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Gareth von Kallenbach (980 KP) rated The Bourne Ultimatum (2007) in Movies
Aug 14, 2019
When last audiences left Jason Bourne (Matt Damon), he had just exposed a coverup and in doing so, extacted revenge upon those who killed his girlfriend and hunted him. In the new thriller “The Bourne Ultimatum”, Bourne is back in a big way, as he becomes unwittingly entangled in a international manhunt, when a reporter gets to close to the truth of a top secret program.
With most of his memory still missing, Boune travels to London to seek out the reporter, in an effort to learn what he knows, hoping it will lead him to the answers he seeks. Things take a turn for the worse when Bourne is discovered, by the powers that created him who are convinced that he is a danger to the program, and may expose everything he knows to the media. Unwilling to take that chance, Bourne is targeted for elimination which sets into motion a frantic series of events that spans seven cities around the world.
Tasked with locating Bourne is Pamela Landy (Joan Allen), who while dedicated to her task, is convinced that Bourne is simply caught up in the mix, and wants nothing more than to get on with his life.
Bourne in the course of tracking the source of the leak eventually meets up with Nicky Parsons (Julia Stiles), who not only gets Bourne up to speed, but helps him attempt to locate her boss, as he may very well be the source of the information leak and the key to unlocking Bourne’s missing memories.
Between daring action scenes, intrigue, and solid Drama, Bourne begins to unravel the puzzle as he attempts to solve the mystery and stay alive from the myriad of threats that target his every move.
This Bourne is solid and fits very well into the framework of the past two films. Damon has never been stronger his signature role and is able to convincingly transition from action sequences to the dramatic elements the story requires adroitly while never losing his connection with the audience. Bourne while dangerous is in many ways a victim, who simply wants to know the truth, and is easy for the audience to support.
There are numerous action and chase sequences that combine brutality and fluidity in a amazing combination. This is not a CGI fest, this is flesh and bone, metal and glass combining to create one of the best action dramas ever to grace the screen.
The film is well paced and never overstays its welcome thanks to a plot that is intelligent yet not overly complicated.
In a summer of sequels that have mainly not lived up to expectations, Bourne is a film that delivers.
With most of his memory still missing, Boune travels to London to seek out the reporter, in an effort to learn what he knows, hoping it will lead him to the answers he seeks. Things take a turn for the worse when Bourne is discovered, by the powers that created him who are convinced that he is a danger to the program, and may expose everything he knows to the media. Unwilling to take that chance, Bourne is targeted for elimination which sets into motion a frantic series of events that spans seven cities around the world.
Tasked with locating Bourne is Pamela Landy (Joan Allen), who while dedicated to her task, is convinced that Bourne is simply caught up in the mix, and wants nothing more than to get on with his life.
Bourne in the course of tracking the source of the leak eventually meets up with Nicky Parsons (Julia Stiles), who not only gets Bourne up to speed, but helps him attempt to locate her boss, as he may very well be the source of the information leak and the key to unlocking Bourne’s missing memories.
Between daring action scenes, intrigue, and solid Drama, Bourne begins to unravel the puzzle as he attempts to solve the mystery and stay alive from the myriad of threats that target his every move.
This Bourne is solid and fits very well into the framework of the past two films. Damon has never been stronger his signature role and is able to convincingly transition from action sequences to the dramatic elements the story requires adroitly while never losing his connection with the audience. Bourne while dangerous is in many ways a victim, who simply wants to know the truth, and is easy for the audience to support.
There are numerous action and chase sequences that combine brutality and fluidity in a amazing combination. This is not a CGI fest, this is flesh and bone, metal and glass combining to create one of the best action dramas ever to grace the screen.
The film is well paced and never overstays its welcome thanks to a plot that is intelligent yet not overly complicated.
In a summer of sequels that have mainly not lived up to expectations, Bourne is a film that delivers.
Lee (2222 KP) rated Luce (2019) in Movies
Oct 30, 2019
Luce (Kelvin Harrison Jr) is the perfect student. Captain of the high school track team, a passionate member of the school debating society, a great writer and a polite, grown-up young man that just seems too good to be true. Luce was adopted at the age of 9 from war-torn Eritrea by white couple Amy (Naomi Watts) and Peter (Tim Roth, sporting a pretty dodgy American accent). Following years of therapy and the devoted efforts of Amy and Peter, he seems to have successfully put his horrific and traumatic childhood behind him, embracing his future in America.
But then one day, Luce's history teacher, Harriet Wilson (Octavia Spencer) becomes disturbed by a recent assignment that Luce has submitted. The purpose of the assignment was to write an essay in the style and thinking of a historical figure of their choosing - an idea which Luce seems to have embraced a little too passionately with his choice of Frantz Fanon, a black philosopher who was highly supportive of violent revolution. At the same time, a search of Luce's locker reveals some highly explosive fireworks, and Harriet is worried to the point where she calls Amy into the school in order to discuss her concerns.
The assignment, and the fireworks discovery, leads to a series of conflicts among all of the main characters. Luce remains polite and calm throughout, claiming that he was merely doing what was asked of him for the assignment. He states that his locker is shared with friends, so the fireworks must belong to one of them. Tensions are also high between Luce’s parents, seemingly regarding some lingering resentment they have about the fact that Luce is not their biological child. Meanwhile, Harriet is involved in a series of cool, calm stand offs with Luce, each of them believing that there is more to the other than meets the eye.
There are a lot of times during Luce where motivations and actions of characters aren’t very clear. A number of tense moments occur along the way too, in order to try and ramp up the tension, including the introduction of Harriet’s mentally ill sister, horrible racist graffiti on Harriet’s house and accusations of sexual assault. You never know who to trust or what to think, and it all feels as though it’s building towards something big.
Unfortunately though, that’s not the case, and it all just kind of fizzles out towards the end. It’s clear that the filmmakers are more interested in delivering undertones of privilege and prejudice throughout, promoting more questions than they provide answers, and that’s not for me. Overall a pretty solid movie, let down in its delivery towards the end.
But then one day, Luce's history teacher, Harriet Wilson (Octavia Spencer) becomes disturbed by a recent assignment that Luce has submitted. The purpose of the assignment was to write an essay in the style and thinking of a historical figure of their choosing - an idea which Luce seems to have embraced a little too passionately with his choice of Frantz Fanon, a black philosopher who was highly supportive of violent revolution. At the same time, a search of Luce's locker reveals some highly explosive fireworks, and Harriet is worried to the point where she calls Amy into the school in order to discuss her concerns.
The assignment, and the fireworks discovery, leads to a series of conflicts among all of the main characters. Luce remains polite and calm throughout, claiming that he was merely doing what was asked of him for the assignment. He states that his locker is shared with friends, so the fireworks must belong to one of them. Tensions are also high between Luce’s parents, seemingly regarding some lingering resentment they have about the fact that Luce is not their biological child. Meanwhile, Harriet is involved in a series of cool, calm stand offs with Luce, each of them believing that there is more to the other than meets the eye.
There are a lot of times during Luce where motivations and actions of characters aren’t very clear. A number of tense moments occur along the way too, in order to try and ramp up the tension, including the introduction of Harriet’s mentally ill sister, horrible racist graffiti on Harriet’s house and accusations of sexual assault. You never know who to trust or what to think, and it all feels as though it’s building towards something big.
Unfortunately though, that’s not the case, and it all just kind of fizzles out towards the end. It’s clear that the filmmakers are more interested in delivering undertones of privilege and prejudice throughout, promoting more questions than they provide answers, and that’s not for me. Overall a pretty solid movie, let down in its delivery towards the end.
Darren (1599 KP) rated Echoes of Fear (2019) in Movies
Oct 24, 2019
Characters – Alisa sees her last family die suddenly, she must head back to the house where she was raised to decide what to do with it next in what seems like a routine, tidy up and sale plan. Her plans are thrown off when she starts hearing noises, suffering nightmares and experiencing visions, which leads to her wanting to learn the truth, going through the house to unlock the truth, which each clue becoming more disturbing for her. Steph is the best friend that can visit at times and will help her with the investigation. Brandon is the boyfriend who is happy to help plan the changes, looking for a quick sell and start of a new life. David is the neighbour that does offer a few answers and is willing to help Alisa with any problems.
Performances – Trista Robinson is the star of the show, she is the one getting haunted, trying to solve the problems she is experiencing and you believe every moment she is going through. Nobody else is getting too much outside the simple to do, with none of them doing anything wrong through the film.
Story – The story here follows a relative that inherits a home and soon starts getting haunted by the ghosts of the house, leading her to try and solve the situation. This is a story that does keep us wondering what is going on with us learning more just as Alisa does, which is why this story works so well, because it enters the most interesting sub-genre of horror, with the haunting helping unlock the mystery. We could have a couple of questionable moments including a bit of miss-direction when it comes to what could be going on, this doesn’t really add up, but is nice to guide us away from the truth. This story does try to break certain rules created and does a wonderful job at this too, but lets just ask, why is there a sniffer mouse?
Horror – The horror side of the film does use a couple of ideas, with the haunting being the biggest moments, while others come off more disturbing by the end.
Settings – The film does keep most of the action inside the house, being a location, that Alisa would know, but hasn’t been to in a while, with he changes adding to the horror of the film.
Special Effects – The effects are used to create certain moments of horror, which most coming in the haunting moments.
Scene of the Movie – The final 20 minutes.
That Moment That Annoyed Me – The sniffer mouse is very strange.
Final Thoughts – This is a horror that does keep us guessing, it has a disturbing outcome with the haunting being the highlight of the scares.
Overall: Horror with Plenty of Scares.
Performances – Trista Robinson is the star of the show, she is the one getting haunted, trying to solve the problems she is experiencing and you believe every moment she is going through. Nobody else is getting too much outside the simple to do, with none of them doing anything wrong through the film.
Story – The story here follows a relative that inherits a home and soon starts getting haunted by the ghosts of the house, leading her to try and solve the situation. This is a story that does keep us wondering what is going on with us learning more just as Alisa does, which is why this story works so well, because it enters the most interesting sub-genre of horror, with the haunting helping unlock the mystery. We could have a couple of questionable moments including a bit of miss-direction when it comes to what could be going on, this doesn’t really add up, but is nice to guide us away from the truth. This story does try to break certain rules created and does a wonderful job at this too, but lets just ask, why is there a sniffer mouse?
Horror – The horror side of the film does use a couple of ideas, with the haunting being the biggest moments, while others come off more disturbing by the end.
Settings – The film does keep most of the action inside the house, being a location, that Alisa would know, but hasn’t been to in a while, with he changes adding to the horror of the film.
Special Effects – The effects are used to create certain moments of horror, which most coming in the haunting moments.
Scene of the Movie – The final 20 minutes.
That Moment That Annoyed Me – The sniffer mouse is very strange.
Final Thoughts – This is a horror that does keep us guessing, it has a disturbing outcome with the haunting being the highlight of the scares.
Overall: Horror with Plenty of Scares.
Accessible (2 more)
Simplified
Incredible insight into how much the modern world has taken from Greek and Roman culture
A lot of pretty complex names to remember (1 more)
Constant footnotes (usually at least one per page) to explain certain aspects, or highlight an interesting fact.
Mythos - The Greek legends retold
Ah, what a great read. Stephen Fry writes exactly how you would expect him to, if you've ever heard him speak. He understands the subject matter, and more importantly, realises how easily a reader will be overwhelmed by the sheer amount of players in these myths and answers that problem without condescension.
The book reads as a quasi-novel, from the birth of the universe to the third and fourth generations of immortals (this includes the creators, the titans, the gods, and mythical creatures/characters, spawns of titans and gods, gods and creatures, gods and men and all sorts.) and their adventures, each following on from the other.
I have always had an interest in the Greek myths and gods, and as I suggested above the really interesting part of these stories, beyond the very human nature of the immortals (jealousy, unreasonableness, duplicity, rage, deceit and pride) which makes for so much more of a believable creation theory, is the myriad ways they have influenced English language (any many others I'm sure). To give an example (I'm showing my own ignorance flagrantly here) a simple thing, the alphabet. It never occurred to me, in my own self centered existence, this simply come from the first and second letters of the Greek alphabet. Alpha and Beta. So simple, so obvious, yet I never made this connection.
The stories themselves are wonderful, and the best thing about them is they all tie in with a creation theory. Something, whatever it is, is learned, or created. Some paradigm is set, some moral conundrum is answered, or something in the world is explained by the end of every story told (the tides, the moon, wine, love, soul, war, sex, the seasons, humanity itself just to name a few). It's such an entertaining read, and I find myself telling anyone who will listen some of the revelations I find in this book page on page on page.
As an end note, don't be overwhelmed by the prospect of reading about these stories, this installment ONLY covers from creation, to the establishment of the twelve Greek gods, and their children. It stops before the even greater amount of legends stemming from human demigods (Hercules, Perseus etc) and these are picked up in Fry's most recent offering, Heroes (which I am yet to read).
If you have any interest in the Greek mythology, or etymology, or even history as a whole, this is absolutely one for you.
- Rob
The book reads as a quasi-novel, from the birth of the universe to the third and fourth generations of immortals (this includes the creators, the titans, the gods, and mythical creatures/characters, spawns of titans and gods, gods and creatures, gods and men and all sorts.) and their adventures, each following on from the other.
I have always had an interest in the Greek myths and gods, and as I suggested above the really interesting part of these stories, beyond the very human nature of the immortals (jealousy, unreasonableness, duplicity, rage, deceit and pride) which makes for so much more of a believable creation theory, is the myriad ways they have influenced English language (any many others I'm sure). To give an example (I'm showing my own ignorance flagrantly here) a simple thing, the alphabet. It never occurred to me, in my own self centered existence, this simply come from the first and second letters of the Greek alphabet. Alpha and Beta. So simple, so obvious, yet I never made this connection.
The stories themselves are wonderful, and the best thing about them is they all tie in with a creation theory. Something, whatever it is, is learned, or created. Some paradigm is set, some moral conundrum is answered, or something in the world is explained by the end of every story told (the tides, the moon, wine, love, soul, war, sex, the seasons, humanity itself just to name a few). It's such an entertaining read, and I find myself telling anyone who will listen some of the revelations I find in this book page on page on page.
As an end note, don't be overwhelmed by the prospect of reading about these stories, this installment ONLY covers from creation, to the establishment of the twelve Greek gods, and their children. It stops before the even greater amount of legends stemming from human demigods (Hercules, Perseus etc) and these are picked up in Fry's most recent offering, Heroes (which I am yet to read).
If you have any interest in the Greek mythology, or etymology, or even history as a whole, this is absolutely one for you.
- Rob
Darren (1599 KP) rated Dark Crimes (2018) in Movies
Jul 25, 2019
Story: Dark Crimes starts when Tadek (Carrey) still investigating the murder of a police officer, gets a new lead when Kozlov (Csokas) writes a new book which has an eerily similarity to the murder, leading him to take a dangerous road investigating the murder, which includes challenge the former girlfriend Kasia (Gainsbourg).
The investigation has plenty of ties to the secret sex club known as the cage, where the men get to do whatever they want to the women, Tadek must put his professional and person life on the line to get to the bottom of this investigations.
Thoughts on Dark Crimes
Characters – Tadek is a police officer, he is preparing for retirement (I think) only he wants to solve one final case, which involves the murder of a fellow officer, he goes down dangerous paths which put his career on the line, his marriage on the line, hoping to find the answers. Kozlov is an author that has written a book that sounds too similar to the unsolved case, he becomes the target of the investigation because of his history with the known sex club. Kasia is a former worker in the club, she does have a connection to Kozlov and the victim.
Performances – Jim Carrey is an actor that I like seeing him doing serious roles, sadly, this is one of his worst performances in a long time, he can keep the accent up jumping around all over the place. Marton Csokas usually does well in film, but because the character isn’t very interesting, he struggles to keep our attention. Charlotte Gainsbourg disappoints too, she does everything we expect her to without making the impact.
Story – The story follows a detective that is investigating the murder of a fellow officer that could have found the confession inside a novel, which leads him to target the author in search for the truth. The problem here is we get slow moving conversations which don’t go anywhere, we don’t get into the evidence of the case, it just seems to be watching one man starting to go too far in his search. The case doesn’t seem long enough to make feature film story either.
Crime – The crime side of the film follows the investigation into the murder of a police officer which might be opened up again, it never feels urgent either.
Settings – The film uses the settings to show how the club could be easily accessed without needing to be too far away.
Scene of the Movie – Nothing.
That Moment That Annoyed Me – The dragging story.
Final Thoughts – This is one of the worst crime stories because it just never feels like the case is that important.
Overall: Just a drag.
The investigation has plenty of ties to the secret sex club known as the cage, where the men get to do whatever they want to the women, Tadek must put his professional and person life on the line to get to the bottom of this investigations.
Thoughts on Dark Crimes
Characters – Tadek is a police officer, he is preparing for retirement (I think) only he wants to solve one final case, which involves the murder of a fellow officer, he goes down dangerous paths which put his career on the line, his marriage on the line, hoping to find the answers. Kozlov is an author that has written a book that sounds too similar to the unsolved case, he becomes the target of the investigation because of his history with the known sex club. Kasia is a former worker in the club, she does have a connection to Kozlov and the victim.
Performances – Jim Carrey is an actor that I like seeing him doing serious roles, sadly, this is one of his worst performances in a long time, he can keep the accent up jumping around all over the place. Marton Csokas usually does well in film, but because the character isn’t very interesting, he struggles to keep our attention. Charlotte Gainsbourg disappoints too, she does everything we expect her to without making the impact.
Story – The story follows a detective that is investigating the murder of a fellow officer that could have found the confession inside a novel, which leads him to target the author in search for the truth. The problem here is we get slow moving conversations which don’t go anywhere, we don’t get into the evidence of the case, it just seems to be watching one man starting to go too far in his search. The case doesn’t seem long enough to make feature film story either.
Crime – The crime side of the film follows the investigation into the murder of a police officer which might be opened up again, it never feels urgent either.
Settings – The film uses the settings to show how the club could be easily accessed without needing to be too far away.
Scene of the Movie – Nothing.
That Moment That Annoyed Me – The dragging story.
Final Thoughts – This is one of the worst crime stories because it just never feels like the case is that important.
Overall: Just a drag.
Darren (1599 KP) rated Dr. No (1962) in Movies
Nov 7, 2019
Characters – James Bond is on his first mission on the big screen, the resourceful British Spy that always seems to stay one step ahead of the enemies as he looks for answers to a colleague’s disappearance. We see how he is the womaniser we all know now and just how he can handle himself in a fight. Honey Ryder appears one hour into the film with one of the most iconic entrances in the franchise history, she assistance Bond on the mission with her knowledge of the island. Dr No is the mastermind behind the island plot, he keeps his plans secret and will get his men to eliminate any problems that come his way.
Performances – Sean Connery is great in his first outing as Bond, he uses the charm his character is famous for to make us want to come back for the next adventure. Ursula Andress is solid enough, she looks the part even if the character is mostly just made to be the damsel in distress. Joseph Wiseman does make for a good villain by the time we see him, he helps us reach the levels we know we can expect in the franchise.
Story – James Bond is one his first film mission, needing to show his skills to find a missing colleague against the first villain. This story is a simple one, it is designed to show us what James is capable off when it comes to save the world from a terrorist plot. This might not be the one everyone remembers because it does just introduce him without going too far with the difficulties of a mission that would need to be topped next time out. This is one that shows the style that he must work, the slow investigation before coming face to face with the villain.
Action/Adventure – The action gives us James the fight sequences needed to show how quickly he can get the job done when needed. The adventure takes our spy across the world to a tropical island, this time Jamaica to fight a villain.
Settings – The film is set in Jamaica, it gives us a tropical feeling from start to finish where we get to see the islands off the mainland as an early sign of where the bases for the masterminds will be.
Scene of the Movie – Base battle.
That Moment That Annoyed Me – We don’t meet the Bond girl till an hour into the film.
Final Thoughts –This is a great start to the Bond franchise, we get to learn Bond’s skills face a villain that has enough menace to be a threat and keep us ready for more.
Overall: Great start to the franchise.
Performances – Sean Connery is great in his first outing as Bond, he uses the charm his character is famous for to make us want to come back for the next adventure. Ursula Andress is solid enough, she looks the part even if the character is mostly just made to be the damsel in distress. Joseph Wiseman does make for a good villain by the time we see him, he helps us reach the levels we know we can expect in the franchise.
Story – James Bond is one his first film mission, needing to show his skills to find a missing colleague against the first villain. This story is a simple one, it is designed to show us what James is capable off when it comes to save the world from a terrorist plot. This might not be the one everyone remembers because it does just introduce him without going too far with the difficulties of a mission that would need to be topped next time out. This is one that shows the style that he must work, the slow investigation before coming face to face with the villain.
Action/Adventure – The action gives us James the fight sequences needed to show how quickly he can get the job done when needed. The adventure takes our spy across the world to a tropical island, this time Jamaica to fight a villain.
Settings – The film is set in Jamaica, it gives us a tropical feeling from start to finish where we get to see the islands off the mainland as an early sign of where the bases for the masterminds will be.
Scene of the Movie – Base battle.
That Moment That Annoyed Me – We don’t meet the Bond girl till an hour into the film.
Final Thoughts –This is a great start to the Bond franchise, we get to learn Bond’s skills face a villain that has enough menace to be a threat and keep us ready for more.
Overall: Great start to the franchise.
Sophia (Bookwyrming Thoughts) (530 KP) rated Silvern (Gilded #2) in Books
Jan 23, 2020
Despite the fact it was a really bad idea to request a book for review back in late August/early September, I still did... for some books. (I promise I wasn't being bad I only requested two!) Really, the worst thing that could have happened was for the book to be completely and utterly disappointing. Resulting in me marching up to Kahlan and demanding she not waste her time. Plus, I may save it with Twilight for throwing purposes later.
In this sequel to Gilded, Christina Farley brings us back to the mythological world of Korea, where Jae Hwa is on a mission to look for the White Tiger orb before the god of darkness does. After everything that happens in Gilded and the oncoming events of Silvern, Silvern also seems to reveal the ultimate question of the entire series: does Jae Hwa belong in the spirit world, or mortal world?
<i><b>Sometimes winning is everything.</b></i>
I personally think Jae Hwa as a character pressures herself too much. While having high expectations of oneself is a great thing, Jae Hwa seems to be all about wanting answers ASAP and being at the top. (Jae Hwa is strikingly similar to one of my classmates, personality wise. Should I ever meet Jae Hwa, we won't be friends for very long.) I also think Jae Hwa seems to be extremely self conscious of what Marc thinks of her. With the way Marc is jealous of Jae Hwa spending time with Kang-Dae, I see nothing too good in the future of their relationship should another hot guy comes around. (Ugh, is this the way boys are these days? If that's the case, I'm going to remain a single pringle, thank you very much.)
Silvern seems to have a similar plot at the beginning when compared to Gilded: an orb is stolen by a "bad" immortal and said immortal is building an empire with the orb. While no actual orb is retrieved from the immortal (there is one retrieved, but that's beside the point) and placed back in the Heavenly Chest this time, Farley seems to be giving a few hints at what may happen in the third book. (So not giving any hints away.)
Silvern certainly wasn't a disappointment and a waste of time. BUT... I still want to see those archery skills. Jae Hwa does use it more here than in Gilded, but practice rounds don't count (okay, she uses it once or twice that wasn't practice, but still.).
-------------------
Advanced review copy provided by Skyscape for review
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/10/arc-review-silvern-by-christina-farley.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
In this sequel to Gilded, Christina Farley brings us back to the mythological world of Korea, where Jae Hwa is on a mission to look for the White Tiger orb before the god of darkness does. After everything that happens in Gilded and the oncoming events of Silvern, Silvern also seems to reveal the ultimate question of the entire series: does Jae Hwa belong in the spirit world, or mortal world?
<i><b>Sometimes winning is everything.</b></i>
I personally think Jae Hwa as a character pressures herself too much. While having high expectations of oneself is a great thing, Jae Hwa seems to be all about wanting answers ASAP and being at the top. (Jae Hwa is strikingly similar to one of my classmates, personality wise. Should I ever meet Jae Hwa, we won't be friends for very long.) I also think Jae Hwa seems to be extremely self conscious of what Marc thinks of her. With the way Marc is jealous of Jae Hwa spending time with Kang-Dae, I see nothing too good in the future of their relationship should another hot guy comes around. (Ugh, is this the way boys are these days? If that's the case, I'm going to remain a single pringle, thank you very much.)
Silvern seems to have a similar plot at the beginning when compared to Gilded: an orb is stolen by a "bad" immortal and said immortal is building an empire with the orb. While no actual orb is retrieved from the immortal (there is one retrieved, but that's beside the point) and placed back in the Heavenly Chest this time, Farley seems to be giving a few hints at what may happen in the third book. (So not giving any hints away.)
Silvern certainly wasn't a disappointment and a waste of time. BUT... I still want to see those archery skills. Jae Hwa does use it more here than in Gilded, but practice rounds don't count (okay, she uses it once or twice that wasn't practice, but still.).
-------------------
Advanced review copy provided by Skyscape for review
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/10/arc-review-silvern-by-christina-farley.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Merlin's Children in Books
Jan 23, 2020
First off, allow me to commend Megan for making it past what I would call the Snowpocalyspse level, in which case the weather was nastily for a week in early January. I'm sure that says a lot, and that was not sarcasm whatsoever.
Merlin's Children starts off pretty much exactly where Taliesin Ascendant left off, and we finally get answers from the prologue of Book 1.
Or maybe I just now realized the answer to the question and it was in my face the entire time. *shrugs* I'm pretty sure it doesn't matter since as long as the question is answered, then it's all good.
I still have to applaud the author for continuing to be practically flawless in grammar/spelling (I make it a point to mention these things :p).
But I do find it really weird that the characters seem to draw their eyebrows downward a lot. I'm not sure if it's possible or I'm just those peeps who can only raise my eyebrows, but each time it was mentioned, I was pretty tempted to run into the bathroom, stare at the mirror and see if it was possible.
My mother would have thought I was insane if she saw me so I didn't do it.
HEY! HERE'S A POSSIBLE HUGE SPOILER! I sort of wanted what happened to Jamison to be something else. Maybe because I was thinking of what I read about the Nikita finale in TV Guide, in which I sorrily missed. -_- I am glad that some of the characters from the very first book return though. ^_^
On a final note, Megan has upped her game a bit compared to the last 2 books (yes, I'm staring at the raw ratings for the series). It's more fast paced, has more action and if anything, I sort of have a short attention span. A semi one, since I can tolerate SOME boring books to the end. :D But then the review turns out bad. I think that was irrelevant.
For some reason, I keep reading Ermengarde's name as "Er Ma Gawd" so I ended up reading "so and so and Ermagawd..." every so often. That might actually be how the name is pronounced, but I'm honestly not sure so I'll just call her OMG. :D
Another thing irrelevant I suppose.
---------------------
Original Rating: 4.5
Review copy provided by the author for review
Formatting has been lost due to copy and paste.
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/02/review-merlins-children-by-megan-joel-peterson.html">Bookwyrming Thoughts</a>
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Merlin's Children starts off pretty much exactly where Taliesin Ascendant left off, and we finally get answers from the prologue of Book 1.
Or maybe I just now realized the answer to the question and it was in my face the entire time. *shrugs* I'm pretty sure it doesn't matter since as long as the question is answered, then it's all good.
I still have to applaud the author for continuing to be practically flawless in grammar/spelling (I make it a point to mention these things :p).
But I do find it really weird that the characters seem to draw their eyebrows downward a lot. I'm not sure if it's possible or I'm just those peeps who can only raise my eyebrows, but each time it was mentioned, I was pretty tempted to run into the bathroom, stare at the mirror and see if it was possible.
My mother would have thought I was insane if she saw me so I didn't do it.
HEY! HERE'S A POSSIBLE HUGE SPOILER! I sort of wanted what happened to Jamison to be something else. Maybe because I was thinking of what I read about the Nikita finale in TV Guide, in which I sorrily missed. -_- I am glad that some of the characters from the very first book return though. ^_^
On a final note, Megan has upped her game a bit compared to the last 2 books (yes, I'm staring at the raw ratings for the series). It's more fast paced, has more action and if anything, I sort of have a short attention span. A semi one, since I can tolerate SOME boring books to the end. :D But then the review turns out bad. I think that was irrelevant.
For some reason, I keep reading Ermengarde's name as "Er Ma Gawd" so I ended up reading "so and so and Ermagawd..." every so often. That might actually be how the name is pronounced, but I'm honestly not sure so I'll just call her OMG. :D
Another thing irrelevant I suppose.
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Original Rating: 4.5
Review copy provided by the author for review
Formatting has been lost due to copy and paste.
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/02/review-merlins-children-by-megan-joel-peterson.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Phillip McSween (751 KP) rated Baby Driver (2017) in Movies
Feb 1, 2020
Will Baby Get Out of the Game?
A young getaway driver finds himself in over his head when he tries to get out of the crime game.
Acting: 10
Beginning: 10
Characters: 10
It’s really hard not to love main character Baby (Ansel Elgort). Sure he’s helping criminals do criminal things but he has a great story and a solid motive. From the minute he shows up on screen beating his steering wheel to the music, you immediately want to root for this guy. Baby answers to Doc played by Kevin Spacey who reads the role with a controlled seriousness that forces you to focus on his every word. Doc along with an interesting gang of thugs make for a solid supporting cast.
Cinematography/Visuals: 10
Whether it’s two lovebirds in a diner talking or a death-defying car chase, I really appreciate the way Edgar Wright uses different angles to capture the perfect moment. I don’t know how he did it, but the movie has an 80’s feel to it even though it takes place in modern day. The action sequences play out in amazing fashion on screen and keep the story moving.
Conflict: 10
So many angles to consider here. Will Baby get out of the game? Does he get the girl? Will the next heist be a success? Something seems to always be happening whether at the forefront or in the background. This is a movie where you can get up to grab a drink and totally miss something you wish you hadn’t. Not to mention Baby Driver seriously has some of the best car chases in film period.
Entertainment Value: 10
It’s a movie that makes The French Connection car chase look like amateur night. There is so much going on, so many layers, that you will be hardpressed to be bored. It has the feel of an indie with blockbuster moments.
Memorability: 10
Pace: 10
Moves at an extremely high clip. Even the dialogue scenes can feel action-driven at times due to the intensity of the conversation. It’s a movie that never really lets you get too comfortable, but rather continues to hit you repeatedly with more.
Plot: 10
Resolution: 8
While the ending is the weakest point of the movie, it doesn’t detract from the overall greatness of Baby Driver. I wasn’t blown away by the resolution, but it was complete enough to get a pass from me. Good, but not lifechanging.
Overall: 98
In addition to having great action, Baby Driver’s love story helps drive the movie (pun intended) as a whole. It’s movies like these I wish would get more love from the Academy as they help to keep the population in love with film. Proud to call this movie a classic.
Acting: 10
Beginning: 10
Characters: 10
It’s really hard not to love main character Baby (Ansel Elgort). Sure he’s helping criminals do criminal things but he has a great story and a solid motive. From the minute he shows up on screen beating his steering wheel to the music, you immediately want to root for this guy. Baby answers to Doc played by Kevin Spacey who reads the role with a controlled seriousness that forces you to focus on his every word. Doc along with an interesting gang of thugs make for a solid supporting cast.
Cinematography/Visuals: 10
Whether it’s two lovebirds in a diner talking or a death-defying car chase, I really appreciate the way Edgar Wright uses different angles to capture the perfect moment. I don’t know how he did it, but the movie has an 80’s feel to it even though it takes place in modern day. The action sequences play out in amazing fashion on screen and keep the story moving.
Conflict: 10
So many angles to consider here. Will Baby get out of the game? Does he get the girl? Will the next heist be a success? Something seems to always be happening whether at the forefront or in the background. This is a movie where you can get up to grab a drink and totally miss something you wish you hadn’t. Not to mention Baby Driver seriously has some of the best car chases in film period.
Entertainment Value: 10
It’s a movie that makes The French Connection car chase look like amateur night. There is so much going on, so many layers, that you will be hardpressed to be bored. It has the feel of an indie with blockbuster moments.
Memorability: 10
Pace: 10
Moves at an extremely high clip. Even the dialogue scenes can feel action-driven at times due to the intensity of the conversation. It’s a movie that never really lets you get too comfortable, but rather continues to hit you repeatedly with more.
Plot: 10
Resolution: 8
While the ending is the weakest point of the movie, it doesn’t detract from the overall greatness of Baby Driver. I wasn’t blown away by the resolution, but it was complete enough to get a pass from me. Good, but not lifechanging.
Overall: 98
In addition to having great action, Baby Driver’s love story helps drive the movie (pun intended) as a whole. It’s movies like these I wish would get more love from the Academy as they help to keep the population in love with film. Proud to call this movie a classic.
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