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Dork_knight74 (881 KP) created a post
Jun 29, 2018
Movie Metropolis (309 KP) rated X-Men: Apocalypse (2016) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Another case of threequel-itis
“At least we can agree the third one is always the worst” barks a young Jean Grey in X-Men: Apocalypse. And whilst the film stays well away from the poor efforts of Spider-Man 3 and The Last Stand, there’s more truth to that statement here than director Bryan Singer would want you to believe.
X-Men: Apocalypse picks up after the events of its brilliant predecessor, Days of Future Past, as mutants and humans continue to live alongside each other, not necessarily in peace – but not in war either.
The film begins with an introduction to our titular villain, played by Oscar Issac, in Cairo as he aims to recruit four followers – the four horsemen of the apocalypse if you will. Soon after, the audience is whisked away to a more familiar sight, Charles Xavier’s school for gifted youngsters.
After the awakening of Oscar Issac’s villain, and his recruitment of Storm, Magneto, Angel and Psylocke, the X-Men must unite to save humans and mutants alike from being destroyed.
The majority of the ‘younger’ cast return in this instalment with some exciting, and some not so exciting additions. Game of Thrones’ Sophie Turner joins the series as Jean Grey, channelling Famke Janssen reasonably well. Kodi Smit-McPhee is fantastic as Nightcrawler and Tye Sheridan finally does away with James Marsden’s whiney Cyclops.
Apocalypse belongs to Evan Peters and Quicksilver. As with Days of Future Past, he brings the screen to life and as with its predecessor, stars in the film’s standout sequence. However, in an effort to improve on what came before it, the writers have tried too hard to make it bigger and better – the finished product lacks finesse with some poorly finished CGI detracting from the overall effect.
Elsewhere, Michael Fassbender is the perfect man to play Magneto but James McAvoy remains miscast as Charles Xavier. It’s only once he loses his hair that we start to see the character he should’ve been right from the beginning. Jennifer Lawrence finally gets into her groove as Mystique after failing to make an impact in First Class and Days of Future Past.
The story is a little underdeveloped, especially after the great writing brought to life in Captain America: Civil War. Despite constantly being told about the stakes never being higher, it doesn’t really feel like anything awful is going to happen. This is, in part, not helped by Apocalypse being a little bit of a wet lettuce when it comes to superhero villains.
Unfortunately, the abundance of CGI only hampers the film further. There is far too much green screen and certain scenes feel unbelievable as a result. The finale in particular is incredibly underwhelming and becomes an ugly mix of special effects.
There’s a problem with the pacing too. After spending nearly an hour introducing the audience to the new mutants; Apocalypse takes a scalpel to the ending with, well the results you’d expect. It’s choppily edited and hastily stitched back together
Nevertheless, this is not a bad film. For the most part, it’s exciting, well-acted, nicely choreographed and beautifully shot with exotic locations brilliantly juxtaposed with the lush landscape of Xavier’s school.
Overall, X-Men: Apocalypse falls some way short of the standard set by its predecessor. In yet another case of threequel-itis, the film is hampered by an underdeveloped story, poor pacing and a ridiculous amount of CGI. Bigger isn’t always better, and unfortunately, this is the case here.
https://moviemetropolis.net/2016/05/20/another-case-of-threequel-itis-x-men-apocalypse-review/
X-Men: Apocalypse picks up after the events of its brilliant predecessor, Days of Future Past, as mutants and humans continue to live alongside each other, not necessarily in peace – but not in war either.
The film begins with an introduction to our titular villain, played by Oscar Issac, in Cairo as he aims to recruit four followers – the four horsemen of the apocalypse if you will. Soon after, the audience is whisked away to a more familiar sight, Charles Xavier’s school for gifted youngsters.
After the awakening of Oscar Issac’s villain, and his recruitment of Storm, Magneto, Angel and Psylocke, the X-Men must unite to save humans and mutants alike from being destroyed.
The majority of the ‘younger’ cast return in this instalment with some exciting, and some not so exciting additions. Game of Thrones’ Sophie Turner joins the series as Jean Grey, channelling Famke Janssen reasonably well. Kodi Smit-McPhee is fantastic as Nightcrawler and Tye Sheridan finally does away with James Marsden’s whiney Cyclops.
Apocalypse belongs to Evan Peters and Quicksilver. As with Days of Future Past, he brings the screen to life and as with its predecessor, stars in the film’s standout sequence. However, in an effort to improve on what came before it, the writers have tried too hard to make it bigger and better – the finished product lacks finesse with some poorly finished CGI detracting from the overall effect.
Elsewhere, Michael Fassbender is the perfect man to play Magneto but James McAvoy remains miscast as Charles Xavier. It’s only once he loses his hair that we start to see the character he should’ve been right from the beginning. Jennifer Lawrence finally gets into her groove as Mystique after failing to make an impact in First Class and Days of Future Past.
The story is a little underdeveloped, especially after the great writing brought to life in Captain America: Civil War. Despite constantly being told about the stakes never being higher, it doesn’t really feel like anything awful is going to happen. This is, in part, not helped by Apocalypse being a little bit of a wet lettuce when it comes to superhero villains.
Unfortunately, the abundance of CGI only hampers the film further. There is far too much green screen and certain scenes feel unbelievable as a result. The finale in particular is incredibly underwhelming and becomes an ugly mix of special effects.
There’s a problem with the pacing too. After spending nearly an hour introducing the audience to the new mutants; Apocalypse takes a scalpel to the ending with, well the results you’d expect. It’s choppily edited and hastily stitched back together
Nevertheless, this is not a bad film. For the most part, it’s exciting, well-acted, nicely choreographed and beautifully shot with exotic locations brilliantly juxtaposed with the lush landscape of Xavier’s school.
Overall, X-Men: Apocalypse falls some way short of the standard set by its predecessor. In yet another case of threequel-itis, the film is hampered by an underdeveloped story, poor pacing and a ridiculous amount of CGI. Bigger isn’t always better, and unfortunately, this is the case here.
https://moviemetropolis.net/2016/05/20/another-case-of-threequel-itis-x-men-apocalypse-review/
Domonique (0 KP) rated The Girl with All the Gifts in Books
May 12, 2018
I liked the story. It was a different take on a zombie apocalypse if you will and I liked that we not only got an adult's perspective but a child's as well. I liked seeing the world through Melanie's eyes and seeing how a kid who's been sheltered from the world can view things differently and have a unique outlook on how she should behave.
The Craggus (360 KP) rated Bird Box (2018) in Movies
Feb 5, 2019
It's the blind leading the blind in Netflix's post-partum apocalypse thriller Bird Box (2018) #Review
What if “The Happening” but actually, you know, pretty good? That seems to be the starting point for “Bird Box”, an apocalyptic horror from producer/ star Sandra Bullock and director Susanne Bier, adapted from Josh Malerman’s novel by screenwriter Eric Heisserer (“Arrival”, “Lights Out”)...
FULL REVIEW: http://bit.ly/CraggusBirdBox
FULL REVIEW: http://bit.ly/CraggusBirdBox
Danny Boyle recommended Apocalypse Now (1979) in Movies (curated)
Rachel Maria Berney (114 KP) rated Z Nation - Season 1 in TV
Dec 4, 2018
If you are running out of zombie apocalyps options, watch this
I love an apocalyptic film or tv series, I love a good zombie one best. After the The Walking Dead, not much lives up to expectations, falling far short of what I now expect and want in a zombie apocalypse.
Z-nation doesn't fall short. It even adds a new take, humour. I like the way they have merged the zombie horror, end of the world scenario with humour. It's not a heavy sprikling of jokes either, it's interweaved into the whole story line. That way you can still have the drama of the apocalypse without the humour making it less real, less able for you to be drawn into.
This is for all The Walking Dead fans that are looking to fill the mid season gap and gaps between seasons. You won't be dissapointed.
Z-nation doesn't fall short. It even adds a new take, humour. I like the way they have merged the zombie horror, end of the world scenario with humour. It's not a heavy sprikling of jokes either, it's interweaved into the whole story line. That way you can still have the drama of the apocalypse without the humour making it less real, less able for you to be drawn into.
This is for all The Walking Dead fans that are looking to fill the mid season gap and gaps between seasons. You won't be dissapointed.
Eve Oxspring (14 KP) rated This Savage Song (Monsters of Verity, #1) in Books
Aug 24, 2018
Character development (2 more)
Plot
Concept
Savage
This is such an original idea. The novel is set in a post apocalypse of sorts, where violent acts create physical monsters that terrorise a divided city. I've never read anything like it before; it was brilliantly written, and left me wanting more from the characters (I'm just starting on the sequel, and can't wait to see what August and Kate are up to now!).
Matthew Fox recommended Apocalypse Now (1979) in Movies (curated)
Glen Banyard (13 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 9, 2019
Action scenes (1 more)
Story
Underwhelming end to the arc
So after X-Men First Class we got Days of Future Past, which led to Apocalypse, and now Dark Phoenix, While the first three were good entertaining movies, and even though Apocalypse wasn't the strongest it still entertained, and the came Darl Phoenix, which is sadly and wholly underwhelming 1 hour 54 minutes.
Sophie Turner should have shined in the film, the performance felt stilted and in place, painful to watch, the knock on effect from this, you feel no empathy for Jean Grey.
One scene is more laughable than tense when Jean/Dark Phoenix with with Erik/Magneto.
As the house of mouse now owns Fox I suspect a reboot may not be as far away with, on general, Disney / Marvel knowing how to do a great superhero movie.
The best bot about this film ? the badges you can get at Frankie and Benny's
Sophie Turner should have shined in the film, the performance felt stilted and in place, painful to watch, the knock on effect from this, you feel no empathy for Jean Grey.
One scene is more laughable than tense when Jean/Dark Phoenix with with Erik/Magneto.
As the house of mouse now owns Fox I suspect a reboot may not be as far away with, on general, Disney / Marvel knowing how to do a great superhero movie.
The best bot about this film ? the badges you can get at Frankie and Benny's
