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A dystopian document thriller. The award-winning, critically-acclaimed border inspector game, now...
Open Mind (Kink Chronicles #1)
8.0
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At twenty-eight, Jamie Gray has realized his dream of becoming a traveling nurse. After years of...
BDSM MM Contemporary Romance
A Terrible Country
Book
When Andrei Kaplan’s older brother Dima insists that Andrei return to Moscow to care for their...
Melting For You (Neighborhood Shindig #1)
8.5
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After his father’s heart attack, Isaiah Morrell gave up cooking in his own high-end Atlanta...
Contemporary MM Romance
The Dragon Berserker's Mate (Bad Dragon's Bride, #2)
10.0
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The big bad dragon doesn’t play nice, even with a little ray of sunshine. Guarding her, easy....
Paranormal Romance Dragons Series Standalone
Silent Partner (Fox Hollow Zodiac #3)
8.0
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A psychic moose shifter. A handsome guy who is psychically silent. The chance for a fresh start, and...
Debbiereadsbook (1611 KP) rated Sloane's List in Books
Dec 19, 2023
high on the cute scale!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Sloane is now an empty nester, after sending her 18 year old daughter off to college. She has a list of ten things she wants to do. She just needs a man to help her. Enter Oscar. He meets her the day before Paige goes off, and is smitten from then on. But Oscar is younger than Sloane, and has a bit of a reputation. What's a girl to do, eh?
Bar one thing, and I will come back to that, I loved this!
It's a really easy read, and I mean that in a very VERY good way.
There were some plot lines I did not see coming, so well played there, but the penny did drop really fast! And some coming at ya like a freaking freight train, and there was nothing anyone could do to stop it. But I loved that! Sometimes, it really is lovely to see it all laid out for you.
It's not overly explicit, and I loved that here, for these two. I was expecting it to be, for some reason, and I loved being proven wrong about what I needed to read at this point in time.
Fairly low on the angst scale, but high on the cute scale and scorching on the warm and fuzzy scale!
I loved that we got to hear from both Sloane and Oscar, but also from Paige (Sloane's daughter) Alex (Oscar's brother) and the mother hen in the apartment complex, Auntie Ernie.
So, what didn't I like? Simple. First person, present tense AND multi point of view. In fact, I very VERY nearly dumped this, once I saw how it was written. So very VERY glad I didn't!
I haven't read anything by this author before, and I think I'd like to read something with a bit more bite.
But still, a very VERY good, 4 star read.
*same worded review will appear elsewhere
Sloane is now an empty nester, after sending her 18 year old daughter off to college. She has a list of ten things she wants to do. She just needs a man to help her. Enter Oscar. He meets her the day before Paige goes off, and is smitten from then on. But Oscar is younger than Sloane, and has a bit of a reputation. What's a girl to do, eh?
Bar one thing, and I will come back to that, I loved this!
It's a really easy read, and I mean that in a very VERY good way.
There were some plot lines I did not see coming, so well played there, but the penny did drop really fast! And some coming at ya like a freaking freight train, and there was nothing anyone could do to stop it. But I loved that! Sometimes, it really is lovely to see it all laid out for you.
It's not overly explicit, and I loved that here, for these two. I was expecting it to be, for some reason, and I loved being proven wrong about what I needed to read at this point in time.
Fairly low on the angst scale, but high on the cute scale and scorching on the warm and fuzzy scale!
I loved that we got to hear from both Sloane and Oscar, but also from Paige (Sloane's daughter) Alex (Oscar's brother) and the mother hen in the apartment complex, Auntie Ernie.
So, what didn't I like? Simple. First person, present tense AND multi point of view. In fact, I very VERY nearly dumped this, once I saw how it was written. So very VERY glad I didn't!
I haven't read anything by this author before, and I think I'd like to read something with a bit more bite.
But still, a very VERY good, 4 star read.
*same worded review will appear elsewhere
Debbiereadsbook (1611 KP) rated Demon's Obsession (Obsessions #1) in Books
Oct 9, 2024
Silas' tre makes for some fun times!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is the start of a new series by these 2 authors, and I have to say, very different from the Tangled Tentacles and I loved that it is!
Silas goes to town once a week to sing. He can only manage short times away from his tree and the forest, being a dryad. Dakata is a demon, living in the human world, managing music acts. Dakata's demon reacts to Silas, making Dak aware that his Blissful One is near. But others are against the mating. And danger looms.
I just gotta mention the cover! When I got my copy, it didn't have a cover, and I only saw the cover AFTER I read it. It fits, perfectly! The scene it's taken from? Comes over exactly like the cover! Love it!!
I loved this, I really did. It's a bit different, with Silas being a dryad. He is bonded to a tree, and cannot be far from it. The tree talks to Silas, but also is able to move freely. Which makes for some fun times, especially when Dak is near and they get down and dirty! Phew!! Dak's demon talks to the tree too.
I liked that the danger was simple jealousy. No complicated plot with twist and turns to follow. I even liked the way Dak's demon dealt with that threat.
So, I have a couple of questions!
Will Wanda get a book? I mean, she has three trees she is bonded to, will she get three partners?
Will Dougal and George get stories too?? I loved these two and hope they do.
And just who is the goat, in dak's apartment that kicks Merihem in the nuts??!!
It's a little bit out there, but Sayle is becoming a master at the out there troupe!
Loved it, can't wait for more!
5 full and shiny stars.
*same worded review will appear elsewhere
This is the start of a new series by these 2 authors, and I have to say, very different from the Tangled Tentacles and I loved that it is!
Silas goes to town once a week to sing. He can only manage short times away from his tree and the forest, being a dryad. Dakata is a demon, living in the human world, managing music acts. Dakata's demon reacts to Silas, making Dak aware that his Blissful One is near. But others are against the mating. And danger looms.
I just gotta mention the cover! When I got my copy, it didn't have a cover, and I only saw the cover AFTER I read it. It fits, perfectly! The scene it's taken from? Comes over exactly like the cover! Love it!!
I loved this, I really did. It's a bit different, with Silas being a dryad. He is bonded to a tree, and cannot be far from it. The tree talks to Silas, but also is able to move freely. Which makes for some fun times, especially when Dak is near and they get down and dirty! Phew!! Dak's demon talks to the tree too.
I liked that the danger was simple jealousy. No complicated plot with twist and turns to follow. I even liked the way Dak's demon dealt with that threat.
So, I have a couple of questions!
Will Wanda get a book? I mean, she has three trees she is bonded to, will she get three partners?
Will Dougal and George get stories too?? I loved these two and hope they do.
And just who is the goat, in dak's apartment that kicks Merihem in the nuts??!!
It's a little bit out there, but Sayle is becoming a master at the out there troupe!
Loved it, can't wait for more!
5 full and shiny stars.
*same worded review will appear elsewhere
Gareth von Kallenbach (980 KP) rated Dredd (2012) in Movies
Aug 7, 2019
The mid 90’s was a strange time for movies. Sure, there were quite a few remembered fondly (just like with any era) but there were also many movies that are forgotten due to their ridiculousness. It was a time that gave us the style of adaptions on par with Alien 3 and Alien Resurrection, or the two Joel Schumacher Batman films. Likewise, there was a Judge Dredd film right in the middle of that time period.
It was a mess. It exemplified everything wrong with many adaptions in the 90’s. Big name actors, over-the-top designs, cheesy dialogue. It tried very hard to be akin to the original Total Recall but instead succeeded at only being a movie fun to laugh at. It featured Sylvester Stallone and Rob Schneider. That is all that needs to be said about that film. So, when Hollywood comes along and decides to make a new adaption, of course the original’s ridiculousness looms over the whole affair. Not helping is the fact that most of the cast and crew are relatively obscure, and its source material (the Judge Dredd comics) is not as well-known as most of Marvel’s or DC’s pantheon. Yet, this brand new adaption, Dredd 3D, soars much higher than the original and manages to be one of those well-hidden gems of Fall 2012. I don’t imagine this film breaking box office records, but it is a wholly worthwhile piece of screen entertainment, even if it has some notable flaws and is overshadowed by past outings in the franchise.
The future America is an irradiated waste land known as the Cursed Earth. On the east coast of North America lies Mega-City One, a vast, violent metropolis containing 800 million residents, where 17,000 crimes are reported daily and “Slo-Mo”, an addictive new drug that slows the user’s perception of time, has been introduced. The only force of order is the Judges, who act as police, judge, jury and executioner. Judge Dredd (Karl Urban) is tasked by the Chief Judge (Rakie Ayola) with evaluating rookie Judge Cassandra Anderson (Olivia Thirlby), a psychic who has failed the tests to become a full Judge. They become involved in a raid upon a crime and Slo-Mo ridden apartment complex known as Peach-Trees, which is ruled by a vicious crime boss Ma-Ma (Lena Heady).
You can guess from the title that the movie is meant to be watched in 3D. But that is where personal opinions of 3D come into play. For me personally, I cannot ding the film’s use of 3D because it uses it well enough that it becomes unnoticeable, which is to say it does not obnoxiously remind you at all times it is meant to be watched in 3D by throwing random things at the camera. But I will say that, although somewhat gimmicky, the “Slo-Mo” segments (which are shot from the perspective of those on the mind-altering drug ‘Slo-Mo’) do use 3D very well and manage to be some of the most visually striking and beautiful shots in the entire film.
The plot is simple to understand and straight forward. There are not huge twists and turns, and manages to be tightly written. It is not extremely memorable for plot standards, but it does not need to be. The story is held up by focusing on three major characters, which some good additional characterization of two more side characters. In that sense, the plot and characters do not pop off the screen into greatness, yet they are still tightly written enough that both elements (plot and characters) are not muddled or confusing. The simple plot, and the fact it all takes place in one apartment complex, makes it easier to focus on action and visuals.
While the visuals are all extremely well-done, the action could use some work. The setting of Mega-City One is extremely well established, as opposed to the original Judge Dredd adaption. It seems like it could be a real place not far off in the future, as it is set up with a realistic visual design – just with added grittiness and subtle science fictional elements. Also, there is not a huge amount of CG and the Judge uniforms especially look like iconic yet possibly realistic futuristic police suits. But the action could use some work, as stated. I could not help but constantly compare it to the recently released film, “The Raid: Redeption”, the Indonesian martial arts police film centering on a single police raid on an apartment complex. The similarities are there.
Both movies have very similar locations and plots, but the difference is that while Dredd has more interesting setting and science fiction elements (and arguably more interesting characters), The Raid: Redemption’s action is far more entertaining and engrossing. The real problem with Dredd is that there are never any real amazing feats of heroics on part of Judge Dredd. They set up the film in a sort of “’Die Hard’ in the future vibe” but that requires the hero to barely overcome overwhelming odds. As it stands, it never really feels like Judge Dredd is in a ton of danger. There are some cool shooting moments, and some even more interesting usage of Judge Anderson’s psychic powers. But at the end of the day, there simply are not many memorable action moments.
Overall, it does not ruin the film at all. It still manages to be an entertaining and interesting movie regardless of memorable action sequences. It has a tightly plotted narrative with fairly well done characters, not muddled by overuse of complexity or plot twists. It manages to be visually excellent with interesting science fictional elements, but never does it soar with its action set-pieces. It would have benefitted with some better use of gunplay or more clever feats of heroics on Judge Dredd’s part. But at least it takes itself seriously enough to not have anything akin to Rob Schneider following Sylvester Stallone around in a cheesy script.
It was a mess. It exemplified everything wrong with many adaptions in the 90’s. Big name actors, over-the-top designs, cheesy dialogue. It tried very hard to be akin to the original Total Recall but instead succeeded at only being a movie fun to laugh at. It featured Sylvester Stallone and Rob Schneider. That is all that needs to be said about that film. So, when Hollywood comes along and decides to make a new adaption, of course the original’s ridiculousness looms over the whole affair. Not helping is the fact that most of the cast and crew are relatively obscure, and its source material (the Judge Dredd comics) is not as well-known as most of Marvel’s or DC’s pantheon. Yet, this brand new adaption, Dredd 3D, soars much higher than the original and manages to be one of those well-hidden gems of Fall 2012. I don’t imagine this film breaking box office records, but it is a wholly worthwhile piece of screen entertainment, even if it has some notable flaws and is overshadowed by past outings in the franchise.
The future America is an irradiated waste land known as the Cursed Earth. On the east coast of North America lies Mega-City One, a vast, violent metropolis containing 800 million residents, where 17,000 crimes are reported daily and “Slo-Mo”, an addictive new drug that slows the user’s perception of time, has been introduced. The only force of order is the Judges, who act as police, judge, jury and executioner. Judge Dredd (Karl Urban) is tasked by the Chief Judge (Rakie Ayola) with evaluating rookie Judge Cassandra Anderson (Olivia Thirlby), a psychic who has failed the tests to become a full Judge. They become involved in a raid upon a crime and Slo-Mo ridden apartment complex known as Peach-Trees, which is ruled by a vicious crime boss Ma-Ma (Lena Heady).
You can guess from the title that the movie is meant to be watched in 3D. But that is where personal opinions of 3D come into play. For me personally, I cannot ding the film’s use of 3D because it uses it well enough that it becomes unnoticeable, which is to say it does not obnoxiously remind you at all times it is meant to be watched in 3D by throwing random things at the camera. But I will say that, although somewhat gimmicky, the “Slo-Mo” segments (which are shot from the perspective of those on the mind-altering drug ‘Slo-Mo’) do use 3D very well and manage to be some of the most visually striking and beautiful shots in the entire film.
The plot is simple to understand and straight forward. There are not huge twists and turns, and manages to be tightly written. It is not extremely memorable for plot standards, but it does not need to be. The story is held up by focusing on three major characters, which some good additional characterization of two more side characters. In that sense, the plot and characters do not pop off the screen into greatness, yet they are still tightly written enough that both elements (plot and characters) are not muddled or confusing. The simple plot, and the fact it all takes place in one apartment complex, makes it easier to focus on action and visuals.
While the visuals are all extremely well-done, the action could use some work. The setting of Mega-City One is extremely well established, as opposed to the original Judge Dredd adaption. It seems like it could be a real place not far off in the future, as it is set up with a realistic visual design – just with added grittiness and subtle science fictional elements. Also, there is not a huge amount of CG and the Judge uniforms especially look like iconic yet possibly realistic futuristic police suits. But the action could use some work, as stated. I could not help but constantly compare it to the recently released film, “The Raid: Redeption”, the Indonesian martial arts police film centering on a single police raid on an apartment complex. The similarities are there.
Both movies have very similar locations and plots, but the difference is that while Dredd has more interesting setting and science fiction elements (and arguably more interesting characters), The Raid: Redemption’s action is far more entertaining and engrossing. The real problem with Dredd is that there are never any real amazing feats of heroics on part of Judge Dredd. They set up the film in a sort of “’Die Hard’ in the future vibe” but that requires the hero to barely overcome overwhelming odds. As it stands, it never really feels like Judge Dredd is in a ton of danger. There are some cool shooting moments, and some even more interesting usage of Judge Anderson’s psychic powers. But at the end of the day, there simply are not many memorable action moments.
Overall, it does not ruin the film at all. It still manages to be an entertaining and interesting movie regardless of memorable action sequences. It has a tightly plotted narrative with fairly well done characters, not muddled by overuse of complexity or plot twists. It manages to be visually excellent with interesting science fictional elements, but never does it soar with its action set-pieces. It would have benefitted with some better use of gunplay or more clever feats of heroics on Judge Dredd’s part. But at least it takes itself seriously enough to not have anything akin to Rob Schneider following Sylvester Stallone around in a cheesy script.
Lucy Buglass (45 KP) rated Shoplifters (Manbiki Kazuko) (2018) in Movies
Jun 20, 2019
Last month I had the opportunity to attend a screening of Shoplifters, following its huge success at this year’s Cannes Film Festival. The film was written and directed by Hirokazu Kore-eda, and follows a large, multi-generational family who are living on the brink of poverty. They live in a cramped, very basic apartment in the heart of Tokyo, where those able to work all band together in a desperate attempt to keep the family sheltered and fed.
As the title suggests, some members are petty criminals and frequently shoplift from local supermarkets and convienience stores in order to survive. It’s become a talent in the family, passed down from father to son and almost feels like a bonding exercise when you witness the way they work together. The family leads a simple life, justifying their actions by telling themselves if the theft doesn’t bankrupt the store owner, then they can survive without the items they took. It’s a way of clearing their conscience and seems to work very well. Osamu and and his son, Shota are the major players in the art of shoplifting, and are literally partners in crime.
Their lives change when they encounter Yuri, a young child who is outside in the freezing cold and looks malnourished. Despite the fact they already have too many mouths to feed, Osamu makes the decision to take her home and give her food and shelter. It soon becomes clear that Yuri has suffered abuse, based on the marks on her arm and her very quiet and timid behaviour. They decide to keep her as part of the family, fearing for her wellbeing.
This decision makes life even harder for the family as they have to evade the police both when shoplifting, and when going out in public with Yuri, as she soon becomes a missing person. This selfless act forms the rest of the film, resulting in a gorgeous 2 hours of cinema.
I was completely blown away by Shoplifters and its intimate portrayal of family life. As the film progressed, I found myself bonding with the characters as an audience member. I enjoyed seeing them on screen and going with them as they went about their daily lives. Each character has so much depth, their own wants and desires and their own secrets, to the point where they feel real. It could have easily been a documentary based on how close we are to the subjects, and how much we learn from them. Their character development is just stunning, and events in the third act left me in a stunned silence as we discover some harsh truths about the family.
The visual style varies from scene to scene, switching from clean and clinical streets to the cramped, messy apartment and back again. We are given a well-rounded and contrasting look at Japan’s capital and the people that live in it. The family have next to nothing but their bond is strong, doing everything they can to keep each other happy and healthy. We see them enjoying a day at the beach and watching the fireworks, activities that are both free and a lot of fun. The film certainly places a strong focus on life’s simple pleasures, and gives you a sense of gratitude throughout. Though harrowing in places, the happier moments radiate from the screen and leave you smiling to yourself because of how beautiful and convincing they are. It’s truly an emotional rollercoaster.
I have never seen a film quite like Shoplifters and though its pacing is slow, the bonds between characters and the deep exploration of their lives is enough to keep you glued to the screen throughout. It is certainly deserving of its Cannes win, because of its deep, thorough and complex exploration of family life. It will warm your heart and break it soon after, leaving you wanting to stay in their lives by the time the credits roll. This is a must-see.
https://lucygoestohollywood.com/2018/11/25/my-thoughts-on-the-2018-palme-dor-winning-film-shoplifters/
As the title suggests, some members are petty criminals and frequently shoplift from local supermarkets and convienience stores in order to survive. It’s become a talent in the family, passed down from father to son and almost feels like a bonding exercise when you witness the way they work together. The family leads a simple life, justifying their actions by telling themselves if the theft doesn’t bankrupt the store owner, then they can survive without the items they took. It’s a way of clearing their conscience and seems to work very well. Osamu and and his son, Shota are the major players in the art of shoplifting, and are literally partners in crime.
Their lives change when they encounter Yuri, a young child who is outside in the freezing cold and looks malnourished. Despite the fact they already have too many mouths to feed, Osamu makes the decision to take her home and give her food and shelter. It soon becomes clear that Yuri has suffered abuse, based on the marks on her arm and her very quiet and timid behaviour. They decide to keep her as part of the family, fearing for her wellbeing.
This decision makes life even harder for the family as they have to evade the police both when shoplifting, and when going out in public with Yuri, as she soon becomes a missing person. This selfless act forms the rest of the film, resulting in a gorgeous 2 hours of cinema.
I was completely blown away by Shoplifters and its intimate portrayal of family life. As the film progressed, I found myself bonding with the characters as an audience member. I enjoyed seeing them on screen and going with them as they went about their daily lives. Each character has so much depth, their own wants and desires and their own secrets, to the point where they feel real. It could have easily been a documentary based on how close we are to the subjects, and how much we learn from them. Their character development is just stunning, and events in the third act left me in a stunned silence as we discover some harsh truths about the family.
The visual style varies from scene to scene, switching from clean and clinical streets to the cramped, messy apartment and back again. We are given a well-rounded and contrasting look at Japan’s capital and the people that live in it. The family have next to nothing but their bond is strong, doing everything they can to keep each other happy and healthy. We see them enjoying a day at the beach and watching the fireworks, activities that are both free and a lot of fun. The film certainly places a strong focus on life’s simple pleasures, and gives you a sense of gratitude throughout. Though harrowing in places, the happier moments radiate from the screen and leave you smiling to yourself because of how beautiful and convincing they are. It’s truly an emotional rollercoaster.
I have never seen a film quite like Shoplifters and though its pacing is slow, the bonds between characters and the deep exploration of their lives is enough to keep you glued to the screen throughout. It is certainly deserving of its Cannes win, because of its deep, thorough and complex exploration of family life. It will warm your heart and break it soon after, leaving you wanting to stay in their lives by the time the credits roll. This is a must-see.
https://lucygoestohollywood.com/2018/11/25/my-thoughts-on-the-2018-palme-dor-winning-film-shoplifters/