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Isn't It Romantic (2019)
Isn't It Romantic (2019)
2019 | Comedy, Romance
A slightly self-aware rom-com (yet still a rom-com)
Isn't it Romantic is a self-aware pseudo re-telling of the Bridget Jones' Diary plot. Perennial walkover Natalie (Rebel Wilson) fawns over hunky douche-bag men, while missing the decent, down-to-earth man who clearly has feelings for her. Told from an early age by her mum (a brief, wasted appearance by Jennifer Saunders) that she isn't good enough for fairy tale romance and she shouldn't expect it, Natalie is a huge critic of Rom-Coms and hates their cheesy plots. A bump on the head sees her waking up in a fantasy version of New York where men fall at her feet and she has the apartment of her dreams and a new gay best friend. Finding herself in the plot of her own rom-com, she ends up dating the aforementioned hunky douche-bag while the decent, down-to-earth guy dates a swimwear model.
Some laugh-out-loud moments from here on, as her annoyance at the ridiculous cheesy world she's found herself in. Something similar to Disney Channel's Teen Beach Movie (which I don't mind admitting I love!), but with more adult themes.
But in the end the film lets itself down by falling into the trap of the typical rom-com plot. It nearly saves itself and serves as a good, feminist message but then lets itself down in the dying minutes by reverting to type.
A good funny rom-com but not necessarily the anti-rom-com it bills itself as. Watched with my wife and 11-year-old daughter, it is mostly fine for that age.
  
REC (2007)
REC (2007)
2007 | Horror
9
7.5 (13 Ratings)
Movie Rating
There is a real sense of realism, immediacy and threat to everything in this film. The special effects are all physical. The violence and gore is guttural and intense, and the film uses every one of its 78 minutes to make you sweat. (0 more)
A little predictable at times (0 more)
28 Days Later in a stairwell
Possibly one of my favourite films, REC has everything that makes 28 days later such a monster of a movie, but it doubles down on claustrophobia and adds in the found footage aspect too, which makes the action just seem all the more immediate and in-your-face.

They do a great job of putting the viewer right there in the film, the performances feel genuine, and before long you are just along for the ride, the cameraman being your eyes and ears into a world when the infected become aggressive, murderous and frenetic, and the survivors are trapped inside an apartment building with no means of escape and no way to adequately defend themselves.

The film is paced marvelously, establishing its rules quickly, and without the need for huge amounts of clumsy exposition, and then begins an ebb and flow between periods of character recovery, followed by frantic action as the infected threaten to overwhelm the survivors.

There is just such a genuine and earnest feel to this film, reminiscent of Texas Chainsaw Massacre in the way that the glossy sheen common to well made movies is not present, and in its place is something which feels visceral, full of flawed but realistic characters.

If you like 28 days later or train to Busan, this is a must see.
  
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Andy K (10823 KP) rated Zoo (2018) in Movies

Oct 19, 2019  
Zoo (2018)
Zoo (2018)
2018 | Comedy, Drama, Horror
Saving your marriage or zombie apocalypse?
I have to admit being new to the world of British cinema (since I live in the US) so those extreme British accents are still a struggle for me at times (especially when you guys talk so fast!). I have to admit to even putting subtitles on a few times so I could get all the words.

Interesting premise of this film and the recommendation from a friend to watch.

How would you feel if a zombie infestation began right while your marriage was on the rocks? Which would be your priority to correct?

This young couple grapples with this exact issue and it is relatively successful. They spend time disagreeing with each other and moping about in their flat since they cannot go outside without having to deal with infected hoards trying to devour them. They begin having meaningful dialogue and then they get a knock at their door. A random couple ask if they can come and hide within to remove themselves from danger and are obliged. They immediately become a nuisance asking for provisions which are already in short supply and to "borrow a toothbrush"? I thought that was funny.

Their stay at the apartment is short, but long enough to have the couple start to unite themselves against their new house guests. After their departure, the couple becomes more intimate and work on their relationship before even more unwanted guests arrive.

The dialogue was a bit corny at times, but worked overall. I enjoyed the fresh take on the zombie genre. If romantic comedy zombie horror is a new sub genre I'm all in.

  
Lost Light (Harry Bosch #9)
Lost Light (Harry Bosch #9)
Michael Connelly | 2003 | Crime, Fiction & Poetry
10
8.8 (6 Ratings)
Book Rating
Bosch Shines Light on a Cold Case
It's been several months since Harry Bosch retired from his job as a homicide detective in Los Angeles. He's attempting to adjust to life as a civilian, but he can't resist when another former cop mentions a cold case they'd both worked on. Angella Benton was strangled in the entrance to her apartment building. Just as Bosch was beginning to investigate, the heist of two million dollars from a movie set gave the case a bigger profile, and the robbery homicide division took it over. Four years later, the murder remains unsolved and the money has not been found. But Bosch has barely begun poking into it again before he is warned off. Is someone still interested in this case? Can Bosch solve it without his badge to open doors for him?

I enjoyed seeing Bosch working without his badge, overcoming the added obstacle of not having any official business looking into this case. While he may not be a cop, we still did get cameos by many of the series regulars, and it was great to check in with them. The characters are strong as always, with Bosch leading the pack. I was surprised to find that this book was narrated first person, something I always enjoy. I hadn't run across that in a Harry Bosch book yet. The case itself was gripping with plenty of twists and turns to keep us engaged up until the end. I listened to the audio version narrated by Len Cariou, who does a great job except for one character. Fortunately, that character isn't a major player in the action of the book.