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FAR: Lone Sails
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In FAR, the player controls the driver of a large vehicle and explores a massive dried ocean bed in...
Contributor (Contributor, #1)
7.0
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Book
From a bestselling author, book 1 of the ya dystopian/ya post apocalyptic Contributor trilogy.When...
Trail of Lightening
8.3
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While most of the world has drowned beneath the sudden rising waters of a climate apocalypse,...
Urban Fantasy Post Apocalyptic Mythology Native American
Phil Leader (619 KP) rated Heart of Darkness in Books
Nov 14, 2019
This book is undoubtedly most famous today for being the story behind the film Apocalypse Now and really comparisons between the two are inevitable.
The story itself is a story within a story, being related by a sailor on a ship while it is waiting at anchor in the Thames estuary. To pass the time he tells his crewmates of the time he spent several years previously working for a trading consortium in Africa, piloting a boat to the trading station up river to pick up ivory.
His manager is wary of the man who runs the trading station - Mr Kurtz. He believes he is ultimately after his job. It is clear that Kurtz is a very talismanic and polarising figure, some hating him and others talking about him as if he is some sort of deity. The narrator cannot wait to meet him but suffers many delays (including having to repair his boat) before he can set off up river. By the time he does the weight of expectation and anticipation has created his own expectations of what he will find. But what will the reality be?
This is s slim volume, and to be honest a slim plot. But the brilliance is in the telling of the story. Conrad carefully evokes the feeling of the oppressive heat and frustration of not being able to head up the river. But once underway the jungle closes in and is claustrophobic and full of mystery and hidden dangers. The attraction is not in the tale itself but in the way it is told.
By the time the trading post is reached the expectations of Kurtz have been raised in the reader as much as in the narrator and events unfold in an unexpected direction.
As with Apocalypse Now the journey up the river is everything and the eventual destination looms until it consumes the characters and dictates their actions.
A word of caution about the language used. The 'N' word is frequently used and sometimes in a derogatory manner so if this offends it is best to avoid.
Overall, a diverting read and a masterclass in using descriptions to set the tone for the reader. But probably not essential.
The story itself is a story within a story, being related by a sailor on a ship while it is waiting at anchor in the Thames estuary. To pass the time he tells his crewmates of the time he spent several years previously working for a trading consortium in Africa, piloting a boat to the trading station up river to pick up ivory.
His manager is wary of the man who runs the trading station - Mr Kurtz. He believes he is ultimately after his job. It is clear that Kurtz is a very talismanic and polarising figure, some hating him and others talking about him as if he is some sort of deity. The narrator cannot wait to meet him but suffers many delays (including having to repair his boat) before he can set off up river. By the time he does the weight of expectation and anticipation has created his own expectations of what he will find. But what will the reality be?
This is s slim volume, and to be honest a slim plot. But the brilliance is in the telling of the story. Conrad carefully evokes the feeling of the oppressive heat and frustration of not being able to head up the river. But once underway the jungle closes in and is claustrophobic and full of mystery and hidden dangers. The attraction is not in the tale itself but in the way it is told.
By the time the trading post is reached the expectations of Kurtz have been raised in the reader as much as in the narrator and events unfold in an unexpected direction.
As with Apocalypse Now the journey up the river is everything and the eventual destination looms until it consumes the characters and dictates their actions.
A word of caution about the language used. The 'N' word is frequently used and sometimes in a derogatory manner so if this offends it is best to avoid.
Overall, a diverting read and a masterclass in using descriptions to set the tone for the reader. But probably not essential.
LeftSideCut (3778 KP) rated Anna and the Apocalypse (2018) in Movies
Sep 4, 2020
Honestly struggled to get on board with this one.
I generally don't like musicals (with a couple of exceptions) and Anna and the Apocalypse certainly doesn't change my mind in that respect, but everything surrounding fell a bit flat for me as well.
For one, none of the characters are remotely likable, apart from Anna herself. By the time people start getting chowed on, it's hard to care. It takes its time building up, treating us all to four full forgettable songs before anything properly kicks off, and when it does it's all a bit meh.
In terms of zombie action, it's not the worst I've ever seen, but it's one of those films that likes to cut away instead of showing off any decent effects.
The music itself is just quite bland. It's certainly going for a Glee type feel with what it's doing, so for me personally it's just a huge miss. I'm sure there are plenty out there who enjoy Glee, and therefore will probably get something out of the music on show here which is fine, just not for me.
There's one scene to be fair, where Anna leaves her house with her headphones in, completely unaware of the carnage unfolding around her whilst singing. This bit was actually pretty entertaining and amusing, and I wouldn't be surprised if this is the scene that set off the whole idea process.
The film can't quite decide what genre it's going for however. Is it a musical, is it a zombie horror, is it a Christmas movie? I'm sure the advertising campaign would have you think it's all three, but it just doesn't do any of them justice. Most of the jokes fall flat - I will admit that I audibly laughed once during the whole thing...
Ultimately, Anna and the Apocalypse ultimately draws comparisons with its more superior peers, such as Shaun of the Dead, but the truth it's no where as witty or groundbreaking. Since SOTD, the zombie comedy sub genre has been done to death, and these days, it takes something special to really stand out. This film takes a punt, and genuinely tries something new, but it's not executed well enough to rise above the pack.
I generally don't like musicals (with a couple of exceptions) and Anna and the Apocalypse certainly doesn't change my mind in that respect, but everything surrounding fell a bit flat for me as well.
For one, none of the characters are remotely likable, apart from Anna herself. By the time people start getting chowed on, it's hard to care. It takes its time building up, treating us all to four full forgettable songs before anything properly kicks off, and when it does it's all a bit meh.
In terms of zombie action, it's not the worst I've ever seen, but it's one of those films that likes to cut away instead of showing off any decent effects.
The music itself is just quite bland. It's certainly going for a Glee type feel with what it's doing, so for me personally it's just a huge miss. I'm sure there are plenty out there who enjoy Glee, and therefore will probably get something out of the music on show here which is fine, just not for me.
There's one scene to be fair, where Anna leaves her house with her headphones in, completely unaware of the carnage unfolding around her whilst singing. This bit was actually pretty entertaining and amusing, and I wouldn't be surprised if this is the scene that set off the whole idea process.
The film can't quite decide what genre it's going for however. Is it a musical, is it a zombie horror, is it a Christmas movie? I'm sure the advertising campaign would have you think it's all three, but it just doesn't do any of them justice. Most of the jokes fall flat - I will admit that I audibly laughed once during the whole thing...
Ultimately, Anna and the Apocalypse ultimately draws comparisons with its more superior peers, such as Shaun of the Dead, but the truth it's no where as witty or groundbreaking. Since SOTD, the zombie comedy sub genre has been done to death, and these days, it takes something special to really stand out. This film takes a punt, and genuinely tries something new, but it's not executed well enough to rise above the pack.
Thoughtful thriller
If a book has "apocalypse" somewhere, anywhere, in the description, I'm pretty much guaranteed to at least attempt to read it. The Polar ice caps are a bit of a buzzword (buzz phrase?) at the moment, and this centres around an impending environmental disaster. Business vs. Ecology.
In The Ice, everyone wants to exploit the land under what was once protected by ice. Tom and Sean both love the Arctic: Tom is an environmental campaigner, Sean is a businessman who wants to make lots of money and get a Knighthood. This follows the accident that causes Tom's death and the Coroners investigation that occurs three years after his death.
I loved the story and the characters were easy to like (or dislike!). I especially liked the little excerpts from the books written by Polar explorers at the beginning of each chapter. These were largely written by the trailblazers: the men who made the first journeys in to the arctic in the 19th and early 20th centuries. This was a lovely touch, I felt. Well worth reading.
In The Ice, everyone wants to exploit the land under what was once protected by ice. Tom and Sean both love the Arctic: Tom is an environmental campaigner, Sean is a businessman who wants to make lots of money and get a Knighthood. This follows the accident that causes Tom's death and the Coroners investigation that occurs three years after his death.
I loved the story and the characters were easy to like (or dislike!). I especially liked the little excerpts from the books written by Polar explorers at the beginning of each chapter. These were largely written by the trailblazers: the men who made the first journeys in to the arctic in the 19th and early 20th centuries. This was a lovely touch, I felt. Well worth reading.
Rickstrong23 (216 KP) rated X-Men: Apocalypse (2016) in Movies
Mar 3, 2018
I love the xmen as a small kid i used to read the comics over and over .ive seen all the xmen movies this one is not that great not terrible but not awesome apocalypse is one of there most powerful characters .the last few movies with the new cast i really liked .first class and the one where they go back n forth in time.i really liked psylocke storm and death angel .but honestly they could have done better.the special effects were good.idk it needs something new .dark phoenix should be good .i dont rember seeing wolverine rouge (who is my fav)ice man .but just like the comics they constantly come and go.if u like xmen you will like this movie.i wish i could write a xmen movie team up with say spiderman and a crazy villian like mestphito (spelt wrong sorry)and throw in a love story gambit and rouge collousis and kitty pryde.some thing to give the movie character and feeling.cant wait for the next one
_RainAllTheTime (17 KP) rated A Quiet Place (2018) in Movies
Jan 9, 2020
So I am very late into the game of watching this film and honestly, I'm so glad I did!
This film was not at all what I expecting.
Firstly, the whole film has only two short scenes of actual dialogue.
The film centres around a couple and their kids trying to survive in a post apocalyptic world with creatures that will eat you if you make a sound.
The creatures are blind but have supersonic hearing so will hear the littlest of sounds, even from very far away, and will devour anything in their path.
Even with the lack of dialogue, the film hits a very emotional punch, but honestly, the film doesn't need any dialogue as it already portrays the perfect atmosphere without them.
The family communicate through sign language, something I assume they knew post apocalypse, as their daughter is deaf.
Everyone in the film plays such great parts and conveys such raw emotions.
If you are a horror or even a thriller fan, I HIGHLY recommend this film.
This film was not at all what I expecting.
Firstly, the whole film has only two short scenes of actual dialogue.
The film centres around a couple and their kids trying to survive in a post apocalyptic world with creatures that will eat you if you make a sound.
The creatures are blind but have supersonic hearing so will hear the littlest of sounds, even from very far away, and will devour anything in their path.
Even with the lack of dialogue, the film hits a very emotional punch, but honestly, the film doesn't need any dialogue as it already portrays the perfect atmosphere without them.
The family communicate through sign language, something I assume they knew post apocalypse, as their daughter is deaf.
Everyone in the film plays such great parts and conveys such raw emotions.
If you are a horror or even a thriller fan, I HIGHLY recommend this film.
Coppola
Book
More than any other director, Francis Coppola exemplifies the drive and invention of modern American...
The Warrior-Prophet
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The first battle against the heathen has been won, but while the Great Names plot and squabble over...