this film - that is easy - Billy Eichner and Seth Rogan's performance as Simba's pals Timon and Pumbaa. They had big shoes to fill in comparison to the voice work in the animated film from Nathan Lane and Ernie Sabella, so they did the smart thing - they didn't even try. Much like Will Smith not trying to imitate Robin Williams in the live action ALADDIN earlier this year (another voice performance that worked well) Eichner and Rogan make these characters their own and succeeded well - these two characters/performances are the high point in the film and bring much needed life and energy to a movie that was sagging under it's own weight by the time they show up.

This Lion King will be THE Lion King for this generation - and that is "fine" - if the youngsters in my life want to watch this, I won't complain. But... I will try to steer them towards the much better animated version of this film from the 1990's.

Letter Grade: a solid B

7 stars (out of 10) and you can take that to the Bank(OfMarquis)
  
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Snow White and the Seven Dwarfs (1937)
Snow White and the Seven Dwarfs (1937)
1937 | Animation, Classics, Family
Heigh Ho
Snow White and the Seven Dwarfs was the first full-length cel animated feature film and the earliest Disney animated feature film. It was based on the German fairy tale by the Brothers Grimm.

The Plot: Jealous of Snow White's beauty, the wicked queen orders the murder of her innocent stepdaughter, but later discovers that Snow White is still alive and hiding in a cottage with seven friendly little miners. Disguising herself as a hag, the queen brings a poisoned apple to Snow White, who falls into a death-like sleep that can be broken only by a kiss from the prince.


Following the film's release, a number of Snow White themed merchandise were sold, including hats, dolls, garden seeds, and glasses. The film's merchandise generated sales of $8 million, equivalent to over $100 million adjusted for inflation.

Snow White and the Seven Dwarfs has had a lifetime gross of $418 million across its original release and several reissues. Adjusted for inflation, and incorporating subsequent releases, the film still registers one of the top-10 American film moneymakers of all time.

Snow White was nominated for Best Musical Score at the Academy Awards in 1938, and the next year, producer Walt Disney was awarded an honorary Oscar for the film.

It is a classic and a must watch film.
  
The Hunchback of Notre Dame (1996)
The Hunchback of Notre Dame (1996)
1996 | Animation, Drama, Family
Hellfire
The Hunchback of Notre Dame- is a strange movie, cause it came out after "The Lion King". And the movie's after "The Lion King" were stange. What im saying is after "The Lion King", disney decided to go really strange/a huge left turn/didn't expect that/disappointed and overall a huge downfall. But i will get to those movies. Oh this is one of them.

This movie has good songs like.."The Bells of Notre Dame", "Out There", "Topsy Turvy", "God Help The Outcast", "Heaven's Light/Hellfire" and "A Guy Like You".

The plot: An animated Disney adventure follows disfigured Quasimodo (Tom Hulce), the bell-ringer of Notre Dame Cathedral, who bides his time locked away in a tower. With only gargoyles to keep him company, Quasimodo longs to be with other people, leading to his chance encounter with the enchanting Gypsy Esmeralda (Demi Moore). When the beautiful young woman catches the attention of Quasimodo's guardian, sinister Frollo (Tony Jay), Quasimodo must help to keep her out of his clutches.

Intrest fact: The film is considered to be one of Disney's darkest animated films as its narrative explores such mature themes as infanticide, lust, damnation, genocide, and sin, despite the changes made from the original source material in order to ensure a G rating received by the MPAA.

Its a good movie.
  
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