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Darren (1599 KP) rated Anti-Social (2015) in Movies

Jul 2, 2019  
A
Anti-Social (2015)
2015 | Drama
4
4.0 (1 Ratings)
Movie Rating
Story: Anti-Social starts as we meet street artist Dee (Sulkin), his model girlfriend Kirsten (Markle) and his armed robber brother Marcus (Myers) who has been making the headlines for all the wrong reasons now. Dee is about to be given motivation from Philip (Berkel) who sees his potential as an artist, while Marcus is getting deeper into the world of crime.

Dee is given the chance to escape the rough streets of crime, only to find himself being caught in the middle of the drug war his brother has started in the streets of London.

 

Thoughts on Anti-Social

 

Characters – Dee is a street artist in London, think of him like the Banksy of the local era. His art work has grabbed the attention of many with his big opportunity coming his way, when his brother gets into trouble, he is forced to balance his own future for his brother’s. Marcus is part of an armed robbery gang that are terrorising London, he has rivals from both sides of the law which has put him in the middle of a drug war, he never asks his brother to help him. Kirsten is the model girlfriend of Dee’s, she is an American that isn’t used to the world Dee is from, she doesn’t do much else other than support Dee. Philip is the man from the art world that could easily make Dee’s life better and is willing to make this happen.

Performances – Gregg Sulkin in the leading role is solid enough, we see his difficult life decision being made well enough, though he does lack that true charisma for a leading role. Meghan Markle is the biggest draw for this film now because of her royal status, only she is completely wasted here, given next to nothing to do. Josh Myers gives us a character which only leaves us hating his character, this is something you will see from nearly all of the criminal side of this film.

Story – The story here follows two brothers whose lives are going in very different directions only for the one that is about to escape, needing to return to criminal world where he must make up for his brother’s error. The way this story is told feels very messy, the idea that the street artist getting a bring break is simple and effective along with the idea that he could be made to make a decision about his future. It is the time spent with the criminal brother, we gain no sympathy for him or his crew, we learn nothing about why they are committing these crimes doesn’t help. The number of gangs also isn’t shown in anyway to make us truly understand the world we are living in and while the final act does have tension, it seems to come from the wrong reasoning.

Crime – The crime world we enter in this film is gangs and robbers, we focus on one young man about to leave this world, who gets dragged back into it after his brother’s action, it shows how in London people are willing to just commit crimes for the fun of it.

Settings – The film is set in London and shows us just where the criminals will act to try and make a living from hurting other people.


Scene of the Movie – The airport.

That Moment That Annoyed Me – No sympathy for the criminals.

Final Thoughts – This is a messy crime movie which only ends up making you not care about the characters like it should.

 

Overall: Messy and drags along.
  
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Billie Wichkan (118 KP) rated The Shadow Reigns (Witch-Hunter, #2) in Books

May 22, 2019  
The Shadow Reigns (Witch-Hunter, #2)
The Shadow Reigns (Witch-Hunter, #2)
K.S. Marsden | 2013
10
10.0 (1 Ratings)
Book Rating
The second part of the Witch-Hunter series.

The world has been thrown into darkness by the Shadow Witch's revolution. The witch-hunters are scattered, but still strong. The race is now on to gather allies and win the war.
New enemies will arise; loyalties will be pushed to the limit. And an important question will be answered: can a witch-hunter that practices magic ever be trusted, or will he be persecuted?
It is said that 'love conquers all', but this twisted love must stay secret, locked away with the past.

The Shadow Reigns is the sequel to book 1 The Shadow Rises in K.S. Marsden’s the witch hunter trilogy.
In the second instalment of the Witch-Hunter trilogy we find the world dealing with the catastrophic aftermath of the witches’ revolution. The remaining witch-hunters and the army form an alliance to plot the downfall of the powerful Shadow Witch and her followers.
I really like what the author has done with the plot twists in this one.
Hunter is embracing his newly realized anti-magic abilities. Hunter and his companions are searching for MMC survivors.
I found this one witty but also gritty.
The characters are so engaging and can just picture them in my mind.
The story and plot so well done and kept me on the edge of my seat!
Loved also the descriptive imagery of the landscape and also the magic.
Such a wonderful book.
Highly recommend reading!

I received a free copy of this book via Booksprout and am voluntarily leaving a review.
  
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Gaspar Noe recommended An Andalusian Dog (1929) in Movies (curated)

 
An Andalusian Dog (1929)
An Andalusian Dog (1929)
1929 | Fantasy, Horror
7.0 (1 Ratings)
Movie Favorite

"I’m obsessed with 2001: A Space Odyssey, but I’m not jealous of the director who directed it because it was so much work. I’m sure he was working 20 hours a day for five years, with the very best people he could find on this planet to create a cathedral of cinema. The movie is a cathedral itself. And also when you read about how the reception to the movie was, how much he suffered, everybody was picking on the movie besides the young audience, that you don’t envy Kubrick. You envy his talent. But if there’s one director that I really envy, it’s Buñuel. I wish I was in his head when he had shown the movie he co-directed with Salvador Dali, because it’s just a short movie, a 17-minute movie, but that still is his most famous movie after a huge career of fabulous movies. And it’s the first movie that I know that really used the language of dreams and nightmares. The opening scene of the movie, of the short film, with Bunuel cutting the eye of a woman — even if the close-up, they replaced the eye of the woman by the eye of a cow — is so shocking that I wish I could have been in the audience, if I could not be behind Bunuel. If I could see the reaction, I’m sure there’s never people turning more crazy in the history of cinema, than the first audience that that movie had. Really it was not as banned as his first feature, L’Age d’Or, that was more anti-religious than this one. But yeah, there’s so many documentaries about the Second World War, about the First World War, about the things that happened in the trench, but why didn’t anybody film the opening day, or that first premiere of Un Chien Andelou? I’m sure that it was a general state of shock. And the movie is so beautiful, so political, that it’s a real piece of art. There’s not many directors you can consider as artists. Of course, Kubrick’s like an architect, the most famous architect in the history of cinema, but as a poet or painter, Bunuel is an artist. Also, he was co-directing a movie with Salvador Dali, which makes sense. You can say Kennith Anger is an artist. But there are not many filmmakers that you can consider artists."

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