"This record was the precursor to my operatic downfall when I was 13. Before opera there was Annie Lennox - she inhabited that realm of drama and beauty and the ephemeral. So I was obsessed with that record and I think also, even though at the time I wasn't necessarily aware of my sexuality, it definitely spoke to this self-discovery that was bound to happen, regarding the tenuous nature of gender. That album cover with her looking like a man was just so life-changing – I imagine a bit like when people saw Bowie's record covers. For me, Annie Lennox in that macho pose made so much sense without me knowing what the hell it meant."

"Eurythmics were another band that I was introduced to through MTV. I think that's how I got into synth-pop music. Annie Lennox has an amazing voice but also the instruments that they use, the way it was produced was so cool and different and tough. As a kid I loved 'Sweet Dreams (Are Made Of This)' because it was the big hit, but later in my life when I went back to the record I listened to 'Love Is A Stranger' as if I'd never heard it before. It's just so amazing that I couldn't believe I didn't remember it from when I was younger. Among the DFA family it's a universally loved song. We all try to emulate it, some aspect of it, in some way in different things that we do."