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Softer Than You Think
Utterly bonkers attempt at combining an apocalyptic thriller with gritty police procedural; the preposterousness of the plot combined with the fact that it always takes itself Very, Very Seriously results in what's essentially a hilarious unintentional comedy.
So, what's it about? Well, a pair of London coppers (cockney geezer and troubled waif) stumble upon a USB stick containing the government's advance planning for the end of the world, which is due in about five years. Quite what form this planning takes is a little unclear, as it neglects to mention just what form the apocalypse is going to take (which if nothing else allows the show a nice big revelation at the end of the season). Geezer and Waif must try to get the truth out there while fending off government agents who want them dead!
Except, it's not really about that: news of the impending catastrophe, whatever it is, lures various nutters out of the woodwork to start committing grisly murders, and - wouldn't you know it - whenever Geezer and Waif get a spare moment from being hunted by the government, they have to go around catching them By Any Means Necessary! (At one point Geezer contemplates waterboarding an innocent man who's not being cooperative enough.)
Except, it's not just about that, either, for Geezer and Waif have the most implausibly complicated back-stories known to man, involving an extramarital fling, a secure unit, an internal affairs investigation, the murder of Geezer's old partner, a secret deal, and Waif's homicidal grown-up son (who seems to be nearly as old as she is).
All of this stuff bangs together in the most grisly and unlikely fashion, with a general tone of overwrought existential misery (every one of the duo's cases either features a moment where they literally start beating each other up with collapsible truncheons, or one where they sit down together and wail 'What's the point of any of this? We're all going to be dead in five years anyway!').
The sheer ridiculousness of Hard Sun makes it quite watchable in a stick-it-on-in-the-background-while-you're-doing-something else kind of way; every time you find yourself saying 'This can't possibly get any sillier' the show comes right back and proves you wrong. The makers of the show are clearly hoping for a full five year run, counting down to the actual apocalypse itself, although clearly the format is in for a big retool somewhere along the line. Fingers crossed this finds the devoted global audience such a potential cult camp classic deserves.
So, what's it about? Well, a pair of London coppers (cockney geezer and troubled waif) stumble upon a USB stick containing the government's advance planning for the end of the world, which is due in about five years. Quite what form this planning takes is a little unclear, as it neglects to mention just what form the apocalypse is going to take (which if nothing else allows the show a nice big revelation at the end of the season). Geezer and Waif must try to get the truth out there while fending off government agents who want them dead!
Except, it's not really about that: news of the impending catastrophe, whatever it is, lures various nutters out of the woodwork to start committing grisly murders, and - wouldn't you know it - whenever Geezer and Waif get a spare moment from being hunted by the government, they have to go around catching them By Any Means Necessary! (At one point Geezer contemplates waterboarding an innocent man who's not being cooperative enough.)
Except, it's not just about that, either, for Geezer and Waif have the most implausibly complicated back-stories known to man, involving an extramarital fling, a secure unit, an internal affairs investigation, the murder of Geezer's old partner, a secret deal, and Waif's homicidal grown-up son (who seems to be nearly as old as she is).
All of this stuff bangs together in the most grisly and unlikely fashion, with a general tone of overwrought existential misery (every one of the duo's cases either features a moment where they literally start beating each other up with collapsible truncheons, or one where they sit down together and wail 'What's the point of any of this? We're all going to be dead in five years anyway!').
The sheer ridiculousness of Hard Sun makes it quite watchable in a stick-it-on-in-the-background-while-you're-doing-something else kind of way; every time you find yourself saying 'This can't possibly get any sillier' the show comes right back and proves you wrong. The makers of the show are clearly hoping for a full five year run, counting down to the actual apocalypse itself, although clearly the format is in for a big retool somewhere along the line. Fingers crossed this finds the devoted global audience such a potential cult camp classic deserves.
Sophia (Bookwyrming Thoughts) (530 KP) rated Killer of Enemies (Killer of Enemies, #1) in Books
Jan 23, 2020
Original Rating: 3.5 out of 5
This review and more can be found at <a href="http://www.bookwyrmingthoughts.com/2015/07/review-killer-of-enemies-by-joseph-bruchac.html">Bookwyrming Thoughts</a>
I never thought I would ever come across a book that dumps information on you AND like it.
With a post-apocalyptic world where people are ruled over genetically modified people who are barely human anymore, Joseph Bruchac has obviously planned this book very well and vividly, even with the amount of information he dumps on you for most of the book. I find that the information dump actually goes very well with the amount of action there is. Take away all of the information, and you'll be left with an empty husk of a book that is just full of nonstop action, which would definitely backfire big time on the author because it would be pretty undeveloped.
Bruchac is very detail-oriented throughout the book it's not just the information being dumped. Lozen, our main character who is a monster hunter for the genetically modified people ruling over her home, apparently goes into excruciating detail about some things, such as talking about someone's body odor or eating a monster's heart (that was gross).
Killer of Enemies also promotes diversity in the young adult genre Lozen is a Native American, and I can honestly say I have never had a Native American in any book I've read so far until now. There are hints of Native American traditions and culture woven throughout, and I find that it's probably one of the reasons why I actually enjoyed this a lot more than I would have without the Native American aspect.
Despite how awesome and diverse Killer of Enemies, there were just some things that knocked down some points. Throughout the information dumping, I don't think Bruchac actually mentions why or how the four rulers of Haven actually got their names. The Dreamer and Lady Time make sense, but the Jester doesn't really make sense, and Diablita Loca (how do you even say that?) makes no sense whatsoever.
There also doesn't seem to be a purpose, and while there does seem to be one, I just can't really tell at all. The entire book is pretty much described in less than ten words: hunting weird monsters, telling stories, flashbacks, and information dump.
I did, however, like how Bruchac ends Killer of Enemies by saying something along the lines of, "Just because this story is over doesn't mean everything is now peachy and happily ever after. It's just uncertain, but right now, everything is great."
This review and more can be found at <a href="http://www.bookwyrmingthoughts.com/2015/07/review-killer-of-enemies-by-joseph-bruchac.html">Bookwyrming Thoughts</a>
I never thought I would ever come across a book that dumps information on you AND like it.
With a post-apocalyptic world where people are ruled over genetically modified people who are barely human anymore, Joseph Bruchac has obviously planned this book very well and vividly, even with the amount of information he dumps on you for most of the book. I find that the information dump actually goes very well with the amount of action there is. Take away all of the information, and you'll be left with an empty husk of a book that is just full of nonstop action, which would definitely backfire big time on the author because it would be pretty undeveloped.
Bruchac is very detail-oriented throughout the book it's not just the information being dumped. Lozen, our main character who is a monster hunter for the genetically modified people ruling over her home, apparently goes into excruciating detail about some things, such as talking about someone's body odor or eating a monster's heart (that was gross).
Killer of Enemies also promotes diversity in the young adult genre Lozen is a Native American, and I can honestly say I have never had a Native American in any book I've read so far until now. There are hints of Native American traditions and culture woven throughout, and I find that it's probably one of the reasons why I actually enjoyed this a lot more than I would have without the Native American aspect.
Despite how awesome and diverse Killer of Enemies, there were just some things that knocked down some points. Throughout the information dumping, I don't think Bruchac actually mentions why or how the four rulers of Haven actually got their names. The Dreamer and Lady Time make sense, but the Jester doesn't really make sense, and Diablita Loca (how do you even say that?) makes no sense whatsoever.
There also doesn't seem to be a purpose, and while there does seem to be one, I just can't really tell at all. The entire book is pretty much described in less than ten words: hunting weird monsters, telling stories, flashbacks, and information dump.
I did, however, like how Bruchac ends Killer of Enemies by saying something along the lines of, "Just because this story is over doesn't mean everything is now peachy and happily ever after. It's just uncertain, but right now, everything is great."
Emma @ The Movies (1786 KP) rated A Quiet Place (2018) in Movies
Sep 25, 2019
A family is forced to live in silence while hiding from creatures that hunt by sound.
When the trailer for this one was running I honestly thought I was going to be scared witless. It made me so uneasy that I was seriously contemplating not going to see it. I don't mind watching horror films, but I feel a lot more comfortable about it when I'm at home in a brightly lit room.
I sucked it up though and went anyway figuring that having a double bill with something I knew would definitely entertain me would be an easy way to calm my nerves.
We start the film 89 (was is 89? I've got a brain like a sieve) days into the events of A Quiet Place. The monsters are here, and those that are left are doing their best to stay quiet and survive. I've already reached a point where I am a little grumbly. When it announced where it was in the story I was hoping for some kind of jumping timeline showing you a before and after style tale... because surely they're not just going to gloss over the whole "how" of the aliens coming to Earth... Oh.
I can't really fault the bit in the middle of the film. I found it quite enjoyable. There are lots of questions that you wonder about, that I always wonder about in apocalyptic movies. But that's where you have to give them leeway for artistic license I guess.
The part of the story that this film tells is good, and you can follow the journey of the family understanding everything even with the limited dialogue. There's some superb acting at work from everyone involved and I've been recommending it to anyone that asks about it.
With quite a few of us in the cinema it was amusing to see everyone's reaction throughout the movie. Every time someone crinkled a packet or opened a fizzy drink there were noticeable pauses as if we'd all just thought "Oh my god that was too loud" before realising that it's just a movie we're watching.
The main reason this one gets a three star rating and not a four is not only for the lack of origin story but for what I consider to be a cheesy ending suitable for a comedy action film and not what I had been to see. The locked and loaded ending was the sort of thing you'd expect to see in a Guardians Of The Galaxy movie where the end credit are punctuated by shots of our heroes going into battle. A perplexing end.
When the trailer for this one was running I honestly thought I was going to be scared witless. It made me so uneasy that I was seriously contemplating not going to see it. I don't mind watching horror films, but I feel a lot more comfortable about it when I'm at home in a brightly lit room.
I sucked it up though and went anyway figuring that having a double bill with something I knew would definitely entertain me would be an easy way to calm my nerves.
We start the film 89 (was is 89? I've got a brain like a sieve) days into the events of A Quiet Place. The monsters are here, and those that are left are doing their best to stay quiet and survive. I've already reached a point where I am a little grumbly. When it announced where it was in the story I was hoping for some kind of jumping timeline showing you a before and after style tale... because surely they're not just going to gloss over the whole "how" of the aliens coming to Earth... Oh.
I can't really fault the bit in the middle of the film. I found it quite enjoyable. There are lots of questions that you wonder about, that I always wonder about in apocalyptic movies. But that's where you have to give them leeway for artistic license I guess.
The part of the story that this film tells is good, and you can follow the journey of the family understanding everything even with the limited dialogue. There's some superb acting at work from everyone involved and I've been recommending it to anyone that asks about it.
With quite a few of us in the cinema it was amusing to see everyone's reaction throughout the movie. Every time someone crinkled a packet or opened a fizzy drink there were noticeable pauses as if we'd all just thought "Oh my god that was too loud" before realising that it's just a movie we're watching.
The main reason this one gets a three star rating and not a four is not only for the lack of origin story but for what I consider to be a cheesy ending suitable for a comedy action film and not what I had been to see. The locked and loaded ending was the sort of thing you'd expect to see in a Guardians Of The Galaxy movie where the end credit are punctuated by shots of our heroes going into battle. A perplexing end.
Gareth von Kallenbach (971 KP) rated Man Down (2016) in Movies
Jul 12, 2019
This Dito Montiel (Fighting, The Son of No One) directed film is a look at mental health and how soldiers returning from war can be affected by the tragedy of war and life.
This film tries to put us inside the mind of a soldier and they lead up to his deployment to war, the trauma that can be suffered at war and the result of seeing things that can’t be unseen. It begins with U.S. Marine Gabriel Drummer (Shia LaBeouf) searching for his son, Johnathan (Charlie Shotwell), and wife, Natalie (Kate Mara), in a post-apocalyptic America.
His only company is his best friend and fellow war veteran Devin Roberts (Jai Courtney). We then flash back to a counseling session between Gabriel and Counselor Peyton (Gary Oldman). They are recounting an incident that happened while Gabriel and Devin were in the field as well as talk about the relationship between the two brothers in arms. Peyton probes Gabriel for answers to what happened in the field and what his life at home will be like when he returns. The story takes us through Gabriel’s journey from boot camp to his search to be reunited with his wife and child.
The beginning of the film is so scattered with flash backs and flash forwards it is not the easiest story to follow. Montiel tries to tie the story all together at the end but it really done quickly and sloppily. There was no really good flow to the film.
The message at the end was really powerful but there execution to get there really didn’t work for me. The cast individual performances were good but I thought that as a whole there was not cohesion.
The relationships between all the characters seemed forced and it was hard to get emotionally invested in what should have been and emotionally compelling story. LaBeouf does commit and his performance I would say the bright spot. I think the intention was that the end of the movie should be a surprise or twist but the ending for me was never really in doubt.
There were points when the film seemed to have momentum but that was stopped by a flash back or forward that would take you out of the moment. All trying to set up a conclusion that seemed inevitable.
The idea of bringing awareness to a real issue in our country, of returning veterans suffering from PTSD, is a noble one and I applaud them for trying. I just wish the execution would have been better overall.
This film tries to put us inside the mind of a soldier and they lead up to his deployment to war, the trauma that can be suffered at war and the result of seeing things that can’t be unseen. It begins with U.S. Marine Gabriel Drummer (Shia LaBeouf) searching for his son, Johnathan (Charlie Shotwell), and wife, Natalie (Kate Mara), in a post-apocalyptic America.
His only company is his best friend and fellow war veteran Devin Roberts (Jai Courtney). We then flash back to a counseling session between Gabriel and Counselor Peyton (Gary Oldman). They are recounting an incident that happened while Gabriel and Devin were in the field as well as talk about the relationship between the two brothers in arms. Peyton probes Gabriel for answers to what happened in the field and what his life at home will be like when he returns. The story takes us through Gabriel’s journey from boot camp to his search to be reunited with his wife and child.
The beginning of the film is so scattered with flash backs and flash forwards it is not the easiest story to follow. Montiel tries to tie the story all together at the end but it really done quickly and sloppily. There was no really good flow to the film.
The message at the end was really powerful but there execution to get there really didn’t work for me. The cast individual performances were good but I thought that as a whole there was not cohesion.
The relationships between all the characters seemed forced and it was hard to get emotionally invested in what should have been and emotionally compelling story. LaBeouf does commit and his performance I would say the bright spot. I think the intention was that the end of the movie should be a surprise or twist but the ending for me was never really in doubt.
There were points when the film seemed to have momentum but that was stopped by a flash back or forward that would take you out of the moment. All trying to set up a conclusion that seemed inevitable.
The idea of bringing awareness to a real issue in our country, of returning veterans suffering from PTSD, is a noble one and I applaud them for trying. I just wish the execution would have been better overall.
Phillip McSween (751 KP) rated Mad Max (1979) in Movies
Jan 5, 2018
Decent
Guilty confession: Typically when I watch a "classic" or a film I've really been looking forward to, I go into it expecting to like it. In other words, the film is already ahead of the curve when it comes to my grading scale. It has to do a lot to let me down. I hate to say it, but Mad Max? It let me down. Not in the sense that it was bad, but rather in the sense that I was hoping for more.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Phillip McSween (751 KP) rated Turbo Kid (2015) in Movies
Apr 21, 2018
Extremely Unique
You've never seen anything like it. It was a mashup of everything I loved, both as a kid and as an adult. Set in the post-apocalyptic year of 1997, a teenager becomes a superhero to save his girlfriend from the clutches of an evil villain.
Acting: 10
Beginning: 7
While it may not grab you immediately, Turbo Kid's beginning succeeds in establishing the world you'll be living in for the rest of the film. This world never left the 80's. Survivors get around on mostly bikes and use old-school technology like walkmen.
My interest was really piqued when I saw three heads on pikes out in the middle of the wasteland. What did those men do to deserve that? Who put them there? The only way to really find out is to watch more. On we go...
Characters: 9
Cinematography/Visuals: 10
The visuals are extremely weird, but in a unique, good way. It's original in every way imaginable. A number of shots give you a nostalgic feel. Other shots panning the landscape leave you with a barren, hopeless feeling. So sad what their world has become, yet what an era to be stuck in!
There is violence. A lot of it. A surprising amount in fact. Heads roll, guts spew in brilliant fashion. Think Tarantino in a Mad Max type of setting. It's jarring to look at, but very entertaining and effective. If you are squeamish in anyway, you may find yourself averting your eyes. At one point, my wife actually had to leave the room.
Conflict: 10
Genre: 10
As far as action/adventure films go, this stands out as being extremely original. It was as if they took a number of films I had seen before and jumbled them all into one finished product. The action pops on screen and the adventure portions move the story along in swift fashion.
Memorability: 9
Pace: 10
The film never gets boring at any point. Between the crazy vibe that latches on to you with the help of an awesome soundtrack and the steady play of action, you're always engaged. I also appreciated that the film never took itself too seriously as the action is broken up by a few hilarious moments that keeps the film from getting too dark.
Plot: 8
While the plot may seem pretty straightforward at first, there are a couple twists that keep things interesting. Overall the story is a strong foundation and is intriguing enough to make you care about the action.
Resolution: 3
Overall: 86
Fun, enjoyable film. And AVAILABLE ON NETFLIX! Check it out tonight. If you're a fan of action and the 80's, you will have a blast.
Acting: 10
Beginning: 7
While it may not grab you immediately, Turbo Kid's beginning succeeds in establishing the world you'll be living in for the rest of the film. This world never left the 80's. Survivors get around on mostly bikes and use old-school technology like walkmen.
My interest was really piqued when I saw three heads on pikes out in the middle of the wasteland. What did those men do to deserve that? Who put them there? The only way to really find out is to watch more. On we go...
Characters: 9
Cinematography/Visuals: 10
The visuals are extremely weird, but in a unique, good way. It's original in every way imaginable. A number of shots give you a nostalgic feel. Other shots panning the landscape leave you with a barren, hopeless feeling. So sad what their world has become, yet what an era to be stuck in!
There is violence. A lot of it. A surprising amount in fact. Heads roll, guts spew in brilliant fashion. Think Tarantino in a Mad Max type of setting. It's jarring to look at, but very entertaining and effective. If you are squeamish in anyway, you may find yourself averting your eyes. At one point, my wife actually had to leave the room.
Conflict: 10
Genre: 10
As far as action/adventure films go, this stands out as being extremely original. It was as if they took a number of films I had seen before and jumbled them all into one finished product. The action pops on screen and the adventure portions move the story along in swift fashion.
Memorability: 9
Pace: 10
The film never gets boring at any point. Between the crazy vibe that latches on to you with the help of an awesome soundtrack and the steady play of action, you're always engaged. I also appreciated that the film never took itself too seriously as the action is broken up by a few hilarious moments that keeps the film from getting too dark.
Plot: 8
While the plot may seem pretty straightforward at first, there are a couple twists that keep things interesting. Overall the story is a strong foundation and is intriguing enough to make you care about the action.
Resolution: 3
Overall: 86
Fun, enjoyable film. And AVAILABLE ON NETFLIX! Check it out tonight. If you're a fan of action and the 80's, you will have a blast.
Kelly (279 KP) rated The Passage in Books
Dec 4, 2018
In depth, well thought out characters (2 more)
Intelligent plot
A nobody is safe story line!
A ‘could not put it down’ read.
The passage is the first of three books which span centuries, covering before, during and after a vampire apocalypse.
I have to say, I was hooked on this novel from the start. Originally picking it up, without even reading the synopsis or reviews, I was surprised to find out that this is actually a novel about vampires (which I did not expect from the title). The build up to the vampire apocalypse is well thought out, flawless planned and written, demonstrating expert skill by Justin Cronin.
The characters are complex, and demonstrate both strengths and flaws, nobody is perfect in this novel not even Amy or Peter, who are the main characters the story centres around. We grow to love these characters, just as much as we grow to strongly dislike characters such as Babcock and Grey. I believe that the emotional connection that I was able to apply to these characters, is what drew me further into the novel. Equally all characters face hardships during the novel, some worse than others, but I found myself wishing that those characters I deemed to be good, would face better times, and those who I felt were bad individuals would soon face their comeuppance. Good or bad however, Cronins’ concentration on the back grounds of the characters does allow us to emphasise and understand why the primary characters within the novel act the way they did, even if this was in conflict with our own values and morals.
As the story unravels, Cronin does jump between different time periods (pre, during and post apocalypse). Although Cronin does give each period a fair amount of time within the book, I did find it difficult to leave the characters from one period behind, in order to move onto another, partially due to the attachment that I had created with the characters. Although the time jumps were carried out at deliberate timings and are not too frequent, I did find them a little distracting.
The story itself makes sense as a stand alone novel, but makes even more sense when read with the rest of the series. When read with the other two novels, The Passage is merely a scene setting novel, for the books that are to come, and as such, has a lot less of a biblical undertone than the series as an entirety (there are a lot of references to the Old Testament in the books that follow). Despite this, the book is a highly enjoyable read, and is not your usual vampire/ apocalyptic novel.
I have to say, I was hooked on this novel from the start. Originally picking it up, without even reading the synopsis or reviews, I was surprised to find out that this is actually a novel about vampires (which I did not expect from the title). The build up to the vampire apocalypse is well thought out, flawless planned and written, demonstrating expert skill by Justin Cronin.
The characters are complex, and demonstrate both strengths and flaws, nobody is perfect in this novel not even Amy or Peter, who are the main characters the story centres around. We grow to love these characters, just as much as we grow to strongly dislike characters such as Babcock and Grey. I believe that the emotional connection that I was able to apply to these characters, is what drew me further into the novel. Equally all characters face hardships during the novel, some worse than others, but I found myself wishing that those characters I deemed to be good, would face better times, and those who I felt were bad individuals would soon face their comeuppance. Good or bad however, Cronins’ concentration on the back grounds of the characters does allow us to emphasise and understand why the primary characters within the novel act the way they did, even if this was in conflict with our own values and morals.
As the story unravels, Cronin does jump between different time periods (pre, during and post apocalypse). Although Cronin does give each period a fair amount of time within the book, I did find it difficult to leave the characters from one period behind, in order to move onto another, partially due to the attachment that I had created with the characters. Although the time jumps were carried out at deliberate timings and are not too frequent, I did find them a little distracting.
The story itself makes sense as a stand alone novel, but makes even more sense when read with the rest of the series. When read with the other two novels, The Passage is merely a scene setting novel, for the books that are to come, and as such, has a lot less of a biblical undertone than the series as an entirety (there are a lot of references to the Old Testament in the books that follow). Despite this, the book is a highly enjoyable read, and is not your usual vampire/ apocalyptic novel.
Lee (2222 KP) rated Bird Box (2018) in Movies
Dec 26, 2018
It's easy to draw comparisons between Bird Box and one of this years biggest hits, A Quiet Place. As Malorie (Sandra Bullock), guides two young children towards a boat, all three of them blindfolded and terrified of the consequences should they remove them, the similarities with the post apocalyptic themes of A Quiet Place are clear. In that movie, you couldn't make a sound for fear of drawing the attentions of the ominous killers, while in this one you're unable to use your eyes to look at the world around you.
But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.
We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."
Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.
Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.
We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."
Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.
Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
Gareth von Kallenbach (971 KP) rated The Book of Eli (2010) in Movies
Aug 8, 2019
In a post apocalyptic future, a loan man travels the desolate roads on a solitary quest. The man known only as Eli (Denzel Washington), has been travelling west for decades on a mission of faith after receiving what he believes to be a mission of divine origin.
The solitary life of Eli is interrupted now and then by bandits that roam the lands causing death and mayhem to all those unfortunate enough to cross their path.
This often ends very badly for the bandits as Eli is highly skilled at defending himself with all manner of weapons, especially a very large knife.
It is his deadly skills that lands Eli on the radar of as local dictator named Carnegie (Gary Oldman), who desires to add Eli to his army as he plans to restore society under his rule. The town Eli finds himself in is the first in a planned series of towns that Carnegie plans to rule, and a man with the knowledge and skill of Eli is simply too good to let get away.
In an attempt to entice Eli into his service, Carnegie provides Eli with food, water, shelter, and women. When Eli is presented with the lovely Solara (Mila Kunis), he refuses to take advantage of her and instead leads her in a prayer before sharing his food with her.
This kind act touches Solara who recites the mysterious words of the prayer to her mother in an attempt to learn the meaning of what Eli was saying. Carnegie discovers what Eli has said, and learns of a book in Eli’s possession that he has been guarding for many years.
Carnegie is obsessed with obtaining the book as he sees this as the missing piece to his planned empire and will stop at nothing to obtain it.
What follows is a deadly game of cat and mouse as Carnegie and his minions are in hot pursuit of Eli and Solara as the future of humanity rests in the balance.
“The Book of Eli” is a winning mix of action and story that cleverly balances the two so that one side never overshadows the other.
The film is driven by the strong performances of Oldman and Washington as well as the simple yet strong message of faith and determination.
Both lead characters have a mystery to them that is never fully explored as the audience is given only what we need to know about each character for the purpose of the story.
The most surprising thing about the film was the strong and inspirational message it contained that may be too strong for some, but to me was not only inspiring but unexpected in a Hollywood film.
In the end, the strong cast, good action, and story makes this a film worth seeing and a pleasant surprise.
The solitary life of Eli is interrupted now and then by bandits that roam the lands causing death and mayhem to all those unfortunate enough to cross their path.
This often ends very badly for the bandits as Eli is highly skilled at defending himself with all manner of weapons, especially a very large knife.
It is his deadly skills that lands Eli on the radar of as local dictator named Carnegie (Gary Oldman), who desires to add Eli to his army as he plans to restore society under his rule. The town Eli finds himself in is the first in a planned series of towns that Carnegie plans to rule, and a man with the knowledge and skill of Eli is simply too good to let get away.
In an attempt to entice Eli into his service, Carnegie provides Eli with food, water, shelter, and women. When Eli is presented with the lovely Solara (Mila Kunis), he refuses to take advantage of her and instead leads her in a prayer before sharing his food with her.
This kind act touches Solara who recites the mysterious words of the prayer to her mother in an attempt to learn the meaning of what Eli was saying. Carnegie discovers what Eli has said, and learns of a book in Eli’s possession that he has been guarding for many years.
Carnegie is obsessed with obtaining the book as he sees this as the missing piece to his planned empire and will stop at nothing to obtain it.
What follows is a deadly game of cat and mouse as Carnegie and his minions are in hot pursuit of Eli and Solara as the future of humanity rests in the balance.
“The Book of Eli” is a winning mix of action and story that cleverly balances the two so that one side never overshadows the other.
The film is driven by the strong performances of Oldman and Washington as well as the simple yet strong message of faith and determination.
Both lead characters have a mystery to them that is never fully explored as the audience is given only what we need to know about each character for the purpose of the story.
The most surprising thing about the film was the strong and inspirational message it contained that may be too strong for some, but to me was not only inspiring but unexpected in a Hollywood film.
In the end, the strong cast, good action, and story makes this a film worth seeing and a pleasant surprise.
Phillip McSween (751 KP) rated Zombieland (2009) in Movies
Nov 12, 2019
Great Cast Makes For the Perfect Movie
Four strangers have to learn to survive together during a zombie apocalypse. Talk about a movie that checks all the boxes, Zombieland does just that! It’s got a little something for everyone.
Acting: 10
Beginning: 10
The first ten minutes is a perfect setup for what you can expect throughout the movie. This isn’t your typical zombie-survival romp and I thought writer Rhett Reese did an amazing job of establishing that early. You meet and fall in love with the main character as he tries to survive a simple trip to the bathroom. You also learn how his “rules” have kept him alive so long.
Characters: 10
His name is Columbus, played by Jesse Eisenberg. He’s such an unlikely hero that you can’t help but root for the poor guy as he moves from one scene to the next. Many of the scenes would have played out much differently if it weren’t for his quirky personality.
The other three mains, Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) add their own flare to the film as well. Tallahassee is a badass to the point where it gets extremely comical. His character motivation of searching for a Twinkie (literally!) is priceless. The ladies share a fun backstory that make them an intriguing pair. You throw all four together and you have a perfect combination.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
This apocalyptic adventure is a blast across the board from beginning to end. Even the backstories are exciting to watch. The characters help drive the story as you can somehow manage to get on board with each of their motivations for survival. The action is a blast and the slower moments are underrated gems.
Memorability: 10
Pace: 10
Plot: 10
Zombie movies have been done over…and over…and over…It’s a rare treat when they get it right and try to think outside of the box. I love that the film manages to take a familiar theme and make it fresh. Not only is the movie original, but it harbors some of the most memorable scenes in film.
Resolution: 10
Always nice when a movie doesn’t overstay it’s welcome. Zombieland ties up its story in tidy fashion, ending with a heartfelt bang. It immediately makes you want to watch it again.
Overall: 100
I have the utmost respect for the sheer creativity in Zombieland. Sometimes movies try too hard while others don’t try hard enough. This movie never feels forced and always feels in control of its own destiny. Even the small scenes are impactful, like the night scene where they are taking turns driving and getting to know each other in the car. Zombieland is a cinematic treat.
Acting: 10
Beginning: 10
The first ten minutes is a perfect setup for what you can expect throughout the movie. This isn’t your typical zombie-survival romp and I thought writer Rhett Reese did an amazing job of establishing that early. You meet and fall in love with the main character as he tries to survive a simple trip to the bathroom. You also learn how his “rules” have kept him alive so long.
Characters: 10
His name is Columbus, played by Jesse Eisenberg. He’s such an unlikely hero that you can’t help but root for the poor guy as he moves from one scene to the next. Many of the scenes would have played out much differently if it weren’t for his quirky personality.
The other three mains, Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) add their own flare to the film as well. Tallahassee is a badass to the point where it gets extremely comical. His character motivation of searching for a Twinkie (literally!) is priceless. The ladies share a fun backstory that make them an intriguing pair. You throw all four together and you have a perfect combination.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
This apocalyptic adventure is a blast across the board from beginning to end. Even the backstories are exciting to watch. The characters help drive the story as you can somehow manage to get on board with each of their motivations for survival. The action is a blast and the slower moments are underrated gems.
Memorability: 10
Pace: 10
Plot: 10
Zombie movies have been done over…and over…and over…It’s a rare treat when they get it right and try to think outside of the box. I love that the film manages to take a familiar theme and make it fresh. Not only is the movie original, but it harbors some of the most memorable scenes in film.
Resolution: 10
Always nice when a movie doesn’t overstay it’s welcome. Zombieland ties up its story in tidy fashion, ending with a heartfelt bang. It immediately makes you want to watch it again.
Overall: 100
I have the utmost respect for the sheer creativity in Zombieland. Sometimes movies try too hard while others don’t try hard enough. This movie never feels forced and always feels in control of its own destiny. Even the small scenes are impactful, like the night scene where they are taking turns driving and getting to know each other in the car. Zombieland is a cinematic treat.