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ClareR (5841 KP) rated Jane Seymour: The Haunted Queen in Books
May 3, 2018
Tudor England at it's best!
Everyone knows the stories of Henry VIII and his six wives, don't they? Jane Seymour always seems to be the quietest, almost childlike, always doing as she's told. This novel paints a very different picture of her. She is a young woman of her time: obedient to her parents and the males in her family, religious, and ready to do her part as a woman (and that means bearing children!).
This novel looks at how she probably wasn't as innocent as we have always been led to believe. In all honesty, she lived at court - a place where family loyalties and wealth were above all else in importance: she couldn't afford to be an innocent.
I like the Jane that Weir portrays. She's resilient and cares deeply about her family and HER Queen (Katherine of Aragon). I really liked this book and all of the courtly intrigues: Tudor England has always fascinated me. It was such a sad end for Jane, and the authors extended notes at the end really explained well what she and some experts thought had really happened to her and why she died (heres a clue: it wasn't childbirth). I will be going back to the first two books in this series to read about Katherine of Aragon and Anne Boleyn in preparation for Katherine Howard (wife #4 - and that should be a good one!!).
This novel looks at how she probably wasn't as innocent as we have always been led to believe. In all honesty, she lived at court - a place where family loyalties and wealth were above all else in importance: she couldn't afford to be an innocent.
I like the Jane that Weir portrays. She's resilient and cares deeply about her family and HER Queen (Katherine of Aragon). I really liked this book and all of the courtly intrigues: Tudor England has always fascinated me. It was such a sad end for Jane, and the authors extended notes at the end really explained well what she and some experts thought had really happened to her and why she died (heres a clue: it wasn't childbirth). I will be going back to the first two books in this series to read about Katherine of Aragon and Anne Boleyn in preparation for Katherine Howard (wife #4 - and that should be a good one!!).
Deborah (162 KP) rated The May Bride in Books
Dec 21, 2018
The May Bride is not, in fact, so much about Jane Seymour - although she is the first person narrator and was married in May (practically before her predecessor was cold.....) - as about her sister in law, Katherine Folliot, first wife of her eldest brother Edward (later Duke of Somerset and Lord Protector under Edward VI). Edward's second wife, Anne Stanhope, is probably better known to historians or lovers of historical fiction, but there remains something of a mystery around the fate of Katherine Folliot, which Dunn has chosen to take as the basis of this novel.
I realised I had read a couple of Dunn's previous works - The Queen of Subtleties and The Confession of Katherine Howard. Of the former, I remember thinking that Dunn must have done a lot of research into the history of confectionery, but I can't remember anything of the second book, other than it wasn't dreadful, but wasn't the best thing I'd ever read either. I feel a bit the same about this latest offering. There's a lot of detail in there about how a moderately wealthy Tudor family may have lived, but a couple of days after I finished reading it there is nothing that stands out for me. I think perhaps that Jane herself isn't very interesting and Dunn doesn't make her interesting. I think her point is that she's plain and dull and normal and gets on with things because it's just easier.... but it doesn't make for a very entertaining read somehow. Katherine herself, who is the focus of the novel also often doesn't seem very likeable, so it's difficult to like her story or to really feel sorry for her.
In summary, not a bad read and there are far worse out there, but someone it doesn't quite hit the mark for me - just a bit forgettably mediocre.
I realised I had read a couple of Dunn's previous works - The Queen of Subtleties and The Confession of Katherine Howard. Of the former, I remember thinking that Dunn must have done a lot of research into the history of confectionery, but I can't remember anything of the second book, other than it wasn't dreadful, but wasn't the best thing I'd ever read either. I feel a bit the same about this latest offering. There's a lot of detail in there about how a moderately wealthy Tudor family may have lived, but a couple of days after I finished reading it there is nothing that stands out for me. I think perhaps that Jane herself isn't very interesting and Dunn doesn't make her interesting. I think her point is that she's plain and dull and normal and gets on with things because it's just easier.... but it doesn't make for a very entertaining read somehow. Katherine herself, who is the focus of the novel also often doesn't seem very likeable, so it's difficult to like her story or to really feel sorry for her.
In summary, not a bad read and there are far worse out there, but someone it doesn't quite hit the mark for me - just a bit forgettably mediocre.
Bob Mann (459 KP) rated Venom (2018) in Movies
Sep 28, 2021
A film that leaves you in two minds.
After all the terrible reviews of this movie (“The Times” reviewer described it as “excreble” which is harsh indeed) I was steeling myself to reach for my 1* rating. I was happy to find that it wasn’t quite as bad as I was expecting it to be. Indeed parts of it were positively good fun.
The plot
Tom Hardy plays Eddie Brock, a San Franciscan investigative reporter who is engaged to hot-shot lawyer Anne Weying (Michelle WIlliams). Brock is a bit of a maverick and always tends to push things a bit far, both at work and at home. Brock targets for his latest investigation Carlton Drake (Riz Ahmed): a billionaire space pioneer (I hope the producers got WELL lawyered up!) Drake is a Bond-style megalomaniac who is intend on saving mankind by merging humans with aliens to create a symbiotic organism. Not wishing to go through all the nampy-pamby clinical trials stuff, he is doing live research on vagrants and others who “won’t be missed”… with generally negative results. Infected accidently with the symbiont called Venom Brock’s future hangs in the balance: the meld will either kill him or else a new superhero will be born. (No guessing which!)
Review
For anyone with one foot already in the Spiderverse, Eddie Brock and his alter-ego Venom have appeared before, in the convoluted and pretty poor Tobey Maguire sequel “Spider-Man 3”. In that film Eddie (played by Topher Grace) was the boyfriend of Gwen Stacey (then played by Bryce Dallas-Howard) who was similarly infected by an alien symbiote and was transformed into Venom.
This new Venom incarnation is a Sony Pictures production “with” Marvel Studios, and although featuring a Stan Lee cameo it never quite feels like a Marvel picture. Posher critics have described it as “tonally inconsistent”…. which is posh-critic language for “it’s fecking all over the place”! And they are right. It veers suddenly from high drama and sci-fi action to plodding dialogue and Deadpool-style wisecracks with clutch-smoking rapidity. As such, the film never feels like it’s decided whether it wants to be at the po-faced Captain America end of the Marvel specturn or at the wise-cracking Deadpool/GotG end.
The Turns
Tom Hardy actually gets to spend a lot of this film without a mask over his face, which is certainly a novelty! And he gives it his all acting wise which will please his army of fans. But his pairing with the Oscar-winning Michelle Williams never feels comfortable: there seems little chemistry between the pair given that they are an “item”. None of this is helped by the grindingly turgid script which gives the pair, plus Reid Scott (“Dan” from “Veep”) as the third corner in the love triangle, some truly dire dialogue to spout at each other.
An act I did like in the film was Riz Ahmed as the “really bad guy” Drake. I found Ahmed extremely annoying in “Rogue One”, but here he slides into the smarmy evil role perfectly. A better script, like a future Bond film, would have benefitted from the turn!
Woody Harrelson also turns up in a mid-credit “monkey” as the supervillain Cletus Kasady, which meant nothing to me but certainly does to comic-book fans. (By the way, there is no “monkey” at the end of the film, but there is a 6 minute clip from the upcoming “Into the Spider Verse” cartoon feature tacked onto the end – at least of this Cineworld showing – which may or may not interest you).
A technical shout-out should go to Swedish composer Ludwig Göransson (who’s previously done “Black Panther” and “Creed”): an unusual soundtrack with odd electronica, eerie electric-guitar riffs for Eddie’s theme interspersed with exciting fast-paced action beats.
Final Thoughts
I must admit that from starting with a cynical “don’t want to know” approach to the Marvel Universe, the damn thing is slowly wearing me down into being kind of intrigued with what they are going to do next. This is not a classic Marvel flick, but for me it wasn’t nearly as bad as some of the critical reviews have made it out to be. I saw this alone: and we were quite entertained.
The plot
Tom Hardy plays Eddie Brock, a San Franciscan investigative reporter who is engaged to hot-shot lawyer Anne Weying (Michelle WIlliams). Brock is a bit of a maverick and always tends to push things a bit far, both at work and at home. Brock targets for his latest investigation Carlton Drake (Riz Ahmed): a billionaire space pioneer (I hope the producers got WELL lawyered up!) Drake is a Bond-style megalomaniac who is intend on saving mankind by merging humans with aliens to create a symbiotic organism. Not wishing to go through all the nampy-pamby clinical trials stuff, he is doing live research on vagrants and others who “won’t be missed”… with generally negative results. Infected accidently with the symbiont called Venom Brock’s future hangs in the balance: the meld will either kill him or else a new superhero will be born. (No guessing which!)
Review
For anyone with one foot already in the Spiderverse, Eddie Brock and his alter-ego Venom have appeared before, in the convoluted and pretty poor Tobey Maguire sequel “Spider-Man 3”. In that film Eddie (played by Topher Grace) was the boyfriend of Gwen Stacey (then played by Bryce Dallas-Howard) who was similarly infected by an alien symbiote and was transformed into Venom.
This new Venom incarnation is a Sony Pictures production “with” Marvel Studios, and although featuring a Stan Lee cameo it never quite feels like a Marvel picture. Posher critics have described it as “tonally inconsistent”…. which is posh-critic language for “it’s fecking all over the place”! And they are right. It veers suddenly from high drama and sci-fi action to plodding dialogue and Deadpool-style wisecracks with clutch-smoking rapidity. As such, the film never feels like it’s decided whether it wants to be at the po-faced Captain America end of the Marvel specturn or at the wise-cracking Deadpool/GotG end.
The Turns
Tom Hardy actually gets to spend a lot of this film without a mask over his face, which is certainly a novelty! And he gives it his all acting wise which will please his army of fans. But his pairing with the Oscar-winning Michelle Williams never feels comfortable: there seems little chemistry between the pair given that they are an “item”. None of this is helped by the grindingly turgid script which gives the pair, plus Reid Scott (“Dan” from “Veep”) as the third corner in the love triangle, some truly dire dialogue to spout at each other.
An act I did like in the film was Riz Ahmed as the “really bad guy” Drake. I found Ahmed extremely annoying in “Rogue One”, but here he slides into the smarmy evil role perfectly. A better script, like a future Bond film, would have benefitted from the turn!
Woody Harrelson also turns up in a mid-credit “monkey” as the supervillain Cletus Kasady, which meant nothing to me but certainly does to comic-book fans. (By the way, there is no “monkey” at the end of the film, but there is a 6 minute clip from the upcoming “Into the Spider Verse” cartoon feature tacked onto the end – at least of this Cineworld showing – which may or may not interest you).
A technical shout-out should go to Swedish composer Ludwig Göransson (who’s previously done “Black Panther” and “Creed”): an unusual soundtrack with odd electronica, eerie electric-guitar riffs for Eddie’s theme interspersed with exciting fast-paced action beats.
Final Thoughts
I must admit that from starting with a cynical “don’t want to know” approach to the Marvel Universe, the damn thing is slowly wearing me down into being kind of intrigued with what they are going to do next. This is not a classic Marvel flick, but for me it wasn’t nearly as bad as some of the critical reviews have made it out to be. I saw this alone: and we were quite entertained.