Search
Search results
Georgia Hubley recommended Au Hasard Balthazar (1966) in Movies (curated)
Gareth von Kallenbach (980 KP) rated Rio (2011) in Movies
Aug 7, 2019
As the very colorful birds of the jungle in Rio de Janeiro are partying it up with singing and aeriel dancing some humans crash the party and capture some of the birds, one of them being a very young blue macaw. From there they are flown to the U.S. with final destinations unknown. Thanks to some poor driving habits the crate containing the young blue macaw is left stranded in the freezing snow of Minnesota but he is soon saved by a young girl named Linda who names him Blu (I know not very original).
Fast forward 15 years, Linda and Blu run a bookstore and even though he has never learned to fly he loves the indoor domestic lifestyle and has never thought of returning to Rio. That is until Dr. Barbosa arrives and informs them that Blu is the last known male blue macaw in the world and that at his bird sanctuary in Rio he has the last known female blue macaw, named Jewel. After some hesitation they decide it is species saving time and go with Dr. Barbosa to Rio. As Blu and Jewel get to know each other (that’s not an euphemism), Dr. Barbosa and Linda decide they should give them some alone time and leave. But while the humans are away making a connection of their own, someone breaks into the bird sanctuary and abducts Blu and Jewel.
The two blue macaws soon find themselves shackled together and locked away with many other birds to be taken to final destinations unknown (hmmm, deja vu). Blu and Jewel are able to escape from their captors but not from the shackles that bind them and thus begins their epic journey to freedom from the shackles. Along the way they befriend some very interesting characters who do their best to help them along the way. Will Jewel and Blu be free of the shackles? Will Blu and Linda ever be reunited? Will Blu ever learn to fly? What about the bookstore?
While the story is very predictable and at least once I could tell the kids were losing interest during a scene, the animation is beautiful and amazing, the humor is great and I saw many of the kids in the theater bobbing their heads along to the songs. They could not have done any better with the incredible voice cast: Blu and Jewel are voiced by Jesse Eisenberg and Anne Hathaway and Leslie Mann voices Linda. The incredible supporting cast voices iniclude Wanda Sykes, Lane Lynch, Jamie Fox, Will.I.Am and George Lopez.
Overall, regardless of age, everyone in the theater seemed to enjoy the film as much, if not more, as I did. But just to be sure I brought along a friend’s 10 year old to get his perspective and posed a few questions. I was very happy to mostly get more than one word answers:
Fast forward 15 years, Linda and Blu run a bookstore and even though he has never learned to fly he loves the indoor domestic lifestyle and has never thought of returning to Rio. That is until Dr. Barbosa arrives and informs them that Blu is the last known male blue macaw in the world and that at his bird sanctuary in Rio he has the last known female blue macaw, named Jewel. After some hesitation they decide it is species saving time and go with Dr. Barbosa to Rio. As Blu and Jewel get to know each other (that’s not an euphemism), Dr. Barbosa and Linda decide they should give them some alone time and leave. But while the humans are away making a connection of their own, someone breaks into the bird sanctuary and abducts Blu and Jewel.
The two blue macaws soon find themselves shackled together and locked away with many other birds to be taken to final destinations unknown (hmmm, deja vu). Blu and Jewel are able to escape from their captors but not from the shackles that bind them and thus begins their epic journey to freedom from the shackles. Along the way they befriend some very interesting characters who do their best to help them along the way. Will Jewel and Blu be free of the shackles? Will Blu and Linda ever be reunited? Will Blu ever learn to fly? What about the bookstore?
While the story is very predictable and at least once I could tell the kids were losing interest during a scene, the animation is beautiful and amazing, the humor is great and I saw many of the kids in the theater bobbing their heads along to the songs. They could not have done any better with the incredible voice cast: Blu and Jewel are voiced by Jesse Eisenberg and Anne Hathaway and Leslie Mann voices Linda. The incredible supporting cast voices iniclude Wanda Sykes, Lane Lynch, Jamie Fox, Will.I.Am and George Lopez.
Overall, regardless of age, everyone in the theater seemed to enjoy the film as much, if not more, as I did. But just to be sure I brought along a friend’s 10 year old to get his perspective and posed a few questions. I was very happy to mostly get more than one word answers:
Gareth von Kallenbach (980 KP) rated Rio 2 (2014) in Movies
Jun 19, 2019
Three years ago, my wife and I moved down to Arizona to open the second office of Skewed and Reviewed. I remember clearly getting into town on a Tuesday evening and the following Saturday morning we had our first assignment in AZ, screening the movie “RIO”.
As we marked the anniversary of our arrival in the Valley of the Sun, it was ironic that “Rio 2” was flying into theaters at the same time and once again, we had a Saturday morning screening for the film albeit at different theaters.
The sequel picks up shortly after the events of the first film with Blu (Jess Eisenberg), and Jewel (Anne Hathaway), raising their children in a sanctuary in Rio. Their musical and colorful friends are all around them and are preparing for the upcoming carnival and the festivities that go along with it.
Blu learns that his former owner Linda (Leslie Mann), and her husband may have discovered others of Blu’s species in the deep jungle, which in turn leads Jewel to suggest a family vacation into the wild to help out.
For a city bird like Blu, venturing into the wild requires a fanny pack with items ranging from a G.P.S. to a utility knife and other modern items much to the chagrin of those around him.
The distant journey seems to be going well, until Blu crosses paths with Nigel (Jemaine Clement), who is still seething over his last encounter with Blu and schemes his revenge.
Blu and his family stumble upon a whole flock of their species and they eagerly embrace Jewel as she has returned home. Blu despite his best efforts does not fit in and struggles to gain acceptance from Jewel’s dad who is also the leader of the flock.
As if this was not enough problems for one bird to handle, an illegal organization is cutting down the forest which threatens the flock as well as Lind and her husband.
What follows is a madcap mix of comedy, music, and adventure as the film mixes very good lessons about environmental awareness and acceptance without ever being preachy.
The animation and 3D is solid and the supporting cast which included Bruno Mars, George Lopez, Jaime Foxx, Will I Am, Tracy Morgan, Andy Garcia and many others does a solid job.
The film took a while to get going and while the final 30 minutes pays off, the biggest trouble was staying with the film during the slower moments.
While it was very well presented and produced it does make me appreciate just how dialed in Disney is with their films as no matter how much they tried, none of the musical numbers in “Rio 2” were memorable and I stuggled to remember a single song shortly after the screener.
Since Disney is the leader in the industry for animated films and have been so for over 75 years, it would be unfair to expect the company behind the “Ice Age” series to meet the same standards.
While it may not be a timeless classic, “Rio 2” still has enough charm and enjoyment to make it an enjoyable film for younger viewers and fans of the first film, just as long as you temper your expectations.
http://sknr.net/2014/04/11/rio-2/
As we marked the anniversary of our arrival in the Valley of the Sun, it was ironic that “Rio 2” was flying into theaters at the same time and once again, we had a Saturday morning screening for the film albeit at different theaters.
The sequel picks up shortly after the events of the first film with Blu (Jess Eisenberg), and Jewel (Anne Hathaway), raising their children in a sanctuary in Rio. Their musical and colorful friends are all around them and are preparing for the upcoming carnival and the festivities that go along with it.
Blu learns that his former owner Linda (Leslie Mann), and her husband may have discovered others of Blu’s species in the deep jungle, which in turn leads Jewel to suggest a family vacation into the wild to help out.
For a city bird like Blu, venturing into the wild requires a fanny pack with items ranging from a G.P.S. to a utility knife and other modern items much to the chagrin of those around him.
The distant journey seems to be going well, until Blu crosses paths with Nigel (Jemaine Clement), who is still seething over his last encounter with Blu and schemes his revenge.
Blu and his family stumble upon a whole flock of their species and they eagerly embrace Jewel as she has returned home. Blu despite his best efforts does not fit in and struggles to gain acceptance from Jewel’s dad who is also the leader of the flock.
As if this was not enough problems for one bird to handle, an illegal organization is cutting down the forest which threatens the flock as well as Lind and her husband.
What follows is a madcap mix of comedy, music, and adventure as the film mixes very good lessons about environmental awareness and acceptance without ever being preachy.
The animation and 3D is solid and the supporting cast which included Bruno Mars, George Lopez, Jaime Foxx, Will I Am, Tracy Morgan, Andy Garcia and many others does a solid job.
The film took a while to get going and while the final 30 minutes pays off, the biggest trouble was staying with the film during the slower moments.
While it was very well presented and produced it does make me appreciate just how dialed in Disney is with their films as no matter how much they tried, none of the musical numbers in “Rio 2” were memorable and I stuggled to remember a single song shortly after the screener.
Since Disney is the leader in the industry for animated films and have been so for over 75 years, it would be unfair to expect the company behind the “Ice Age” series to meet the same standards.
While it may not be a timeless classic, “Rio 2” still has enough charm and enjoyment to make it an enjoyable film for younger viewers and fans of the first film, just as long as you temper your expectations.
http://sknr.net/2014/04/11/rio-2/
Bob Mann (459 KP) rated On Chesil Beach (2018) in Movies
Sep 29, 2021
Flawed but moving tale of a bygone sexual era.
As you might notice from my lack of recent posts, the day job is getting in a way a bit at the moment. But one film I wanted to catch was this adaptation of Ian McEwan’s novel. What’s both an advantage and a disadvantage of catching a film late is that you can’t help avoid absorbing some of the reviews of others: Kevin Maher of the Times gave this a rather sniffy two stars; Amy from “Oh That Film Blog” was much more measured (an excellent review: man, that girl can write!). Last night, I actually ended up enjoying the film much more than I was expecting to.
Set against Dorset’s spectacular shingle bank of Chesil Beach (which is a bitch to walk along!) the story, set primarily in 1962, joins two newly-weds Florence (Saoirse Ronan, “Brooklyn“, “Lady Bird“) and Edward (Billy Howle, “Dunkirk“) about to embark on the sexual adventure of their consummation at a seaside hotel. The timing of the film is critical: 1962 really marked the watershed between the staid conservatism and goody-two-shoes-ness of the 50’s and the sexual liberation of the swinging sixties. Sex before marriage was frowned upon. The problem for Florence and Edward is that sex after marriage is looking pretty unlikely too! For the inexperienced couple have more hang-ups about sex than there are pebbles on the beach.
The lead-up to their union is squirm-inducing to watch: a silent silver-service meal in their room; incompetent fumbling with zippers; shoes that refuse to come off. To prolong the agony for the viewer, we work through flashbacks of their first meeting at Oxford University and their dysfunctional family lives: for Florence a bullying father and mother (Samuel West and Emily Watson) and for Edward a loving but stressed father (TV regular, Adrian Scarborough) due to a mentally impaired mother (Anne-Marie Duff, “Suffragette“, “Before I Go To Sleep“).
As Ian McEwan is known to do (as per the end of “Atonement” for example), there are a couple of clever “Oh My God” twists in the tale: one merely hinted at in flashback; another involving a record-buying child that is also unresolved but begs a massive question.
The first half of the film is undoubtedly better than the last: while the screenplay is going for the “if only” twist of films like “Sliding Doors” and “La La Land“, the film over-stretches with some dodgy make-up where alternative actors would have been a far better choice. The ending still had the power to move me though.
Saoirse Ronan is magnificent: I don’t think I’ve seen the young Irish-American in a film I didn’t enjoy. Here she is back with a McEwan adaptation again and bleeds discomfort with every line of her face. Her desperate longing to talk to someone – such as the kindly probing vicar – is constantly counteracted by her shame and embarassment. Howle also holds his own well (no pun intended) but when up against the acting tour de force of Ronan he is always going to appear in second place.
A brave performance comes from Anne-Marie Duff who shines as the mentally wayward mother. The flashback where we see how she came to be that way is wholly predicatable but still manages to shock. And Duff is part of a strong ensemble cast who all do their bit.
Another star of the show for me is the photography by Sean Bobbitt (“12 Years a Slave“) which portrays the windswept Dorset beach beautifully but manages to get the frame close and claustrophobic when it needs to be. Wide panoramas with characters barely on the left and right of the frame will play havoc with DVD ratios on TV, but work superbly on the big screen.
Directed by stage-director Dominic Cooke, in his movie-directing debut, this is a brave story to try to move from page to screen and while it is not without faults it is a ball-achingly sad tale that moved me. Recommended if you enjoyed the similarly sad tale of “Atonement”.
Set against Dorset’s spectacular shingle bank of Chesil Beach (which is a bitch to walk along!) the story, set primarily in 1962, joins two newly-weds Florence (Saoirse Ronan, “Brooklyn“, “Lady Bird“) and Edward (Billy Howle, “Dunkirk“) about to embark on the sexual adventure of their consummation at a seaside hotel. The timing of the film is critical: 1962 really marked the watershed between the staid conservatism and goody-two-shoes-ness of the 50’s and the sexual liberation of the swinging sixties. Sex before marriage was frowned upon. The problem for Florence and Edward is that sex after marriage is looking pretty unlikely too! For the inexperienced couple have more hang-ups about sex than there are pebbles on the beach.
The lead-up to their union is squirm-inducing to watch: a silent silver-service meal in their room; incompetent fumbling with zippers; shoes that refuse to come off. To prolong the agony for the viewer, we work through flashbacks of their first meeting at Oxford University and their dysfunctional family lives: for Florence a bullying father and mother (Samuel West and Emily Watson) and for Edward a loving but stressed father (TV regular, Adrian Scarborough) due to a mentally impaired mother (Anne-Marie Duff, “Suffragette“, “Before I Go To Sleep“).
As Ian McEwan is known to do (as per the end of “Atonement” for example), there are a couple of clever “Oh My God” twists in the tale: one merely hinted at in flashback; another involving a record-buying child that is also unresolved but begs a massive question.
The first half of the film is undoubtedly better than the last: while the screenplay is going for the “if only” twist of films like “Sliding Doors” and “La La Land“, the film over-stretches with some dodgy make-up where alternative actors would have been a far better choice. The ending still had the power to move me though.
Saoirse Ronan is magnificent: I don’t think I’ve seen the young Irish-American in a film I didn’t enjoy. Here she is back with a McEwan adaptation again and bleeds discomfort with every line of her face. Her desperate longing to talk to someone – such as the kindly probing vicar – is constantly counteracted by her shame and embarassment. Howle also holds his own well (no pun intended) but when up against the acting tour de force of Ronan he is always going to appear in second place.
A brave performance comes from Anne-Marie Duff who shines as the mentally wayward mother. The flashback where we see how she came to be that way is wholly predicatable but still manages to shock. And Duff is part of a strong ensemble cast who all do their bit.
Another star of the show for me is the photography by Sean Bobbitt (“12 Years a Slave“) which portrays the windswept Dorset beach beautifully but manages to get the frame close and claustrophobic when it needs to be. Wide panoramas with characters barely on the left and right of the frame will play havoc with DVD ratios on TV, but work superbly on the big screen.
Directed by stage-director Dominic Cooke, in his movie-directing debut, this is a brave story to try to move from page to screen and while it is not without faults it is a ball-achingly sad tale that moved me. Recommended if you enjoyed the similarly sad tale of “Atonement”.