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Emma @ The Movies (1786 KP) rated Bumblebee (2018) in Movies
Sep 25, 2019
I'm really torn by this film. I enjoyed it but at the same time it isn't amazing. It's got all the classic formulas in it. Charlie is still trying to make sense of her father's death. Bumblebee is trying to remember who he is. Together they help each other... it really could be one of many films.
Something I'm pleased to discover is that other people were getting Herbie vibes from this. In the notes I was jotting down for my review I put "this would make a pretty good Herbie story". And then I pondered the possibility that Herbie was a Transformer who was broken and stuck in his Beetle shape.
The opening battle on Cyberton is surprisingly natural considering it's made up of CGId robots. It makes for a great opening. But I wasn't wowed. I should have been blown away by the effects and I just wasn't.
Bumblebee as a character was a real joy. After his memory is damaged he's basically back to being a scared little boy and the animation reflects that incredibly well. Everything about him is inquisitive and childlike, and all the little touches are there to really bring him to life. He's very human in the moments before he gets his memory back.
There are so many of his scenes that were genuinely pleasing to watch. Him waving at Charlie as she chases after them. The cassette tapes. The extended toilet paper prank and house demolition scenes. Probably my favourite bit though is where he's sitting in the forest and she's trying to fix him, his fidgeting is adorable.
When it comes to the cast feels like we've got the members of a comedy working on a drama/action film. They work well with what they've got and we get some enjoyable performances but there's nothing that really sticks in the memory.
I still enjoyed Bumblebee but I can't say that I found it to be any better than previous films in the franchise, certainly not on the action and graphics side of things. The soundtrack is full of some classic tunes that are very well placed, and the overall vibe of that combined with everything else is spot on for the 80s. You do forget it's set in 1987 though, which means that little things pop up like the TV and the technology that the military have and you feel like the films has already dated.
This is the first Transformers movie to get a PG rating in the UK, previously they've all been rated 12. It's definitely family friendly... but... it reminds me more and more of Herbie every moment I think about it.
As a last thought... seriously, Charlie? You have your moments. "If we're driving down the street and we see someone you have to hide"... if you're driving down the street he's a car anyway, hiding would make it more obvious that he's not just a car. You draw more attention to Bee than he does. Blindfolding yourself with Memo's shirt (weird moment in the film by the way, creepily out of place) and then standing out the sunroof? That won't make you more noticeable to passersby.
What you should do
It's an enjoyable film and should make for a fun family outing. I don't think there's any particular rush to see it in the cinema though.
Movie thing you wish you could take home
Who wouldn't want they're own Transformer who can change into any car it wants AND can dance?!
Something I'm pleased to discover is that other people were getting Herbie vibes from this. In the notes I was jotting down for my review I put "this would make a pretty good Herbie story". And then I pondered the possibility that Herbie was a Transformer who was broken and stuck in his Beetle shape.
The opening battle on Cyberton is surprisingly natural considering it's made up of CGId robots. It makes for a great opening. But I wasn't wowed. I should have been blown away by the effects and I just wasn't.
Bumblebee as a character was a real joy. After his memory is damaged he's basically back to being a scared little boy and the animation reflects that incredibly well. Everything about him is inquisitive and childlike, and all the little touches are there to really bring him to life. He's very human in the moments before he gets his memory back.
There are so many of his scenes that were genuinely pleasing to watch. Him waving at Charlie as she chases after them. The cassette tapes. The extended toilet paper prank and house demolition scenes. Probably my favourite bit though is where he's sitting in the forest and she's trying to fix him, his fidgeting is adorable.
When it comes to the cast feels like we've got the members of a comedy working on a drama/action film. They work well with what they've got and we get some enjoyable performances but there's nothing that really sticks in the memory.
I still enjoyed Bumblebee but I can't say that I found it to be any better than previous films in the franchise, certainly not on the action and graphics side of things. The soundtrack is full of some classic tunes that are very well placed, and the overall vibe of that combined with everything else is spot on for the 80s. You do forget it's set in 1987 though, which means that little things pop up like the TV and the technology that the military have and you feel like the films has already dated.
This is the first Transformers movie to get a PG rating in the UK, previously they've all been rated 12. It's definitely family friendly... but... it reminds me more and more of Herbie every moment I think about it.
As a last thought... seriously, Charlie? You have your moments. "If we're driving down the street and we see someone you have to hide"... if you're driving down the street he's a car anyway, hiding would make it more obvious that he's not just a car. You draw more attention to Bee than he does. Blindfolding yourself with Memo's shirt (weird moment in the film by the way, creepily out of place) and then standing out the sunroof? That won't make you more noticeable to passersby.
What you should do
It's an enjoyable film and should make for a fun family outing. I don't think there's any particular rush to see it in the cinema though.
Movie thing you wish you could take home
Who wouldn't want they're own Transformer who can change into any car it wants AND can dance?!
Fred (860 KP) rated Scoob (2020) in Movies
May 16, 2020
Enjoyable enough
The movie was enjoyable enough & I would probably watch it again, just to try to catch the little Hanna-Barbera references throughout it. The movie starts with the meeting of the gang & then, using a very cool remake of the original theme song sequence, moves ahead to when the gang are already seasoned "monster" hunters. But although I did enjoy it, it had a lot of problems.
Most notably, the voice acting. For some reason, instead of sticking with the current actors who do the character's voices, they decided to replace them with more well known actors. Problem is, most of them sound nothing like the characters, it kind of throws everything off. Will Forte may be the exception as his Shaggy is close enough & of course we do have Scooby's current voice, Frank Welker as Scooby. But then, this is where it gets silly. You have Frank Welker, the original voice of Fred in your movie, but you decide not to use him as Fred. WTF? Really? So you got Fred, Velma & Daphnie played by actors that sound nothing like the characters. Quick mention too about the voices of the main characters when they were kids. Terrible & annoying (quick enough?). The movie also features Blue Falcon & Dyno-Mutt. Since this is not supposed to be the original Blue Falcon, his voice change is acceptable. However, Ken Jeong is just a weird choice for Dyno-Mutt. The character has no personality & is nothing like the character should be. And to be honest, I didn't like the role reversal of Falcon being a coward & Dyno-Mutt not being a screw-up. The main villain of the film, Dick Dastardly, is voiced well, but just like the others, sounds nothing like the original voices, so it throws it off. In fact, if they had not said his name was Dick Dastardly, I would have no idea it was supposed to be Dick Dastardly.
So now, let's talk about Dick Dastardly. In the cartoons, it was either just he & his dog Muttley being the bad guys or he had a few others try to help him. But in this film, they instead have him with a whole slew of robot minions, who I guess were supposed to be like the Minions of Despicable Me, but these guys have no personality at all & the character & the film suffer because of this.
There is also another character in the film. She's Blue Falcon's.....something. Sidekick? Helper? I don't remember her name, nor do I care. She is utterly forgettable & useless. But she's the only person of color I can think of in the movie, so I guess that's why she's there. That's fine, but I wish she had a more prominent role, rather than just be there to fill a gap.
So, why did I like the movie then? Well, it's fun & there were many times I laughed out loud. there were jokes that kid's would definitely not get, that I did. The animation is top-notch & beautiful to watch. There is also a lot of nostalgia factor, whether you're a fan of Scooby or of the dozens of other Hanna-Barbera cartoons of the 70s. The story works well enough, for a Scooby Doo movie& the pacing is nice. There are no points where the movie gets slow or boring. Like I said, I'd probably watch it again & that's good enough.
Most notably, the voice acting. For some reason, instead of sticking with the current actors who do the character's voices, they decided to replace them with more well known actors. Problem is, most of them sound nothing like the characters, it kind of throws everything off. Will Forte may be the exception as his Shaggy is close enough & of course we do have Scooby's current voice, Frank Welker as Scooby. But then, this is where it gets silly. You have Frank Welker, the original voice of Fred in your movie, but you decide not to use him as Fred. WTF? Really? So you got Fred, Velma & Daphnie played by actors that sound nothing like the characters. Quick mention too about the voices of the main characters when they were kids. Terrible & annoying (quick enough?). The movie also features Blue Falcon & Dyno-Mutt. Since this is not supposed to be the original Blue Falcon, his voice change is acceptable. However, Ken Jeong is just a weird choice for Dyno-Mutt. The character has no personality & is nothing like the character should be. And to be honest, I didn't like the role reversal of Falcon being a coward & Dyno-Mutt not being a screw-up. The main villain of the film, Dick Dastardly, is voiced well, but just like the others, sounds nothing like the original voices, so it throws it off. In fact, if they had not said his name was Dick Dastardly, I would have no idea it was supposed to be Dick Dastardly.
So now, let's talk about Dick Dastardly. In the cartoons, it was either just he & his dog Muttley being the bad guys or he had a few others try to help him. But in this film, they instead have him with a whole slew of robot minions, who I guess were supposed to be like the Minions of Despicable Me, but these guys have no personality at all & the character & the film suffer because of this.
There is also another character in the film. She's Blue Falcon's.....something. Sidekick? Helper? I don't remember her name, nor do I care. She is utterly forgettable & useless. But she's the only person of color I can think of in the movie, so I guess that's why she's there. That's fine, but I wish she had a more prominent role, rather than just be there to fill a gap.
So, why did I like the movie then? Well, it's fun & there were many times I laughed out loud. there were jokes that kid's would definitely not get, that I did. The animation is top-notch & beautiful to watch. There is also a lot of nostalgia factor, whether you're a fan of Scooby or of the dozens of other Hanna-Barbera cartoons of the 70s. The story works well enough, for a Scooby Doo movie& the pacing is nice. There are no points where the movie gets slow or boring. Like I said, I'd probably watch it again & that's good enough.
BankofMarquis (1832 KP) rated Mary Poppins (1964) in Movies
Apr 20, 2019
Practically Perfect In Every Way
After watching MARY POPPINS RETURNS, the BankofMarquis was itching to check out the original 1964 Julie Andrews/Dick Van Dyke/Walt Disney production of MARY POPPINS to see if it holds up as well as my memory has held it up. I was a little nervous when I put the DVD in the player and hit go.
And I shouldn't have worried, for MARY POPPINS is...pardon the expression..."Practically Perfect in Every Way".
Based on the series of books by P.L. Travers and set right around 1900, the film tells the tale of the London Banks' Family - Mr., Mrs., Jane and Michael - who need a new nanny. Both parents are too busy to spend time with their children - he with his job at the Bank (get it - Mr. Banks works at a Bank) and her involvement in the Women's Suffragette movement. Into their lives flies (quite literally) Mary Poppins - a nanny with magical qualities who, along with her friend and cohort Bert, casts a spell on the children - and the Banks' family.
Julie Andrews earned the Oscar for Best Actress for her feature film debut - and it is richly deserved. Her Poppins is stern, smart, brassy and loving - oh...and a marvelous singer and dancer. Just as strong as Andrews is Dick Van Dyke as Bert (though some will quibble with his Cockney accent). I say...don't worry about his accent and watch the wonderful comedic timing, dancing and joi de vivre that Van Dyke brings to this film. He is the "secret sauce" that makes this work. Julie would not be as good - nor would this film be as interesting - without Bert by her side.
EVERY major player shines in this film from David Tomlinson's befuddled, straight-laced British Gentleman Mr. Banks to Glynnis Johns as the enthusiastic supporter of Votes for Women, Mrs. Banks, to the children - Karen Dotrice and Matthew Garber. Special notice should be made to Ed Wynn who's one scene/song/cameo as Uncle Albert - the "I Love To Laugh" scene - is pure gold.
Even the smaller, supporting roles are stellar. Reta Shaw and Hermione Baddely as the "domestics", Arthur Treacher (yes - he, of FISH AND CHIPS fame) as the Constable and Reginald Owen (Scrooge in the 1930's version of A CHRISTMAS CAROL) as Admiral Boom are all fun to watch and match the energy and timing of the leads in their limited screen time.
And...the music...Oh, the Music! Written by Richard M and Robert B Sherman - these songs are classic. Starting with the Oscar Winner for Best Song - Chim Chim Cheree and continuing through Feed The Birds, I Love To Laugh, Jolly Holiday and Let's Go Fly A Kite - ALL the songs are magical and lend a hand to the story - they serve a purpose and are not just a distraction. This film is worth watching just for the rooftop Step-In-Time song and dance number alone.
But the thing that makes this film go is the story - the characters, settings, costumes, songs and dances - are all in service to a touching, sentimental (but not cloying) simple story of a family coming together. It is charming in it's simplicity and leaves everyone with a heart full of joy.
Surprisingly to a modern audience, the special effects (especially the "Live Action and Animation" sequence) holds up really, really well. It is amazing to me how strong these effects are - even over 50 years later.
This is a wonderful, heartfelt family film that deserves a re-watch if you haven't seen it in awhile.
Letter Grade A+
10 Stars (out of 10) and you can take that to the Bank (OfMarquis)
And I shouldn't have worried, for MARY POPPINS is...pardon the expression..."Practically Perfect in Every Way".
Based on the series of books by P.L. Travers and set right around 1900, the film tells the tale of the London Banks' Family - Mr., Mrs., Jane and Michael - who need a new nanny. Both parents are too busy to spend time with their children - he with his job at the Bank (get it - Mr. Banks works at a Bank) and her involvement in the Women's Suffragette movement. Into their lives flies (quite literally) Mary Poppins - a nanny with magical qualities who, along with her friend and cohort Bert, casts a spell on the children - and the Banks' family.
Julie Andrews earned the Oscar for Best Actress for her feature film debut - and it is richly deserved. Her Poppins is stern, smart, brassy and loving - oh...and a marvelous singer and dancer. Just as strong as Andrews is Dick Van Dyke as Bert (though some will quibble with his Cockney accent). I say...don't worry about his accent and watch the wonderful comedic timing, dancing and joi de vivre that Van Dyke brings to this film. He is the "secret sauce" that makes this work. Julie would not be as good - nor would this film be as interesting - without Bert by her side.
EVERY major player shines in this film from David Tomlinson's befuddled, straight-laced British Gentleman Mr. Banks to Glynnis Johns as the enthusiastic supporter of Votes for Women, Mrs. Banks, to the children - Karen Dotrice and Matthew Garber. Special notice should be made to Ed Wynn who's one scene/song/cameo as Uncle Albert - the "I Love To Laugh" scene - is pure gold.
Even the smaller, supporting roles are stellar. Reta Shaw and Hermione Baddely as the "domestics", Arthur Treacher (yes - he, of FISH AND CHIPS fame) as the Constable and Reginald Owen (Scrooge in the 1930's version of A CHRISTMAS CAROL) as Admiral Boom are all fun to watch and match the energy and timing of the leads in their limited screen time.
And...the music...Oh, the Music! Written by Richard M and Robert B Sherman - these songs are classic. Starting with the Oscar Winner for Best Song - Chim Chim Cheree and continuing through Feed The Birds, I Love To Laugh, Jolly Holiday and Let's Go Fly A Kite - ALL the songs are magical and lend a hand to the story - they serve a purpose and are not just a distraction. This film is worth watching just for the rooftop Step-In-Time song and dance number alone.
But the thing that makes this film go is the story - the characters, settings, costumes, songs and dances - are all in service to a touching, sentimental (but not cloying) simple story of a family coming together. It is charming in it's simplicity and leaves everyone with a heart full of joy.
Surprisingly to a modern audience, the special effects (especially the "Live Action and Animation" sequence) holds up really, really well. It is amazing to me how strong these effects are - even over 50 years later.
This is a wonderful, heartfelt family film that deserves a re-watch if you haven't seen it in awhile.
Letter Grade A+
10 Stars (out of 10) and you can take that to the Bank (OfMarquis)
Phillip McSween (751 KP) rated Up (2009) in Movies
May 30, 2019
A Movie That Never Stumbles Towards its End Goal.
After the death of his wife (tear), Carl Fredericksen (Edward Asner) decides to tie a bunch of balloons to his house and fly off on a great adventure. He gets more than what he bargained for when he realizes he won’t be alone on this adventure.
Acting: 10
Beginning: 10
Up has more power in its first twelve minutes than most films do in their entire runtime. I can watch this a dozen times and it still hits me the same exact way. It tells the story of the relationship between Carl and Ellie in all of its highs and lows. You will be hard-pressed to find a better beginning than this throughout the history of movies. There’s something so real and heartfelt about it that sucks you in and sets up Carl’s character perfectly.
Characters: 10
Life has turned Carl into a cranky old man whose everything hurts all the time. He takes no guff and, at the end of the day, just wants to be left alone. He is one of numerous rich characters than shine throughout the movie, both animal and human alike. Young boyscout Russell (Jordan Nagai) puts a smile on my face with every single scene that he’s in. He’s always willing to go above and beyond to help. So inquisitive, yet so clueless. Throw in Doug the talking dog and the awesome Snipe and you have the perfect mix of original characters you want to root for.
Cinematography/Visuals: 10
I was blown away by the amazing visuals Up has to offer. So many colors shoot out at you as you see the balloons hovering over Carl’s house for the first time. The house floats into Paradise Falls after surviving a wicked storm and you’re treated to just that—Paradise. Canyons and a tropical rainforest full of lush greenery. The detail that went into this animation is outstanding.
Conflict: 10
There is plenty of action to be had on this great adventure. What starts as an innocent trip is quickly disrupted by a storm that turns everything upside down. The adventure soars to new heights after that, never really slowing down much for you to check on the time. Beginnings are important, but middles even moreso, and the events that unfold during the meat of the film are fun and harrowing at the same time.
Genre: 10
Memorability: 10
Pace: 10
Up is like riding a smooth wave. Some moments are more intense than others, but you’re always headed towards an end goal of sorts. Bad pacing is filled with road blocks and unnecessary scenes, but Up manages to maximize its full runtime by making every single moment count.
Plot: 10
A beautiful story that couldn’t have been told in a more beautiful way. It’s fun and unique, definitely something you haven’t seen before. I honestly can’t think of a better way it could have been done.
Resolution: 10
I’m one of the few weirdos who was touched just as much by the ending as I was the beginning. It makes you happy to see what befalls the characters, yet a bit sad as you realize the movie is reaching its conclusion. At the end, Up doesn’t linger. It does what it needs to do and concludes perfectly.
Overall: 100
There is a reason Up is one of three animated movies nominated for Best Picture. It is one of the greatest movies ever made and tops my all-time list as of 5/30/2019. Noticed I didn’t say “one of the greatest animated movies”, but one of the greatest MOVIES. It’s an all-timer driven by great character relationships and powerful, emotion-filled scenes.
Acting: 10
Beginning: 10
Up has more power in its first twelve minutes than most films do in their entire runtime. I can watch this a dozen times and it still hits me the same exact way. It tells the story of the relationship between Carl and Ellie in all of its highs and lows. You will be hard-pressed to find a better beginning than this throughout the history of movies. There’s something so real and heartfelt about it that sucks you in and sets up Carl’s character perfectly.
Characters: 10
Life has turned Carl into a cranky old man whose everything hurts all the time. He takes no guff and, at the end of the day, just wants to be left alone. He is one of numerous rich characters than shine throughout the movie, both animal and human alike. Young boyscout Russell (Jordan Nagai) puts a smile on my face with every single scene that he’s in. He’s always willing to go above and beyond to help. So inquisitive, yet so clueless. Throw in Doug the talking dog and the awesome Snipe and you have the perfect mix of original characters you want to root for.
Cinematography/Visuals: 10
I was blown away by the amazing visuals Up has to offer. So many colors shoot out at you as you see the balloons hovering over Carl’s house for the first time. The house floats into Paradise Falls after surviving a wicked storm and you’re treated to just that—Paradise. Canyons and a tropical rainforest full of lush greenery. The detail that went into this animation is outstanding.
Conflict: 10
There is plenty of action to be had on this great adventure. What starts as an innocent trip is quickly disrupted by a storm that turns everything upside down. The adventure soars to new heights after that, never really slowing down much for you to check on the time. Beginnings are important, but middles even moreso, and the events that unfold during the meat of the film are fun and harrowing at the same time.
Genre: 10
Memorability: 10
Pace: 10
Up is like riding a smooth wave. Some moments are more intense than others, but you’re always headed towards an end goal of sorts. Bad pacing is filled with road blocks and unnecessary scenes, but Up manages to maximize its full runtime by making every single moment count.
Plot: 10
A beautiful story that couldn’t have been told in a more beautiful way. It’s fun and unique, definitely something you haven’t seen before. I honestly can’t think of a better way it could have been done.
Resolution: 10
I’m one of the few weirdos who was touched just as much by the ending as I was the beginning. It makes you happy to see what befalls the characters, yet a bit sad as you realize the movie is reaching its conclusion. At the end, Up doesn’t linger. It does what it needs to do and concludes perfectly.
Overall: 100
There is a reason Up is one of three animated movies nominated for Best Picture. It is one of the greatest movies ever made and tops my all-time list as of 5/30/2019. Noticed I didn’t say “one of the greatest animated movies”, but one of the greatest MOVIES. It’s an all-timer driven by great character relationships and powerful, emotion-filled scenes.
Phillip McSween (751 KP) rated When Marnie Was There (2015) in Movies
Apr 2, 2018
So Much Potential...
When Anna's mom sends her to stay with her aunt for the summer, Anna develops a strong friendship with Marnie, a girl that only Anna seems to know.
Acting: 9
Beginning: 1
Gets off to a bland start at best. I found myself tuning out very quickly. I was looking for a reason to get into it but it never grabbed me.
Characters: 8
You immediately sympathize with Anna. She's an introvert with seemingly no place in the world. To make matters worse, she's prone to panic attacks. From the very beginning, she's a character you wish you could reach out to and protect. Learning her history and the source of her pain is the best part of the film. There were a few other characters that were memorable as well, but none so much as Anna.
Cinematography/Visuals: 10
Another strong suit of the film. Animations were crisp with strong attention to detail. One scene inside of an abandoned silo particularly stands out. The blend of darkness and destructive winds really place you in the moment and breathe life into a film that was otherwise dull.
Conflict: 4
Genre: 8
The film isn't a favorite by any means and won't hold up against some of my other animated classics that I love. HOWEVER, I appreciate the animation style of the film and I also respected that it attempted to try something different. Even though it was a total miss, I give it the proper credit for daring to be different and take a chance.
Memorability: 6
Pace: 1
The word "snail" comes to mind here. A huge mistake was made here in merely focusing on the day-to-day of Anna. There wasn't a lot of conflict that dictated the pace. I was waiting for something to happen, ANYTHING. Before I knew it, I was begging for it to be over. As the story progresses there is no real momentum building that can give you a reason to keep your attention solely on the film.
Plot: 0
Unique or not, I had a hard time buying it in its entirety. Had this been a real situation, Anna probably would have been put in a nut house 10 minutes into the film. She was given an awful lot of freedom for someone known to not be adjusted to the world. That didn't make sense to me, neither did the fact that Anna couldn't somehow piece the whole situation together a little bit faster. Maybe the whole idea was that she couldn't piece things together because she didn't want to? I don't know. What I do know is that sometimes even the best intentions can yield some bad results. Perfect example.
Resolution: 10
Best part of the film and, no, I'm not being sarcastic. You essentially find out the mystery behind everything going on and I have to say it's a really nice payoff. Extremely touching, it makes the film 100 times better than what it could have been. I won't give anything away but it resolves around finding your place in life and appreciating who you are. While I loved it, it infuriated me at the same time. WHY COULDN'T THE REST OF THE FILM BE LIKE THIS???
Overall: 57
I have seen a number of films that get off to a great start and fizzle out at the end. When Marnie Was There does the opposite and the feeling it leaves you with ends up being far worse. Had the rest of the film hit home like the ending, this would have been a wonderful classic.
Acting: 9
Beginning: 1
Gets off to a bland start at best. I found myself tuning out very quickly. I was looking for a reason to get into it but it never grabbed me.
Characters: 8
You immediately sympathize with Anna. She's an introvert with seemingly no place in the world. To make matters worse, she's prone to panic attacks. From the very beginning, she's a character you wish you could reach out to and protect. Learning her history and the source of her pain is the best part of the film. There were a few other characters that were memorable as well, but none so much as Anna.
Cinematography/Visuals: 10
Another strong suit of the film. Animations were crisp with strong attention to detail. One scene inside of an abandoned silo particularly stands out. The blend of darkness and destructive winds really place you in the moment and breathe life into a film that was otherwise dull.
Conflict: 4
Genre: 8
The film isn't a favorite by any means and won't hold up against some of my other animated classics that I love. HOWEVER, I appreciate the animation style of the film and I also respected that it attempted to try something different. Even though it was a total miss, I give it the proper credit for daring to be different and take a chance.
Memorability: 6
Pace: 1
The word "snail" comes to mind here. A huge mistake was made here in merely focusing on the day-to-day of Anna. There wasn't a lot of conflict that dictated the pace. I was waiting for something to happen, ANYTHING. Before I knew it, I was begging for it to be over. As the story progresses there is no real momentum building that can give you a reason to keep your attention solely on the film.
Plot: 0
Unique or not, I had a hard time buying it in its entirety. Had this been a real situation, Anna probably would have been put in a nut house 10 minutes into the film. She was given an awful lot of freedom for someone known to not be adjusted to the world. That didn't make sense to me, neither did the fact that Anna couldn't somehow piece the whole situation together a little bit faster. Maybe the whole idea was that she couldn't piece things together because she didn't want to? I don't know. What I do know is that sometimes even the best intentions can yield some bad results. Perfect example.
Resolution: 10
Best part of the film and, no, I'm not being sarcastic. You essentially find out the mystery behind everything going on and I have to say it's a really nice payoff. Extremely touching, it makes the film 100 times better than what it could have been. I won't give anything away but it resolves around finding your place in life and appreciating who you are. While I loved it, it infuriated me at the same time. WHY COULDN'T THE REST OF THE FILM BE LIKE THIS???
Overall: 57
I have seen a number of films that get off to a great start and fizzle out at the end. When Marnie Was There does the opposite and the feeling it leaves you with ends up being far worse. Had the rest of the film hit home like the ending, this would have been a wonderful classic.
Gareth von Kallenbach (980 KP) rated the PlayStation 3 version of 2014 FIFA World Cup Brazil in Video Games
Jun 19, 2019
With the World Cup almost upon us it’s time for gamers and soccer fans the world over to hit the pitch with the latest game in the phenomenally popular FIFA series from EA Sports. 2014 FIFA World Cup Brazil is an improvement over FIFA 14 and will get fans ready for the action with real Brazilian stadiums expertly re-created to capture the fanaticism that will be on display when the games take place in their real-life counterparts. Since this is the World Cup animations bragging rights for the next four years are on the line expect passion to be at an all-time high.
The game offers 203 national teams all of whom will be competing for the ultimate honor and glory. There are over 100 new crowd animation so anybody who thinks this is simply FIFA 14 with World Cup rosters and stadiums is simply not getting it. This is definitely an upgrade over FIFA 14 not just in content but in terms of gameplay and challenge.
Entering into the game and expecting to light up the scoreboard as many have done with previous versions the game is setting yourself up for failure. This is soccer after all and the emphasis is supposed to be on team-based play and low-scoring games where every chance on goal is crucial to the success or failure of a team.
While you may become frustrated with the exceptionally skilled tackling ability of the CPU players or the way they often benefit from lucky bounces and deflections, that is the way the game goes. Your teammates could possibly make better use of the space around them however this could be said of many flesh and blood teams competing in the tournament. The emphasis here is not to have an unstoppable juggernaut that crushes all the teams around it but rather on emphasizing skill and adapting to new and ever-changing gameplay modes.
I spoke to some people who had in their words mastered the 2010 version of the game and have regularly played FIFA games from the start. Many had commented to me on how much more difficulty they had scoring goals this timeout over previous versions of the game. One touted to me that he would often score 5 or more goals in a match whereas with this versionof the game he struggles to get 1 to 2 goals a match.
To me this was a welcome validation that my lack of prowess in putting the ball in the back of the net was not just my lack of ability but rather a testimonial to the developers desire to keep the game more in keeping with its on the field counterparts. While I did notice some of the commentators comments seemed recycled from earlier games and it was a little frustrating not being able to modify a roster the way that I had hoped, I have to give great praise to the developers for the control system in game.
I was able to pass, shoot, and move with greater precision and pacing then I happen previous versions the game and the visual qualities really helped bring the excitement of the game to life.
While passionate fans will always find something to complain about in game without realizing the difficulty in capturing all the nuances and complexities of the game and virtual environment, I can safely say this is definitely one of the more enjoyable FIFA experiences I have had in quite some time and this game will appeal not only to hard-core fans but casual fans as well as long as you’re willing to accept the game for what it is and not nitpick about what it is not.
Until then, this should more than tide fans over until the real World Cup and FIFA 15 arrive.
http://sknr.net/2014/04/27/2014-fifa-world-cup-brazil/
The game offers 203 national teams all of whom will be competing for the ultimate honor and glory. There are over 100 new crowd animation so anybody who thinks this is simply FIFA 14 with World Cup rosters and stadiums is simply not getting it. This is definitely an upgrade over FIFA 14 not just in content but in terms of gameplay and challenge.
Entering into the game and expecting to light up the scoreboard as many have done with previous versions the game is setting yourself up for failure. This is soccer after all and the emphasis is supposed to be on team-based play and low-scoring games where every chance on goal is crucial to the success or failure of a team.
While you may become frustrated with the exceptionally skilled tackling ability of the CPU players or the way they often benefit from lucky bounces and deflections, that is the way the game goes. Your teammates could possibly make better use of the space around them however this could be said of many flesh and blood teams competing in the tournament. The emphasis here is not to have an unstoppable juggernaut that crushes all the teams around it but rather on emphasizing skill and adapting to new and ever-changing gameplay modes.
I spoke to some people who had in their words mastered the 2010 version of the game and have regularly played FIFA games from the start. Many had commented to me on how much more difficulty they had scoring goals this timeout over previous versions of the game. One touted to me that he would often score 5 or more goals in a match whereas with this versionof the game he struggles to get 1 to 2 goals a match.
To me this was a welcome validation that my lack of prowess in putting the ball in the back of the net was not just my lack of ability but rather a testimonial to the developers desire to keep the game more in keeping with its on the field counterparts. While I did notice some of the commentators comments seemed recycled from earlier games and it was a little frustrating not being able to modify a roster the way that I had hoped, I have to give great praise to the developers for the control system in game.
I was able to pass, shoot, and move with greater precision and pacing then I happen previous versions the game and the visual qualities really helped bring the excitement of the game to life.
While passionate fans will always find something to complain about in game without realizing the difficulty in capturing all the nuances and complexities of the game and virtual environment, I can safely say this is definitely one of the more enjoyable FIFA experiences I have had in quite some time and this game will appeal not only to hard-core fans but casual fans as well as long as you’re willing to accept the game for what it is and not nitpick about what it is not.
Until then, this should more than tide fans over until the real World Cup and FIFA 15 arrive.
http://sknr.net/2014/04/27/2014-fifa-world-cup-brazil/
Gareth von Kallenbach (980 KP) rated Kingsglaive: Final Fantasy XV (2016) in Movies
Jul 15, 2019
It seems like just last week that the creators of the Final Fantasy game franchise sought to bring their vision of the universe they created, and their story, to the silver screen. Well, okay. It wasn’t last week. It’s actually been about 15 years since this really took place in 2001.
I remember being extremely excited for Final Fantasy: The Spirits Within, but the movie itself escapes me today. I think the lack of a lasting impact could have to do with those same creators scrambling to find the distinction between a wide-release movie and a game they’re already heavily invested in. After re-visiting the film, I remember my initial thoughts and they remain the same today. The nowhere-near-photo-realistic animated characters battled and chased each other to and fro in a tale that made little to no sense, with or without the rules of the (bad for its time) computer animated gamescape it’s all set in.
Flash back forward to today, another Japanese made FF movie makes its way to the screen via Kingsglaive: Final Fantasy XV. Kingsglaive represents a quantum leap forward in animation and design, if not a great leap in mo-cap technology and story. The images are far more flexible, more mobile, and more tactile; though, the faces still lack expression, much less what anyone could called subtle or nuanced. The backdrops are striking and surreal, on a par with many of the big sci-fi and fantasy films hitting theaters these days.
But, take away the advertorial nature of Kingsglaive, ignore its use as a cheat sheet, prep for the players of various corners of the game world it depicts, and deal with it as a story with characters and incidents anybody not devoted to the game would watch, and it’s the same old, same old when it comes to FF. It remains a misshapen mash-up heavy with sci-fi fantasy exposition and a back story so convoluted that a single two-hour movie cannot encapsulate it.
Kingsglaive dwells mostly in the realm of fantasy, inside a universe of medieval castles, steampunk weaponry, armor, and creatrues. A world where the Kingdom of Lucis faces a new threat at the end of an uneasy peace with the Niflheim Empire. There’s a magic crystal (of course there is) and the only warriors King Regis (Sean Bean) trusts to defend it are his Kingsglaive, who are empowered by the magic of their sovereign. There are tusked wildebeest warhorses. You would think these would be the point of reference when someone shouts, “Release the DEMON!” But no, they’re actually talking about war crabs – crabs that spit out a hailstorm of fireballs.
The stakes are high, and there’s been quite a bit of intermixing of Lucians and Niflheimers in the “hundred years of peace”, but anti-immigrant backlash rears its ugly head. Taunts and slurs against the immigrants are present, as is there a wall – who says video game movies can’t be topical. With the immigrants who must prove themselves, there are good soldiers, an evil prince, all with tongue-twisting names like Lenafreya Nox Fleuret, should you choose to try and remember them.
The dialogue, delivered by the likes of Aaron Paul and Lena Heady, could have been better. Though I don’t so much blame the voice talent as much as I do the script itself, with classics like “Get back here alive! That’s an order!” and “You speak of matters beyond the wall.”
Probably the biggest thing most movie fans will remember, is the name of the city under threat. It probably has the silliest name this side of Raccoon City. They call it, Insomnia. Which is kind of ironic, because Kingsglaive may be a cure for the condition for some.
I remember being extremely excited for Final Fantasy: The Spirits Within, but the movie itself escapes me today. I think the lack of a lasting impact could have to do with those same creators scrambling to find the distinction between a wide-release movie and a game they’re already heavily invested in. After re-visiting the film, I remember my initial thoughts and they remain the same today. The nowhere-near-photo-realistic animated characters battled and chased each other to and fro in a tale that made little to no sense, with or without the rules of the (bad for its time) computer animated gamescape it’s all set in.
Flash back forward to today, another Japanese made FF movie makes its way to the screen via Kingsglaive: Final Fantasy XV. Kingsglaive represents a quantum leap forward in animation and design, if not a great leap in mo-cap technology and story. The images are far more flexible, more mobile, and more tactile; though, the faces still lack expression, much less what anyone could called subtle or nuanced. The backdrops are striking and surreal, on a par with many of the big sci-fi and fantasy films hitting theaters these days.
But, take away the advertorial nature of Kingsglaive, ignore its use as a cheat sheet, prep for the players of various corners of the game world it depicts, and deal with it as a story with characters and incidents anybody not devoted to the game would watch, and it’s the same old, same old when it comes to FF. It remains a misshapen mash-up heavy with sci-fi fantasy exposition and a back story so convoluted that a single two-hour movie cannot encapsulate it.
Kingsglaive dwells mostly in the realm of fantasy, inside a universe of medieval castles, steampunk weaponry, armor, and creatrues. A world where the Kingdom of Lucis faces a new threat at the end of an uneasy peace with the Niflheim Empire. There’s a magic crystal (of course there is) and the only warriors King Regis (Sean Bean) trusts to defend it are his Kingsglaive, who are empowered by the magic of their sovereign. There are tusked wildebeest warhorses. You would think these would be the point of reference when someone shouts, “Release the DEMON!” But no, they’re actually talking about war crabs – crabs that spit out a hailstorm of fireballs.
The stakes are high, and there’s been quite a bit of intermixing of Lucians and Niflheimers in the “hundred years of peace”, but anti-immigrant backlash rears its ugly head. Taunts and slurs against the immigrants are present, as is there a wall – who says video game movies can’t be topical. With the immigrants who must prove themselves, there are good soldiers, an evil prince, all with tongue-twisting names like Lenafreya Nox Fleuret, should you choose to try and remember them.
The dialogue, delivered by the likes of Aaron Paul and Lena Heady, could have been better. Though I don’t so much blame the voice talent as much as I do the script itself, with classics like “Get back here alive! That’s an order!” and “You speak of matters beyond the wall.”
Probably the biggest thing most movie fans will remember, is the name of the city under threat. It probably has the silliest name this side of Raccoon City. They call it, Insomnia. Which is kind of ironic, because Kingsglaive may be a cure for the condition for some.
Gareth von Kallenbach (980 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
Jul 2, 2019
Universal Pictures is wrapping up its How To Train Your Dragon Trilogy with the release of the film: How To Train Your Dragon: Hidden World, set to release on Friday, February 22, 2019.
The film brings back the same core cast of characters as the previous two movies, with Hiccup (Jay Baruchel), Astrid, (America Ferrera), Valka (Cate Blanchet), Eret (Kit Harrington), Gobber (Craig Ferguson), Snotlout (Jonah Hill), Ruffnutt (Kristen Wiig), Tuffnut (TJ Miller), Fishlegs (Christopher Mintz-Plasse), and flashback appearances of Stoic (Gerard Butler).
The story opens on what is supposed to be a “stealthy raid” but isn’t, quite.
We learn that Hiccup and his band of friends (both Dragon and human) are on a continuous mission to rescue captured Dragons from the poachers determined to capture and exploit them.
Hiccup and his friends then bring the rescued dragons back to Berk which is now a “Dragon-Viking utopia”. This arrangement, however idyllic, does not appear to be sustainable in the long-term. It is crowded and messy and Berk is just simply running out of room to house any more Dragons! Astrid and Gobber are concerned that housing all the Dragons on Berk makes the settlement a target for the Dragon hunters, endangering the entire community.
Hiccup is still exploring and reading his father’s old records, and remains convinced that there is “more” out there. He enlists Astrid’s help in finding the hidden world where he believes that all of Berk could move to, with their Dragons to leave in peace and secrecy.
After an attack on Berk, the rest of the community is convinced that Hiccup is right (even as he is not fully convinced himself of his ability to lead them successfully) and agrees to follow him in his search for the Hidden World sanctuary.
The story follows them on their quest and the dangers and successes of the journey to find a new, more suitable home.
The music, animation, and scenery in this movie is great. The details are phenomenal, from the characters’ hair, to the movements of the Dragons, to the Hidden World cave details, really show the attention that was paid in making this movie stand out!
The story line itself, as a continuation of the previous two movies, flows well, and follows an appropriate arc, both as far as relationships as well as time.
The addition of a new Dragon, and the relationship that evolves between the Light Fury and Toothless brings a new level of evolution to the existing relationship between Toothless and Hiccup, and plays on the adage of “if you love something, set it free”.
I laughed throughout the movie, at the dragons’ antics and expressions and interactions with their humans and each other. I held my breath in anticipation at some aspects, and heard myself say ‘oh no!” under my breath at one point as well. Dragons 3 drew me in from the start, and didn’t let go till the very end of the credit rolled. (We stayed until the lights came back up, and even the credits had me smiling with their small surprises!)
I found myself both wishing that this installment wouldn’t be “the end” as well as acknowledging that this story provided a fitting end to the series of films.
If there MUST be an end, this film wraps up the story nicely and provides closure, while yet leaving enough room to imagine what might come next.
I would give this movie 5 out of 5 stars, and while we did not see it in IMAX or 3D, if you have those options available, I would recommend that as well!
The film brings back the same core cast of characters as the previous two movies, with Hiccup (Jay Baruchel), Astrid, (America Ferrera), Valka (Cate Blanchet), Eret (Kit Harrington), Gobber (Craig Ferguson), Snotlout (Jonah Hill), Ruffnutt (Kristen Wiig), Tuffnut (TJ Miller), Fishlegs (Christopher Mintz-Plasse), and flashback appearances of Stoic (Gerard Butler).
The story opens on what is supposed to be a “stealthy raid” but isn’t, quite.
We learn that Hiccup and his band of friends (both Dragon and human) are on a continuous mission to rescue captured Dragons from the poachers determined to capture and exploit them.
Hiccup and his friends then bring the rescued dragons back to Berk which is now a “Dragon-Viking utopia”. This arrangement, however idyllic, does not appear to be sustainable in the long-term. It is crowded and messy and Berk is just simply running out of room to house any more Dragons! Astrid and Gobber are concerned that housing all the Dragons on Berk makes the settlement a target for the Dragon hunters, endangering the entire community.
Hiccup is still exploring and reading his father’s old records, and remains convinced that there is “more” out there. He enlists Astrid’s help in finding the hidden world where he believes that all of Berk could move to, with their Dragons to leave in peace and secrecy.
After an attack on Berk, the rest of the community is convinced that Hiccup is right (even as he is not fully convinced himself of his ability to lead them successfully) and agrees to follow him in his search for the Hidden World sanctuary.
The story follows them on their quest and the dangers and successes of the journey to find a new, more suitable home.
The music, animation, and scenery in this movie is great. The details are phenomenal, from the characters’ hair, to the movements of the Dragons, to the Hidden World cave details, really show the attention that was paid in making this movie stand out!
The story line itself, as a continuation of the previous two movies, flows well, and follows an appropriate arc, both as far as relationships as well as time.
The addition of a new Dragon, and the relationship that evolves between the Light Fury and Toothless brings a new level of evolution to the existing relationship between Toothless and Hiccup, and plays on the adage of “if you love something, set it free”.
I laughed throughout the movie, at the dragons’ antics and expressions and interactions with their humans and each other. I held my breath in anticipation at some aspects, and heard myself say ‘oh no!” under my breath at one point as well. Dragons 3 drew me in from the start, and didn’t let go till the very end of the credit rolled. (We stayed until the lights came back up, and even the credits had me smiling with their small surprises!)
I found myself both wishing that this installment wouldn’t be “the end” as well as acknowledging that this story provided a fitting end to the series of films.
If there MUST be an end, this film wraps up the story nicely and provides closure, while yet leaving enough room to imagine what might come next.
I would give this movie 5 out of 5 stars, and while we did not see it in IMAX or 3D, if you have those options available, I would recommend that as well!
Emma @ The Movies (1786 KP) rated Frozen II (2019) in Movies
Nov 30, 2019
Anna's character development (1 more)
Reindeer
Songs (1 more)
Olaf
Having arrived at the cinema on Saturday afternoon I was very glad I changed my plans to see this after work on Friday. The foyer was packed with children and it looked like a costume shop had a Disney special running. My 3D screening the day before had been a much more pleasant affair.
Arendelle is thriving and its people have never been happier, but Queen Elsa is feeling an emptiness that no amount of family and friends can seem to solve. When she starts to hear a song on the wind she knows she must follow its calling.
The song leads them to a place that Elsa and Anna have only ever heard about from their parents, a forest shrouded in impenetrable mist, a place that holds more questions as well as answers.
Firstly, 3D... big thumbs down. I certainly wouldn't be paying extra to see it, it's hardly ever worth it but it was the easiest way to have a screening that wasn't rammed with munchkins in cheap shiny costumes singing Let It Go.
There's always a certain amount of enjoyment to be had from a Disney film, I would say that automatically most are looking at 2.5/5 rating regardless... but coming out of Frozen II I was concerned that this one had dropped the ball.
The characters, our favourite things next to the songs... well mine at least, were hollow representations of what we saw in the first film. The peripheral characters were great so that thankfully helped everything move along well. Sadly Olaf thoroughly annoyed me with his existential crisis but while there were some heartfelt moments they didn't make up for that.
Out of the other main characters it was only Anna that had made any improvement from the original. (Sven of course is comedy gold, that's never in question.) She was stronger and more impressive, she seemed to have a lot more "role model" this time around. It also felt like there was a lot more Kristen Bell in her this time like she was allowed to have more input into Anna, she seems a lot funnier.
It is amazing just how much of an impact Disney songs can have, going in and out of the cinema at the moment you'll generally hear someone singing Let It Go or making some kind of pun, and here's where we come to my second major problem... the songs of Frozen II. There's not a single catchy tune. Much like Mary Poppins Returns I came out with original songs in my head and not the new ones. Possibly the worst thing of all is that they seemingly splice a boyband video for Kristoff right into the middle of the film. The only thing to take away from it is that reindeer are very talented.
Next, don't worry, this is the last one... probably. While the animation is the usual Disney quality there are a couple of moments (one of which is in the trailer) that when I saw them on the big screen looked terrible. Elsa fills the sky with ice crystals and they hand there and visually it's really not very good. For spoilery reasons I understand why they did it but it wasn't in keeping with the rest of the style enough to make it fit in.
The story itself was quite a nice one, it gives background context and opens up the Frozen universe for what I imagine will be a third film somewhere along the line. It covers the usual collection of things, betrayal, love, redemption, plenty of the usual Disney fodder.
Ultimately there's still a lot of good stuff in this and of course it's going to be entertaining. I don't think you could find a Disney film that wasn't, but for me the fact that Olaf and the songs were poor tarnished this one for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/frozen-ii-movie-review.html
Arendelle is thriving and its people have never been happier, but Queen Elsa is feeling an emptiness that no amount of family and friends can seem to solve. When she starts to hear a song on the wind she knows she must follow its calling.
The song leads them to a place that Elsa and Anna have only ever heard about from their parents, a forest shrouded in impenetrable mist, a place that holds more questions as well as answers.
Firstly, 3D... big thumbs down. I certainly wouldn't be paying extra to see it, it's hardly ever worth it but it was the easiest way to have a screening that wasn't rammed with munchkins in cheap shiny costumes singing Let It Go.
There's always a certain amount of enjoyment to be had from a Disney film, I would say that automatically most are looking at 2.5/5 rating regardless... but coming out of Frozen II I was concerned that this one had dropped the ball.
The characters, our favourite things next to the songs... well mine at least, were hollow representations of what we saw in the first film. The peripheral characters were great so that thankfully helped everything move along well. Sadly Olaf thoroughly annoyed me with his existential crisis but while there were some heartfelt moments they didn't make up for that.
Out of the other main characters it was only Anna that had made any improvement from the original. (Sven of course is comedy gold, that's never in question.) She was stronger and more impressive, she seemed to have a lot more "role model" this time around. It also felt like there was a lot more Kristen Bell in her this time like she was allowed to have more input into Anna, she seems a lot funnier.
It is amazing just how much of an impact Disney songs can have, going in and out of the cinema at the moment you'll generally hear someone singing Let It Go or making some kind of pun, and here's where we come to my second major problem... the songs of Frozen II. There's not a single catchy tune. Much like Mary Poppins Returns I came out with original songs in my head and not the new ones. Possibly the worst thing of all is that they seemingly splice a boyband video for Kristoff right into the middle of the film. The only thing to take away from it is that reindeer are very talented.
Next, don't worry, this is the last one... probably. While the animation is the usual Disney quality there are a couple of moments (one of which is in the trailer) that when I saw them on the big screen looked terrible. Elsa fills the sky with ice crystals and they hand there and visually it's really not very good. For spoilery reasons I understand why they did it but it wasn't in keeping with the rest of the style enough to make it fit in.
The story itself was quite a nice one, it gives background context and opens up the Frozen universe for what I imagine will be a third film somewhere along the line. It covers the usual collection of things, betrayal, love, redemption, plenty of the usual Disney fodder.
Ultimately there's still a lot of good stuff in this and of course it's going to be entertaining. I don't think you could find a Disney film that wasn't, but for me the fact that Olaf and the songs were poor tarnished this one for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/frozen-ii-movie-review.html
Ronyell (38 KP) rated We're Back! A Dinosaur's Story (1993) in Movies
Jul 24, 2020
Dinosaurs Meet New York City!
The movie starts off with a young bird wanting to run away from home because he got embarrassed by his mother coddling him in front of his brothers. But then, the young bird meets up with a tyrannosaur named...Rex and Rex then starts telling the little bird about how he and the other dinosaurs came to New York City. When a kindly inventor named Captain NewEyes brings the dinosaurs from their era and gave them a cereal brand called "Brain Grain" in order to make the dinosaurs smarter, he sends the dinosaurs on a mission to get to the Museum of Natural History. When the dinosaurs finally reach New York City, they meet up with two kids named Louie, who is a young boy with a tough attitude and Cecilia, a young girl who comes from a rich family. The two kids then accompany the dinosaurs to the Museum of Natural History, but unfortunately, they meet up the evil Professor ScrewEyes, who wants to turn the dinosaurs back into their feral states in order to showcase them in his terrifying eccentric circus.
I will admit that when I first heard about this movie, I wasn't that excited to watch it and I actually was afraid to watch it the first time. But, then I finally caved into this movie and I ended up enjoying it! I loved the way that this film explored the importance of family and friendship as the dinosaurs' friendship with Louie and Cecilia is what helps them make it on their journey to the Museum of National History and help them try to resist the evil temptations of Professor ScrewEyes. I also really loved the voice acting in this movie as all the voice actors gave it their all in voicing these characters. John Goodman did a fantastic job at voicing Rex as he makes Rex have a booming sounding voice while having a gentle tone to his voice to show Rex's kind nature. Yeardley Smith did a great job at voicing Cecilia as she made Cecilia sound so adorable. The animation was also fantastic as it was quite ahead of its time and I especially loved the scenes of New York City being lighted up as the lights look so gorgeous. The late James Horner's music was the highlight of this film as it sounds so beautiful and uplifting and I always wanted to get the soundtrack for this film!
Some of the issues that I have with this film is that there is a lack of character development. There are some characters that weren't quite fleshed out, like Professor ScrewEyes himself and I wanted to learn more about the backstories of these characters, so I would have a better understanding of them. Also, there were times where the themes of this movie were a bit clunky in its execution, like the theme of family in this film. I can see how Rex is trying to teach the little bird at the beginning of the film about the importance of family since Louie and Cecilia both had family problems of their own and it connects with the little bird's predicament. But, I don't see how the family theme connects with the dinosaurs themselves since they never really mentioned their own families to Louie and Cecilia and the movie never really implied that the dinosaurs considered each other as a family.
Overall, "We're Back! A Dinosaur's Story" is a great film for anyone who loves films that deal with dinosaurs and for anyone who is looking for a more family-friendly version of "Jurassic Park."
Originally posted on: https://surrealmoviesandtvblog.blogspot.com/2019/05/movie-review-were-back-dinosaurs-story.html
I will admit that when I first heard about this movie, I wasn't that excited to watch it and I actually was afraid to watch it the first time. But, then I finally caved into this movie and I ended up enjoying it! I loved the way that this film explored the importance of family and friendship as the dinosaurs' friendship with Louie and Cecilia is what helps them make it on their journey to the Museum of National History and help them try to resist the evil temptations of Professor ScrewEyes. I also really loved the voice acting in this movie as all the voice actors gave it their all in voicing these characters. John Goodman did a fantastic job at voicing Rex as he makes Rex have a booming sounding voice while having a gentle tone to his voice to show Rex's kind nature. Yeardley Smith did a great job at voicing Cecilia as she made Cecilia sound so adorable. The animation was also fantastic as it was quite ahead of its time and I especially loved the scenes of New York City being lighted up as the lights look so gorgeous. The late James Horner's music was the highlight of this film as it sounds so beautiful and uplifting and I always wanted to get the soundtrack for this film!
Some of the issues that I have with this film is that there is a lack of character development. There are some characters that weren't quite fleshed out, like Professor ScrewEyes himself and I wanted to learn more about the backstories of these characters, so I would have a better understanding of them. Also, there were times where the themes of this movie were a bit clunky in its execution, like the theme of family in this film. I can see how Rex is trying to teach the little bird at the beginning of the film about the importance of family since Louie and Cecilia both had family problems of their own and it connects with the little bird's predicament. But, I don't see how the family theme connects with the dinosaurs themselves since they never really mentioned their own families to Louie and Cecilia and the movie never really implied that the dinosaurs considered each other as a family.
Overall, "We're Back! A Dinosaur's Story" is a great film for anyone who loves films that deal with dinosaurs and for anyone who is looking for a more family-friendly version of "Jurassic Park."
Originally posted on: https://surrealmoviesandtvblog.blogspot.com/2019/05/movie-review-were-back-dinosaurs-story.html