"We can throw in Fantastic Planet, La planète sauvage. We can throw that in there. The cut-out animation style, the psychedelia of it. I think it’s such a hypnotic piece of work, and I loved it ever since I heard the samples of the movie. I heard the samples before I saw anything. Madlib sampled that s—. I was like, “What is this animated movie?” So I credit him for me hearing about this, and I have just been on it ever since. I own some of the original cut-outs of the movie that they did. I buy some weird little pieces of art sometimes, but that is one of my prized possessions right there. You know, bits of little movie history."

"I would say Kes by Ken Loach. It’s a story about a 12-year-old kid in the middle of England in a very poor area. He finds a kestrel – it’s like a small eagle – and tries to tame it. He goes to the library and steals a book about how to tame and educate a kestrel. And there is this scene – he’s always dismissed in class; he has nothing to say – and one time the teacher asks each pupil to tell a personal story. Every pupil has something really flat to say, and suddenly he stands up and he tells his story about his kestrel, and he becomes animated and he’s completely inspired, to the point that his teacher comes to see his bird."

"“I really relate to the particular type of mental instability that Dostoyevsky describes in pretty much all of his work. A character starts talking, and things start getting out of control and become increasingly animated, intense and disturbing. It reads like an extreme version of how I feel whenever I have to interact with humans. The Idiot is probably my favourite of his works, because I love Nastasya Filipovna, Aglaya Ivanovna Epanchin, Rogozhin… I think a lot of my friends think I’m a bit like Nastasya! Anyway, it’s the most cartoonish and absurd of everything I’ve read by Dostoyevsky, and the best distillation of insanity as a virtue. A Baz Luhrmann-esque treatment of this book would make an incredible film.”"