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Richard Hell recommended Leon Morin, Priest (1961) in Movies (curated)

 
Leon Morin, Priest (1961)
Leon Morin, Priest (1961)
1961 | Drama, Romance, War
(0 Ratings)
Movie Favorite

"I suppose given the tenor of this list, Melville is pretty predictable, being that he’s a genius of crime noir, but this film is neither noir nor gangster; it’s about a thoughtful, intelligent, wise, and committed country priest, played by the young Jean-Paul Belmondo (!). Melville has a strong moral code, standards of honor and loyalty, as seen not just in his crime movies, but in the devastating Army of Shadows, his film drawn from his experience in the French Resistance, but I never could have foreseen him making a movie that is basically an argument of morality between a compassionate young stud of an impeccably behaved priest and a wild and magnetic, cynical woman, the riveting Emmanuelle Riva. Also, it made me get Catholicism in a way I never had before, namely the appeal of having as a confessor and advisor someone whose concern is for one’s soul. What could be more moving and fulfilling (and flattering)? It’s way more seductive than a psychiatrist, and it’s almost free."

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Awix (3310 KP) rated Hellraiser (1987) in Movies

May 20, 2020 (Updated May 21, 2020)  
Hellraiser (1987)
Hellraiser (1987)
1987 | Horror
7
7.9 (58 Ratings)
Movie Rating Watch
Iconic horror; progenitor of many mostly lousy sequels. An unscrupulous adventurer attempts to escape the clutches of sado-masochistic entities by recruiting his adulterous sister-in-law to provide the raw meat for his renewal (it was the 80s, everyone behaved like that under Thatcher).

Not quite the film an unsuspecting viewer might expect: the focus is mainly on the screwed-up Cotton family, especially nasty Uncle Frank; Pinhead, for all that he is on the poster, is in a very minor role (billed as 'Lead Cenobite'). Visually striking and with some interesting ideas, but the low budget is obvious and this is equally obviously a British movie desperately trying to appeal to an American audience. Where the film falls down is in its lack of focus and the fact that its central metaphor or argument is unclear (beyond the fact that the Cottons are a very dysfunctional bunch). Still, there have been worse debuts from writer-directors; it's just that not many of them go on to have nine sequels.