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Thor: The Dark World (2013)
Thor: The Dark World (2013)
2013 | Action, Sci-Fi
Thor and loki team up Chris Hemsworth as Thor Tom Hiddleston as loki Final action sequence was creative (0 more)
Malekith is possibly the worst MCU villain Thor and Jane's romance Boring plot Darcy aka Dar Dar binks Selvigs's stone henge moment (0 more)
"i didn't do it for him"
I was hoping to see something in The Dark World that I had missed the previous two viewings...something to help me enjoy this a bit more. Unfortunately, I hadn't missed anything. This is a drag.

Where do I start with the flaws? A lot of characters are criminally underutilised including Jane Foster, Erik Selvig, Odin, Heimdall and perhaps most important, the main antagonist, Malekith. I like the idea of the Dark Elves being used here but the execution is terribly flawed. It doesn't help that the likes of Natalie Portman and Anthony Hopkins are seemingly coasting here; the former with literally no chemistry with her love interest. Although the latter's sheer presence helps boost scenes he is in, even if he isn't trying. The other issue is this whole film is essentially flashes of brilliance drowning in a sea of mediocrity. Every now and then we get a cool scene involving Loki or Thor will crack a joke or there will be a cool action sequence but then that 5 minutes is followed by 20 minutes of characters having little to do. It's criminally boring.

I bet you can all guess the good...Chris Hemsworth who plays Thor and Tom Hiddleston who plays Loki. These two are the stars (obviously) and if it wasn't for them, this would probably get only one star. I mean, I like Thor's friends but they don't get much screentime in this. I like the look of Asgard but the story that accompanies it is boring.

It's a shame that two great lead characters are wasted by weak writing and unmotivated performances from some other cast members.
  
Red 2 (2013)
Red 2 (2013)
2013 | Action, Drama
8
7.2 (11 Ratings)
Movie Rating
RED was such a great movie that it was inevitable a sequel would be made. And here we have it, RED 2. In this follow up to the 2010 film, we find Frank Moses (Bruce Willis) and Sarah Ross (Mary-Louise Parker) trying to adjust to life in a relationship. Only this is not your typical relationship. Frank’s goal is to keep Sarah safe, while Sarah just wants to get into the thick of things, which quickly happens as Frank and Marvin Boggs (John Malkovich) are being hunted due to their involvement in an old operation only known as Nightshade.
The humor is quick to come from Malkovich, Parker and Willis who have an incredible chemistry together on screen. We then add in some notables such as the returning characters of Victoria (Helen Mirren) and Ivan Simonov (Brian Cox), and more with new characters such as Katja (Catherine ZetaJones), Bailey (Anthony Hopkins) and the brilliant performance of Byung-hun Lee as Han Cho Bai. This movie is cooking from start to finish.
There is a lot that is recycled from the first movie, including a new twist on the famous scene where Willis steps out of the moving car smooth as butter. But the great thing about this movie is it doesn’t take itself too seriously. The film makers did a great job of not trying to make the film a hardcore action flick or a cut-up comedy, but rather a great blend of the two. The comic timing combined with the action scenes is fantastic, and the cast of characters interact remarkably well with each other.
Is this movie going to be something everyone can enjoy? Probably not. But if you were a fan of the first movie, and you do not mind when film makers take a proven formula and apply it again, then you will enjoy the film. I would recommend it, and hope that we see another one. It was definitely left that way.
  
The Conversation (1974)
The Conversation (1974)
1974 | Drama, Mystery

"Well the next one is less action oriented. This is where I began to struggle. Because I had my first four and was like, “Okay, that’s perfect,” and then I had to pick another one. This decision is a bit tough; there’s a three way tie for this, I should say. I’m going to pick The Conversation with Gene Hackman and John Cazale. And the reason I’m thinking this is, I did a movie with Anthony Hopkins called The Rite, and the director of photography — we talked a bit. And he really wanted to have that ’70s feel and stuff — it’s when they just started to use the zoom lens for the first time, and how innovative it was. And then in the 1980s, it became overused and used for the wrong reasons and all that kind of stuff. The Conversation is one that, if you watch The Conversation for the opening sequence where you hear a conversation taking place as the master — this zoom from way up is zooming in over a park. And I was just absolutely blown away by it because you can hear exactly what’s happening, but you don’t see. You’ve got no idea who’s talking. You don’t know where they are or what’s happening. I was blown away. And Gene Hackman is one of my favorite actors. I just think he’s incredible; I could watch him read the phone book. I could watch him pretty much not do anything [laughing]. You just wonder what’s going on in his mind. He’s one of those actors who is saying one thing, but you know there’s so many different things going on inside of his head. You just never know exactly what it is and stuff. I love that. I love being kept guessing. Francis Ford Coppola is one of the greatest directors of all time, and what I thought was great was that it sort of embodies that period of time. Even though it was made in the ’70s and it’s a very specific ’70s movie, I think it’s very, very particular to today. You know, with surveillance and all that kind of stuff. And I just think the whole idea of it is incredible, and it’s just so well made."

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Hannibal Rising (2007)
Hannibal Rising (2007)
2007 | Drama, Horror, Mystery
7
7.7 (3 Ratings)
Movie Rating
After three books and films featuring the enigmatic and deadly Hannibal Lecter, author Thomas Harris has decided to lift the lid on the murky past of perhaps the most known killer in fiction.

In Hannibal Rising, Harris has crafted a screenplay that stays close to his 2006 book of the same name, and presents Hannibal as a sympathetic character driven to his fate due to circumstances beyond what any reasonable person should have to endure.

The film opens with young Hannibal in 1944 as the Lecter family flees their family castle from the advancing Nazi forces. When a series of bizarre circumstances leave Hannibal and his younger sister alone, they are easy victims to a band of scavengers who come upon them.

After a series of horrific situations, the film flashes forward 8 years where Hannibal (Gaspard Ulliel), is now a ward of the Soviet State, and as a further insult, his former family castle is now the orphanage in which he lives.

Hannibal draws the wrath of the local bully as he refuses to sing the required nationalist songs, and generally only makes noise when he is screaming in his sleep due to his nightmares about his sister.

Despite his withdrawn nature, Hannibal is not against striking back at his tormentor and does so before fleeing the orphanage to France where he makes his way to the home of his Uncle.

Upon arrival, Hannibal learns that his Uncle has passed away, but is taken in and cared for by his Aunt (Gong Li). As time passes, the two form a bond, and Hannibal learns about martial arts from his Aunt as well as more about her Japanese heritage.

Despite the positive changes in his life, Hannibal is still haunted by his sister and is obsessed about finding the men who held them captive and exacting revenge.

Towards this end, Hannibal snaps and exacts a violent revenge upon a local merchant who disparages his aunt, which makes Hannibal known to the local police, especially Inspector Popil (Dominic West), who investigate suspected war criminals.

When a chance lead surfaces, Hannibal returns to his homeland and confronts one of his childhood captors. As he exacts his revenge, he also learns information about the locales of the others he seeks, and soon sets out of a series of revenge killings, all the while attempting to stay ahead of Inspector Popil and the authorities.

The film for the most part works, as it is engaging and does move at a solid pace during its nearly two-hour run time. Ulliel does a good job of capturing the manic and sophisticated duality of Lecter but does not have the eerie presence of Sir Anthony Hopkins who made Lecter into a household name and took home and Oscar for his portrayal.

To expect Ulliel to equal the performance of Hopkins would be unfair in my opinion, so suffice it to say, he carries the film well, and does as much justice to the part as could be expected.

The last part of the film does become a bit to pat for my taste as it seems as if the filmmakers did not have enough confidence with the pacing of the film to allow it to unfold the way the previous 90 minutes had. Instead we get some by the number action sequences and a final confrontation that seems lifted from dozens of other films.

While the finale may lack the tension that the film had been building towards, there are enough moments in the film to make it worth seeing if you are a fan of the series.
  
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Darren (1599 KP) rated Thor (2011) in Movies

Jul 25, 2019  
Thor (2011)
Thor (2011)
2011 | Action, Drama, Sci-Fi
Story: Thor starts when astrophysicist Jane Foster (Portman) discovering a cosmic event in the New Mexico desert with her team Erik Selvig (Skarsgard) and Darcy (Dennings). We head up to Asgard next as Odin (Hopkins) tells the history of his people, the battle with the frost giants, his two sons Thor (Hemsworth) and Loki (Hiddleston) that will one day replace him as King.

When the Frost Giants try to enter Asgard, Thor decides to lead a team to retaliate, which sees Odin banish him to Earth. Thor must learn his place in the universe, with Jane helping him, while Loki takes his place as King of Asgard even if his past sees him wanting the events of the film to happen.

 

Thoughts on Thor

 

Characters – Thor is the son of Odin, he is soon to become King, but his over confrontational nature sees him disobeying his father’s orders, he is a fearless warrior who is banished to Earth, without his powers. This is a lesson for him to learn about fighting the right wars, not starting them, until he learns this, his powers won’t return to him. Janes Foster is an astrophysicist that has been searching for answers in the cosmos, her research has seen her finding unexplained answers in the universe, she could finally get answers with Thor’s appearance, she is willing risk her career for answers. Loki is the brother of Thor, he has been planning on taking over Asgard instead of his brother, he knows his past and has been waiting for his moment to become King. Odin is the king of Asgard, he has kept the peace for centuries and is running short on patience for his son’s action, he wants to teach Thor a lesson, while needing to tell Loki about his own past.

Performances – Chris Hemsworth is fantastic in the leading role, he has the look and shows the comic timing which has become the staple of his character. Natalie Portman is strong enough even if the character is disappointing, Tim Hiddleston shows us his calm persona behind his character, with Anthony Hopkins doing everything you would imagine he would bring to a father figure.

Story – The story here follows Thor as he must learn his truth strength when it comes to one day become King of Asgard, this will see him losing his powers and learning to control his desires while his brother is positioning himself for power. Thor is yet another character we knew very little about going in (unless you read the comics), we get to see his past, how the world he is from is created, the dynamics behind the characters involved, even before we get to Earth. On Earth we learn more about the SHIELD and how they are still investigating the bigger picture of unexplained weapons. This does show us just how important waiting for power is more important than being given power, we get to see how another hero is introduced to us for the bigger picture.

Action/Fantasy – The action is at the large scale here with the battles being hordes of enemies for Thor at times, we do get the giant battle against the enemy physically bigger and stronger that Thor must learn to defeat as well as the traditional final fight which shows us the sacrifice a king must make. The fantasy world created shows us the world of Gods being real, being one away from our own, while still being connected in folk lore.

Settings – The vision of Asgard is beautiful, with towering buildings, a place where you would imagine Gods living. The second settings takes us to New Mexico which plans into the fish out of water scenario.

Special Effects – The effects are the best in the franchise to date, the pure scale of the enemies involved, the worlds created and fight sequences makes this look beautiful to watch even with the CGI heavy usage.


Scene of the Movie – Bifrost fight.

That Moment That Annoyed Me – Certain parts of Loki’s plan seem confusing.

Final Thoughts – This is one of the enjoyable comic book movies you will see, we get the big action sequences, we get some laughs and we see the star of Chris Hemsworth take full advantage of his opportunity.

 

Overall: Great Fun.
  
Thor (2011)
Thor (2011)
2011 | Action, Drama, Sci-Fi
The first Thor film gets a bad wrap, and I think it's due to a combination of people forgetting just how good it is, and it perhaps being tarnished by it's underwhelming sequel, when in reality, Thor marks Marvel Studios first steps into more cosmic territory, a realm that was once deemed a little too silly for the general public, and pulls it off in style.

Firstly, translating the many characters of the Thor comic series is no easy feat. They all talk in a Shakespearean dialect, and have ridiculous costumes. The script though is fantastic. The Asgardian characters are still very bombastic, but when mixed with humans from Earth, it's becomes naturally comical. It doesn't feel corny, and somehow, it works very well.
As for the costumes, everyone just looks badass truth be told so hats off to the costume department.

Chris Hemsworth is the embodiment of Thor, and it's truly difficult to see anyone else in the role. He's charming, funny, and has just the right amount of god-like angst, and it's easy to see why he's become a firm favourite as the MCU has continued to expand.
The same goes for Tom Hiddleston as Loki. His portrayal of the God of Mischief is equal parts sinister, slimy, and sympathetic. He's the villain that you can't help but love and it's a testament to his performance that Loki has remained a mainstay in the MCU, a franchise that is often guilty of the one-and-done method when it comes to villains.
The cast is rounded out by a stellar lineup, including Natalie Portman, Anthony Hopkins, Rene Russo, Jaime Alexander, Stellan Skaragård, Idris Elba and even includes a bigger role for the always excellent Clark Gregg. This film also serves as the introduction of Jeremy Renner as Hawkeye, another MCU staple. It's a strong cast list without a doubt.

The action set pieces are all pretty fun, and the effects still just about hold up. I'd argue that Thor looks better than the first two Iron Man films in that respect. Asgard looks great as well.
Another thing I absolutely LOVE about Thor is the music score by Patrick Doyle. In terms of original orchestral music, it's probably by favourite within the MCU (possibly on par with Infinity War and Endgame) but it's fantastic, and gives me goosebumps every damn time I watch this movie

Thor is action packed, with a fantastic script and score, and a great cast with well fleshed out characters. Bringing Kenneth Branagh on board as director was a great choice, and overall, the film deserves way more love than it gets.
Ignoring the first Avengers movie, Thor is the crown jewel of phase one!
  
Transformers: The Last Knight (2017)
Transformers: The Last Knight (2017)
2017 | Action, Drama, Sci-Fi
Director Michael Bay is back with “Transformers” The Last Knight”, and even before the Paramount logo could fade; Bay’s trademark fire and explosions light up the screen. This is a big indication of what is to come as from the start we are bombarded with fire, explosions, and lots of slow motion shots of people being thrown about.

The film stars Mark Wahlberg as Cade Yeager who continues to try to help the Autobots despite being declared illegal for their destructive war with the Decepticons which has left a path of human death and destruction in its wake.

While Cade runs afoul of the government, he reluctantly helps those in need including a young girl named Izabella (Isabela Moner), who also has a soft spot for the kind Autobots.

The two warring factions are in a race to find a mythical object that they believe will restore they damaged home world but of course, will lay waste to the Earth in the process. One would say ok with this storyline we have enough to work with. Unfortunately the film keeps cramming in plot points and subplots that do not really go anywhere. We are introduced to characters that appear important and then vanish for most of the film without contributing much of any significance. The audience is also bombarded with a barrage of chases, action sequences and of course; fiery explosions after another but without anything in the form of suspense or excitement.

Sir Anthony Hopkins appears and for a few moments I had hopes that the film would start to be more coherent and gain some focus, but thanks to his erratic and annoying character and even more annoying robotic butler, the film almost becomes unwatchable. It was like watching a two-plus hour FX reel for people with short attention spans. The dialogue is groan inducing even for an action film and it seems as if every character can only say Sh*t when they are frustrated or stressed.

I do not expect a great plot, acting, or writing for a film based on a popular toy series but we have seen much better examples in the prior films.

It seems that Bay is so content to simply let the very impressive visuals of the film carry the day and things such as a plot, character development, and a brisker run time simply got in the way of his desire to blow more things up and fill each shot with as many FX sequences as possible regardless of how annoying they were and if they were needed at all.

I am not a Michael Bay basher as has a solid track record of success and you know what you are getting with him. But if the franchise is to move forward, it will need an infusion of fresh ideas and creativity as this was borderline unwatchable at points. The fans and the franchise deserve much better than this effort.

http://sknr.net/2017/06/20/transformers-last-knight/
  
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Rob Zombie recommended Dracula (1958) in Movies (curated)

 
Dracula (1958)
Dracula (1958)
1958 | Horror
7.8 (6 Ratings)
Movie Favorite

"""I could go on forever with the list, so I just picked five random ones, because I go through periods where I watch certain movies a lot. I don’t know why — I’ll get on a kick. I’ve been on a kick lately of watching Dracula, the 1931 version with Bela Lugosi, over and over and over and over. You know? I love everything from the ’30s. The 1930s is my absolute favorite time period for horror movies, because they were just so demented and sick. Sometimes you watch them and go, “Wow, they get away with a lot.” Then, of course, the codes came in and it ruined the party. When you watch movies from the 1940s, they seem so tame and so dry, but everything from the ’30s is just amazing. Lugosi in that film is so iconic, he doesn’t even seem like an actor giving a performance. Some of these people transcend to something else. It’s like Marilyn Monroe or something. They became something else. Sometimes people will make fun of his performance because of his accent, but he’s so… It’s so funny. I love watching him, because his performances are so unique. Sometimes there’s other people in the film — like David Manners, who’s like the lead, good-looking guy, and he’s so wooden and so 1930s-stiff acting, and Lugosi seems like Brando. You can see he’s so in it that when they yelled, “Cut!,” he didn’t cut. You can just see it. He’s so committed that his performance is funny, because it’s on such another level from anyone else in the film. Everybody in those movies back then, you watch them and it’s just — it’s that feeling like, “Eh, you know, even though they’re supposed to be boyfriend/girlfriend, husband/wife, they don’t [seem] like they’re having sex or something.” Lugosi seems like he wants to f— everything in the movie constantly. He just has that vibe. Really weird, man. You know? He does, essentially, I guess. Yeah, he does. He’s just not tame. I don’t know, maybe because he was Hungarian or whatever, he just has a different way of approaching, but he does not have that “uptight American actor from the ’30s” vibe at all. He just steals every moment. Not just him; Dwight Frye as Renfield is amazing. It’s funny — actors seem like they don’t want to do these types of movies, but as soon as you play a villain in something that’s like a horror movie, that’s what you’re going to be remembered for. Even if Anthony Hopkins won an Oscar for whatever — Remains of the Day or Howard’s End or I can’t even remember what it was — he’s Hannibal Lecter. Doesn’t matter if Jack Nicholson won an Oscar for Cuckoo’s Nest or whatever; he’s Jack Torrance. It’s so funny, these roles are just so — they stick."""

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Thor (2011)
Thor (2011)
2011 | Action, Drama, Sci-Fi
Chris Hemsworth as Thor Tom Hiddleston as Loki The Action sequences The score Kenneth Branagh's direction (0 more)
Natalie Portman as Jane Thor and Jane's romance Darcy( The jar jar binks of the MCU) (0 more)
Two worlds, One hero
Thor is presented with a difficult challenge - believably incorporating a god into the Marvel Cinematic Universe that has already been established. This task falls to director Kenneth Branagh, who devotes sufficient time to both Asgard, Thor's (Chris Hemsworth) home realm, and Earth, where he is exiled to. Asgard is depicted through a heavy use of special effects which creates a sense of wonder, but the story is steeped in relatable familial issues. When Thor disobeys his father, Odin (Anthony Hopkins), he is cast to Earth as a mortal. His hammer, Mjolnir, is the source of his powers, and it is also sent to Earth to await someone worthy enough to wield such power.

Most superhero movies spend a large amount of time introducing their hero to their superpower, and then invest yet more time discovering the full potential of this power. In the case of Thor, this is reversed. He begins the film a powerful god and is then stripped of such a gift, forced to learn to live without such capabilities. It is here that the film really shines, as Thor attempts to adapt to life on Earth. He is not accustomed to human ways, and this fish out of water scenario is wisely played for laughs.

Of course, this being a superhero movie means a love interest is required to be drafted in. Enter Jane Foster (Natalie Portman), an astrophysicist who discovers Thor. She is accompanied by her mentor, Dr. Erik Selvig (Stellan Skarsgård), and her assistant, Darcy Lewis (Kat Dennings). They all become entangled with S.H.I.E.L.D, who have previously been glimpsed in Iron Man (2008), The Incredible Hulk (2008), and Iron Man 2 (2010). Throughout this series of films it has been evident that there is something larger at play, and with Thor this bigger picture begins to come into sharper focus.

Thor's brother Loki (Tom Hiddleston) is presented as the villain, but he mostly stays in the shadows and pulls the strings of others to do his fighting. This results in less CGI-laden battles but a stronger character-based story. Thor strikes a pleasing balance between plot and spectacle, effectively setting up a likeable hero and an interesting big bad. However, with most of the Earth-based action set in a small town in New Mexico, the threat never feels particularly palpable.

I was skeptical but intrigued by Thor, and Branagh does do a marvellous job of incorporating myth and legend into the Marvel Cinematic Universe. I would have liked to see Kat Dennings given a meatier role to play, but that minor quibble aside Thor is a highly enjoyable superhero movie. Chris Hemsworth is great as Thor, delivering in both the heroics and comedy and Loki played by Tom Hiddelston is a fantastic villian. Sadly, the film doesn't quite rise to the bar set by Iron Man, but it does come impressively close.