"I suppose this is another more upbeat song. I feel like I can remember it from one of those Best of the ‘80s compilations from when I was a teenager, but unlike a lot of the songs from that era, it has a lot of real lived experience and heart to it. “Although these songs are in chronological order, this had an influence on me when we were touring with Klaxons in 2007. At the end of the tour I stayed in New York to write on my own for a few weeks. I’d read that Mike Scott from The Waterboys was living on the East Side, and I would walk around that area every day listening to “The Whole of the Moon” hoping I’d bump into him. Which I never did, unfortunately. “I love the story behind this track. Essentially, one night Mike Scott had been out drinking and he met this girl. As he walked her back to her apartment, he told her he was a songwriter and she said “Well, then write me a song now.” He looked up at the sky and there was a half crescent of the moon, and he wrote the first half of this song on the walk home, just to impress this girl. I was so blown away by the romance of that. “I would sit on this bench at a dog park and think ‘How do I summon that greatness in a song.’ A few days before I flew home, I wrote “Two Doors Down”, sat on that bench in that dog park. And I feel I’ve got Mike Scott to thank for that."

"Reverend Maceo Woods was really the way I discovered gospel music. I was in the Bahamas recording with Talking Heads, the first album I did with them [More Songs About Buildings And Food] and I used to listen to the radio in my little apartment I had there before we started recording, and I'd tune into these distant mainland American stations and one morning I tuned into this song, which was called 'Surrender To The Wheel'. I thought, ""Wow! What does that mean?"" and those words kept going round in my head, it sounded so sort of Inquisition and medieval or on the other hand, cosmic. Surrender to the cosmic wheel of things. Anyway, I didn't record the song but I could remember the chorus, so I remember going into shops singing it to people and finally someone said, ""Oh, that's not 'surrender to the wheel', that's 'surrender to His will'!"" [repeats in affected accent] ""His weeyill!"", and that's how I bought this album. I loved this album so much, and in particular this one singer on it, this voice that just drove me insane. That was was Doris Sykes. So after buying all the Reverend Maceo Woods albums I could get – and they weren't that easy to get – I started thinking that, really, the thing was Doris Sykes, that was what I was interested in. She has this real insane vibrato, it's just dizzy, kind of mad. It's like somebody who is completely gone [laughs]. Something that you only ever hear in Gospel music really, and in early rock & roll you hear it sometimes as well."