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Rethinking Lessing's Laocoon: Antiquity, Enlightenment, and the 'Limits' of Painting and Poetry
Michael Squire and Avi S. Lifschitz
Book
Gotthold Ephraim Lessing first published Laokoon, oder uber die Grenzen der Mahlerey und Poesie...
Fictions
Jorge Luis Borges and Andrew Hurley
Book
The most popular anthology of Jorge Luis Borges's short stories, Fictions is a wildly original and...
Coming to Life: Philosophies of Pregnancy, Childbirth and Mothering
Sarah Adams LaChance and Caroline R. Lundquist
Book
Coming to Life: Philosophies of Pregnancy, Childbirth and Mothering is a superlative collection of...
Red Scare Racism and Cold War Black Radicalism
Book
During the early years of the Cold War, racial segregation in the American South became an...
LeftSideCut (3776 KP) rated Trick 'r Treat (2007) in Movies
Oct 6, 2020
Quite possibly the epitome of fun Halloween based horrors, Trick 'r Treat has a lot to offer.
There isn't one solid narrative, but rather several different stories with different characters, all taking place in the same town, on Halloween night. This format means we get treated to a multitude of genre staples - werewolves, zombies, serial killers, vampires - they're all tidyly woven together to give us a decent semi-anthology adventure. Well eventually anyway... It does feel a little messy to start with, erratically jumping from story to story, but a little perseverance is rewarded around the half way point where everything is put together in a satisfying manner.
The aesthetic of Trick 'r Treat is great. It has a distinct Halloween-y look, whilst managing to feel otherworldly in places. The swamp zombies look pretty creepy, and the werewolf transformations are visceral and inspired. The true star is the glue that holds this all together though - Sam. This little sack headed creepy fucker somehow manages to be adorable, and horrifying. I mean, he uses a bitten on candy-lolly to slash people up! Only people who don't respect the more traditional aspects of Halloween however. He's become something of an beloved character in the horror world - it would be great to see Sam return in a follow up some day.
Trick 'r Treat is a little cheesy at times, and takes a while to reveal it's clever side, but it's a perfectly enjoyable slice of Halloween horror, with a good cast (featuring Anna Paquin, Dylan Baker, and Brian Cox), a memorable anti-hero (the adorable little shit), some great effects and make up work, and a great music score by Douglas Pipes.
Certianly worth a watch, even if it's a seasonal thing.
There isn't one solid narrative, but rather several different stories with different characters, all taking place in the same town, on Halloween night. This format means we get treated to a multitude of genre staples - werewolves, zombies, serial killers, vampires - they're all tidyly woven together to give us a decent semi-anthology adventure. Well eventually anyway... It does feel a little messy to start with, erratically jumping from story to story, but a little perseverance is rewarded around the half way point where everything is put together in a satisfying manner.
The aesthetic of Trick 'r Treat is great. It has a distinct Halloween-y look, whilst managing to feel otherworldly in places. The swamp zombies look pretty creepy, and the werewolf transformations are visceral and inspired. The true star is the glue that holds this all together though - Sam. This little sack headed creepy fucker somehow manages to be adorable, and horrifying. I mean, he uses a bitten on candy-lolly to slash people up! Only people who don't respect the more traditional aspects of Halloween however. He's become something of an beloved character in the horror world - it would be great to see Sam return in a follow up some day.
Trick 'r Treat is a little cheesy at times, and takes a while to reveal it's clever side, but it's a perfectly enjoyable slice of Halloween horror, with a good cast (featuring Anna Paquin, Dylan Baker, and Brian Cox), a memorable anti-hero (the adorable little shit), some great effects and make up work, and a great music score by Douglas Pipes.
Certianly worth a watch, even if it's a seasonal thing.
Beyond the Consequences (Consequences, #5)
9.0
Rate It
Book
From New York Times bestselling author Aleatha Romig comes more of the suspenseful romantic thriller...
Merissa (12894 KP) rated Charmed & Dangerous in Books
Apr 15, 2023
First off, I think this is the first anthology I've ever given a 5-star rating for! Normally it's a 4-star as some stories are better than others but going for the average, it's a 4-star. I did the same with this collection - some I liked more than others - but the average rating is still 5 stars. There are new authors here (for me at least) and now I'm very happy as I can go searching for more of their books.
There is a little bit of everything for everyone here - the common thread being MM romance. Some are new relationships, and some are already established, but each story is individual and very well-written. Some (but not all) of my favourites were 'A Queer Trade', 'The Thirteenth Hex' and 'The Soldati Prince'. All different, all brilliant, all thoroughly enjoyable.
I could mention each and every one but you'd become bored so all I will say is that if you know at least one of these authors and like their work, then I can highly recommend this collection. If you don't know any of these authors but like M/M Romance, then I can highly recommend this collection. If you like a variety of M/M stories including shapeshifters, witches, a vaguely steampunk-type story, alternate realities etc, then I can highly recommend this collection. I'm sure you're getting the idea by now so there you go. I highly recommend this collection and loved it!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 25, 2015
There is a little bit of everything for everyone here - the common thread being MM romance. Some are new relationships, and some are already established, but each story is individual and very well-written. Some (but not all) of my favourites were 'A Queer Trade', 'The Thirteenth Hex' and 'The Soldati Prince'. All different, all brilliant, all thoroughly enjoyable.
I could mention each and every one but you'd become bored so all I will say is that if you know at least one of these authors and like their work, then I can highly recommend this collection. If you don't know any of these authors but like M/M Romance, then I can highly recommend this collection. If you like a variety of M/M stories including shapeshifters, witches, a vaguely steampunk-type story, alternate realities etc, then I can highly recommend this collection. I'm sure you're getting the idea by now so there you go. I highly recommend this collection and loved it!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 25, 2015
Kirk Bage (1775 KP) rated Black Mirror - Season 2 in TV
Mar 3, 2020
Be Right Back - 8
Hayley Atwell, best known as Captain America’s squeeze in the MCU, Carries the emotional weight of this episode in beguiling style. Not for the last time Black Mirror enters the territory of death, grief, loneliness and questions of a tech-aided afterlife. If it were possible to bring a loved one back in physical form, even though we knew it wasn’t really them, would we be tempted to do it? Entirely believable as a concept, considering the amount of data we are storing about ourselves on social media and in other digital ways. Although any kind of clone as good as Domhnall Gleason is a bit far fetched for now. What works here is realising that no matter how good a facsimile is, it is the myriad of tiny details that make a person that we miss the most, even the imperfections. Genuinely moving in its best moments, and a strong start to season 2 in 2013.
White Bear - 7.5
White Bear, the first of the “blind” episodes, where we as viewer are thrown into a situation with no explanation or context, was the first Black Mirror episode I ever watched. I remember being blown away by the dark concept, compelling nature of the minimal narrative, the cunning twist, and the boldness of the statement seemingly being made. So many themes are going on at the same time here: true crime as voyeuristic entertainment; the moral idea of an eye for an eye, brainwashing, and whether torture under any circumstance can be justified, for starters. Looking back, it isn’t the most rounded tale in the canon, or the best acted, but it is certainly very memorable. It also saw the birth of the White Bear symbol, which pops up in other episodes regularly, if paying attention. What is its meaning? The jury is still out!
The Waldo Moment - 6
The political apathy of a nation, and hatred of the personality flaws of our politicians could lead to a figurehead without real policies being elected and revered – it isn’t a very strange idea in 2020 at all. Many younger voters have been incited to demand change, without any idea of what that change should entail. So, in concept, this episode is right on the money. Trouble is it isn’t well written enough to sustain the drama or intrigue in the way the best of the canon do. The shock value is low, and therefore the reaction is “meh, fair enough”. For me, the first real blip in quality control for the series.
White Christmas - 8.5
This was the transition episode that saw Black Mirror make the big money move from Channel 4 to Netflix. Although now bundled into series two, it was a 21 month wait after The Waldo Moment before over 2 million of us settled down to this Christmas gift in 2014. It comes over as an anthology within an anthology, with John Hamm and Rafe Spall telling tales in front of the fire whilst on a “job” together in the cold wilderness of an unknown location. It is laden with ideas of technology back-firing, and is very satisfying in how quickly it moves through the plot points. The chemistry of the two lead men is great; the arrogance of one and the nervousness of the other allowing for some beautiful twists and turns. Essentially, the whole thing is either a re-working of ideas already used, or a precursor to future ideas that will be more fleshed out. Not that it really matters. This is the highest rated individual episode on IMDb, and the reason for that has to be its accessibility. The balance between being creeped out and entertained is just about perfect.
Hayley Atwell, best known as Captain America’s squeeze in the MCU, Carries the emotional weight of this episode in beguiling style. Not for the last time Black Mirror enters the territory of death, grief, loneliness and questions of a tech-aided afterlife. If it were possible to bring a loved one back in physical form, even though we knew it wasn’t really them, would we be tempted to do it? Entirely believable as a concept, considering the amount of data we are storing about ourselves on social media and in other digital ways. Although any kind of clone as good as Domhnall Gleason is a bit far fetched for now. What works here is realising that no matter how good a facsimile is, it is the myriad of tiny details that make a person that we miss the most, even the imperfections. Genuinely moving in its best moments, and a strong start to season 2 in 2013.
White Bear - 7.5
White Bear, the first of the “blind” episodes, where we as viewer are thrown into a situation with no explanation or context, was the first Black Mirror episode I ever watched. I remember being blown away by the dark concept, compelling nature of the minimal narrative, the cunning twist, and the boldness of the statement seemingly being made. So many themes are going on at the same time here: true crime as voyeuristic entertainment; the moral idea of an eye for an eye, brainwashing, and whether torture under any circumstance can be justified, for starters. Looking back, it isn’t the most rounded tale in the canon, or the best acted, but it is certainly very memorable. It also saw the birth of the White Bear symbol, which pops up in other episodes regularly, if paying attention. What is its meaning? The jury is still out!
The Waldo Moment - 6
The political apathy of a nation, and hatred of the personality flaws of our politicians could lead to a figurehead without real policies being elected and revered – it isn’t a very strange idea in 2020 at all. Many younger voters have been incited to demand change, without any idea of what that change should entail. So, in concept, this episode is right on the money. Trouble is it isn’t well written enough to sustain the drama or intrigue in the way the best of the canon do. The shock value is low, and therefore the reaction is “meh, fair enough”. For me, the first real blip in quality control for the series.
White Christmas - 8.5
This was the transition episode that saw Black Mirror make the big money move from Channel 4 to Netflix. Although now bundled into series two, it was a 21 month wait after The Waldo Moment before over 2 million of us settled down to this Christmas gift in 2014. It comes over as an anthology within an anthology, with John Hamm and Rafe Spall telling tales in front of the fire whilst on a “job” together in the cold wilderness of an unknown location. It is laden with ideas of technology back-firing, and is very satisfying in how quickly it moves through the plot points. The chemistry of the two lead men is great; the arrogance of one and the nervousness of the other allowing for some beautiful twists and turns. Essentially, the whole thing is either a re-working of ideas already used, or a precursor to future ideas that will be more fleshed out. Not that it really matters. This is the highest rated individual episode on IMDb, and the reason for that has to be its accessibility. The balance between being creeped out and entertained is just about perfect.
Anthony Case (3 KP) rated American Horror Story in TV
Sep 9, 2017
Acting (2 more)
Directing (usually)
Fun Storylines
Each season of American Horror Story is a fresh slate. While some actors (Evan Peters and Sarah Paulson in particular) play similar characters each time, they all play the parts well, and the unique storylines are enough to keep things fresh. Sarah Paulson, Dennis O'Hare, Lily Rabe, and Jessica Lange are standouts every time they show up, but the recurring cast members are all fantastic.
Each season is a new story and Ryan Murphy loves to experiment with how he tells them. Season one, "Muder House," is a fairly standard psycho-sexual horror show. It was clearly building a base, so it skews a little into the "edge-lord teenager" demographic, which really is my inky complaint. Season two, "Asylum," is very experimental. They were trying to figure out what exactly they could get away with, and it turns out they could get away with a lot (though the aliens subplot was a bit too much). It's a very bleak season, with existential dread haunting the entirety of the season. Season three, "Coven," goes the complete opposite direction. It gets pretty campy, though the violence never is toned down. Season four, "Freak Show," is more stylized than previous seasons, and focuses far less on the ensemble. Instead, it is an intense character study of a homicidal rich white dude, which, admittedly, isn't for everyone. Season five, "Hotel," eschews storylines, instead focusing on establishing a crisp visual style (to varying success). Season six, "Roanoke," tackles two very popular subgenres, documentaries and found footage. It has an inspired twist halfway through the season.
There are definantely weak seasons, (Hotel was a mess, and I never really loved Coven's tone) but that's to be expected from an anthology show. The genius of seasons like Asylum and Roanoke should keep you coming back.
To close it out, I'll do a quick ranking for each season, from worst to best: Hotel, Coven, Murder House, Freak Show, Roanoke, Asylum. Hopefully Cult lives up to the high reputation the show has earned!
Each season is a new story and Ryan Murphy loves to experiment with how he tells them. Season one, "Muder House," is a fairly standard psycho-sexual horror show. It was clearly building a base, so it skews a little into the "edge-lord teenager" demographic, which really is my inky complaint. Season two, "Asylum," is very experimental. They were trying to figure out what exactly they could get away with, and it turns out they could get away with a lot (though the aliens subplot was a bit too much). It's a very bleak season, with existential dread haunting the entirety of the season. Season three, "Coven," goes the complete opposite direction. It gets pretty campy, though the violence never is toned down. Season four, "Freak Show," is more stylized than previous seasons, and focuses far less on the ensemble. Instead, it is an intense character study of a homicidal rich white dude, which, admittedly, isn't for everyone. Season five, "Hotel," eschews storylines, instead focusing on establishing a crisp visual style (to varying success). Season six, "Roanoke," tackles two very popular subgenres, documentaries and found footage. It has an inspired twist halfway through the season.
There are definantely weak seasons, (Hotel was a mess, and I never really loved Coven's tone) but that's to be expected from an anthology show. The genius of seasons like Asylum and Roanoke should keep you coming back.
To close it out, I'll do a quick ranking for each season, from worst to best: Hotel, Coven, Murder House, Freak Show, Roanoke, Asylum. Hopefully Cult lives up to the high reputation the show has earned!
Rob P (30 KP) rated Norse Mythology in Books
Apr 22, 2019 (Updated Apr 23, 2019)
very accessible (3 more)
reads like an anthology
simplified for story format
great starting point
no information related to the Norse religion as it was practiced. (1 more)
presumes the knowledge of certain intricacies on behalf of the reader
Norse My"Thor"logy
Contains spoilers, click to show
Ah what an enjoyable read.
I love mythology, and this book is a great starting point if you wish to know about the more "Hollywood" stars of Norse myth (Odin, Thor, Loki, the dwarves and frost giants, Hel (or Hela, as marvel would have it) Frey and Freya and Mimir and Heimdall and a host of others whose names you may have heard).
One of the acclaims on the front of the book sums this up quite well. "Gaiman takes on the role of the fireside Bard" - it's an easy metaphor to use, as this really is a collection of stories simplified to tales of adventure and deceit.
The vikings (or Scandinavians in general) were clearly looking to explain certain phenomena using these characters (much like Greek and Roman mythology) and I love reading about that. Trying to put myself in the position of an awed villager hearing thunder and the seeing the flash of lighting, reasoning that it must be the indomitable Thor, wielding the mighty Mjollnir, ending the life of a wicked Frost Giant with a gigantic blow. Or feeling an earthquake, and believing it must be Loki, trapped in his mountain prison, the burn of the snake's venom corroding his face as his screams of agony set the very mountains to trembling. Waiting for Ragnarok to break his bonds and have his revenge on the gods. Wonderful stuff.
If you have any interest in mythology and (like me) you don't want to dive into more reference or poetry-based offerings right away, this is a great place to start.
I guarantee that once you do, you may very well want to carry on into the more heavy hitting titles out there pertaining to Norse myth.
Definitely recommended.
Rob
I love mythology, and this book is a great starting point if you wish to know about the more "Hollywood" stars of Norse myth (Odin, Thor, Loki, the dwarves and frost giants, Hel (or Hela, as marvel would have it) Frey and Freya and Mimir and Heimdall and a host of others whose names you may have heard).
One of the acclaims on the front of the book sums this up quite well. "Gaiman takes on the role of the fireside Bard" - it's an easy metaphor to use, as this really is a collection of stories simplified to tales of adventure and deceit.
The vikings (or Scandinavians in general) were clearly looking to explain certain phenomena using these characters (much like Greek and Roman mythology) and I love reading about that. Trying to put myself in the position of an awed villager hearing thunder and the seeing the flash of lighting, reasoning that it must be the indomitable Thor, wielding the mighty Mjollnir, ending the life of a wicked Frost Giant with a gigantic blow. Or feeling an earthquake, and believing it must be Loki, trapped in his mountain prison, the burn of the snake's venom corroding his face as his screams of agony set the very mountains to trembling. Waiting for Ragnarok to break his bonds and have his revenge on the gods. Wonderful stuff.
If you have any interest in mythology and (like me) you don't want to dive into more reference or poetry-based offerings right away, this is a great place to start.
I guarantee that once you do, you may very well want to carry on into the more heavy hitting titles out there pertaining to Norse myth.
Definitely recommended.
Rob