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Entertainment Editor (1988 KP) created a video about Slayaway Camp: Butcher's Cut in Video Games
Nov 20, 2017
Eleanor Luhar (47 KP) rated Butter in Books
Jun 24, 2019
I remember my friend talking about this book a while ago, but I didn't know anything about it. But then I saw it on Goodreads and decided to check it out of my library.
'Butter' is big. Like, 423 pounds big. He has no friends, unless you count Doc Bean or the Professor.
Despite spending many summers at FitFab - a summer camp for the slightly -ahem- larger population of kids - he just can't seem to shed the excess weight. In fact, all he ever seems to do is gain more.
Butter also has a crush. But he knows he doesn't have a shot with the gorgeously skinny Anna, so he talks to her anonymously via the internet. Under the handle "SaxMan" and with the alias of JP, Butter promises Anna that they'll get to meet each other on New Year's Eve. Little does she know, Butter has a more deadly plan ready for the last day of the year.
After launching ButtersLastMeal.com, Butter is swamped with new friends, asking what's on the menu for Butter's last night on earth. The popular kids are suddenly inviting him to parties every weekend, and even Anna is talking to him in real life.
But as the deadline draws closer, Butter can't decide whether to go through with his plan or not. Is he really ready to leave this life behind? Is he really willing to stay?
This novel is written in a very accurate teenage voice. As an incredibly obese teenager, Butter suffers in the social department. A lot of his problems are relatable to those of us who aren't quite society's idea of perfect. I can't say I know much about this, but I'm sure there are lost of people who could also relate to his weight and dieting issues.
Butter's real name isn't revealed until the last page, which I thought was a great touch. I didn't even notice at first; he was just Butter. But it makes a big point about how he decides to shed his old identity and move on, making a positive change to his lifestyle.
This could be a bit triggering to some people, with mentions of weight problems, dieting, eating disorders, and suicide. I did find it a bit hard to read at times because of these aspects, but none of it was talked about too much.
I raced through this, reading half of it just this morning. It's a really good read, and although it hasn't quite made its way into my favourites, I think Butter deserves 4.5 stars.
BookMarked
'Butter' is big. Like, 423 pounds big. He has no friends, unless you count Doc Bean or the Professor.
Despite spending many summers at FitFab - a summer camp for the slightly -ahem- larger population of kids - he just can't seem to shed the excess weight. In fact, all he ever seems to do is gain more.
Butter also has a crush. But he knows he doesn't have a shot with the gorgeously skinny Anna, so he talks to her anonymously via the internet. Under the handle "SaxMan" and with the alias of JP, Butter promises Anna that they'll get to meet each other on New Year's Eve. Little does she know, Butter has a more deadly plan ready for the last day of the year.
After launching ButtersLastMeal.com, Butter is swamped with new friends, asking what's on the menu for Butter's last night on earth. The popular kids are suddenly inviting him to parties every weekend, and even Anna is talking to him in real life.
But as the deadline draws closer, Butter can't decide whether to go through with his plan or not. Is he really ready to leave this life behind? Is he really willing to stay?
This novel is written in a very accurate teenage voice. As an incredibly obese teenager, Butter suffers in the social department. A lot of his problems are relatable to those of us who aren't quite society's idea of perfect. I can't say I know much about this, but I'm sure there are lost of people who could also relate to his weight and dieting issues.
Butter's real name isn't revealed until the last page, which I thought was a great touch. I didn't even notice at first; he was just Butter. But it makes a big point about how he decides to shed his old identity and move on, making a positive change to his lifestyle.
This could be a bit triggering to some people, with mentions of weight problems, dieting, eating disorders, and suicide. I did find it a bit hard to read at times because of these aspects, but none of it was talked about too much.
I raced through this, reading half of it just this morning. It's a really good read, and although it hasn't quite made its way into my favourites, I think Butter deserves 4.5 stars.
BookMarked
LeftSideCut (3778 KP) rated A Creepshow Holiday Special (2020) in Movies
Dec 23, 2020
Contains spoilers, click to show
Creepshow delivers the holiday themed goods once again with this Christmas special. Unlike the Halloween Special, this one is fully live action, and instead of being the regular two segments, it's one big 45 minute story.
The first half focuses on a dude attending a support group for people who are shape shifters, keen to find out exactly what he shapeshifts into. The group is filled with a few colourful characters who transform into all sort of things - tortoises, cheetahs, werewolves, boars. It's mostly dialogue but it's pretty fun. Adam Pally and Anna Camp head up the cast, and both seem to be aware just how silly the episode is and both ham up proceedings well enough. IMDb has listed Barbara Crampton, Marilyn Manson, Ali Larter and Keith David among others in the cast, but I'll be fucked if I spotted them anywhere!
The second half is when it gets festive when *SPOILERS* out of nowhere, it's revealed that Santa Claus hunts shapeshifters for a living and employs an army of shopping mall Santas to help him in his fight. Shit gets ridiculous as everyone transforms, Santa turns up in some crazy demon armour with actual robotic claws for hands, blood flies everywhere, scores of Santas are mown down by gunfire - it's so so dumb, but goddam entertaining.
There isn't really any underlying message here. Writer/Director Greg Nicotero just wanted to go all out and schlocky as possible, and I'd say he achieved his goal pretty effectively.
This holiday special is a boat load of fun, and another solid piece of evidence as to why Creepshow is an essential part of horror television. Ho Ho Fucking Ho!
The first half focuses on a dude attending a support group for people who are shape shifters, keen to find out exactly what he shapeshifts into. The group is filled with a few colourful characters who transform into all sort of things - tortoises, cheetahs, werewolves, boars. It's mostly dialogue but it's pretty fun. Adam Pally and Anna Camp head up the cast, and both seem to be aware just how silly the episode is and both ham up proceedings well enough. IMDb has listed Barbara Crampton, Marilyn Manson, Ali Larter and Keith David among others in the cast, but I'll be fucked if I spotted them anywhere!
The second half is when it gets festive when *SPOILERS* out of nowhere, it's revealed that Santa Claus hunts shapeshifters for a living and employs an army of shopping mall Santas to help him in his fight. Shit gets ridiculous as everyone transforms, Santa turns up in some crazy demon armour with actual robotic claws for hands, blood flies everywhere, scores of Santas are mown down by gunfire - it's so so dumb, but goddam entertaining.
There isn't really any underlying message here. Writer/Director Greg Nicotero just wanted to go all out and schlocky as possible, and I'd say he achieved his goal pretty effectively.
This holiday special is a boat load of fun, and another solid piece of evidence as to why Creepshow is an essential part of horror television. Ho Ho Fucking Ho!
ClareR (5542 KP) rated The Seventh Cross in Books
Aug 22, 2018
This remains a lesson for us all
I was keen to read this translation, as I had originally read it during my German degree, in German. In fact, this book was a central part of my dissertation and was one of three Anna Seghers novels. They were all set in the National Socialist period of 1933-1945 (or thereabouts). I remember the German version being a very dense, challenging book - but that’s not necessarily a bad thing for me! I like a book that makes me think, and there’s plenty of food for thought here.
This story is jam packed with characters from all sides of the German story: National Socialists, Communists, the SS and the ordinary working German,
Georg Heisler (I’m using the German derivative of his name; I have no idea why his name was anglicised to ‘George’ whilst other characters kept their German names) escapes from a fictitious concentration camp (Westhofen) along with six other men. This is pre World War II, this is what the National Socialists did to their own countrymen and any dissent.
The story follows the recapture of the other six, Georg’s escape and all those who help him. Persecution on this scale is still happening today, and whether or not it is happening, we should still read about it and remember, in order to ensure that it doesn’t happen again.
I’ve touched on the language and style. It’s not easy. It wasn’t easy to read and understand in German, and it can be hard going in English. It seems quite detached from emotion, and I think this is a deliberate device. If we look at the historical context, people clearly disengaged froma large part of what was happening around them. One of the SS soldiers refers to “Sarah’s”; the men in the concentration camp are there being starved and tortured due to their political ideology, and people live within hearing distance, hear the shouting, crying and the pain of the prisoners and do nothing: an embarrassed shrug, a closing of their ears.
This is the part that we should never forget: inaction, and the necessity to stop these things in their tracks at the beginning, rather than before it’s too late.
Georg has his helpers, those who risk their lives to save his (just as Seghers and her husband, both communist Jews had their helpers). The startling thing to me about this novel, is the normalcy: the countryside stays the same, the relationships, work. All seemed normal in the face of such evil. This is a novel to remember and learn from. It has as many lessons for us today as it did seventy years ago,
This story is jam packed with characters from all sides of the German story: National Socialists, Communists, the SS and the ordinary working German,
Georg Heisler (I’m using the German derivative of his name; I have no idea why his name was anglicised to ‘George’ whilst other characters kept their German names) escapes from a fictitious concentration camp (Westhofen) along with six other men. This is pre World War II, this is what the National Socialists did to their own countrymen and any dissent.
The story follows the recapture of the other six, Georg’s escape and all those who help him. Persecution on this scale is still happening today, and whether or not it is happening, we should still read about it and remember, in order to ensure that it doesn’t happen again.
I’ve touched on the language and style. It’s not easy. It wasn’t easy to read and understand in German, and it can be hard going in English. It seems quite detached from emotion, and I think this is a deliberate device. If we look at the historical context, people clearly disengaged froma large part of what was happening around them. One of the SS soldiers refers to “Sarah’s”; the men in the concentration camp are there being starved and tortured due to their political ideology, and people live within hearing distance, hear the shouting, crying and the pain of the prisoners and do nothing: an embarrassed shrug, a closing of their ears.
This is the part that we should never forget: inaction, and the necessity to stop these things in their tracks at the beginning, rather than before it’s too late.
Georg has his helpers, those who risk their lives to save his (just as Seghers and her husband, both communist Jews had their helpers). The startling thing to me about this novel, is the normalcy: the countryside stays the same, the relationships, work. All seemed normal in the face of such evil. This is a novel to remember and learn from. It has as many lessons for us today as it did seventy years ago,
Eamon T.Hennedy (4 KP) rated The Mindy Project - Season 1 in TV
Jun 21, 2019 (Updated Jun 21, 2019)
The first season of Mindy Kaling's comedy drama, along with its second, is probably one of the best romantic comedies to come from American network television in a while. In fact, the one that is equal to it is New Girl and they were both on Fox at the same time and shared the same night in the UK where they aired on E4.
In a time when adult flavoured romantic comedies are dying at the box office and are finding a home on streaming services such as Netflix, it's good to see that there is a conventional home for themand right from its opening episode, The Mindy Project is all about someone who has watched too many romantic comedies and wants their life to be one.
There are many references throughout to the works of Nora Ephron and Garry Marshall, and with Kaling on writing and lead acting duties, the series work wonders. Even better, it's filled with an ensemble cast that works brilliantly. The series will have a rotating cast throughout its six season on the air, but it says something that at this stage that Ike Barinholtz is a scene stealer from the point he shows up.
The cast does rotate around the place until it settles down in season two, the most notable high profile member of the first season being Anna Camp who disappears halfway through, while Amanda Setton's character Shauna also disappears without a mention.
It would be nothing without Kaling who holds it together brilliantly. The first two seasons are a lighter concoction compared to where the series will go post-season two, not to mention its move to Hulu, but with rom-com successes like Crazy Rich Asians being all too rare nowadays, it's good to know a series with charm, sophistication, and not afraid of the odd fart joke every now and then could find a home on a mainstream network, even if it was for three seasons.
In a time when adult flavoured romantic comedies are dying at the box office and are finding a home on streaming services such as Netflix, it's good to see that there is a conventional home for themand right from its opening episode, The Mindy Project is all about someone who has watched too many romantic comedies and wants their life to be one.
There are many references throughout to the works of Nora Ephron and Garry Marshall, and with Kaling on writing and lead acting duties, the series work wonders. Even better, it's filled with an ensemble cast that works brilliantly. The series will have a rotating cast throughout its six season on the air, but it says something that at this stage that Ike Barinholtz is a scene stealer from the point he shows up.
The cast does rotate around the place until it settles down in season two, the most notable high profile member of the first season being Anna Camp who disappears halfway through, while Amanda Setton's character Shauna also disappears without a mention.
It would be nothing without Kaling who holds it together brilliantly. The first two seasons are a lighter concoction compared to where the series will go post-season two, not to mention its move to Hulu, but with rom-com successes like Crazy Rich Asians being all too rare nowadays, it's good to know a series with charm, sophistication, and not afraid of the odd fart joke every now and then could find a home on a mainstream network, even if it was for three seasons.
Gareth von Kallenbach (962 KP) rated Pitch Perfect (2012) in Movies
Aug 7, 2019
I have to admit, I am a sucker for movies with singing and dancing. And when there’s competition involved, even better! When I saw the trailer for Pitch Perfect, my first thought was it looked like “Bring It On” but for a capella groups. My second thought was, “Where do I line up?”
Sure, such movies are usually trite and predictable. But who cares? There’s singing and dancing! I don’t care that I’m expected to buy 27 year old Anna Kendrick as a rebellious, aspiring DJ named Beca, starting her freshman year at Barden College. She and Bella just graduated from high school in the Twilight series, so, sure, why not? Bribed by her dad with a promise to help her move to L.A. if she gave college a chance for one year, Becca considers what Barden has to offer. Unfortunately for her, the college’s “D.J. Club” is more about Semitic sign language than mixing beats.
Enter The Bellas, the college’s recently disgraced female a capella group lead by Aubrey (Anna Camp) and Chloe (Brittany Snow). Because of the uptight Aubrey’s shocking performance at a recent competition, they need to rebuild a group that can sing in saccharine-sweet, vanilla harmony. The pickings are slim (mostly) and what comes together is a motley crew of questionable talent. There’s Fat Amy played hilariously by Rebel Wilson, who can mermaid dance like no other. (Mainly because who else would?) There’s sexy Stacie (Alexis Knapp) who may be more comfortable with a stripper pole than singing soprano, and butch Cynthia who can’t keep her eyes of Stacie. Also in the group is Lilly (Hanna Mae Lee) who is borderline mute. So it’s no wonder Chloe aggressively recruits Beca whom she ambushes in the shower after overhearing Beca singing David Guetta’s “Titanium”.
The Bellas arch rivals are the Treble Makers and of course, Beca’s love interest in the movie is Treble Maker, Jesse (Skylar Astin) who somehow gets cuter with every scene. But he’s got to work pretty hard to impress Beca who’s more interested in her headphones than listening to Jesse wax on about the “Breakfast Club” which he believes has the best movie ending ever. Personally, I was a little disconcerted by the fact that college-age kids spoke of “Breakfast Club” with a reverance usually reserved for classics like Casablanca. Even my guest leaned over and said, “But that’s so before their time.” Then I realized, to kids who weren’t even alive when Breakfast Club was made, it would be a classic.
But Jesse’s pursuit of her isn’t Beca’s only problem. The songs Aubrey is dead set on the Bellas perfecting are yawn-worthy at best, which was grating on the music mixologist. The Bellas simply can’t win against the Treble Makers with tired arrangements of Ace of Base, Bangles and Gloria Estefan songs. But Aubrey is resistant to Beca’s attempts to bring the Bellas into the current decade. Therein lies the movie’s requisite conflicts.
Pitch Perfect in a word is fun. Simply fun. There were plenty of laughs, mainly thanks to Rebel Wilson’s scene-stealing lines and some outrageous repartee between competition commentators played by Elizabeth Banks and John Michael Higgins. The highlights, of course, were the singing performances. All of the actors have great pipes and the harmonies will please any choir geek who attends. But lest you think it’s only a teen flick, in an audience of mixed generations, the loudest laughter was from the older audience.
Sure, such movies are usually trite and predictable. But who cares? There’s singing and dancing! I don’t care that I’m expected to buy 27 year old Anna Kendrick as a rebellious, aspiring DJ named Beca, starting her freshman year at Barden College. She and Bella just graduated from high school in the Twilight series, so, sure, why not? Bribed by her dad with a promise to help her move to L.A. if she gave college a chance for one year, Becca considers what Barden has to offer. Unfortunately for her, the college’s “D.J. Club” is more about Semitic sign language than mixing beats.
Enter The Bellas, the college’s recently disgraced female a capella group lead by Aubrey (Anna Camp) and Chloe (Brittany Snow). Because of the uptight Aubrey’s shocking performance at a recent competition, they need to rebuild a group that can sing in saccharine-sweet, vanilla harmony. The pickings are slim (mostly) and what comes together is a motley crew of questionable talent. There’s Fat Amy played hilariously by Rebel Wilson, who can mermaid dance like no other. (Mainly because who else would?) There’s sexy Stacie (Alexis Knapp) who may be more comfortable with a stripper pole than singing soprano, and butch Cynthia who can’t keep her eyes of Stacie. Also in the group is Lilly (Hanna Mae Lee) who is borderline mute. So it’s no wonder Chloe aggressively recruits Beca whom she ambushes in the shower after overhearing Beca singing David Guetta’s “Titanium”.
The Bellas arch rivals are the Treble Makers and of course, Beca’s love interest in the movie is Treble Maker, Jesse (Skylar Astin) who somehow gets cuter with every scene. But he’s got to work pretty hard to impress Beca who’s more interested in her headphones than listening to Jesse wax on about the “Breakfast Club” which he believes has the best movie ending ever. Personally, I was a little disconcerted by the fact that college-age kids spoke of “Breakfast Club” with a reverance usually reserved for classics like Casablanca. Even my guest leaned over and said, “But that’s so before their time.” Then I realized, to kids who weren’t even alive when Breakfast Club was made, it would be a classic.
But Jesse’s pursuit of her isn’t Beca’s only problem. The songs Aubrey is dead set on the Bellas perfecting are yawn-worthy at best, which was grating on the music mixologist. The Bellas simply can’t win against the Treble Makers with tired arrangements of Ace of Base, Bangles and Gloria Estefan songs. But Aubrey is resistant to Beca’s attempts to bring the Bellas into the current decade. Therein lies the movie’s requisite conflicts.
Pitch Perfect in a word is fun. Simply fun. There were plenty of laughs, mainly thanks to Rebel Wilson’s scene-stealing lines and some outrageous repartee between competition commentators played by Elizabeth Banks and John Michael Higgins. The highlights, of course, were the singing performances. All of the actors have great pipes and the harmonies will please any choir geek who attends. But lest you think it’s only a teen flick, in an audience of mixed generations, the loudest laughter was from the older audience.