"I have been collecting Criterion Collection DVDs almost as long as I have owned a DVD player,” writes Alex Ross Perry, the director of Impolex (2009), The Color Wheel (2011), and Listen Up Philip (2014). “These are not my top ten favorite films in the Criterion Collection but my top ten favorite Criterion Collection DVD purchases. This is virtually impossible. My entire apartment has pockets of Criterion DVDs everywhere, and I am forced to just go with my gut and pick ten that shaped my ideas of cinema, meant a lot to me, and I can’t imagine not owning and having access to whenever I desire"

"I have been collecting Criterion Collection DVDs almost as long as I have owned a DVD player,” writes Alex Ross Perry, the director of Impolex (2009), The Color Wheel (2011), and Listen Up Philip (2014). “These are not my top ten favorite films in the Criterion Collection but my top ten favorite Criterion Collection DVD purchases. This is virtually impossible. My entire apartment has pockets of Criterion DVDs everywhere, and I am forced to just go with my gut and pick ten that shaped my ideas of cinema, meant a lot to me, and I can’t imagine not owning and having access to whenever I desire"

"I have been collecting Criterion Collection DVDs almost as long as I have owned a DVD player,” writes Alex Ross Perry, the director of Impolex (2009), The Color Wheel (2011), and Listen Up Philip (2014). “These are not my top ten favorite films in the Criterion Collection but my top ten favorite Criterion Collection DVD purchases. This is virtually impossible. My entire apartment has pockets of Criterion DVDs everywhere, and I am forced to just go with my gut and pick ten that shaped my ideas of cinema, meant a lot to me, and I can’t imagine not owning and having access to whenever I desire"

"I have been collecting Criterion Collection DVDs almost as long as I have owned a DVD player,” writes Alex Ross Perry, the director of Impolex (2009), The Color Wheel (2011), and Listen Up Philip (2014). “These are not my top ten favorite films in the Criterion Collection but my top ten favorite Criterion Collection DVD purchases. This is virtually impossible. My entire apartment has pockets of Criterion DVDs everywhere, and I am forced to just go with my gut and pick ten that shaped my ideas of cinema, meant a lot to me, and I can’t imagine not owning and having access to whenever I desire"

"I have been collecting Criterion Collection DVDs almost as long as I have owned a DVD player,” writes Alex Ross Perry, the director of Impolex (2009), The Color Wheel (2011), and Listen Up Philip (2014). “These are not my top ten favorite films in the Criterion Collection but my top ten favorite Criterion Collection DVD purchases. This is virtually impossible. My entire apartment has pockets of Criterion DVDs everywhere, and I am forced to just go with my gut and pick ten that shaped my ideas of cinema, meant a lot to me, and I can’t imagine not owning and having access to whenever I desire"

"I have been collecting Criterion Collection DVDs almost as long as I have owned a DVD player,” writes Alex Ross Perry, the director of Impolex (2009), The Color Wheel (2011), and Listen Up Philip (2014). “These are not my top ten favorite films in the Criterion Collection but my top ten favorite Criterion Collection DVD purchases. This is virtually impossible. My entire apartment has pockets of Criterion DVDs everywhere, and I am forced to just go with my gut and pick ten that shaped my ideas of cinema, meant a lot to me, and I can’t imagine not owning and having access to whenever I desire"

"I have been collecting Criterion Collection DVDs almost as long as I have owned a DVD player,” writes Alex Ross Perry, the director of Impolex (2009), The Color Wheel (2011), and Listen Up Philip (2014). “These are not my top ten favorite films in the Criterion Collection but my top ten favorite Criterion Collection DVD purchases. This is virtually impossible. My entire apartment has pockets of Criterion DVDs everywhere, and I am forced to just go with my gut and pick ten that shaped my ideas of cinema, meant a lot to me, and I can’t imagine not owning and having access to whenever I desire"