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Lee (2222 KP) rated Castle Rock in TV
Jan 21, 2019
Sissy Spacek (1 more)
Bill Skarsgård
Fantastic story telling
Set in the Stephen King multiverse, the Maine town of Castle Rock is the setting for this psychological horror thriller spanning ten episodes. It utilises various characters and settings from the authors work, and even actors who have appeared in movie versions of his books, resulting in a unique and richly detailed story which has been clearly influenced by the great author.
The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!
The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.
Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!
The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.
Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
Darren (1599 KP) rated Edge of Darkness (2010) in Movies
Jul 25, 2019
Story: Edge of Darkness starts when Craven (Gibson) get to spend his daughter Emma (Novakovic) only for an unknown gunman killing her on his doorstep, Craven being a homicide detective isn’t allowed to investigate the case for legal reasons, so he decides to go against the law in his search for the murderer.
The early signs make it looks like Craven himself was the target, but it soon comes to light that it might be Emma’s work for a government company run by Jack Bennett (Huston) that might have made her the target and the deeper he digs the more he learns about his daughter.
Thoughts on Edge of Darkness
Characters – Craven is a respect homicide detective, everyone in the force knows just how capable of solving a murder he can be, but when his own daughter is murdered, he starts to go against the law to figure out who and why she was murdered. He will not stop at anything to locate the truth and take out the people that murdered his daughter. Jedburgh is an English man that will help Craven fill in the gaps, while trying to keep him away from the answers, he has been hired to make sure the investment stays safe, without building up a body count. Jack Bennett runs the company that Emma works for, he knows how to answer questions to keep the press happy, while keeping the shady operations under wraps. Emma is the daughter that Craven is delighted to spend time with once again, only she gets murdered and it is her life before this meeting that we get to see her in.
Performances – Mel Gibson might well have had his problems in Hollywood, but when it comes to crime thrillers, he is in his element always shining in these roles without ever looking out of place, and demanding the screen whenever he steps on screen. Ray Winstone is great in his role, which only seems to be around for the calmer or criminal sides of the film. Danny Huston is an actor that can play a villain in his sleep and this is no different, he brings the smug figure to life here. Bojana Novakovic is great in her smaller role which doesn’t need to get much more screen time to add to the story.
Story – The story here follows a homicide detective that starts to investigate the murder of his daughter only to find himself in the middle of a much bigger conspiracy that puts his own life in danger. This story starts off looking like it is going to be a revenge like movie because of how the first murder happens only to become a big conspiracy movie that offers up plenty of miss-direction as we lead to the truth. Any story that can keep you guessing and let try to figure out the ending yourself is an entertaining watch, with the outcome not even needing to be spoon fed to us either. This might well be a remake of a television show, but it plays into the modern ideas and works with how the conspiracy could be relevant for today’s climate.
Crime/Mystery – The crime side of the film starts by just looking like a murder, it soon dives into cover ups, conspiracy and secret groups which shows how the government might go about trying to cover up a secret. The mystery in the film comes from just how the conspiracy keeps managing to unfold to expose more truth about what Emma was involved in.
Settings – The film uses the Boston setting to show how many crimes have been committed in this stricter state which does show us just how big of a conspiracy needs covering up.
Scene of the Movie – Riverside meeting.
That Moment That Annoyed Me – It would have been nice to see more of Jedburgh.
Final Thoughts – This is a wonderfully intense crime thriller that does keep you guessing throughout the film, we get strong performance throughout and a story that has been modernized without looking out of place.
Overall: Hugely entertaining crime thriller.
The early signs make it looks like Craven himself was the target, but it soon comes to light that it might be Emma’s work for a government company run by Jack Bennett (Huston) that might have made her the target and the deeper he digs the more he learns about his daughter.
Thoughts on Edge of Darkness
Characters – Craven is a respect homicide detective, everyone in the force knows just how capable of solving a murder he can be, but when his own daughter is murdered, he starts to go against the law to figure out who and why she was murdered. He will not stop at anything to locate the truth and take out the people that murdered his daughter. Jedburgh is an English man that will help Craven fill in the gaps, while trying to keep him away from the answers, he has been hired to make sure the investment stays safe, without building up a body count. Jack Bennett runs the company that Emma works for, he knows how to answer questions to keep the press happy, while keeping the shady operations under wraps. Emma is the daughter that Craven is delighted to spend time with once again, only she gets murdered and it is her life before this meeting that we get to see her in.
Performances – Mel Gibson might well have had his problems in Hollywood, but when it comes to crime thrillers, he is in his element always shining in these roles without ever looking out of place, and demanding the screen whenever he steps on screen. Ray Winstone is great in his role, which only seems to be around for the calmer or criminal sides of the film. Danny Huston is an actor that can play a villain in his sleep and this is no different, he brings the smug figure to life here. Bojana Novakovic is great in her smaller role which doesn’t need to get much more screen time to add to the story.
Story – The story here follows a homicide detective that starts to investigate the murder of his daughter only to find himself in the middle of a much bigger conspiracy that puts his own life in danger. This story starts off looking like it is going to be a revenge like movie because of how the first murder happens only to become a big conspiracy movie that offers up plenty of miss-direction as we lead to the truth. Any story that can keep you guessing and let try to figure out the ending yourself is an entertaining watch, with the outcome not even needing to be spoon fed to us either. This might well be a remake of a television show, but it plays into the modern ideas and works with how the conspiracy could be relevant for today’s climate.
Crime/Mystery – The crime side of the film starts by just looking like a murder, it soon dives into cover ups, conspiracy and secret groups which shows how the government might go about trying to cover up a secret. The mystery in the film comes from just how the conspiracy keeps managing to unfold to expose more truth about what Emma was involved in.
Settings – The film uses the Boston setting to show how many crimes have been committed in this stricter state which does show us just how big of a conspiracy needs covering up.
Scene of the Movie – Riverside meeting.
That Moment That Annoyed Me – It would have been nice to see more of Jedburgh.
Final Thoughts – This is a wonderfully intense crime thriller that does keep you guessing throughout the film, we get strong performance throughout and a story that has been modernized without looking out of place.
Overall: Hugely entertaining crime thriller.
Darren (1599 KP) rated 3 Lives (2019) in Movies
Jul 25, 2019
Story: 3 Lives starts when a therapist Emma (Calvey) gets kidnapped after years of being on the run, left trapped with Jamie (Kaps) and Ben (Ricketts) a man that went to prison for her first kidnapping, despite being considered the rescuer. The three escape, with three men Thoms (Taubman), Piggy (Alfieri) and Frotti (Riley) chasing them down.
With Emma, Jamie and Ben trying to figure out why they are kidnapped, Emma starts looking back on her previous experience, hoping to uncover more about why Ben acted the way she believes he did, as he seems to be the only one guiding them to safety.
Thoughts on 3 Lives
Characters – Emma is a therapist that has been helping victims of violent crimes, she knows what it is like to have been a victim after previously being kidnapped and raped, she finds herself getting kidnapped once again and left wondering if the right person took the blame for the crime against her. Jamie is a man that has been kidnapped too, he believes that Ben was innocent and doesn’t want Emma to trust him while they plan to escape, he doesn’t seem to have any experience of the woods though. Ben is the man who claimed to be the rescuer of Emma before, only to take the blame for the crime, he sees this as a chance to redeem himself for what she believes he might have done, he knows how the survive in the conditions and is always thinking about survival. Thoms is leading the men hunting them down, with his training to make him a brilliant tracker through the woods.
Performances – Mhairi Calvey in the leading role is strong though the film, she does make us believe that her character has been a victim, while showing the strength to face the man that did this too her. Tyron Ricketts give us a strong supporting performance as a man who remains stronger than the broken version of himself could be. Martin Kaps brings us the annoying figure trapped in the woods, he does the I’m the nice guy routine with ease, while also bring us the ‘you’re an idiot’ side to his character.
Story – The story here follows a woman that finds herself kidnapped again, going face to face with the man who went to prison for raping her years ago, now they are joined by another man from their past as they look to escape hunters in the woods looking to eliminate them. The story does tackle the serious affects of sexual assault, how the victim’s life will never be the same, we see how they can confront the person and still remain unsure of the real events of what happened because of the trauma involved such an act. The survival aspect of the story doesn’t reach the levels of peril it could do, while the constant back and forth that goes on trying to point figures between Emma, Ben and Jamie gets confusing because most of it is wondering why they have been selected. The story is saved by the final act which will put the pieces together and make sense of everything we have seen beforehand.
Thriller – The film never reaches the full level of the intensity that it could, with the being hunted side of the story being the weaker and never putting the characters in a level of peril which does feel believable.
Settings – The victims find themselves in the middle of the woods with nowhere to run that makes sense to them, it makes them feel lost and looking for answers to why they are there, creating isolation from their real world.
Scene of the Movie – Final act.
That Moment That Annoyed Me – The hunters never feel like they are dangerous.
Final Thoughts – This is a strong drama with thriller on its arm, it tackles a real life problem of sexual abuse in a new way that will get a chance to see just how difficult it can be for a victim to speak up or even remember the full events of what happened to them.
Overall: Thriller with deeper meaning.
With Emma, Jamie and Ben trying to figure out why they are kidnapped, Emma starts looking back on her previous experience, hoping to uncover more about why Ben acted the way she believes he did, as he seems to be the only one guiding them to safety.
Thoughts on 3 Lives
Characters – Emma is a therapist that has been helping victims of violent crimes, she knows what it is like to have been a victim after previously being kidnapped and raped, she finds herself getting kidnapped once again and left wondering if the right person took the blame for the crime against her. Jamie is a man that has been kidnapped too, he believes that Ben was innocent and doesn’t want Emma to trust him while they plan to escape, he doesn’t seem to have any experience of the woods though. Ben is the man who claimed to be the rescuer of Emma before, only to take the blame for the crime, he sees this as a chance to redeem himself for what she believes he might have done, he knows how the survive in the conditions and is always thinking about survival. Thoms is leading the men hunting them down, with his training to make him a brilliant tracker through the woods.
Performances – Mhairi Calvey in the leading role is strong though the film, she does make us believe that her character has been a victim, while showing the strength to face the man that did this too her. Tyron Ricketts give us a strong supporting performance as a man who remains stronger than the broken version of himself could be. Martin Kaps brings us the annoying figure trapped in the woods, he does the I’m the nice guy routine with ease, while also bring us the ‘you’re an idiot’ side to his character.
Story – The story here follows a woman that finds herself kidnapped again, going face to face with the man who went to prison for raping her years ago, now they are joined by another man from their past as they look to escape hunters in the woods looking to eliminate them. The story does tackle the serious affects of sexual assault, how the victim’s life will never be the same, we see how they can confront the person and still remain unsure of the real events of what happened because of the trauma involved such an act. The survival aspect of the story doesn’t reach the levels of peril it could do, while the constant back and forth that goes on trying to point figures between Emma, Ben and Jamie gets confusing because most of it is wondering why they have been selected. The story is saved by the final act which will put the pieces together and make sense of everything we have seen beforehand.
Thriller – The film never reaches the full level of the intensity that it could, with the being hunted side of the story being the weaker and never putting the characters in a level of peril which does feel believable.
Settings – The victims find themselves in the middle of the woods with nowhere to run that makes sense to them, it makes them feel lost and looking for answers to why they are there, creating isolation from their real world.
Scene of the Movie – Final act.
That Moment That Annoyed Me – The hunters never feel like they are dangerous.
Final Thoughts – This is a strong drama with thriller on its arm, it tackles a real life problem of sexual abuse in a new way that will get a chance to see just how difficult it can be for a victim to speak up or even remember the full events of what happened to them.
Overall: Thriller with deeper meaning.
Gareth von Kallenbach (971 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Jul 25, 2019
Director Quentin Tarantino is well known for his language and excessive violence-based movies. All one needs to do is look at some of his earlier works such as Reservoir Dogs or Pulp Fiction to really get an understanding of how over-the-top they really can be. So, when I saw the initial previews for his latest dramatic comedy Once Upon a Time in Hollywood, I wasn’t sure what to expect. This only fueled the expectation and interest I had going into the film.
Once Upon a Time in Hollywood takes place in 1969 near the end of the golden age of Hollywood. Rick Dalton (Leonardo DiCaprio) is an aging star of Westerns trying to desperately remain relevant in a world that considers those even in their 30’s as ancient, much like the black and white film common even to that day. His stuntman and best friend Cliff Booth (Brad Pitt) is happy to go along for the ride. More of an assistant and better known as the man who got away with killing his own wife, Cliff is content with his role in the world and isn’t looking for the next big break.
You can’t have a Hollywood story in 1969 without involving one of the most brutal murders of the time, that of Sharon Tate (Margot Robbie) and the now infamous Charles Manson and his “family”. A dark cloud that would leave a lasting mark on Hollywood itself. Their presence reminds us of the chilling reality to the evil that is lurking just outside the amazing set pieces and bright lights of the city itself.
Brad Pitt and Leonardo DiCaprio do a phenomenal job as one would expect. It’s always interesting to watch a movie where the actor is portraying another character in an entirely different movie and Leonardo delivers in spades. Brad Pitt brings his usual lovable charm to the otherwise tough persona as Cliff, the dog loving, Bruce Lee ass kicking sidekick. The chemistry between the two is undeniable, displaying both touching and comedic undertones throughout. It’s almost surreal to think that they are portraying characters that do represent themselves in the real world. It’s hard not to make the comparison of Brad and Leo to their onscreen characters, as aging stars wondering what the future holds for them.
Tarantino does a marvelous job of transporting his viewers back to 1969. Everything from episodes of old television shows, to advertisements on the street envelop the viewers in the tie-dyed/hippy reality of what the 60’s was. It’s hard not to be impressed with the cinematography that has been so lavishly recreated before us. The streets, the cars, even the film itself all take their cues from the time period. Car scenes are shot with laughably fake backdrops at times to remind us exactly the types of effects that went into filming back in the day. It’s a mix of old school and new school filming that takes you from one reality and places you in another. Tarantino does his best to make the audience more than spectators to what is developing on screen and instead as active participants.
Once Upon a Time in Hollywood is a fairytale of sorts, of what made Hollywood so special back in the 60’s. It lacks much of the brutal nature that has become second nature to Tarantino films, and those who are going to see it for its brutality will likely be very disappointed. It’s a film that is incredibly difficult to talk about without spoilers, because outside the general plot synopsis the viewer is left with more questions than answers. The film is long, coming in at two hours and forty minutes, and there are scenes that tend to drag on a little longer than necessary. Thankfully though, Tarantino has weaved a story of what was and what could have been, if Rick and Cliff both had existed…Once Upon a Time in Hollywood.
4 out of 5 stars
Once Upon a Time in Hollywood takes place in 1969 near the end of the golden age of Hollywood. Rick Dalton (Leonardo DiCaprio) is an aging star of Westerns trying to desperately remain relevant in a world that considers those even in their 30’s as ancient, much like the black and white film common even to that day. His stuntman and best friend Cliff Booth (Brad Pitt) is happy to go along for the ride. More of an assistant and better known as the man who got away with killing his own wife, Cliff is content with his role in the world and isn’t looking for the next big break.
You can’t have a Hollywood story in 1969 without involving one of the most brutal murders of the time, that of Sharon Tate (Margot Robbie) and the now infamous Charles Manson and his “family”. A dark cloud that would leave a lasting mark on Hollywood itself. Their presence reminds us of the chilling reality to the evil that is lurking just outside the amazing set pieces and bright lights of the city itself.
Brad Pitt and Leonardo DiCaprio do a phenomenal job as one would expect. It’s always interesting to watch a movie where the actor is portraying another character in an entirely different movie and Leonardo delivers in spades. Brad Pitt brings his usual lovable charm to the otherwise tough persona as Cliff, the dog loving, Bruce Lee ass kicking sidekick. The chemistry between the two is undeniable, displaying both touching and comedic undertones throughout. It’s almost surreal to think that they are portraying characters that do represent themselves in the real world. It’s hard not to make the comparison of Brad and Leo to their onscreen characters, as aging stars wondering what the future holds for them.
Tarantino does a marvelous job of transporting his viewers back to 1969. Everything from episodes of old television shows, to advertisements on the street envelop the viewers in the tie-dyed/hippy reality of what the 60’s was. It’s hard not to be impressed with the cinematography that has been so lavishly recreated before us. The streets, the cars, even the film itself all take their cues from the time period. Car scenes are shot with laughably fake backdrops at times to remind us exactly the types of effects that went into filming back in the day. It’s a mix of old school and new school filming that takes you from one reality and places you in another. Tarantino does his best to make the audience more than spectators to what is developing on screen and instead as active participants.
Once Upon a Time in Hollywood is a fairytale of sorts, of what made Hollywood so special back in the 60’s. It lacks much of the brutal nature that has become second nature to Tarantino films, and those who are going to see it for its brutality will likely be very disappointed. It’s a film that is incredibly difficult to talk about without spoilers, because outside the general plot synopsis the viewer is left with more questions than answers. The film is long, coming in at two hours and forty minutes, and there are scenes that tend to drag on a little longer than necessary. Thankfully though, Tarantino has weaved a story of what was and what could have been, if Rick and Cliff both had existed…Once Upon a Time in Hollywood.
4 out of 5 stars
Ivana A. | Diary of Difference (1171 KP) rated The Recreators in Books
Feb 3, 2020
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I went into reading this book partially blind. The blurb doesn’t uncover much, and I was excited as to whether I would like it or not. The Recreators is a young-adult novel that happens in Medieval times and features characters who have God-like powers and are able to change a slight minimal portion of the world.
We follow three separate stories throughout this book:
<b><i>Filia’s story</i></b>
A princess who has disappeared and comes back years later to claim her throne. A fierce woman who is a Recreator, but chooses to use the powers for her own benefit. In this story we can see how Filia develops as a character, changes while learning new things, makes sacrifices and answers some of the most asked social questions… A powerful story of growing up, and definitely my favourite one of all three.
<b><i>Vepresila’s story</i></b>
She is chosen by the Goddess to serve her, but decides to take destiny in her own hands. This girl grew up with her family in a tribe with different moral and cultural values than what we know. Men and women don’t sleep under the same roof, and boys have to pass tests to become men, otherwise, they are stuck and disrespected. When the girl is chosen to go to the Goddess’ temple and serve her, she realises that the system doesn’t work, and tries to beat it. Finding her own destiny can prove to be a bouncy road, but she goes for it.
<b><i>Simmiolas’s story</i></b>
He is a Recreator and comes back to fixes a mistake he made in the past. While he travels, he settles with a circle of people, but they fail to believe he has powers and he doesn’t seem able to change their views on how they see nature and the world. Taking a dear friend with him, he is set on a mission to do what is right, before it is too late.
<b><i>'’Just because things don’t always go as planned, it doesn’t always mean the outcome will be for the worse.’’</i></b>
These three stories feature these three different characters, with a lot of characters surrounding them and supporting them. The three stories connect each other at a few points, some sooner, some later. They never fully connect though, which did bother me, as I was expecting a one big ending. The three stories remained separated, which made me think if it would’ve been better to not connect them at all, or create three separate books for them.
<b><i> ‘’But if all places have different ideas about what’s right and wrong, how do we know what really is right and wrong?’’</i></b>
Despite the story lines and the grammar errors I encountered, this book was truly amazing and I really enjoyed reading it. I loved the concept of the powers, loved the ethical lessons throughout the book, and I absolutely loved watching all of these characters grow in their own kind of way.
There were amazing scenes of what is wrong and right, what fear is and how to overcome it, how to keep going despite making mistakes in the past, and a lot of various life lessons worth reading. I recommend this book if this seems like the genre you might enjoy reading. It was the first book
I read by Desiree Nordlund and I can’t wait to read more books written by her.
<b><i>‘’The best way to cure fear of the unknown is to admit what caused the fear and watch it until it’s no longer something strange.’’</i></b>
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I went into reading this book partially blind. The blurb doesn’t uncover much, and I was excited as to whether I would like it or not. The Recreators is a young-adult novel that happens in Medieval times and features characters who have God-like powers and are able to change a slight minimal portion of the world.
We follow three separate stories throughout this book:
<b><i>Filia’s story</i></b>
A princess who has disappeared and comes back years later to claim her throne. A fierce woman who is a Recreator, but chooses to use the powers for her own benefit. In this story we can see how Filia develops as a character, changes while learning new things, makes sacrifices and answers some of the most asked social questions… A powerful story of growing up, and definitely my favourite one of all three.
<b><i>Vepresila’s story</i></b>
She is chosen by the Goddess to serve her, but decides to take destiny in her own hands. This girl grew up with her family in a tribe with different moral and cultural values than what we know. Men and women don’t sleep under the same roof, and boys have to pass tests to become men, otherwise, they are stuck and disrespected. When the girl is chosen to go to the Goddess’ temple and serve her, she realises that the system doesn’t work, and tries to beat it. Finding her own destiny can prove to be a bouncy road, but she goes for it.
<b><i>Simmiolas’s story</i></b>
He is a Recreator and comes back to fixes a mistake he made in the past. While he travels, he settles with a circle of people, but they fail to believe he has powers and he doesn’t seem able to change their views on how they see nature and the world. Taking a dear friend with him, he is set on a mission to do what is right, before it is too late.
<b><i>'’Just because things don’t always go as planned, it doesn’t always mean the outcome will be for the worse.’’</i></b>
These three stories feature these three different characters, with a lot of characters surrounding them and supporting them. The three stories connect each other at a few points, some sooner, some later. They never fully connect though, which did bother me, as I was expecting a one big ending. The three stories remained separated, which made me think if it would’ve been better to not connect them at all, or create three separate books for them.
<b><i> ‘’But if all places have different ideas about what’s right and wrong, how do we know what really is right and wrong?’’</i></b>
Despite the story lines and the grammar errors I encountered, this book was truly amazing and I really enjoyed reading it. I loved the concept of the powers, loved the ethical lessons throughout the book, and I absolutely loved watching all of these characters grow in their own kind of way.
There were amazing scenes of what is wrong and right, what fear is and how to overcome it, how to keep going despite making mistakes in the past, and a lot of various life lessons worth reading. I recommend this book if this seems like the genre you might enjoy reading. It was the first book
I read by Desiree Nordlund and I can’t wait to read more books written by her.
<b><i>‘’The best way to cure fear of the unknown is to admit what caused the fear and watch it until it’s no longer something strange.’’</i></b>
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Gareth von Kallenbach (971 KP) rated Men in Black III (2012) in Movies
Aug 7, 2019
Fifteen years after bursting onto the scene, award winning actors Will Smith and Tommy Lee Jones are back in black in Men In Black 3! Alien-busting agents J (Will Smith) and K (Tommy Lee Jones) are here once again to protect the galaxy, and the people of Earth, in this action-packed, hilarious and attention-grabbing adventure that is sure to redeem itself from its previous sequel flop.
Men In Black 3 features a time travel plot, with a comedic twist, that focuses on the relationship between Agent J, and surly old character, Agent K. Will Smith and Tommy Lee Jones have fantastic and seamless chemistry that makes it easy to dispel disbelief and emerse yourself into this secret world of aliens among us.
The film starts off with what seams like a casual conversation, between wise cracking charismatic Agent J and always grumpy Agent K, but soon leads to Agent K stonewalling J’s questions about K’s past by stating, “Don’t ask questions you don’t want to know the answers to.” As Will Smith’s character persists, our curiosity grows, and a conspiracy of a cover up and clues to Agent K’s dark past unfolds.
Meanwhile, one of the most feared criminals in the galaxy, Boris the Animal (Jemaine Clement), has just escaped from a maximum security prison that was built on the moon to detain him. Boris wants nothing more than to seek revenge on the person responsible for his 40 year incarceration and kill the man responsible for the loss of his arm, Agent K. Through a murderous rage Boris secures a time travel device and jumps back in time to 1969, where he rewrites history by killing K in hopes that his Boglodite alien kind will fulfill their mission to use and destroy present day Earth. The only person aware that time has been altered is, of course, Agent J who ends up traveling back in time to stop Boris the Animal. In doing so, Agent J unites with the younger Agent K (Josh Brolin) and has to work together to ultimately save mankind. Josh Brolin’s performance was spot on. He gave an uncanny impression of Jones, right down to the mannerisms and facial expressions. He was very entertaining to watch.
When I first heard about a third Men in Black movie, I didn’t expect much out of this 10 year dormant franchise. Mainly because the second movie left so little to be desired, due to its horrible storyline and less than stellar performances by the lead characters. I honestly cannot remember a single enjoyable moment from Men in Black 2, someone must have neuralized me!
Barry Sonnenfeld is back in the director’s seat, hoping to redeem himself from the disaster that was Men in Black 2. He attempts to return to the original formula that made the first Men in Black movie fun, original and entertaining. Proving to have succeeded in creating a more worthwhile storyline, there are however moments within the movie that seem a bit thrown together, times in the plot that could have been expanded upon but may have ended up on the editing room floor.
Kudos to the special effects and art direction team for once again creating amusingly and outlandish aliens that were the real stars of the show. The special effects, such as Boris’ dart spitting spider-like creature that lives inside his hand, were particularly gruesome.
Both Sonnenfeld and Smith, who serve as producers, were aiming at providing more substance to the third installment. They wanted to delve into the relationship between J and K and why K has such a bitter and distant persona, especially after having been partners for 15 years. The real reasons will shock you. I won’t spoil the surprising end, but it was a touching twist that I did not see coming. It made me appreciate both characters and had me walking out of the theater feeling pumped up from all of the action, giddy from all of the laughs and moved from the heartfelt ending. They pulled it off without being sappy, a well rounded action comedy, suitable for the whole family.
Men In Black 3 features a time travel plot, with a comedic twist, that focuses on the relationship between Agent J, and surly old character, Agent K. Will Smith and Tommy Lee Jones have fantastic and seamless chemistry that makes it easy to dispel disbelief and emerse yourself into this secret world of aliens among us.
The film starts off with what seams like a casual conversation, between wise cracking charismatic Agent J and always grumpy Agent K, but soon leads to Agent K stonewalling J’s questions about K’s past by stating, “Don’t ask questions you don’t want to know the answers to.” As Will Smith’s character persists, our curiosity grows, and a conspiracy of a cover up and clues to Agent K’s dark past unfolds.
Meanwhile, one of the most feared criminals in the galaxy, Boris the Animal (Jemaine Clement), has just escaped from a maximum security prison that was built on the moon to detain him. Boris wants nothing more than to seek revenge on the person responsible for his 40 year incarceration and kill the man responsible for the loss of his arm, Agent K. Through a murderous rage Boris secures a time travel device and jumps back in time to 1969, where he rewrites history by killing K in hopes that his Boglodite alien kind will fulfill their mission to use and destroy present day Earth. The only person aware that time has been altered is, of course, Agent J who ends up traveling back in time to stop Boris the Animal. In doing so, Agent J unites with the younger Agent K (Josh Brolin) and has to work together to ultimately save mankind. Josh Brolin’s performance was spot on. He gave an uncanny impression of Jones, right down to the mannerisms and facial expressions. He was very entertaining to watch.
When I first heard about a third Men in Black movie, I didn’t expect much out of this 10 year dormant franchise. Mainly because the second movie left so little to be desired, due to its horrible storyline and less than stellar performances by the lead characters. I honestly cannot remember a single enjoyable moment from Men in Black 2, someone must have neuralized me!
Barry Sonnenfeld is back in the director’s seat, hoping to redeem himself from the disaster that was Men in Black 2. He attempts to return to the original formula that made the first Men in Black movie fun, original and entertaining. Proving to have succeeded in creating a more worthwhile storyline, there are however moments within the movie that seem a bit thrown together, times in the plot that could have been expanded upon but may have ended up on the editing room floor.
Kudos to the special effects and art direction team for once again creating amusingly and outlandish aliens that were the real stars of the show. The special effects, such as Boris’ dart spitting spider-like creature that lives inside his hand, were particularly gruesome.
Both Sonnenfeld and Smith, who serve as producers, were aiming at providing more substance to the third installment. They wanted to delve into the relationship between J and K and why K has such a bitter and distant persona, especially after having been partners for 15 years. The real reasons will shock you. I won’t spoil the surprising end, but it was a touching twist that I did not see coming. It made me appreciate both characters and had me walking out of the theater feeling pumped up from all of the action, giddy from all of the laughs and moved from the heartfelt ending. They pulled it off without being sappy, a well rounded action comedy, suitable for the whole family.
Lottie disney bookworm (1056 KP) rated Frozen 2: Dangerous Secrets: The Story of Iduna and Agnarr in Books
Dec 29, 2020
Dangerous Secrets is the greatly anticipated prequel to Frozen II which, for the first time in forever, shines the spotlight onto King Agnarr and Queen Iduna of Arendelle.
The 2019 film undoubtedly revealed some of these secrets, such as Iduna being Northuldra and saving Agnarr as a child as well as the two of them venturing to Ahtohallan to find the answers behind Elsa’s powers. Unfortunately, thanks to the film, we also know that they never completed their journey.
Cue Mari Mancusi who expertly bring the monarchs back to life through her writing and forms these little-known characters into best friends, young lovers and torn parents, always just trying to do the next right thing.
The back stories of Agnarr and Iduna are nothing short of brilliant: the reader meets both characters in the Enchanted Forest on the fateful day of the dam celebration and we experience the wonder of both worlds colliding, along with the following danger and confusion from a first-person perspective.
I thoroughly appreciated how Mari Mancusi didn’t have to explain what had happened between the Arendellian forces and the Northuldra: Mancusi knows that the reader already knows the true turn of events from the movie. All throughout Dangerous Secrets this “inside knowledge” is used beautifully: allowing us to experience events as our protagonists do, but without diluting the tension and excitement with explanations.
The reader grows up alongside the future King and Queen, seeing their friendship blossom and experiencing their respective heartbreaks and secrets. The Northuldra are widely believed to be enemies of Arendelle due to the King’s death and the rumours surrounding it. Iduna’s hardship of hiding her true identity is matched only by her grief of losing the only family she has ever known. Similarly, Agnarr has lost a father, his best friend General Matthias and now has to learn how to be a King. Even when they find solace in their friendship and the later romance that this grows into, Iduna is not royalty: their love is doomed from the start…isn’t it?
Regular readers of my reviews will know I loved Jen Calonita’s “Let it Go” but felt that towards the end the writing emulated the movie verbatim in places. I found Kamilla Benko’s “Forest of Shadows” interesting and unique but ultimately it tried too hard to insert different elements into the Frozen universe that we know and love.
In my opinion, Dangerous Secrets contains none of these criticisms.
Elements of the movie are included, of course they are! Agnarr and Iduna’s reading tree is taken straight out of Elsa’s/Ahtohallan’s ice memories; Oaken’s trading post and sauna is briefly mentioned as a rest stop during one of the couple’s adventures and the wonder of chocolate is something Elsa and Anna definitely inherited from their parents!
The difference with this novel is that any references to the movie are easter eggs: elements that we love to spot; they are not brash and in-your-face; they are subtle and add to the story rather than creating it entirely. For example, I loved the inclusion of Grand-Pabbie and the trolls. I also suspect we may have met Kristoff’s mother – perhaps opening the door to another book from Mari Mancusi?
Of course, Dangerous Secrets can only end with the fateful voyage made by the royal couple and, true to form, this made me cry my little heart out. I know from the author’s note that Mari Mancusi is a mother herself but I feel that I would have known this anyway through the sheer heartbreak she portrays through Iduna, and later Agnarr. From their first discovery of Elsa’s powers; to Anna’s accident; to acknowledging that they were endangering Elsa by asking her to “conceal, don’t feel” right up until the couple’s realisation that they will never see their daughters again: the writing is powerful, hard-hitting and, with Ahtohallan’s last gift, stunningly beautiful.
This is a five-star glimpse into the King and Queen of Arendelle and a must-read for any fan of Frozen.
Will Mancusi reveal the secret of the ice-gatherer woman’s identity next?
Only Ahtohallan knows.
The 2019 film undoubtedly revealed some of these secrets, such as Iduna being Northuldra and saving Agnarr as a child as well as the two of them venturing to Ahtohallan to find the answers behind Elsa’s powers. Unfortunately, thanks to the film, we also know that they never completed their journey.
Cue Mari Mancusi who expertly bring the monarchs back to life through her writing and forms these little-known characters into best friends, young lovers and torn parents, always just trying to do the next right thing.
The back stories of Agnarr and Iduna are nothing short of brilliant: the reader meets both characters in the Enchanted Forest on the fateful day of the dam celebration and we experience the wonder of both worlds colliding, along with the following danger and confusion from a first-person perspective.
I thoroughly appreciated how Mari Mancusi didn’t have to explain what had happened between the Arendellian forces and the Northuldra: Mancusi knows that the reader already knows the true turn of events from the movie. All throughout Dangerous Secrets this “inside knowledge” is used beautifully: allowing us to experience events as our protagonists do, but without diluting the tension and excitement with explanations.
The reader grows up alongside the future King and Queen, seeing their friendship blossom and experiencing their respective heartbreaks and secrets. The Northuldra are widely believed to be enemies of Arendelle due to the King’s death and the rumours surrounding it. Iduna’s hardship of hiding her true identity is matched only by her grief of losing the only family she has ever known. Similarly, Agnarr has lost a father, his best friend General Matthias and now has to learn how to be a King. Even when they find solace in their friendship and the later romance that this grows into, Iduna is not royalty: their love is doomed from the start…isn’t it?
Regular readers of my reviews will know I loved Jen Calonita’s “Let it Go” but felt that towards the end the writing emulated the movie verbatim in places. I found Kamilla Benko’s “Forest of Shadows” interesting and unique but ultimately it tried too hard to insert different elements into the Frozen universe that we know and love.
In my opinion, Dangerous Secrets contains none of these criticisms.
Elements of the movie are included, of course they are! Agnarr and Iduna’s reading tree is taken straight out of Elsa’s/Ahtohallan’s ice memories; Oaken’s trading post and sauna is briefly mentioned as a rest stop during one of the couple’s adventures and the wonder of chocolate is something Elsa and Anna definitely inherited from their parents!
The difference with this novel is that any references to the movie are easter eggs: elements that we love to spot; they are not brash and in-your-face; they are subtle and add to the story rather than creating it entirely. For example, I loved the inclusion of Grand-Pabbie and the trolls. I also suspect we may have met Kristoff’s mother – perhaps opening the door to another book from Mari Mancusi?
Of course, Dangerous Secrets can only end with the fateful voyage made by the royal couple and, true to form, this made me cry my little heart out. I know from the author’s note that Mari Mancusi is a mother herself but I feel that I would have known this anyway through the sheer heartbreak she portrays through Iduna, and later Agnarr. From their first discovery of Elsa’s powers; to Anna’s accident; to acknowledging that they were endangering Elsa by asking her to “conceal, don’t feel” right up until the couple’s realisation that they will never see their daughters again: the writing is powerful, hard-hitting and, with Ahtohallan’s last gift, stunningly beautiful.
This is a five-star glimpse into the King and Queen of Arendelle and a must-read for any fan of Frozen.
Will Mancusi reveal the secret of the ice-gatherer woman’s identity next?
Only Ahtohallan knows.
BankofMarquis (1832 KP) rated Antebellum (2020) in Movies
Oct 12, 2020
Monae shines - the rest falls flat
One of the films that I circled on my calendar back in the beginning of 2020 was a trippy looking "Civil War anachronism" film (my term) ANTEBELLUM starring Janelle Monae. I'm a sucker for these kinds of films, so was a little sad that I couldn't see it in the theater, but was thrilled when this "horror film" debuted on pay-per-view in time for Halloween.
I now know why the producers of this film decided to get this out now vs. waiting to release it theatrically sometime in 2021.
Billed as "Jordan Peel's GET OUT meets an M. Night Shyamalan film", ANTEBELLUM is a movie told in 3 acts. In the first act, Janelle Monae's character (who is given the slave name Eden) is brought into a Southern, Antebellum, plantation. This part of the film shows the desperation and despair that slaves lived in at a time that they had no rights and were under the whims of their White Slave Owners. The character of Eden is fiesty and is constantly looking to escape, but...eventually...is worn down by her masters and capitulates...to a point. This is the most successful part of this film, but has been better covered in other films like 12 YEARS A SLAVE.
The 2nd part of this movie takes place in "modern day" and concerns a successful author, Veronica Henley (also played by Monae). This character specializes in books and motivational speeches designed to empower the African-American woman. This part of the movie highlights Monae's appeal as a screen presence and she overcomes some weak writing to rise above. This part of the film, ultimately, falls flat for me, but I was curious as to how these 2 very different pieces of this movie fit together.
The 3rd part of this movie answers that question. If only, it answered it better....for pieces of this part of the movie works well...but others fall very, very flat resulting, ultimately, in a less than satisfying film-going experience that could have used some further work.
Monae's performance (for the most part) shines in this movie. She handles both characters that she is playing in a sharp, charismatic way. I could really buy that she is a popular "motivational" speaker (in the modern part of the movie). I could also see the fire in her spirit during the "Antebellum" part. What I didn't buy (and a weakness in the script doesn't help this part) is her "capitulation" to her slave owners.
And...that's about if for performances that stood out. All of the white actors playing the slave owners (mainly Eric Lange, Jena Malone and Jack Huston) are capital "E" evil. While this is probably historically accurate, they weren't evil enough - or multi-dimensional enough - to keep my attention. Compounding that issue is that the other characters in the "modern part" of the film are very generic and forgettable.
And then we get to the 3rd part of this film - where the first 2 parts are melded together.
It is one of those types of storytelling tropes that either you "go with it" or you don't. If you don't, the movie will lose you right there. If you do (and I did), then it is an interesting place to go and blends the first 2 parts of the film "well enough". My problem is that I didn't care enough about the characters to care about what happens.
I lay the blame of this on filmmakers Gerard Bush and Christopher Renz. They co-wrote and co-directed this movie. I had never heard of them, or (I don't think) I've encountered their work before, but upon reading up on them, they are listed as "Visionary Filmmakers Bush+Renz". If they are visionaries, they sure didn't bring much vision here. It was all pretty straightforward and could have used some other kind of "visionary" to lift this movie to a higher level.
You know, like Jordan Peele or even M. Night Shyamalan.
Letter Grade C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
I now know why the producers of this film decided to get this out now vs. waiting to release it theatrically sometime in 2021.
Billed as "Jordan Peel's GET OUT meets an M. Night Shyamalan film", ANTEBELLUM is a movie told in 3 acts. In the first act, Janelle Monae's character (who is given the slave name Eden) is brought into a Southern, Antebellum, plantation. This part of the film shows the desperation and despair that slaves lived in at a time that they had no rights and were under the whims of their White Slave Owners. The character of Eden is fiesty and is constantly looking to escape, but...eventually...is worn down by her masters and capitulates...to a point. This is the most successful part of this film, but has been better covered in other films like 12 YEARS A SLAVE.
The 2nd part of this movie takes place in "modern day" and concerns a successful author, Veronica Henley (also played by Monae). This character specializes in books and motivational speeches designed to empower the African-American woman. This part of the movie highlights Monae's appeal as a screen presence and she overcomes some weak writing to rise above. This part of the film, ultimately, falls flat for me, but I was curious as to how these 2 very different pieces of this movie fit together.
The 3rd part of this movie answers that question. If only, it answered it better....for pieces of this part of the movie works well...but others fall very, very flat resulting, ultimately, in a less than satisfying film-going experience that could have used some further work.
Monae's performance (for the most part) shines in this movie. She handles both characters that she is playing in a sharp, charismatic way. I could really buy that she is a popular "motivational" speaker (in the modern part of the movie). I could also see the fire in her spirit during the "Antebellum" part. What I didn't buy (and a weakness in the script doesn't help this part) is her "capitulation" to her slave owners.
And...that's about if for performances that stood out. All of the white actors playing the slave owners (mainly Eric Lange, Jena Malone and Jack Huston) are capital "E" evil. While this is probably historically accurate, they weren't evil enough - or multi-dimensional enough - to keep my attention. Compounding that issue is that the other characters in the "modern part" of the film are very generic and forgettable.
And then we get to the 3rd part of this film - where the first 2 parts are melded together.
It is one of those types of storytelling tropes that either you "go with it" or you don't. If you don't, the movie will lose you right there. If you do (and I did), then it is an interesting place to go and blends the first 2 parts of the film "well enough". My problem is that I didn't care enough about the characters to care about what happens.
I lay the blame of this on filmmakers Gerard Bush and Christopher Renz. They co-wrote and co-directed this movie. I had never heard of them, or (I don't think) I've encountered their work before, but upon reading up on them, they are listed as "Visionary Filmmakers Bush+Renz". If they are visionaries, they sure didn't bring much vision here. It was all pretty straightforward and could have used some other kind of "visionary" to lift this movie to a higher level.
You know, like Jordan Peele or even M. Night Shyamalan.
Letter Grade C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
Ivana A. | Diary of Difference (1171 KP) rated Thorn in Books
Aug 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/3214627135">Thorn</a>; - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/05/Book-Review-Banner-56.png"/>;
Thorn by Intisar Khanani is such a powerful story about finding your true self, fighting against the injustice and loving with your whole heart.
<b>Synopsis</b>
Princess Alyrra grew up in a cruel family, fearing that her brother might hurt her every day. She despises the fact that she needs to behave in a certain way to appeal to the court. Her despise grows even more when she learns that she's been betrothed to the powerful Prince Kestrin, a stranger from another kingdom.
But when a sorceress robes Alyrra of her true identity, she sees this as an opportunity to start a new life as a goose girl, where she doesn't have to pretend in front of everyone and be her true self.
Soon enough, she realises what is actually going on with the regular people in the kingdom. The poverty, the crimes, the fact that the royal guards don't care at all. The fact that the street thieves have to make their own sets of rules in order to keep the peace on the streets.
When a big tragedy hits home, Alyrra knows she needs to make a choice. Stay here and give up the identity of the princess forever, or go back to being a princess, only for the sake of saving the people.
<b><i>"It is rare for someone who wants power to truly deserve it."</i></b>
<b>My Thoughts:</b>
Thorn is the first book of the Dauntless Path series, and I am so happy I had the chance to read it! Very powerful book, with a very strong female character, who is not afraid to say what she thinks and fight for what she believes in!
<b><i>"I've found that acting when you are afraid is the greatest sign of courage there is."</i></b>
What I loved about Alyrra's character is that it shows us how much of a hardship it can be to make a certain choice. It is not just black and white. At first, we all root for the - get your identity back. However, Alyrra has been abused all her life. Her brother abused her physically and her mother mentally. She then had to deal with the pressure of being a princess. Following rules. Not saying what she really thinks, but what others want to hear. She is then promised to marry someone she doesn't know and pretend to be someone she is not, again.
<b><i>And suddenly, she can be someone else.</i></b>
She has the chance to start a brand new life. A person that is not in the spotlight. She can think and speak freely. And that is why I understand her choice to want to stay as a goose girl forever.
<b><i>"We all have our unspoken sorrows, hopes we cannot mention, choices we may yet regret."</i></b>
But then she sees the true picture of how people are treated in the kingdom. How people live. The injustice that happens on the streets every single day. And then she also gets the attention of the prince and being who she is, she is not afraid to say her mind.
But to truly change things, she needs to become a princess again. And making such a choice comes not only with consequences, but with huge sacrifices too.
The ending of Thorn was very well written and very satisfying. I am looking forward to reading more about Alyrra's story and get more answers in the next book. I cannot recommend Thorn enough!
Thank you to ReadersFirst and Hot Key Books, for sending me a copy of this book in exchange for an honest review.
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#1 <a href="https://www.goodreads.com/review/show/3214627135">Thorn</a>; - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/05/Book-Review-Banner-56.png"/>;
Thorn by Intisar Khanani is such a powerful story about finding your true self, fighting against the injustice and loving with your whole heart.
<b>Synopsis</b>
Princess Alyrra grew up in a cruel family, fearing that her brother might hurt her every day. She despises the fact that she needs to behave in a certain way to appeal to the court. Her despise grows even more when she learns that she's been betrothed to the powerful Prince Kestrin, a stranger from another kingdom.
But when a sorceress robes Alyrra of her true identity, she sees this as an opportunity to start a new life as a goose girl, where she doesn't have to pretend in front of everyone and be her true self.
Soon enough, she realises what is actually going on with the regular people in the kingdom. The poverty, the crimes, the fact that the royal guards don't care at all. The fact that the street thieves have to make their own sets of rules in order to keep the peace on the streets.
When a big tragedy hits home, Alyrra knows she needs to make a choice. Stay here and give up the identity of the princess forever, or go back to being a princess, only for the sake of saving the people.
<b><i>"It is rare for someone who wants power to truly deserve it."</i></b>
<b>My Thoughts:</b>
Thorn is the first book of the Dauntless Path series, and I am so happy I had the chance to read it! Very powerful book, with a very strong female character, who is not afraid to say what she thinks and fight for what she believes in!
<b><i>"I've found that acting when you are afraid is the greatest sign of courage there is."</i></b>
What I loved about Alyrra's character is that it shows us how much of a hardship it can be to make a certain choice. It is not just black and white. At first, we all root for the - get your identity back. However, Alyrra has been abused all her life. Her brother abused her physically and her mother mentally. She then had to deal with the pressure of being a princess. Following rules. Not saying what she really thinks, but what others want to hear. She is then promised to marry someone she doesn't know and pretend to be someone she is not, again.
<b><i>And suddenly, she can be someone else.</i></b>
She has the chance to start a brand new life. A person that is not in the spotlight. She can think and speak freely. And that is why I understand her choice to want to stay as a goose girl forever.
<b><i>"We all have our unspoken sorrows, hopes we cannot mention, choices we may yet regret."</i></b>
But then she sees the true picture of how people are treated in the kingdom. How people live. The injustice that happens on the streets every single day. And then she also gets the attention of the prince and being who she is, she is not afraid to say her mind.
But to truly change things, she needs to become a princess again. And making such a choice comes not only with consequences, but with huge sacrifices too.
The ending of Thorn was very well written and very satisfying. I am looking forward to reading more about Alyrra's story and get more answers in the next book. I cannot recommend Thorn enough!
Thank you to ReadersFirst and Hot Key Books, for sending me a copy of this book in exchange for an honest review.
Emma @ The Movies (1786 KP) rated Last Night in Soho (2021) in Movies
Oct 15, 2021
I was on the fence about this one. On the one hand, Edgar Wright, on the other, a cast that didn’t inspire confidence. But, if nothing else, it was going to be a spectacle.
Eloise dreams of being a fashion designer, and when she gets accepted to study fashion in London she thinks her dreams have come true. But London life isn’t quite what she hoped. When life in halls becomes too much, she finds herself an attic room to rent. Noisy roommates might have been the easier option when suddenly, every night, Eloise is transported to the 60s where the life of Sandie unfolds in front of her. Swept away in the glamour, the tables turn when Sandie’s life beings to twist into a new stark reality.
The start of Last Night in Soho pulled me in, the music had me, if nothing else I knew I’d be able to enjoy myself with the soundtrack. It’s a very nostalgic bit of listening for me having been brought up in a household that’s listening was a little more retro.
As the story develops, and Eloise along with it, you’re eager for answers. But that process feels drawn out and at some point it’s easy to see where it’s going to go before it’s properly alluded to, which took away some of the impact for me.
Our main character Eloise (played by Thomasin McKenzie), definitely has the right look and demeanour for this part. While in the end it’s a good performance though, I feel like the role would have been better suited to someone a little less on the nose. They've conveyed the mental health portion of the role nicely (the depiction of her mother felt a little Harry Potter but did get the point across), and she managed to encapsulate some of the terror, but again, it felt… cheesy? Maybe not the right word, but it was close to not giving it enough impact in the story, and I could see this working more on the horror side of things with some changes.
Ahh, Anya. Another from my list of people on the credits that make me go “meh”. I was sold with this performance though. I'm not fully on the Joy train, but I very much enjoyed this performance. Her attitude and behaviour the whole way through sold the character and… that’s it… really great. (So many things I want to say and so many that constitute spoilers.)
The supporting cast has some big names. Diana Rigg in her last performance gave a much needed edge to the scenes she was in. Matt Smith was cockney Matt Smith. My only particular call out would be for the character rather than the actor. The role of Eloise’s “boyfriend” was verging on problematic, both from a boyfriend and a writing point of view. A wet blanket of a character that seemed to be too close to comic relief without committing one way or the other. Even allowing for some sort of “support” for Eloise, this role could have been divvied out to a selection of other characters.
Last Night in Soho is stylish. The homely naive Eloise meeting glam forward Sandie really came together, and seeing Sandie’s influence seeping into the present day in the fashion and demeanour was interesting. The colours, the sets, the costumes, you can’t fault any of it.
Not being an expert in cinematic mastery behind the scenes, some of these things can escape me, but even I couldn’t miss the stunning editing and effects. Everything is seamless, and when you see some of those scenes I’m sure you’ll be blown away too.
On the technical side, this film is probably very close to a 5 star film, but with the character issues I had and the feeling that there was something missing from the ending, I’m even now not sure what my score for Last Night in Soho is going to be...
Originally posted on: https://emmaatthemovies.blogspot.com/2021/10/last-night-in-soho-movie-review.html
Eloise dreams of being a fashion designer, and when she gets accepted to study fashion in London she thinks her dreams have come true. But London life isn’t quite what she hoped. When life in halls becomes too much, she finds herself an attic room to rent. Noisy roommates might have been the easier option when suddenly, every night, Eloise is transported to the 60s where the life of Sandie unfolds in front of her. Swept away in the glamour, the tables turn when Sandie’s life beings to twist into a new stark reality.
The start of Last Night in Soho pulled me in, the music had me, if nothing else I knew I’d be able to enjoy myself with the soundtrack. It’s a very nostalgic bit of listening for me having been brought up in a household that’s listening was a little more retro.
As the story develops, and Eloise along with it, you’re eager for answers. But that process feels drawn out and at some point it’s easy to see where it’s going to go before it’s properly alluded to, which took away some of the impact for me.
Our main character Eloise (played by Thomasin McKenzie), definitely has the right look and demeanour for this part. While in the end it’s a good performance though, I feel like the role would have been better suited to someone a little less on the nose. They've conveyed the mental health portion of the role nicely (the depiction of her mother felt a little Harry Potter but did get the point across), and she managed to encapsulate some of the terror, but again, it felt… cheesy? Maybe not the right word, but it was close to not giving it enough impact in the story, and I could see this working more on the horror side of things with some changes.
Ahh, Anya. Another from my list of people on the credits that make me go “meh”. I was sold with this performance though. I'm not fully on the Joy train, but I very much enjoyed this performance. Her attitude and behaviour the whole way through sold the character and… that’s it… really great. (So many things I want to say and so many that constitute spoilers.)
The supporting cast has some big names. Diana Rigg in her last performance gave a much needed edge to the scenes she was in. Matt Smith was cockney Matt Smith. My only particular call out would be for the character rather than the actor. The role of Eloise’s “boyfriend” was verging on problematic, both from a boyfriend and a writing point of view. A wet blanket of a character that seemed to be too close to comic relief without committing one way or the other. Even allowing for some sort of “support” for Eloise, this role could have been divvied out to a selection of other characters.
Last Night in Soho is stylish. The homely naive Eloise meeting glam forward Sandie really came together, and seeing Sandie’s influence seeping into the present day in the fashion and demeanour was interesting. The colours, the sets, the costumes, you can’t fault any of it.
Not being an expert in cinematic mastery behind the scenes, some of these things can escape me, but even I couldn’t miss the stunning editing and effects. Everything is seamless, and when you see some of those scenes I’m sure you’ll be blown away too.
On the technical side, this film is probably very close to a 5 star film, but with the character issues I had and the feeling that there was something missing from the ending, I’m even now not sure what my score for Last Night in Soho is going to be...
Originally posted on: https://emmaatthemovies.blogspot.com/2021/10/last-night-in-soho-movie-review.html
Ross (3282 KP) Jan 21, 2019
Lee (2222 KP) Jan 21, 2019