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TheDefunctDiva (304 KP) rated Unearthly in Books
Sep 27, 2017
Ethereal and Intelligent
Contains spoilers, click to show
Clara Gardener has a vision, and a purpose. Her realizing that purpose is the main focus of the tale Unearthly. Clara has been blessed: she is genetically one quarter angel. And being part angel is more common than one might think. Clara has a brother, also an angel-blood. She also has a life in California before fate and the story take us to Wyoming.
The focus of Clara’s vision is a young lad named Christian Prescott, who is the McDreamy of Jackson Hole High School. In the vision, they meet and she flies him away from a raging forest fire. Part of the book is devoted to the mystery surrounding this seemingly simple supernatural event. The other parts have Clara honing her holier skills, such as flying.
Clara definitely has feelings for Christian. These feelings are complex because of his place in her alleged destiny. Yet there’s another boy threatening to capture her attention, potentially putting her purpose in jeopardy.
I found this book to be very insightful. Elements of the plot hearken back to a time when I was young and thought love could change everything. Hand easily incorporates elements of teenage angst and high school life without ever being cliché. The book touches on the aspect of religion without going overboard and drowning the reader in dogma. The idea of God is discussed, but not dissected. I applaud the author’s decision not to be so heavy-handed in this regard.
Hand evokes beautiful imagery, especially in her descriptions of the angels’ wings. The descriptions of the Wyoming scenery are also beautiful. The narrative informs us of the basics of angelology without getting too terribly geeky. The plot thickens with every chapter, and Hand’s descriptive writing style helps keep the reader engaged. There is a bit of a plot twist at the end. That, and the artfully crafted love triangle, will leave you anxiously awaiting the next book in the trilogy.
This book is a must-read for anyone who’s ever considered liking Twilight. The plot is in a bit of the same vein, as this book falls into the paranormal romance genre. But the descriptions of Clara’s experiences are far more intense and thought-provoking. The vision of Clara’s purpose mystifies and overwhelms her at times, and also makes her infinitely more interesting a heroine than Bella Swan.
In the end, it seems even those with vision do not have all of the answers. I am elated to see the author’s success and look forward to passing these books down to my daughter.
The focus of Clara’s vision is a young lad named Christian Prescott, who is the McDreamy of Jackson Hole High School. In the vision, they meet and she flies him away from a raging forest fire. Part of the book is devoted to the mystery surrounding this seemingly simple supernatural event. The other parts have Clara honing her holier skills, such as flying.
Clara definitely has feelings for Christian. These feelings are complex because of his place in her alleged destiny. Yet there’s another boy threatening to capture her attention, potentially putting her purpose in jeopardy.
I found this book to be very insightful. Elements of the plot hearken back to a time when I was young and thought love could change everything. Hand easily incorporates elements of teenage angst and high school life without ever being cliché. The book touches on the aspect of religion without going overboard and drowning the reader in dogma. The idea of God is discussed, but not dissected. I applaud the author’s decision not to be so heavy-handed in this regard.
Hand evokes beautiful imagery, especially in her descriptions of the angels’ wings. The descriptions of the Wyoming scenery are also beautiful. The narrative informs us of the basics of angelology without getting too terribly geeky. The plot thickens with every chapter, and Hand’s descriptive writing style helps keep the reader engaged. There is a bit of a plot twist at the end. That, and the artfully crafted love triangle, will leave you anxiously awaiting the next book in the trilogy.
This book is a must-read for anyone who’s ever considered liking Twilight. The plot is in a bit of the same vein, as this book falls into the paranormal romance genre. But the descriptions of Clara’s experiences are far more intense and thought-provoking. The vision of Clara’s purpose mystifies and overwhelms her at times, and also makes her infinitely more interesting a heroine than Bella Swan.
In the end, it seems even those with vision do not have all of the answers. I am elated to see the author’s success and look forward to passing these books down to my daughter.
Goddess in the Stacks (553 KP) rated Angry Optimist: The Life and Times of Jon Stewart in Books
Sep 6, 2017
Insight into a beloved but flawed role model
So I’m a little ambivalent about this book. Jon Stewart took over at The Daily Show the same year I graduated high school. I was 16 and only starting to pay attention to politics. I was also raised quite conservative Christian – the pundit we listened to the most was Rush Limbaugh. And here was a man saying things that were the total opposite of what I’d been taught – but also things that resonated a lot more with me. Many years later, when The Daily Show and Jon Stewart were labeled the most trusted voices in news media, I had no trouble at all believing it. He not only knew how to speak to my generation, he also spoke for us. All the things we were thinking, he was out there shouting. He was our window into this grown up, corrupted world of politics, and we loved him for it.
Not to say he’s perfect. I’d heard – and Angry Optimist mentions – that he can occasionally be a rage-filled asshole. That the staff of The Daily Show has a woman problem. (As in, not enough of them, and can’t keep them.) So while I do admire the man, I am not blind to his flaws.
The book is interesting – I learned more about his early life and career – but nothing really game-changing. And perhaps that says something about Stewart. There aren’t really any skeletons in his closet, or scandalous stories. He’s just an angry Jewish comedian.
Rogak’s style of writing is easily consumed; I read the entire book in about three hours. Perhaps part of why I find it so anticlimactic is that she ends it with this sense of not knowing what Stewart might be up to next, and whether, if he does decide to leave The Daily Show eventually, if the show will end with him – and we know those answers now, three years after the book was published. Stewart has retired (barring the occasional appearance on Colbert’s show) and Trevor Noah is doing an admirable job of holding down the fort after Stewart’s exit. (With less anger, and a little more befuddlement, which is a fun change.) I was also a little disappointed that she mentions Stewart’s friendship with Anthony Weiner – but doesn’t say anything about how he took the ribbing from Stewart over Weiner’s rather unglamorous exit from politics.
I have also heard that the audio book is not good – apparently the narrator is boring. So I’d recommend the print book over the audio, if you choose to read it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Not to say he’s perfect. I’d heard – and Angry Optimist mentions – that he can occasionally be a rage-filled asshole. That the staff of The Daily Show has a woman problem. (As in, not enough of them, and can’t keep them.) So while I do admire the man, I am not blind to his flaws.
The book is interesting – I learned more about his early life and career – but nothing really game-changing. And perhaps that says something about Stewart. There aren’t really any skeletons in his closet, or scandalous stories. He’s just an angry Jewish comedian.
Rogak’s style of writing is easily consumed; I read the entire book in about three hours. Perhaps part of why I find it so anticlimactic is that she ends it with this sense of not knowing what Stewart might be up to next, and whether, if he does decide to leave The Daily Show eventually, if the show will end with him – and we know those answers now, three years after the book was published. Stewart has retired (barring the occasional appearance on Colbert’s show) and Trevor Noah is doing an admirable job of holding down the fort after Stewart’s exit. (With less anger, and a little more befuddlement, which is a fun change.) I was also a little disappointed that she mentions Stewart’s friendship with Anthony Weiner – but doesn’t say anything about how he took the ribbing from Stewart over Weiner’s rather unglamorous exit from politics.
I have also heard that the audio book is not good – apparently the narrator is boring. So I’d recommend the print book over the audio, if you choose to read it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Whatchareadin (174 KP) rated The Secrets We Keep in Books
May 10, 2018
Kit Stitski is dead. He fell into the quarry during a party and drowned and ever since June no one has been able to come forward to say what really happened to him. Now that school has started, his mother is making a plea with the students to come forward with what they know. Was it just a tragic accident or did someone do something to Kit? Clementine was there, she spoke with Kit and sent him off to the bushes when he said he had to go to the bathroom. Ellie was there too, she is keeping Clementine's secret, but does she have a secret of her own? Jake was there, in fact, Kit followed him to the party. And Mac was there with Ellie, did he do something to Kit?
As a new school year starts, everyone is reflecting on the tragic night at the end of the previous school year. They've had the whole summer to think about it and now that school is back in session, Ms. Stitski wants answers and closure about what happened with her son. When she shows up for the first day of school, Jake, Clementine, Ellie, and Mac are all on edge because they feel they are responsible for Kit's death. They can't imagine that this was just an accident, something must of happened to him when he was out of their sight. But is that possible?
I really enjoyed this YA novel by Deb Loughead. I was a quick read that kept me engrossed the entire time. The author never really mentions where the story is set, and it could be any town in any country. Kids will be kids and will do what they want despite the rules set by their parents. None of the kids should have been at the quarry that night. It's a dangerous place and even more so when it is dark. Kit was mentally challenged, but loved by all in the school. The students recall happy moments with Kit that help his family to heal after this difficult situation. This is a story you could see in today's news stories. A tragic accident that took the life of an innocent person.
I think people of all ages will enjoy this book. I think it is especially important for youth to read. It has a message of honesty in the book. About being able to talk to your parents about the things that are going on in your world. The book has a strong family focus and includes diverse family structures that are seen today. I recommend this book for anyone who is looking for a good novel to read.
Thank you to NetGalley and Dundurn for the opportunity to review this book.
As a new school year starts, everyone is reflecting on the tragic night at the end of the previous school year. They've had the whole summer to think about it and now that school is back in session, Ms. Stitski wants answers and closure about what happened with her son. When she shows up for the first day of school, Jake, Clementine, Ellie, and Mac are all on edge because they feel they are responsible for Kit's death. They can't imagine that this was just an accident, something must of happened to him when he was out of their sight. But is that possible?
I really enjoyed this YA novel by Deb Loughead. I was a quick read that kept me engrossed the entire time. The author never really mentions where the story is set, and it could be any town in any country. Kids will be kids and will do what they want despite the rules set by their parents. None of the kids should have been at the quarry that night. It's a dangerous place and even more so when it is dark. Kit was mentally challenged, but loved by all in the school. The students recall happy moments with Kit that help his family to heal after this difficult situation. This is a story you could see in today's news stories. A tragic accident that took the life of an innocent person.
I think people of all ages will enjoy this book. I think it is especially important for youth to read. It has a message of honesty in the book. About being able to talk to your parents about the things that are going on in your world. The book has a strong family focus and includes diverse family structures that are seen today. I recommend this book for anyone who is looking for a good novel to read.
Thank you to NetGalley and Dundurn for the opportunity to review this book.
Rachel King (13 KP) rated Finding the Light of Jesus in Books
Feb 11, 2019
When I first started to read this book, I realized very quickly how simply written this book is. The first ten chapters read as if I were sitting in a therapy session with the author and she were talking to me. They are written without much emphasis on detail, and seemed to focus largely on how a person feels in regards to stress and depression. Though the author writes extensively on the light of Jesus, she does not quote a single Bible verse, though she attempts to paraphrase a few - without citations. The beginning and end of each of these ten chapters also contain a poem she wrote and calls prayers, though the poetry is badly written and has little resemblance to an actual prayer, in my opinion. Also scattered through the chapters are activities that the author recommends for the reader, such as journaling and answering questions.
The final chapter is actually a collection of prayers and reflections that the reader is supposed to follow over the course of seven days. This is followed by a section of "Conversations With Jesus" that focus on different topics such as anger, jealousy, being overwhelmed, and fear. This is followed by five pages in which she quotes a scripture from the New American Bible, and leaves a blank space for the reader to journal the answers to her questions about the scripture verse. This is followed by more of her prayers and a further 30 days of prayer and reflection.
Overall, the author presents a Jesus that is only concerned about a person's feelings, whom the author seems to believe that everyone has inside of him or her from birth. She further indicates that everyone goes to heaven, and Jesus' strongest quality is being a "light." No mention is made of the basic precepts of Bible-based Christianity, such as sin, salvation, and the resurrection of Jesus Christ. Instead she writes things that seem to contradict parts of scripture, such as stating that Jesus does not judge us and that we are the "light," as well as what I previously mentioned about everyone going to heaven. In the context of that paragraph, I almost expected the author to write that we are all Jesus. I also noticed while reading that nowhere does she ever refer to Him as Jesus Christ either. The entire book has a vague New Age feel, as many of the things Tuttle writes mimic the doctrine of a New Age Jesus.
The author, Cindy Tuttle, has a background of working in the mental health industry for more than twenty-five years. Based on what I have read in this book, I have no doubt that she is good at her job and finds great success with her patients, but I do not find this book of the same calibur.
The final chapter is actually a collection of prayers and reflections that the reader is supposed to follow over the course of seven days. This is followed by a section of "Conversations With Jesus" that focus on different topics such as anger, jealousy, being overwhelmed, and fear. This is followed by five pages in which she quotes a scripture from the New American Bible, and leaves a blank space for the reader to journal the answers to her questions about the scripture verse. This is followed by more of her prayers and a further 30 days of prayer and reflection.
Overall, the author presents a Jesus that is only concerned about a person's feelings, whom the author seems to believe that everyone has inside of him or her from birth. She further indicates that everyone goes to heaven, and Jesus' strongest quality is being a "light." No mention is made of the basic precepts of Bible-based Christianity, such as sin, salvation, and the resurrection of Jesus Christ. Instead she writes things that seem to contradict parts of scripture, such as stating that Jesus does not judge us and that we are the "light," as well as what I previously mentioned about everyone going to heaven. In the context of that paragraph, I almost expected the author to write that we are all Jesus. I also noticed while reading that nowhere does she ever refer to Him as Jesus Christ either. The entire book has a vague New Age feel, as many of the things Tuttle writes mimic the doctrine of a New Age Jesus.
The author, Cindy Tuttle, has a background of working in the mental health industry for more than twenty-five years. Based on what I have read in this book, I have no doubt that she is good at her job and finds great success with her patients, but I do not find this book of the same calibur.
MaryAnn (14 KP) rated Secrets (Beauties from Ashes, #1) in Books
Mar 5, 2019
Every girl has a secret she hopes the light will never find–but the demons already have.
Four girls. Four sets of secrets. Four searching for answers.
Mackenzie is the shy, awkward new girl at school, depressed and desperate for a real friend. When she stumbles upon the deepest secret of a sarcastic, angry-at-the-world track star, Krystal, they become instant enemies-especially about the flirtatious baseball player, Bryce.
Tammi, a gloomy singer/musician who couldn’t care less about what others think of her, meets Sadie, a dancer and a people-pleaser with a cotton candy disposition. They have nothing in common until their lives begin to collide in more ways than one.
As the girls’ worlds begin to converge, their secrets rather than their similarities draw them together. Meanwhile, all that’s kept hidden has left them vulnerable to a battle in an invisible realm where demonic creatures fight to keep the girls chained to their pasts while angels of light work to free them.
Can good ever come from evil? Can beauty ever arise from ashes?
My Thoughts: This is an amazing story of how 4 teenage girls deal not only with every day teenage issues, but with a war with demons. There is a war waging around us that we can not see and this book illustrates this extremely well. Do we think of where our bad moods and thoughts come from? This is an intense and creative novel that truly illustrates what goes on in a realm that we cannot see. This novel teaches us that with God, we can be set free from our past and win the battle against evil.
In this story-line, not only did the girls had to deal with some issues from their past, from abuse, arents dealing with depression and alcoholism; they had their usual teenage issues to deal with as well. We as readers learn how they all came together to face these demons controlling them and winning the war.
While reading this book, it made me think what is happening around me when I have a bad thought or a bad mood; those demons in this book will come to my mind to remind me that all I need to do is turn to God in prayer.
The unbelievers are given the gospel and learn how to trust in God and learn how prayer works in their lives.
This was an amazing book, those who enjoy reading about the spiritual realm around us will certainly enjoy this book as much as I did. I am looking forward to her next book in the Beauty from the Ashes series "The Uninvited".
Four girls. Four sets of secrets. Four searching for answers.
Mackenzie is the shy, awkward new girl at school, depressed and desperate for a real friend. When she stumbles upon the deepest secret of a sarcastic, angry-at-the-world track star, Krystal, they become instant enemies-especially about the flirtatious baseball player, Bryce.
Tammi, a gloomy singer/musician who couldn’t care less about what others think of her, meets Sadie, a dancer and a people-pleaser with a cotton candy disposition. They have nothing in common until their lives begin to collide in more ways than one.
As the girls’ worlds begin to converge, their secrets rather than their similarities draw them together. Meanwhile, all that’s kept hidden has left them vulnerable to a battle in an invisible realm where demonic creatures fight to keep the girls chained to their pasts while angels of light work to free them.
Can good ever come from evil? Can beauty ever arise from ashes?
My Thoughts: This is an amazing story of how 4 teenage girls deal not only with every day teenage issues, but with a war with demons. There is a war waging around us that we can not see and this book illustrates this extremely well. Do we think of where our bad moods and thoughts come from? This is an intense and creative novel that truly illustrates what goes on in a realm that we cannot see. This novel teaches us that with God, we can be set free from our past and win the battle against evil.
In this story-line, not only did the girls had to deal with some issues from their past, from abuse, arents dealing with depression and alcoholism; they had their usual teenage issues to deal with as well. We as readers learn how they all came together to face these demons controlling them and winning the war.
While reading this book, it made me think what is happening around me when I have a bad thought or a bad mood; those demons in this book will come to my mind to remind me that all I need to do is turn to God in prayer.
The unbelievers are given the gospel and learn how to trust in God and learn how prayer works in their lives.
This was an amazing book, those who enjoy reading about the spiritual realm around us will certainly enjoy this book as much as I did. I am looking forward to her next book in the Beauty from the Ashes series "The Uninvited".
Movie Metropolis (309 KP) rated Gods Of Egypt (2016) in Movies
Jun 10, 2019
God Awful
Those of you who keep up to date with the goings on in the film world may be thinking Gods of Egypt was released way back in February; and you’d be right for thinking that.
The film, directed by Alex Proyas (I, Robot, Knowing) performed so poorly in America at the start of the year that its UK release was scrapped, until now. But is the resulting film as bad as its figures would suggest? Or are we looking at a future cult classic?
Good god no. From shocking dialogue to laughable special effects; Gods of Egypt is a dreadful dirge of a movie with practically no saving graces. It’s just that bad.
The survival of mankind hangs in the balance when Set (Gerard Butler), the merciless god of darkness, usurps Egypt’s throne and plunges the empire into chaos. Hoping to save the world and rescue his true love, a defiant mortal named Bek (Brenton Thwaites) forms an alliance with the powerful god Horus (Nikolaj Coster-Waldau) to stop Set before he destroys everything.
Thankfully, the plot itself isn’t too bad and has a vaguely interesting premise. The problem is how it is executed. Alex Proyas takes our protagonists on a rollercoaster ride of bland set pieces, populated by cardboard enemies and special effects that manage to look expensive and awful at the same time.
Gold, blood red, sparkling granite and deep, rich blacks all combine for a nauseating colour palate, only worsened by the cinematography. No shot is lingered on for any great amount of time – it’s like Alex Proyas was too terrified of allowing his audience to see the mess up close, shifting from frame to frame every few seconds.
Elsewhere, the acting is fairly inconsistent. Gerard Butler yet again channels his character from 300, while newcomer Brenton Thwaites looks po-faced as he spouts complete and utter drivel, a departure from his promising turn in 2013’s The Giver. The painful attempts at comedy fall flat on every single occasion and ensure no cast member leaves with their dignity intact.
2016 has thrown up some pretty bad films. London Has Fallen, Through the Looking Glass and Zoolander 2 spring immediately to mind, but this manages to outdo them by a country mile.
Overall, Gods of Egypt leaves you with more questions than it answers. Why is the Egyptian god of darkness Scottish? Why is it over two hours long? What on earth was Summit Entertainment thinking pouring $140million into this thing?
There is some good news at the end of this rather murky rainbow however. Your question as to whether you should go and see it may well be the only question that can be answered.
https://moviemetropolis.net/2016/06/18/god-awful-gods-of-egypt-review/
The film, directed by Alex Proyas (I, Robot, Knowing) performed so poorly in America at the start of the year that its UK release was scrapped, until now. But is the resulting film as bad as its figures would suggest? Or are we looking at a future cult classic?
Good god no. From shocking dialogue to laughable special effects; Gods of Egypt is a dreadful dirge of a movie with practically no saving graces. It’s just that bad.
The survival of mankind hangs in the balance when Set (Gerard Butler), the merciless god of darkness, usurps Egypt’s throne and plunges the empire into chaos. Hoping to save the world and rescue his true love, a defiant mortal named Bek (Brenton Thwaites) forms an alliance with the powerful god Horus (Nikolaj Coster-Waldau) to stop Set before he destroys everything.
Thankfully, the plot itself isn’t too bad and has a vaguely interesting premise. The problem is how it is executed. Alex Proyas takes our protagonists on a rollercoaster ride of bland set pieces, populated by cardboard enemies and special effects that manage to look expensive and awful at the same time.
Gold, blood red, sparkling granite and deep, rich blacks all combine for a nauseating colour palate, only worsened by the cinematography. No shot is lingered on for any great amount of time – it’s like Alex Proyas was too terrified of allowing his audience to see the mess up close, shifting from frame to frame every few seconds.
Elsewhere, the acting is fairly inconsistent. Gerard Butler yet again channels his character from 300, while newcomer Brenton Thwaites looks po-faced as he spouts complete and utter drivel, a departure from his promising turn in 2013’s The Giver. The painful attempts at comedy fall flat on every single occasion and ensure no cast member leaves with their dignity intact.
2016 has thrown up some pretty bad films. London Has Fallen, Through the Looking Glass and Zoolander 2 spring immediately to mind, but this manages to outdo them by a country mile.
Overall, Gods of Egypt leaves you with more questions than it answers. Why is the Egyptian god of darkness Scottish? Why is it over two hours long? What on earth was Summit Entertainment thinking pouring $140million into this thing?
There is some good news at the end of this rather murky rainbow however. Your question as to whether you should go and see it may well be the only question that can be answered.
https://moviemetropolis.net/2016/06/18/god-awful-gods-of-egypt-review/
Kristy H (1252 KP) rated June: A Novel in Books
Feb 13, 2018
Cassie is twenty-five and living in the dilapidated mansion, Two Oaks, she inherited from her grandmother, June. The house is literally falling down around her: also a pretty good metaphor for Cassie's life. She's fled her life as an artist in New York and come to St. Jude, Ohio, to grieve for her grandmother and lick her wounds. That basically amounts to hiding in the house, ignoring the phone, and letting the mail (and bills) pile up around her. But even she can't ignore the constant ringing of the doorbell. With it comes some pretty shocking news: Cassie has been named sole heir to the fortune of the legendary movie star, Jack Montgomery. Considering Cassie only barely knew of Jack's name, this comes as quite a surprise. Why did this famous actor leave her his fortune? Did Jack know Cassie's grandmother, June? Suddenly Jack's two daughters show up, wanting answers as well, and Cassie's life will never be the same.
There are really no words for this book. It's a beautiful and magical adventure. It takes what should be a fairly simple event - figuring out whether Cassie is related to Jack - and turns it into a lovely, suspenseful read. I simply couldn't put this book down. The characters are so real, so fully actualized that they jump off the page. Cassie, June, June's childhood friend Lindie, Jack, the people of St. Jude - they are all there, truly vivid in your mind's eye. The book really does simply set out to determine if and how Cassie and Jack are tied together, but it's this amazing and compelling read.
You're pulled into the spellbinding world of then versus now... the story twists between present day, told from Cassie's point of view and the 1950s, which is really accurately portrayed. I'm usually a contemporary fiction reader all the way, but this period portrayal is so well-done, and I loved it. The character of Lindie, especially, makes your heart ache. As the book flips between time and the story unfolds, you become completely enmeshed in the characters' world; Beverly Whittemore does such a good job of creating them that you feel with them and really become part of their lives.
I am trying to think of any flaws, but I can't. I guessed at a few of the plot twists, but only narrowly before they happened, and it certainly didn't ruin my enjoyment of the story whatsoever. Cassie can be a frustrating character at times (read your mail, darn-it), but it's only because she's so well-created. Overall, this is really a beautiful, suspenseful book that brings you into its world. I highly recommend it. 4.5 stars.
I received a copy of this novel from Librarything (thank you!); it is available everywhere on 5/31.
There are really no words for this book. It's a beautiful and magical adventure. It takes what should be a fairly simple event - figuring out whether Cassie is related to Jack - and turns it into a lovely, suspenseful read. I simply couldn't put this book down. The characters are so real, so fully actualized that they jump off the page. Cassie, June, June's childhood friend Lindie, Jack, the people of St. Jude - they are all there, truly vivid in your mind's eye. The book really does simply set out to determine if and how Cassie and Jack are tied together, but it's this amazing and compelling read.
You're pulled into the spellbinding world of then versus now... the story twists between present day, told from Cassie's point of view and the 1950s, which is really accurately portrayed. I'm usually a contemporary fiction reader all the way, but this period portrayal is so well-done, and I loved it. The character of Lindie, especially, makes your heart ache. As the book flips between time and the story unfolds, you become completely enmeshed in the characters' world; Beverly Whittemore does such a good job of creating them that you feel with them and really become part of their lives.
I am trying to think of any flaws, but I can't. I guessed at a few of the plot twists, but only narrowly before they happened, and it certainly didn't ruin my enjoyment of the story whatsoever. Cassie can be a frustrating character at times (read your mail, darn-it), but it's only because she's so well-created. Overall, this is really a beautiful, suspenseful book that brings you into its world. I highly recommend it. 4.5 stars.
I received a copy of this novel from Librarything (thank you!); it is available everywhere on 5/31.
Cyn Armistead (14 KP) rated Face Off (Laura Blackstone, #2) in Books
Mar 1, 2018
I went back and forth on the rating for this book, but finally settled on a four. I honestly found all the conflict to be exhausting and unpleasant, but it was very realistically written and I certainly felt connected to Blackstone. I decided that if del Franco weren't such a good writer, I wouldn't be feeling everything so much.
I read [b:Face Off|7106094|Face Off (Laura Blackstone, #2)|Mark Del Franco|http://photo.goodreads.com/books/1271179558s/7106094.jpg|7364695] right after finishing [b:Skin Deep|6150364|Skin Deep (Laura Blackstone, #1)|Mark Del Franco|http://photo.goodreads.com/books/1312520543s/6150364.jpg|6329503], which is how I recommend that you read them. That is, after all, how the plot works. There's a lot more of Jono Sinclair in this volume than the first, which will be popular with romance fans.
During the events of [b:Skin Deep|6150364|Skin Deep (Laura Blackstone, #1)|Mark Del Franco|http://photo.goodreads.com/books/1312520543s/6150364.jpg|6329503], Laura retired the Janice Crawford persona. Her life should be simpler now that she's just herself and Mariel Tate, right?
Wrong, because she and Mariel Tate are being pulled in opposing directions by powerful forces, and she has two more-than-full-time-jobs. Toss in an order to impersonate an uncooperative prisoner in order to infiltrate a terrorist group, and her life is at risk every day too.
In the midst of all this, there's a visit from royalty, and her boss assigns Mariel yet another top priority.
The only respite is her growing relationship with Jono Sinclair, who is also undercover with the terrorist group. He's the only person in the world who always knows who she is, no matter what glamour she's wearing.
Laura started wondering how much of herself was left behind all the personas in [b:Skin Deep|6150364|Skin Deep (Laura Blackstone, #1)|Mark Del Franco|http://photo.goodreads.com/books/1312520543s/6150364.jpg|6329503], realizing that "Laura Blackstone" was in danger of becoming just another persona. She's even more concerned about that issue in [b:Face Off|7106094|Face Off (Laura Blackstone, #2)|Mark Del Franco|http://photo.goodreads.com/books/1271179558s/7106094.jpg|7364695], but thanks to Jono she's getting back in touch with who she is behind the masks. Will she be able to hold on to her progress? Will she be able to simply survive the undercover assignment with almost no preparation? Or will it be the internal Guildhouse politics that do her in? These questions kept me reading and interested. I was thrilled with how del Franco answered them, and I'm intensely curious as to whether those answers leave any room for further adventures with Laura and Jono.
I read [b:Face Off|7106094|Face Off (Laura Blackstone, #2)|Mark Del Franco|http://photo.goodreads.com/books/1271179558s/7106094.jpg|7364695] right after finishing [b:Skin Deep|6150364|Skin Deep (Laura Blackstone, #1)|Mark Del Franco|http://photo.goodreads.com/books/1312520543s/6150364.jpg|6329503], which is how I recommend that you read them. That is, after all, how the plot works. There's a lot more of Jono Sinclair in this volume than the first, which will be popular with romance fans.
During the events of [b:Skin Deep|6150364|Skin Deep (Laura Blackstone, #1)|Mark Del Franco|http://photo.goodreads.com/books/1312520543s/6150364.jpg|6329503], Laura retired the Janice Crawford persona. Her life should be simpler now that she's just herself and Mariel Tate, right?
Wrong, because she and Mariel Tate are being pulled in opposing directions by powerful forces, and she has two more-than-full-time-jobs. Toss in an order to impersonate an uncooperative prisoner in order to infiltrate a terrorist group, and her life is at risk every day too.
In the midst of all this, there's a visit from royalty, and her boss assigns Mariel yet another top priority.
The only respite is her growing relationship with Jono Sinclair, who is also undercover with the terrorist group. He's the only person in the world who always knows who she is, no matter what glamour she's wearing.
Laura started wondering how much of herself was left behind all the personas in [b:Skin Deep|6150364|Skin Deep (Laura Blackstone, #1)|Mark Del Franco|http://photo.goodreads.com/books/1312520543s/6150364.jpg|6329503], realizing that "Laura Blackstone" was in danger of becoming just another persona. She's even more concerned about that issue in [b:Face Off|7106094|Face Off (Laura Blackstone, #2)|Mark Del Franco|http://photo.goodreads.com/books/1271179558s/7106094.jpg|7364695], but thanks to Jono she's getting back in touch with who she is behind the masks. Will she be able to hold on to her progress? Will she be able to simply survive the undercover assignment with almost no preparation? Or will it be the internal Guildhouse politics that do her in? These questions kept me reading and interested. I was thrilled with how del Franco answered them, and I'm intensely curious as to whether those answers leave any room for further adventures with Laura and Jono.
theVman (16 KP) rated Solo: A Star Wars Story (2018) in Movies
Jun 1, 2018 (Updated Jun 1, 2018)
Supporting Actors (1 more)
Director manged to pull together a watchable film
The two leads actors (1 more)
Clunky Script
A Good Lead Casting is Far Far Away
Its not The Last Jedi bad, but it nowhere close to being The Force Awakens good. Its main problem being that its leading actors struggle to bring a shred of charisma to the screen. Luckily the supporting cast did their job brilliantly and its the support that the film so desperately needed. Much like Rouge One did, Solo director Ron Howard delivers a very different looking Star Wars story and that is made very clear from the first shot. Visually, Solo invokes it inner Ridley Scott, and uses a very mixed bag in the use of it colour and lighting palettes that in any other movie might feel as if its been jigsawed together by three different directors. Somehow Solo has made this work to its advantage and by offering us answers to the key questions we might have about Hans Solo past “How did he meet Chewy?” and “How did he get the Millennium Falcon?” we can get through a very clunky and disjointed script with the end result being something watchable – just.
I cant shake the fact that i thought Alden Ehrenreich, facially, looks alot more like a young Jack Back than Harrison Ford. In fairness every now and again Alden captures a small something that made Star Wars fans fall in love with Hans Solo in the first place, but he mainly offers an uneven performance that made me forget that i was supposed to be watching a younger version of the charming rouge. Emilia Clarkes portrayal as the love interest, was as emotional barren as the plot offered through out the entire first act of the film, and combined, almost destroys the audiences ability to invest in the rest of the film at all.
However, the second act brings the arrival of Donald Glover pretty much nailing his role as a younger Lando Carlrissian, unfortunately the script makes this Lando feel like a bit of a character of obligation as oppose to a character of substance and necessity. The action scenes pick up, the usual special effects and musical score make things a little more “Star Wars-y” and the film becomes way more enjoyable. Knowing that these are its strengths, the film over indulges in them way to much, leading to lengthy action scenes over staying their welcome and forgetting to develop the subplots.
After an action heavy middle, the script tries do too much in the final act to reclaim its grasp on a story leading to a very laborious and tedious climax.
I cant shake the fact that i thought Alden Ehrenreich, facially, looks alot more like a young Jack Back than Harrison Ford. In fairness every now and again Alden captures a small something that made Star Wars fans fall in love with Hans Solo in the first place, but he mainly offers an uneven performance that made me forget that i was supposed to be watching a younger version of the charming rouge. Emilia Clarkes portrayal as the love interest, was as emotional barren as the plot offered through out the entire first act of the film, and combined, almost destroys the audiences ability to invest in the rest of the film at all.
However, the second act brings the arrival of Donald Glover pretty much nailing his role as a younger Lando Carlrissian, unfortunately the script makes this Lando feel like a bit of a character of obligation as oppose to a character of substance and necessity. The action scenes pick up, the usual special effects and musical score make things a little more “Star Wars-y” and the film becomes way more enjoyable. Knowing that these are its strengths, the film over indulges in them way to much, leading to lengthy action scenes over staying their welcome and forgetting to develop the subplots.
After an action heavy middle, the script tries do too much in the final act to reclaim its grasp on a story leading to a very laborious and tedious climax.
Ross (3284 KP) rated Reign of Madness in Books
Nov 30, 2018 (Updated Nov 30, 2018)
Good but needlessly long and slow
Following on from Free the Darkness, which ended somewhat abruptly ("we're going on an adventure, the end"), Reign of Madness sees Rezkin "Marty Stu" travelling to the King's Tournament with a group of fellow travellers. As before, his motives are somewhat hidden or confused but largely he is looking for answers to what his purpose was and why he had to kill all of his boyhood mentors.
In almost every chapter, something happens that makes it abundantly clear that Rezkin is of royal descent, and yet nobody picks up on the massive clanging hints that abound. Even right to the last page, his companions remain so stupid as to miss the obvious that it gets annoying. This might be Kade suggesting something of human nature / not wanting to accept the facts, but it comes across more that he hasn't hidden the clues as well as he thinks he has and only plain exposition could possibly lay them bare.
Part of this I think stems from the omniscient narrator again, the reader gets far too much information on everyone's thoughts and events so it is hard to put yourself in one character's position and their behaviours just seem so much more flawed than they would if we had only single person snapshot PoVs.
And Rezkin's character seems to be inconsistent - one minute he is meant to be a master of disguise and can insert himself into any situation, the next he doesn't understand any emotions; one chapter he nearly attacks a woman for approaching him quickly, the next he allows a grown man to hit him in anger as they grieve their recent bereavement.
As with book 1, the story is good, the action sequences well written and the underlying long-term plot is strong. However, some of the writing of it is clumsy (chapters of nothing but expository dialogue), the characters one-dimensional (especially the female characters) and a lot of the world (especially the magic such as it is) seems to be made up on the spot. And the whole thing just takes so long to get through. I think if you are dedicated and determined to plough through 20% plus a day this will be fine, if you pick it up now and then and get through less than 10% you will find yourself grinding to a halt through the first half of this book, where nothing happens except a donkey being healed and A LOT of dialogue about not a lot (which essentially just replaces things that should really have been explained in book 1).
I will carry on with the series but these long rambling tomes are stretching my tolerance (and the value for money from my Kindle Unlimited trial!).
In almost every chapter, something happens that makes it abundantly clear that Rezkin is of royal descent, and yet nobody picks up on the massive clanging hints that abound. Even right to the last page, his companions remain so stupid as to miss the obvious that it gets annoying. This might be Kade suggesting something of human nature / not wanting to accept the facts, but it comes across more that he hasn't hidden the clues as well as he thinks he has and only plain exposition could possibly lay them bare.
Part of this I think stems from the omniscient narrator again, the reader gets far too much information on everyone's thoughts and events so it is hard to put yourself in one character's position and their behaviours just seem so much more flawed than they would if we had only single person snapshot PoVs.
And Rezkin's character seems to be inconsistent - one minute he is meant to be a master of disguise and can insert himself into any situation, the next he doesn't understand any emotions; one chapter he nearly attacks a woman for approaching him quickly, the next he allows a grown man to hit him in anger as they grieve their recent bereavement.
As with book 1, the story is good, the action sequences well written and the underlying long-term plot is strong. However, some of the writing of it is clumsy (chapters of nothing but expository dialogue), the characters one-dimensional (especially the female characters) and a lot of the world (especially the magic such as it is) seems to be made up on the spot. And the whole thing just takes so long to get through. I think if you are dedicated and determined to plough through 20% plus a day this will be fine, if you pick it up now and then and get through less than 10% you will find yourself grinding to a halt through the first half of this book, where nothing happens except a donkey being healed and A LOT of dialogue about not a lot (which essentially just replaces things that should really have been explained in book 1).
I will carry on with the series but these long rambling tomes are stretching my tolerance (and the value for money from my Kindle Unlimited trial!).