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Mike Birbiglia recommended Big (1988) in Movies (curated)
Lyndsey Gollogly (2893 KP) rated Bewitched on Bourbon Street (Jade Calhoun #7) in Books
Aug 11, 2019
Loved it!
Jade loves her new apartment--until a ghost joins her in the shower.
When empath Jade Calhoun moves into an apartment above a strip bar on Bourbon Street, she expects life to get interesting. What she doesn't count on is making friends with an exotic dancer, attracting a powerful spirit, and developing feelings for Kane, her sexy landlord.
Being an empath has never been easy on Jade's relationships. It's no wonder she keeps her gift a secret. But when the ghost moves from spooking Jade to terrorizing Pyper, the dancer, it's up to Jade to use her unique ability to save her. Except she'll need Kane's help--and he's betrayed her with a secret of his own--to do it. Can she find a way to trust him and herself before Pyper is lost?
<strong>Loved it</strong>
I for one loved this book. It was funny , spooky full of eye candy both male and female. It was just fun to read. I enjoy reading books when the main female role has a backbone and Made has just that! Supported by some very strong characters.
⭐⭐⭐⭐⭐ Recommended

When empath Jade Calhoun moves into an apartment above a strip bar on Bourbon Street, she expects life to get interesting. What she doesn't count on is making friends with an exotic dancer, attracting a powerful spirit, and developing feelings for Kane, her sexy landlord.
Being an empath has never been easy on Jade's relationships. It's no wonder she keeps her gift a secret. But when the ghost moves from spooking Jade to terrorizing Pyper, the dancer, it's up to Jade to use her unique ability to save her. Except she'll need Kane's help--and he's betrayed her with a secret of his own--to do it. Can she find a way to trust him and herself before Pyper is lost?
<strong>Loved it</strong>
I for one loved this book. It was funny , spooky full of eye candy both male and female. It was just fun to read. I enjoy reading books when the main female role has a backbone and Made has just that! Supported by some very strong characters.
⭐⭐⭐⭐⭐ Recommended

Mark @ Carstairs Considers (2346 KP) rated Dark Pursuit in Books
Mar 9, 2018
Darrell Brooks, the best selling "King of Suspense," is struggling to write his 100th book after an accident stole his ability to concentrate. But he's going to need all his mental powers when his estranged granddaughter finds a body in her apartment and suspects her boyfriend, a cop, put it there. I loved this Christian thriller. The characters were good, but the character development at the end was a little abrupt.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2013/04/book-review-dark-pursuit-by-brandilyn.html">Carstairs Considers</a>.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2013/04/book-review-dark-pursuit-by-brandilyn.html">Carstairs Considers</a>.
Sharon Horgan recommended Rosemary's Baby (Rosemary's Baby, #1) in Books (curated)
Omari Hardwick recommended Clash Of The Titans (1981) in Movies (curated)
Leanne Crabtree (480 KP) rated Carter Reed (Carter Reed, #1) in Books
Jan 12, 2021
I think this is my fourth book by the author and i know she writes some crazy things but i really struggled with this. I didn't get her justification behind the killing of the mafia guy at the beginning. Why not just hit him over the head with something hard and heavy? Why go hunt out the gun hidden in the apartment?
Oh, well. DNF @ 26%
I felt nothing for the characters or the storyline just because i didnt understand her reasoning behind the above incident.
Not for me.
Oh, well. DNF @ 26%
I felt nothing for the characters or the storyline just because i didnt understand her reasoning behind the above incident.
Not for me.
Merissa (12911 KP) created a post
Jun 6, 2020 (Updated Jun 6, 2020)
BankofMarquis (1832 KP) rated Rear Window (1954) in Movies
May 14, 2020
Perfect Match of Director and Material
1954's REAR WINDOW is my favorite of all of the Alfred Hitchock films. So when it came time to expose my college-aged children to the works of "the Master of Suspense", it was a "no-brainer" as to which film it would be.
And...they loved it.
Starring "everyman" Jimmy Stewart and the always fabulous Grace Kelly, REAR WINDOW tells the tale of photographer L.B. Jefferies (Stewart) who is laid up in his New York apartment with a broken leg. His only means of entertainment is looking out of the "rear window" of his apartment into the courtyard - and the other apartments (and the people) therein.
This is a treatise on voyeurism and the pairing of this material with a master of film like Hitchcock is a marriage made in heaven. He sets up most of the movie so you are viewing the events as though you are Jefferies - confined to his apartment. Each apartment around the courtyard are their own little viewing boxes. He does a neat, subtle trick in this film. When he pans counter-clockwise, he is just browsing the apartments (like channel surfing on TV). When he pans clockwise - or goes straight to an apartment - he is focusing on that place/story. More often than not, the scenes in the apartments that Jefferies is looking at is mirroring what is going on in the relationship between Stewart and Kelly - sometimes with a sinister undertone. As always, Hitchcock ratchets up the suspense in a way only he can - focusing on a mundane item/thing until it becomes malevolent. This could have easily been a boring/static film, but in Hitchcock's capable hands, there is movement aplenty and the film flows beautifully.
As for the performances, Stewart has never been better as the audience stand-in/everyman who goes from charming scamp just snatching peeks of his neighbors to "peeping-tom" voyeur who is intruding in the private lives of his fellow courtyard denizens. Grace Kelly is just radiant in the way Hitchcock photographs her and in the way that all-time great costumer Edith Head dresses her. She is perfectly made-up and costumed to make her "the most beautiful woman in the world". But...what caught me in this viewing was how good of an acting job she does in this film. In previous viewings I was swept up in the look and feel of the actress. This time, I was taken in by the character and she became the one in this film I was rooting for. Well...either Grace Kelly or the great character actress Thelma Ritter as insurance nurse (and willing accomplice) Stella. She almost steals the movie from the two leads...almost.
All of the elements at play in this film work - acting, costuming, scenic design, cinematography and script - all wrapped up by a Master Director at the top of his game.
If you only watch one Alfred Hitchock film, make it REAR WINDOW. You'll be glad you did.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
And...they loved it.
Starring "everyman" Jimmy Stewart and the always fabulous Grace Kelly, REAR WINDOW tells the tale of photographer L.B. Jefferies (Stewart) who is laid up in his New York apartment with a broken leg. His only means of entertainment is looking out of the "rear window" of his apartment into the courtyard - and the other apartments (and the people) therein.
This is a treatise on voyeurism and the pairing of this material with a master of film like Hitchcock is a marriage made in heaven. He sets up most of the movie so you are viewing the events as though you are Jefferies - confined to his apartment. Each apartment around the courtyard are their own little viewing boxes. He does a neat, subtle trick in this film. When he pans counter-clockwise, he is just browsing the apartments (like channel surfing on TV). When he pans clockwise - or goes straight to an apartment - he is focusing on that place/story. More often than not, the scenes in the apartments that Jefferies is looking at is mirroring what is going on in the relationship between Stewart and Kelly - sometimes with a sinister undertone. As always, Hitchcock ratchets up the suspense in a way only he can - focusing on a mundane item/thing until it becomes malevolent. This could have easily been a boring/static film, but in Hitchcock's capable hands, there is movement aplenty and the film flows beautifully.
As for the performances, Stewart has never been better as the audience stand-in/everyman who goes from charming scamp just snatching peeks of his neighbors to "peeping-tom" voyeur who is intruding in the private lives of his fellow courtyard denizens. Grace Kelly is just radiant in the way Hitchcock photographs her and in the way that all-time great costumer Edith Head dresses her. She is perfectly made-up and costumed to make her "the most beautiful woman in the world". But...what caught me in this viewing was how good of an acting job she does in this film. In previous viewings I was swept up in the look and feel of the actress. This time, I was taken in by the character and she became the one in this film I was rooting for. Well...either Grace Kelly or the great character actress Thelma Ritter as insurance nurse (and willing accomplice) Stella. She almost steals the movie from the two leads...almost.
All of the elements at play in this film work - acting, costuming, scenic design, cinematography and script - all wrapped up by a Master Director at the top of his game.
If you only watch one Alfred Hitchock film, make it REAR WINDOW. You'll be glad you did.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Dean (6927 KP) rated Slasher - Season 3 in TV
Dec 11, 2020
Feels low budget (2 more)
Poor acting
Predictable
Disappointing
I waited a long time to see this, as it only recently became available on UK Netflix. The first 2 series were great and felt like very good Slasher films and were done well as a series.
This is no where near as good though sadly. Low budget, mainly filmed in a small apartment block. The story isn't as good and becomes fairly predictable by about the 5 episode. It felt like a bit of a slog to finish even at 8 episodes. Stick to the first 2 series.
This is no where near as good though sadly. Low budget, mainly filmed in a small apartment block. The story isn't as good and becomes fairly predictable by about the 5 episode. It felt like a bit of a slog to finish even at 8 episodes. Stick to the first 2 series.
JT (287 KP) rated Rec 3: Genesis (2012) in Movies
Mar 10, 2020
If you enjoyed the success of the first two [Rec] films in which a reporter and camera crew where stuck in a apartment block over run with flesh eating tenants as a result of a strange virus then you’ll probably still enjoy this. The sequel followed on after the events of the first film and for this the location has changed from apartment block to a glamorous Spanish wedding.
The opening twenty minutes are shot from the viewpoint of a handheld camera by one of the guests as well as the occasional cut shot to the official wedding videographer. For Clara (Leticia Dolera) and Koldo (Diego Martín) this is the happiest day of their lives and we witness everything from the arrival of the guests, service and the wedding breakfast. The film then suddenly turns on its head when one of the guests starts showing the signs of a strange illness, then the shit hits the fan.
The handheld camera shot is abruptly dropped in a neat edit that adds in the title sequence, although we still get glimpses of flesh eating carnage from security cameras scattered around the venue. Clara and Koldo the pair are separated amidst all the mayhem and they have to fight their way back together, how romantic.
The first film’s apartment block location had the effectiveness of delivering high tension in a relatively enclosed and tight space, with Génesis the location is more vast and so at times it doesn’t feel as gripping, given also that some of the occurances happen in broad daylight.
Once the film gets going the gore is ramped up a few more levels, and when Clara turns into some sort of bridezilla complete with ripped wedding dress and chainsaw any more scares are lost in the comedy of death scenes for the unlucky few who choose to get in her way. It is certainly not the best of the three but it offers enough to keep the connections of the story-line going, perhaps even for one more film?
The opening twenty minutes are shot from the viewpoint of a handheld camera by one of the guests as well as the occasional cut shot to the official wedding videographer. For Clara (Leticia Dolera) and Koldo (Diego Martín) this is the happiest day of their lives and we witness everything from the arrival of the guests, service and the wedding breakfast. The film then suddenly turns on its head when one of the guests starts showing the signs of a strange illness, then the shit hits the fan.
The handheld camera shot is abruptly dropped in a neat edit that adds in the title sequence, although we still get glimpses of flesh eating carnage from security cameras scattered around the venue. Clara and Koldo the pair are separated amidst all the mayhem and they have to fight their way back together, how romantic.
The first film’s apartment block location had the effectiveness of delivering high tension in a relatively enclosed and tight space, with Génesis the location is more vast and so at times it doesn’t feel as gripping, given also that some of the occurances happen in broad daylight.
Once the film gets going the gore is ramped up a few more levels, and when Clara turns into some sort of bridezilla complete with ripped wedding dress and chainsaw any more scares are lost in the comedy of death scenes for the unlucky few who choose to get in her way. It is certainly not the best of the three but it offers enough to keep the connections of the story-line going, perhaps even for one more film?