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Ivana A. | Diary of Difference (1171 KP) rated The Tether (The ELI Chronicles, #2) in Books
Feb 3, 2020
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<b>The ELI Chronicles Series</b>
#1 <a href="https://www.goodreads.com/review/show/2387441859">The One and Only</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/2803361466">The Tether</a> - ★★★★
<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-19.png?resize=1024%2C576&ssl=1"/>;
<b><i>As soon as I read <a href="https://diaryofdifference.com/2018/05/29/the-one-and-only-julia-ash-book-review/">The One and Only, the first book of the ELI Chronicles,</a> I knew I had to finish the series. When Julia Ash reached out to me, letting me know the second book, The Tether, is available for review – I obviously jumped at the opportunity!M/i></b>
It took me a bit to get to it due to my busy schedule, but once I finally got my hands on The Tether and started reading it, I couldn’t put it down.
The Tether continues where the first book finished – Ruby managed to save the Earth from the ZOM-B disease and a possible zombie apocalypse, being the only person with a unique blood type that can provide a cure. And then she got turned to a vampire.
And when everything seems quiet, things are starting to escalate again. Ruby’s blood donors are from another planet, and one of the donors is the King of Darkness, an ancient vampire who is in search for food – animals and humans on Earth. And once again, it is up to Ruby to save the planet and her family. Only this time, she discovers she has way more power than she thought.
If you read my review on Book One, you will know I was confused and angry with how the first book ended. Right after a Zombie Apocalypse, we had a vampire ending. For a moment, I thought that once you start mixing too many things up, it can get confusing. But this series somehow manages to keep it all together, and it all logically makes sense. I just fear that perhaps people might not agree with me and find it confusing. I didn’t though.
Ruby, again, was my favourite character. She had to go through so much, and then learn to finally embrace it. She kept herself down on Earth, despite her power, and that made me like her even more. I also respect her so much for sacrificing herself for a greater cause, and always putting her family first!
<i><b>Clay, oh, Clay…</b></i>
We never got along buddy. But I couldn’t help but feel for Clay in this book, and he is slowly growing on me. He has to slowly age and then die, while his wife is immortal. Secretly, I hope he becomes a vampire too, so they can spend their eternity together, even though, let’s be honest, he won’t really bring anything much to the table. But I loved, how he sacrificed himself for his family, and stood up against bullies, even if they were immortal vampires.
I loved our main villain in this book – Zagan. For he had reasoning for everything he did, even though it was wrong. He had a purpose and a goal, and he did have a pinch of good inside him. But he also had evil, and that was never gonna change.
Interestingly enough, and a big no-surprise for me was the government. Their corruption and the depths that they were willing to go to reach their goal was scary – and very accurate to what actually is currently happening in the world. The fear is also represented, and how differently they react as soon as they see someone who has more power than them. Their thinking of making new people similar to this one case, that they could use for greater goals. This moment was captured in the book in a great way, as it is a great discussion point and a very painful subject at the same time for some people.
The new planet, new characters, new powers was an interesting switch within the book. I didn’t expect that at all, but I was pleasantly surprised with how it all fitted in. It was all well thought of, The Tether story, the tree, the blood connection with Ruby, the link between the planet and Earth, the concept of how people lived their belief of healing what they were hurting and keeping the balance. The one thing that confused me was the mentions of their heartbeats, as I thought vampire’s hearts don’t beat.
<b><i>I really enjoyed The Tether and it ended perfectly, getting us ready for the third book and Ruby’s next challenge. I highly recommend it – it is a real page-turner with incredible plot twists!
Thank you to the author, Julia Ash, for sending me a copy of The Tether, in exchange for an honest review!</i></b>
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<b>The ELI Chronicles Series</b>
#1 <a href="https://www.goodreads.com/review/show/2387441859">The One and Only</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/2803361466">The Tether</a> - ★★★★
<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-19.png?resize=1024%2C576&ssl=1"/>;
<b><i>As soon as I read <a href="https://diaryofdifference.com/2018/05/29/the-one-and-only-julia-ash-book-review/">The One and Only, the first book of the ELI Chronicles,</a> I knew I had to finish the series. When Julia Ash reached out to me, letting me know the second book, The Tether, is available for review – I obviously jumped at the opportunity!M/i></b>
It took me a bit to get to it due to my busy schedule, but once I finally got my hands on The Tether and started reading it, I couldn’t put it down.
The Tether continues where the first book finished – Ruby managed to save the Earth from the ZOM-B disease and a possible zombie apocalypse, being the only person with a unique blood type that can provide a cure. And then she got turned to a vampire.
And when everything seems quiet, things are starting to escalate again. Ruby’s blood donors are from another planet, and one of the donors is the King of Darkness, an ancient vampire who is in search for food – animals and humans on Earth. And once again, it is up to Ruby to save the planet and her family. Only this time, she discovers she has way more power than she thought.
If you read my review on Book One, you will know I was confused and angry with how the first book ended. Right after a Zombie Apocalypse, we had a vampire ending. For a moment, I thought that once you start mixing too many things up, it can get confusing. But this series somehow manages to keep it all together, and it all logically makes sense. I just fear that perhaps people might not agree with me and find it confusing. I didn’t though.
Ruby, again, was my favourite character. She had to go through so much, and then learn to finally embrace it. She kept herself down on Earth, despite her power, and that made me like her even more. I also respect her so much for sacrificing herself for a greater cause, and always putting her family first!
<i><b>Clay, oh, Clay…</b></i>
We never got along buddy. But I couldn’t help but feel for Clay in this book, and he is slowly growing on me. He has to slowly age and then die, while his wife is immortal. Secretly, I hope he becomes a vampire too, so they can spend their eternity together, even though, let’s be honest, he won’t really bring anything much to the table. But I loved, how he sacrificed himself for his family, and stood up against bullies, even if they were immortal vampires.
I loved our main villain in this book – Zagan. For he had reasoning for everything he did, even though it was wrong. He had a purpose and a goal, and he did have a pinch of good inside him. But he also had evil, and that was never gonna change.
Interestingly enough, and a big no-surprise for me was the government. Their corruption and the depths that they were willing to go to reach their goal was scary – and very accurate to what actually is currently happening in the world. The fear is also represented, and how differently they react as soon as they see someone who has more power than them. Their thinking of making new people similar to this one case, that they could use for greater goals. This moment was captured in the book in a great way, as it is a great discussion point and a very painful subject at the same time for some people.
The new planet, new characters, new powers was an interesting switch within the book. I didn’t expect that at all, but I was pleasantly surprised with how it all fitted in. It was all well thought of, The Tether story, the tree, the blood connection with Ruby, the link between the planet and Earth, the concept of how people lived their belief of healing what they were hurting and keeping the balance. The one thing that confused me was the mentions of their heartbeats, as I thought vampire’s hearts don’t beat.
<b><i>I really enjoyed The Tether and it ended perfectly, getting us ready for the third book and Ruby’s next challenge. I highly recommend it – it is a real page-turner with incredible plot twists!
Thank you to the author, Julia Ash, for sending me a copy of The Tether, in exchange for an honest review!</i></b>
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Connor Sheffield (293 KP) rated Star Wars: Episode IV - A New Hope (1977) in Movies
Apr 20, 2017
The beginning of an era that will last a life time (3 more)
Character
Special Effects
Movie Score that is highly recognizable
Han Shot First!!!
Star Wars...the movie no one believed would become anywhere close to the success it is today. Not even George Lucas believed it would be as big as it is, but that's the beauty of it.
Star Wars wasn't just the beginning of a new fandom, it was also the beginning of a new era for film itself. Skywalker Sound revolutionized special sound effects and and the CGI used in Star Wars (during it's original release) made directors like Steven Spielberg realise they can bring their dreams to life, such as the film Jurassic Park which then revolutionized film even further.
Introducing new and original characters such as Luke Skywalker, Princess Leia, Han Solo, Chewbacca, Darth Vader and so many more! The film introduced the strong female role model in what is actually a kid's film. Carrie Fisher portrayed Princess Leia and there has never been anyone quite as brilliant as her since, because at only 19 years old during the first film, she became an icon and one of the strongest woman on screen.
All 3 of the main cast went on to take on great roles. Mark Hamill is probably most famous for his voice over work in cartoon shows such as Batman the Animated series where he has become the most famous voice for The Joker, taking on the role multiple times including in the Batman Arkham video games. Harrison Ford went on to star in many famous roles in big blockbuster films such as Indiana Jones, Apocalypse Now, Blade Runner and many more. Carrie Fisher went on to star in When Harry Met Sally, Drop Dead Fred, and Scream 3.
The villain of the film quickly became one of the most badass and recognizable villains to ever appear on the big screen...Darth Vader! He was menacing, manipulative, and powerful.
The visuals of this film were incredible for the time, from the space battles to the lightsabers. Not to mention that a lot of the space ships, and the death star trench are all models with actual (mini) explosions.
Star Wars is so popular these days that it has been parodied and praised by countless other films, TV shows, sketches, art, porn and almost anything you can think of.
It even has a holiday after it 'May the 4th be with you' (May the force be with you), now known simply as May the 4th. Along with conventions and celebrations, Star Wars has become more of a way of life for a lot of people and not just a fandom.
Star Wars wasn't just the beginning of a new fandom, it was also the beginning of a new era for film itself. Skywalker Sound revolutionized special sound effects and and the CGI used in Star Wars (during it's original release) made directors like Steven Spielberg realise they can bring their dreams to life, such as the film Jurassic Park which then revolutionized film even further.
Introducing new and original characters such as Luke Skywalker, Princess Leia, Han Solo, Chewbacca, Darth Vader and so many more! The film introduced the strong female role model in what is actually a kid's film. Carrie Fisher portrayed Princess Leia and there has never been anyone quite as brilliant as her since, because at only 19 years old during the first film, she became an icon and one of the strongest woman on screen.
All 3 of the main cast went on to take on great roles. Mark Hamill is probably most famous for his voice over work in cartoon shows such as Batman the Animated series where he has become the most famous voice for The Joker, taking on the role multiple times including in the Batman Arkham video games. Harrison Ford went on to star in many famous roles in big blockbuster films such as Indiana Jones, Apocalypse Now, Blade Runner and many more. Carrie Fisher went on to star in When Harry Met Sally, Drop Dead Fred, and Scream 3.
The villain of the film quickly became one of the most badass and recognizable villains to ever appear on the big screen...Darth Vader! He was menacing, manipulative, and powerful.
The visuals of this film were incredible for the time, from the space battles to the lightsabers. Not to mention that a lot of the space ships, and the death star trench are all models with actual (mini) explosions.
Star Wars is so popular these days that it has been parodied and praised by countless other films, TV shows, sketches, art, porn and almost anything you can think of.
It even has a holiday after it 'May the 4th be with you' (May the force be with you), now known simply as May the 4th. Along with conventions and celebrations, Star Wars has become more of a way of life for a lot of people and not just a fandom.
Hazel (1853 KP) rated The Sunlight Pilgrims in Books
May 25, 2017
So boring
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Note: I did not finish reading this book.
It is winter 2020 and the world is facing the most extreme winter for over 200 years. Jenni Fagan’s The Sunlight Pilgrims explores the potential disastrous effects of climate change beginning with a new ice age set in the very near future, only four years away. With the North Atlantic drift slowing and temperatures around the world dropping to -40 degrees, the Earth’s inhabitants fear a pending apocalypse.
The story is largely set in Clachan Fells, a Scottish caravan park situated at the base of a group of mountains. Tin houses are not the most practical form of abodes for cold weather, let alone the worst snowstorms the world has ever seen. This is the situation the main characters of The Sunlight Pilgrims find themselves. Dylan MacRae has moved into a mobile home he did not know he owned until the recent death of his mother and soon makes friends with his neighbour Constance and her daughter Stella. Although only twelve years old Stella is more concerned about her identity than she is the fatal weather condition outside. Born a boy, Stella is uncomfortable in her body and struggles to get other people to accept that she is really a girl.
Surprisingly, the dystopian snow scene seems to be more of a backdrop to a different storyline featuring identity, family and romance. Dylan is a lonely man falling in love with the woman next door, however she is tied up with relationship problems of her own. Stella, whilst seemingly carefree, is desperate to be accepted for who she is and live a happy and secure life.
Jenni Fagan does an exceptional job of portraying the confusion, thoughts and emotions of a transgender child experiencing stigma amongst her peers. Yet Fagan also emphasises the potential acceptance of people in this situation through the reception received from Dylan who did not bat an eyelid on discovering the truth about Stella’s identity.
The Sunlight Pilgrims combines popular current affairs that are likely to attract a wide audience. Sadly as a story it falls short of mediocrity. Without a clear storyline it is a struggle to remain interested. The readers’ lack of enthusiasm for the characters and their individual worries makes it a challenge to reach the end. As I never made it to the final chapter I cannot say whether the conclusion is worth sticking around for. Mixed reviews on Goodreads suggest that enjoyment depends on the individual reader rather than the novel itself. I, however, cannot recommend this book.
Note: I did not finish reading this book.
It is winter 2020 and the world is facing the most extreme winter for over 200 years. Jenni Fagan’s The Sunlight Pilgrims explores the potential disastrous effects of climate change beginning with a new ice age set in the very near future, only four years away. With the North Atlantic drift slowing and temperatures around the world dropping to -40 degrees, the Earth’s inhabitants fear a pending apocalypse.
The story is largely set in Clachan Fells, a Scottish caravan park situated at the base of a group of mountains. Tin houses are not the most practical form of abodes for cold weather, let alone the worst snowstorms the world has ever seen. This is the situation the main characters of The Sunlight Pilgrims find themselves. Dylan MacRae has moved into a mobile home he did not know he owned until the recent death of his mother and soon makes friends with his neighbour Constance and her daughter Stella. Although only twelve years old Stella is more concerned about her identity than she is the fatal weather condition outside. Born a boy, Stella is uncomfortable in her body and struggles to get other people to accept that she is really a girl.
Surprisingly, the dystopian snow scene seems to be more of a backdrop to a different storyline featuring identity, family and romance. Dylan is a lonely man falling in love with the woman next door, however she is tied up with relationship problems of her own. Stella, whilst seemingly carefree, is desperate to be accepted for who she is and live a happy and secure life.
Jenni Fagan does an exceptional job of portraying the confusion, thoughts and emotions of a transgender child experiencing stigma amongst her peers. Yet Fagan also emphasises the potential acceptance of people in this situation through the reception received from Dylan who did not bat an eyelid on discovering the truth about Stella’s identity.
The Sunlight Pilgrims combines popular current affairs that are likely to attract a wide audience. Sadly as a story it falls short of mediocrity. Without a clear storyline it is a struggle to remain interested. The readers’ lack of enthusiasm for the characters and their individual worries makes it a challenge to reach the end. As I never made it to the final chapter I cannot say whether the conclusion is worth sticking around for. Mixed reviews on Goodreads suggest that enjoyment depends on the individual reader rather than the novel itself. I, however, cannot recommend this book.
Uptown Oracle (24 KP) rated All That Remains in Books
Jun 30, 2017
A wonderful zombie thriller
All That Remains is a dystopian horror following Kyle, Tim and Sara 13 years after the apocalypse. After finding young girl Kaylee, they need to get to Oak Ridge to protect themselves and maybe save the world.
There's normal reanimated human zombies, but also other monster like creatures that roam the earth. All That Remains is able to describe the monsters, make them horrifying, yet not interrupt the plotline to do so. In previous books I've been pulled out of a tense moment because there's too much description, but Barrera is able to bypass that problem.
There's varying themes of hope and morality within the book. All four of our characters experience hope, and lose hope throughout the book. Whether it's hope to find more people, hope that cities are inhabitable or just hope for survival. Because of this focus, I felt attached to the characters. Even when they were being pessimistic, they still didn't give up.
Morality is a fine line in this new world. You must kill to survive at times, but is it the right thing to do? If you kill a bad person does it make you just as bad? One of the lines mentioned that right is nothing but a direction anymore which I think is relevant to the book as a whole.
As we get to see the point of views of both Sara and Kyle you do feel attached to them. The characters are extremely likable, even when they're not being the best they can be. They don't consciously make bad decisions which puts them in danger, which makes me route for them more. Although problems do arise due to accidents or it's out of their control.
Sara in particular is a great character. She shows both mental and physical strength by not only surviving 13 years but also with her mental fight with 'the walking cancer'. The walking cancer is a monster that no one has ever seen before. It's a new, worse monster in the world, and the main bulk of the book is spent running and hiding from it. Due to Sara being a scanner she can sense and also connect/talk with the monster.
The plague-like spread of zombies and natural disasters mirrors that Kyle is ill throughout the book. It's implied that it's a cancerous tumor, most likely in the brain due to headaches and blackouts. As the situation for the group gets worse, the illness gets worse. I think Barrera was definitely trying to show the similarities. There's also a underlying message of having hope throughout which I think is an important takeaway.
There's normal reanimated human zombies, but also other monster like creatures that roam the earth. All That Remains is able to describe the monsters, make them horrifying, yet not interrupt the plotline to do so. In previous books I've been pulled out of a tense moment because there's too much description, but Barrera is able to bypass that problem.
There's varying themes of hope and morality within the book. All four of our characters experience hope, and lose hope throughout the book. Whether it's hope to find more people, hope that cities are inhabitable or just hope for survival. Because of this focus, I felt attached to the characters. Even when they were being pessimistic, they still didn't give up.
Morality is a fine line in this new world. You must kill to survive at times, but is it the right thing to do? If you kill a bad person does it make you just as bad? One of the lines mentioned that right is nothing but a direction anymore which I think is relevant to the book as a whole.
As we get to see the point of views of both Sara and Kyle you do feel attached to them. The characters are extremely likable, even when they're not being the best they can be. They don't consciously make bad decisions which puts them in danger, which makes me route for them more. Although problems do arise due to accidents or it's out of their control.
Sara in particular is a great character. She shows both mental and physical strength by not only surviving 13 years but also with her mental fight with 'the walking cancer'. The walking cancer is a monster that no one has ever seen before. It's a new, worse monster in the world, and the main bulk of the book is spent running and hiding from it. Due to Sara being a scanner she can sense and also connect/talk with the monster.
The plague-like spread of zombies and natural disasters mirrors that Kyle is ill throughout the book. It's implied that it's a cancerous tumor, most likely in the brain due to headaches and blackouts. As the situation for the group gets worse, the illness gets worse. I think Barrera was definitely trying to show the similarities. There's also a underlying message of having hope throughout which I think is an important takeaway.
Movie Metropolis (309 KP) rated Logan (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Third time lucky?
The X-Men franchise is as convoluted as Spaghetti Junction. Littered with constantly changing timelines, it has become the epitome of tiring and fans are getting exasperated too. With every great film (X2, X-Men: Days of Future Past), the series has followed it with some truly awful movies (X-Men: Origins Wolverine, X-Men: Apocalypse).
To this end, Hugh Jackman has finally decided to hang up his Adamantium claws after Logan, his ninth and apparently final outing as the grizzly hero. Are we third time lucky for his solo films?
James Mangold, director of The Wolverine, returns to the director’s chair and helms an at times brutal and uncompromising film speckled with the sort of emotional heft you’d find in the saddest rom-com’s.
In the near future, a weary Logan (Hugh Jackman) cares for an ailing Professor Charles Xavier (Patrick Stewart) in a hide out on the Mexican border accompanied by long-time acquaintance Caliban (Stephen Merchant). But Logan’s attempts to hide from the world and his legacy are upended when a young mutant, Laura, (Dafne Keen) arrives, being pursued by unspeakable dark forces.
In parts, Logan feels very much like a Western. The bleak, unforgiving Mexican landscape is a beautiful change from the dreary concrete jungles that blight the majority of superhero films these days and this is where Logan will either succeed or fail. It doesn’t feel like a superhero film, despite its faithfulness to the Old Man Logan comics.
Much like a metaphor for the genre itself, Logan has grown weary of the world and it is a testament to Hugh Jackman’s acting capabilities that he is able to add yet another dimension to a character that has been a cinema staple since the Millennium. Patrick Stewart is also on top form showing a vulnerable side to the world’s smartest mutant. Newcomer, Dafne Keen is also exceptional despite her limited dialogue.
Heartfelt scenes in which the oddball family share dinner with kind strangers are strikingly juxtaposed with sequences of sheer brutality. If you thought Deadpool was bloody, you haven’t seen anything yet. And for all the violence, Logan is the most poignant film in the entire X-Men canon, wearing its 15 certification proudly when it needs to, but not shying away from sections of quiet contemplation.
Negatives? Well, in spite of its gargantuan length, the ending feels a little tacked on and rushed – something a lot of modern blockbusters seem to feel is necessary at the moment and the final 30 minutes are a slight anti-climax in comparison to what preceded it, but on the whole, this final outing for Hugh Jackman proves a fitting one. Third time’s a charm!
https://moviemetropolis.net/2017/03/03/third-time-lucky-logan-review/
To this end, Hugh Jackman has finally decided to hang up his Adamantium claws after Logan, his ninth and apparently final outing as the grizzly hero. Are we third time lucky for his solo films?
James Mangold, director of The Wolverine, returns to the director’s chair and helms an at times brutal and uncompromising film speckled with the sort of emotional heft you’d find in the saddest rom-com’s.
In the near future, a weary Logan (Hugh Jackman) cares for an ailing Professor Charles Xavier (Patrick Stewart) in a hide out on the Mexican border accompanied by long-time acquaintance Caliban (Stephen Merchant). But Logan’s attempts to hide from the world and his legacy are upended when a young mutant, Laura, (Dafne Keen) arrives, being pursued by unspeakable dark forces.
In parts, Logan feels very much like a Western. The bleak, unforgiving Mexican landscape is a beautiful change from the dreary concrete jungles that blight the majority of superhero films these days and this is where Logan will either succeed or fail. It doesn’t feel like a superhero film, despite its faithfulness to the Old Man Logan comics.
Much like a metaphor for the genre itself, Logan has grown weary of the world and it is a testament to Hugh Jackman’s acting capabilities that he is able to add yet another dimension to a character that has been a cinema staple since the Millennium. Patrick Stewart is also on top form showing a vulnerable side to the world’s smartest mutant. Newcomer, Dafne Keen is also exceptional despite her limited dialogue.
Heartfelt scenes in which the oddball family share dinner with kind strangers are strikingly juxtaposed with sequences of sheer brutality. If you thought Deadpool was bloody, you haven’t seen anything yet. And for all the violence, Logan is the most poignant film in the entire X-Men canon, wearing its 15 certification proudly when it needs to, but not shying away from sections of quiet contemplation.
Negatives? Well, in spite of its gargantuan length, the ending feels a little tacked on and rushed – something a lot of modern blockbusters seem to feel is necessary at the moment and the final 30 minutes are a slight anti-climax in comparison to what preceded it, but on the whole, this final outing for Hugh Jackman proves a fitting one. Third time’s a charm!
https://moviemetropolis.net/2017/03/03/third-time-lucky-logan-review/
Gareth von Kallenbach (980 KP) rated Call of Duty: Black Ops III - Eclipse in Video Games
Jun 19, 2019 (Updated Jun 19, 2019)
The second of four DLC packs for Call of Duty Black Ops 3 has arrived for PC and Xbox One after making its debut for the PS4. Eclipse offers four new maps and a new Zombie mode for gamers. As with previous DLC for the series, the collection can be purchased by itself or as part of a season pass.
The four maps are as follows…
Rift
Set in a futuristic military compound, Rift pushes players forwards and keeps the action moving, The focus is on close quarters fighting and explosives fly when the players become packed in. The
Verge
This is reimagined version of the classic Banzai map and one of the more distinctive maps in recent memory. The setting is a post apocalypse world filled with a water source and bridge and plenty of semi-demolished buildings to take cover. I noted that snipers seemed to like it but I actually did fairly well with my run and gun style of play.
Spire
Set in high altitude airport terminal of the future, this map is great fun. From balconies, open courtyards, and platforms with nothing but tons of air below you, this is a map that will put all of your skills to the test. I had more than one extended battle in this setting where numerous kill and combat zones could erupt at any time.
Knockout
Set in a Shaolin temple, this is a beautiful map that offers a distinct look and plenty of action. I first played it in an Uplink game and picking up the satellite on a martial arts arena and racing past Cherry Blossoms and other captivating setting to reach the goal was great fun. The action was intense due to several bridges and paths that would lead to open areas where the enemy was waiting.
Zombie lovers will enjoy Zetsubou No Shima which is set on a Pacific Island where the four characters must work with one another to battle never ending waves of undead. As with previous chapters players must gather items and assemble things to help their chances for survival. I liked the use of radiated water to power generators and grow plants that would yield useful items and weapons once harvested.
The other nice feature of this map was the inclusion of spider waves and other special creatures that would show up to menace players.
In all Eclipse is a solid pack that offers new value and gameplay options for Call of Duty: Black Ops 3. While it is not anything radically different or groundbreaking, it does offer what you would expect in a DLC in the serious, more maps, more options, more fun, and more action.
http://sknr.net/2016/05/28/call-duty-black-ops-3-eclipse-dlc/
The four maps are as follows…
Rift
Set in a futuristic military compound, Rift pushes players forwards and keeps the action moving, The focus is on close quarters fighting and explosives fly when the players become packed in. The
Verge
This is reimagined version of the classic Banzai map and one of the more distinctive maps in recent memory. The setting is a post apocalypse world filled with a water source and bridge and plenty of semi-demolished buildings to take cover. I noted that snipers seemed to like it but I actually did fairly well with my run and gun style of play.
Spire
Set in high altitude airport terminal of the future, this map is great fun. From balconies, open courtyards, and platforms with nothing but tons of air below you, this is a map that will put all of your skills to the test. I had more than one extended battle in this setting where numerous kill and combat zones could erupt at any time.
Knockout
Set in a Shaolin temple, this is a beautiful map that offers a distinct look and plenty of action. I first played it in an Uplink game and picking up the satellite on a martial arts arena and racing past Cherry Blossoms and other captivating setting to reach the goal was great fun. The action was intense due to several bridges and paths that would lead to open areas where the enemy was waiting.
Zombie lovers will enjoy Zetsubou No Shima which is set on a Pacific Island where the four characters must work with one another to battle never ending waves of undead. As with previous chapters players must gather items and assemble things to help their chances for survival. I liked the use of radiated water to power generators and grow plants that would yield useful items and weapons once harvested.
The other nice feature of this map was the inclusion of spider waves and other special creatures that would show up to menace players.
In all Eclipse is a solid pack that offers new value and gameplay options for Call of Duty: Black Ops 3. While it is not anything radically different or groundbreaking, it does offer what you would expect in a DLC in the serious, more maps, more options, more fun, and more action.
http://sknr.net/2016/05/28/call-duty-black-ops-3-eclipse-dlc/
Lee (2222 KP) rated Bird Box (2018) in Movies
Dec 26, 2018
It's easy to draw comparisons between Bird Box and one of this years biggest hits, A Quiet Place. As Malorie (Sandra Bullock), guides two young children towards a boat, all three of them blindfolded and terrified of the consequences should they remove them, the similarities with the post apocalyptic themes of A Quiet Place are clear. In that movie, you couldn't make a sound for fear of drawing the attentions of the ominous killers, while in this one you're unable to use your eyes to look at the world around you.
But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.
We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."
Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.
Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.
We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."
Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.
Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
Phillip McSween (751 KP) rated Zombieland (2009) in Movies
Nov 12, 2019
Great Cast Makes For the Perfect Movie
Four strangers have to learn to survive together during a zombie apocalypse. Talk about a movie that checks all the boxes, Zombieland does just that! It’s got a little something for everyone.
Acting: 10
Beginning: 10
The first ten minutes is a perfect setup for what you can expect throughout the movie. This isn’t your typical zombie-survival romp and I thought writer Rhett Reese did an amazing job of establishing that early. You meet and fall in love with the main character as he tries to survive a simple trip to the bathroom. You also learn how his “rules” have kept him alive so long.
Characters: 10
His name is Columbus, played by Jesse Eisenberg. He’s such an unlikely hero that you can’t help but root for the poor guy as he moves from one scene to the next. Many of the scenes would have played out much differently if it weren’t for his quirky personality.
The other three mains, Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) add their own flare to the film as well. Tallahassee is a badass to the point where it gets extremely comical. His character motivation of searching for a Twinkie (literally!) is priceless. The ladies share a fun backstory that make them an intriguing pair. You throw all four together and you have a perfect combination.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
This apocalyptic adventure is a blast across the board from beginning to end. Even the backstories are exciting to watch. The characters help drive the story as you can somehow manage to get on board with each of their motivations for survival. The action is a blast and the slower moments are underrated gems.
Memorability: 10
Pace: 10
Plot: 10
Zombie movies have been done over…and over…and over…It’s a rare treat when they get it right and try to think outside of the box. I love that the film manages to take a familiar theme and make it fresh. Not only is the movie original, but it harbors some of the most memorable scenes in film.
Resolution: 10
Always nice when a movie doesn’t overstay it’s welcome. Zombieland ties up its story in tidy fashion, ending with a heartfelt bang. It immediately makes you want to watch it again.
Overall: 100
I have the utmost respect for the sheer creativity in Zombieland. Sometimes movies try too hard while others don’t try hard enough. This movie never feels forced and always feels in control of its own destiny. Even the small scenes are impactful, like the night scene where they are taking turns driving and getting to know each other in the car. Zombieland is a cinematic treat.
Acting: 10
Beginning: 10
The first ten minutes is a perfect setup for what you can expect throughout the movie. This isn’t your typical zombie-survival romp and I thought writer Rhett Reese did an amazing job of establishing that early. You meet and fall in love with the main character as he tries to survive a simple trip to the bathroom. You also learn how his “rules” have kept him alive so long.
Characters: 10
His name is Columbus, played by Jesse Eisenberg. He’s such an unlikely hero that you can’t help but root for the poor guy as he moves from one scene to the next. Many of the scenes would have played out much differently if it weren’t for his quirky personality.
The other three mains, Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) add their own flare to the film as well. Tallahassee is a badass to the point where it gets extremely comical. His character motivation of searching for a Twinkie (literally!) is priceless. The ladies share a fun backstory that make them an intriguing pair. You throw all four together and you have a perfect combination.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
This apocalyptic adventure is a blast across the board from beginning to end. Even the backstories are exciting to watch. The characters help drive the story as you can somehow manage to get on board with each of their motivations for survival. The action is a blast and the slower moments are underrated gems.
Memorability: 10
Pace: 10
Plot: 10
Zombie movies have been done over…and over…and over…It’s a rare treat when they get it right and try to think outside of the box. I love that the film manages to take a familiar theme and make it fresh. Not only is the movie original, but it harbors some of the most memorable scenes in film.
Resolution: 10
Always nice when a movie doesn’t overstay it’s welcome. Zombieland ties up its story in tidy fashion, ending with a heartfelt bang. It immediately makes you want to watch it again.
Overall: 100
I have the utmost respect for the sheer creativity in Zombieland. Sometimes movies try too hard while others don’t try hard enough. This movie never feels forced and always feels in control of its own destiny. Even the small scenes are impactful, like the night scene where they are taking turns driving and getting to know each other in the car. Zombieland is a cinematic treat.
LeftSideCut (3778 KP) rated X-Men: Dark Phoenix (2019) in Movies
Dec 2, 2019 (Updated Jan 13, 2020)
With the (eventually true) whispers about the Disney-Fox merger doing the rounds around Dark Phoenix's release, it arrived to little fanfare. Most people had already written off as a pointless film, and it was a prime target for negativity. So much so, that it was actually the first and only X-Men film I ended up missing in the cinema.
I recently watched it on home release, really not expecting much. After the swing-and-a-miss of Apocalypse, I wasn't feeling too invested in the characters.
So imagine my surprise when I remained glued to the screen for most of the runtime.
Dark Phoenix isn't perfect by any means, and far from the lofty heights of the top tier X-Men movies, buts it no where near as awful as I had heard.
I thought the story was actually ok. I was glad that it partially took place in space, like the original comic, and unlike The Last Stand.
Michael Fassbender and James McAvoy are fantastic as they usually are, as is Nicholas Hoult. I also thing Jennifer Lawrence I makes a good Mystique, even though I'm still not a massive fan of this franchises portrayal of her character.
Ty Sheridan and Sophie Turner are given more to do this time around, and are both fine. It's a shame that Evan Peters' Quicksilver is sidelined for this particular adventure.
There are some genuinely powerful emotional beats throughout the film, and it's clear as day that all the actors involved care about their characters, and are having fun.
My main criticism is predictably the villains. The D'bari are a fairly uninspired choice for such a big storyline, and they look like generic CGI aliens. I found Jessica Chastain quite wooden and uninteresting, and they made for a very underwhelming force if evil.
The main focus of Dark Phoenix is of course in Jean Grey's turn to the dark side, so vanilla bad guys shouldn't really be that important anyway.
Dark Phoenix does a slightly better job than The Last Stand of adapting this beloved storyline, but so can't help but feel that it would benefit from multiple movies, instead of cramming into one feature, a I really hope that's something that happens going into the MCU with these characters.
We still have New Mutants to go (if it ever actually comes out) but as a last main entry into the FOX X-Men franchise, you could do a lot worse. It's not the best, it's not the worst. Dark Phoenix sits somewhere quite comfortably in the middle.
Dare I say, I think it might actually be better than the first film...
I recently watched it on home release, really not expecting much. After the swing-and-a-miss of Apocalypse, I wasn't feeling too invested in the characters.
So imagine my surprise when I remained glued to the screen for most of the runtime.
Dark Phoenix isn't perfect by any means, and far from the lofty heights of the top tier X-Men movies, buts it no where near as awful as I had heard.
I thought the story was actually ok. I was glad that it partially took place in space, like the original comic, and unlike The Last Stand.
Michael Fassbender and James McAvoy are fantastic as they usually are, as is Nicholas Hoult. I also thing Jennifer Lawrence I makes a good Mystique, even though I'm still not a massive fan of this franchises portrayal of her character.
Ty Sheridan and Sophie Turner are given more to do this time around, and are both fine. It's a shame that Evan Peters' Quicksilver is sidelined for this particular adventure.
There are some genuinely powerful emotional beats throughout the film, and it's clear as day that all the actors involved care about their characters, and are having fun.
My main criticism is predictably the villains. The D'bari are a fairly uninspired choice for such a big storyline, and they look like generic CGI aliens. I found Jessica Chastain quite wooden and uninteresting, and they made for a very underwhelming force if evil.
The main focus of Dark Phoenix is of course in Jean Grey's turn to the dark side, so vanilla bad guys shouldn't really be that important anyway.
Dark Phoenix does a slightly better job than The Last Stand of adapting this beloved storyline, but so can't help but feel that it would benefit from multiple movies, instead of cramming into one feature, a I really hope that's something that happens going into the MCU with these characters.
We still have New Mutants to go (if it ever actually comes out) but as a last main entry into the FOX X-Men franchise, you could do a lot worse. It's not the best, it's not the worst. Dark Phoenix sits somewhere quite comfortably in the middle.
Dare I say, I think it might actually be better than the first film...
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