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This is a free app with paid content. IN THE SEPTEMBER 2017 ISSUE: ARIANA GRANDE // It's getting...
Bong Mines Entertainment (15 KP) rated Coconut Island - Single by Meresha in Music
Jul 10, 2019
Meresha is a Florida-based electro-pop singer-songwriter and multi-instrumentalist. Not too long ago, she released a lyric video for her “Coconut Island” single.
“So we crossed the sea again looking to find a land where we could thrive, you and I. Then a storm came suddenly, shook us up so violently, and we lost all track of time. The warm sand beneath my cold body, I rose with the sun when you found me.” – lyrics
‘Coconut Island’ tells a dreamy tale of a young woman who enjoys a sweet-like-candy-life on a tropical island with her significant other in the summertime.
Apparently, the breezy and warm air is fresh and pure, and the deep blue sea entices them to take a swim. Later, they savor the yummy juice from coconuts while the gentle waves crash the shore.
‘Coconut Island’ contains a fun storyline, pleasing vocals, and harmonious instrumentation flavored with a tropical-pop aroma.
Also, the likable tune sends an evergreen message which states that coco is good for your soul and nature is the remedy.
Meresha considers herself an #AlienPop innovator with a wide-ranging soulful voice and quirky sonic vision.
Her last single, “Jungle Potion”, went viral, hitting a million streams within a few weeks. Also, it was included on Ariana Grande‘s official personal playlist.
Meresha has landed on the Billboard charts 7 times, including peaking at #3 on Billboard’s Next Big Chart globally.
“So we crossed the sea again looking to find a land where we could thrive, you and I. Then a storm came suddenly, shook us up so violently, and we lost all track of time. The warm sand beneath my cold body, I rose with the sun when you found me.” – lyrics
‘Coconut Island’ tells a dreamy tale of a young woman who enjoys a sweet-like-candy-life on a tropical island with her significant other in the summertime.
Apparently, the breezy and warm air is fresh and pure, and the deep blue sea entices them to take a swim. Later, they savor the yummy juice from coconuts while the gentle waves crash the shore.
‘Coconut Island’ contains a fun storyline, pleasing vocals, and harmonious instrumentation flavored with a tropical-pop aroma.
Also, the likable tune sends an evergreen message which states that coco is good for your soul and nature is the remedy.
Meresha considers herself an #AlienPop innovator with a wide-ranging soulful voice and quirky sonic vision.
Her last single, “Jungle Potion”, went viral, hitting a million streams within a few weeks. Also, it was included on Ariana Grande‘s official personal playlist.
Meresha has landed on the Billboard charts 7 times, including peaking at #3 on Billboard’s Next Big Chart globally.
Therapy by Anne-Marie
Album
Anne-Marie’s second studio album, ‘Therapy’, is the official follow-up to her multi-platinum...
The Marinated Meeple (1853 KP) rated Jurassic Park (1993) in Movies
Apr 5, 2018
The CGI (2 more)
The Special Effects
The Storytelling
The all time best dinosaur movie made so far....
This move is a great one and will hold up for many many years. They way the original king Kong holds up the groundbreaking special effects for the time are solid enough to fool people nowadays in a charming old fashioned way. Yes technology is evolving faster than dinosaurs ever did, but when something is made this well, it tends to age well, not poorly. Jaws is another example of aging well, yes we can see the flaws and the seems, but it doesn't matter. Yes I understand the science is flawed, but the premise is interesting, and the pseudo science is good enough to capture the imagination. And the imagination runs wild here like a T-Rex after a Jeep. It gobbled me up like a guy on a toilet. I still love to visit Isla Sorna. And plan to go back many many more times.
Fun Tidbit: All of the cast were given a Raptor model, signed by Steven Spielberg as a gift. It looked very frightening, and Ariana Richards has it in her house to shock anyone coming in, like a guard at the gate. Jeff Goldblum's model has a prime spot in his house and is a cherished object. Laura Dern put her Raptor model in her son's room near his crib. When he was older and saw it he screamed like never before. She had to put it in storage, but hopes one day, the two will be friends.
Here's 2 awesome movie posters:
Fun Tidbit: All of the cast were given a Raptor model, signed by Steven Spielberg as a gift. It looked very frightening, and Ariana Richards has it in her house to shock anyone coming in, like a guard at the gate. Jeff Goldblum's model has a prime spot in his house and is a cherished object. Laura Dern put her Raptor model in her son's room near his crib. When he was older and saw it he screamed like never before. She had to put it in storage, but hopes one day, the two will be friends.
Here's 2 awesome movie posters:
Sarah Blythe (22 KP) rated Fantastic Beasts: Crimes of Grindelwald (2018) in Movies
Aug 24, 2019
Characterisation (2 more)
Theming
Atmosphere
Continuity (1 more)
World canon
It's the Wizarding World, but not quite as we know it...
Contains spoilers, click to show
OK. So. I loved this movie as a continuation of the fantastic beasts universe. I think that the cast does an amazing job of portraying the characters, and I honestly can't imagine anyone other than Eddie Redmayne playing Newt. The atmosphere of the whole thing was built up really well, and the American and European Wizarding worlds that have been created are visually stunning and full of depth.
However, I have a few niggles. I have some minor misgivings about the idea of Jude Law as Dumbledore, not because I dont think he'll do a good job, but because his Dumbledore is so far removed from the one we know and love. I mean, seriously, how do you get from suits to full blown robes? They're opposite ends of the style scale! I think my biggest issue with the whole thing is the lack of continuity from the potter series. I don't understand the back story of Nagini, I want to know what happened between Albus and Grindelwald, and don't get me started on the revelation at the end?!? There was a whole story arc about a hidden Dumbledore child in the HP book series (I love Ariana) and yet here we are, supposed to believe there's another one! I just don't get it!
Overall it's a great film as part of the Fantastic Beasts franchise, and as part of the Wizarding World, but let's not link it too closely to the events of Harry Potter. If we try to work out that labyrinth, I fear all our brains may just explode!
However, I have a few niggles. I have some minor misgivings about the idea of Jude Law as Dumbledore, not because I dont think he'll do a good job, but because his Dumbledore is so far removed from the one we know and love. I mean, seriously, how do you get from suits to full blown robes? They're opposite ends of the style scale! I think my biggest issue with the whole thing is the lack of continuity from the potter series. I don't understand the back story of Nagini, I want to know what happened between Albus and Grindelwald, and don't get me started on the revelation at the end?!? There was a whole story arc about a hidden Dumbledore child in the HP book series (I love Ariana) and yet here we are, supposed to believe there's another one! I just don't get it!
Overall it's a great film as part of the Fantastic Beasts franchise, and as part of the Wizarding World, but let's not link it too closely to the events of Harry Potter. If we try to work out that labyrinth, I fear all our brains may just explode!
Rachel King (13 KP) rated Silver Borne (Mercy Thompson, #5) in Books
Feb 11, 2019
This plotline delved more deeply into the interplay between wolf and man in the werewolf, which is interesting since Mercy does not have that issue with becoming a coyote. It also explored the way that being connected to a pack could either help you or hurt you. The complexities and interplays were fascinating, especially since Mercy had to learn to fight only "in the mind." It kind of validates being intelligent as a viable form of defense. What I did find annoying was when Sylvia and her brood would use Spanish to communicate, and their words were not translated. I studied French in high school, folks, not Spanish. It's poor form to put a foreign language in your book and not at least roughly translate it. Moving on.
I thought the way that the fairy queen operated was, put simply, stupid. She got so many basic things wrong that it did not even make sense that she was even living in the modern world. For instance, she really should have thought of the capabilities of cell phones. As "bad guys" go, she was rather pathetic, and even Bran, the Marrok agreed with me, calling her "stupid fairy queen." I loved that the fight against the fairy queen brought a past love of Samuel's to the forefront, thus giving him a reason to want to live, as well as giving me a different female character to root for. I'm also hoping that Ariana will stick around in future books.
This was not my favorite book in the series, despite centering around an actual book in the plot, as well as showing a bit more "bonding" between Adam and Mercy. The climax seemed less "climactic" than normal, thanks to a less believeable villian, but there was lots for me to like about this book despite what it lacked.
I thought the way that the fairy queen operated was, put simply, stupid. She got so many basic things wrong that it did not even make sense that she was even living in the modern world. For instance, she really should have thought of the capabilities of cell phones. As "bad guys" go, she was rather pathetic, and even Bran, the Marrok agreed with me, calling her "stupid fairy queen." I loved that the fight against the fairy queen brought a past love of Samuel's to the forefront, thus giving him a reason to want to live, as well as giving me a different female character to root for. I'm also hoping that Ariana will stick around in future books.
This was not my favorite book in the series, despite centering around an actual book in the plot, as well as showing a bit more "bonding" between Adam and Mercy. The climax seemed less "climactic" than normal, thanks to a less believeable villian, but there was lots for me to like about this book despite what it lacked.
Hazel (1853 KP) rated Stir of Shadows in Books
Jun 17, 2018
This ARC was provided by the publisher via NetGalley in exchange for an honest review
Here it is, book six in the never-ending Legend of Rhyme series by Jaime Lee Mann. Stir of Shadows takes readers back to the magical land of Coraira, reuniting everyone with the twins Asher and Ariana, the mermaid Teagan and all of their friends. Once again, the magical land is in trouble and all the characters are impacted in some way.
As with every book in this series, there are new characters introduced into the story – perhaps too many. And, of course, each individual has their own story to be told. The narrative is constantly switching between locations, often leaving the reader hanging with unresolved issues. Thankfully, the author separates these sections with short poems that sum up the general gist of the book as it progresses.
The Legend of Rhyme series feels overdone and the storyline in Stir of Shadows seemed to be snatching at straws, trying to piece something together. There are so many characters to keep track of, some who disappear for a while only to be reintroduced as if they had never been away.
There was no sense of danger or action in this instalment. Problems arose, only to be solved moments later. Unlike previous books where readers were overwhelmed with foreboding, the scenes were over and done within no time at all. The book, however, to give it its due, is fast-paced; I read it in less than two hours.
Perhaps it is not the storyline or authorship that is the problem, it could be my age. I am 26, whereas, Legend of Rhyme is targeted at people half that. There is little for an adult reader to latch onto and enjoy before it is snatched away by an easy solution.
Nonetheless, Jaime Lee Mann is great at ending her books on a cliffhanger. Stir of Shadows may not be anything to rave over, but I certainly want to know what happens next!
Here it is, book six in the never-ending Legend of Rhyme series by Jaime Lee Mann. Stir of Shadows takes readers back to the magical land of Coraira, reuniting everyone with the twins Asher and Ariana, the mermaid Teagan and all of their friends. Once again, the magical land is in trouble and all the characters are impacted in some way.
As with every book in this series, there are new characters introduced into the story – perhaps too many. And, of course, each individual has their own story to be told. The narrative is constantly switching between locations, often leaving the reader hanging with unresolved issues. Thankfully, the author separates these sections with short poems that sum up the general gist of the book as it progresses.
The Legend of Rhyme series feels overdone and the storyline in Stir of Shadows seemed to be snatching at straws, trying to piece something together. There are so many characters to keep track of, some who disappear for a while only to be reintroduced as if they had never been away.
There was no sense of danger or action in this instalment. Problems arose, only to be solved moments later. Unlike previous books where readers were overwhelmed with foreboding, the scenes were over and done within no time at all. The book, however, to give it its due, is fast-paced; I read it in less than two hours.
Perhaps it is not the storyline or authorship that is the problem, it could be my age. I am 26, whereas, Legend of Rhyme is targeted at people half that. There is little for an adult reader to latch onto and enjoy before it is snatched away by an easy solution.
Nonetheless, Jaime Lee Mann is great at ending her books on a cliffhanger. Stir of Shadows may not be anything to rave over, but I certainly want to know what happens next!
BankofMarquis (1832 KP) rated 65 (2023) in Movies
May 8, 2023
Driver is Heads and Shoulders above this material
Whoever decided to cast Adam Driver as an alien spaceperson (who looks and acts suspiciously like a 21st Century American) who crash-lands on prehistoric Earth and has to battle Dinosaurs equipped with only his alien technology (including his laser-blaster) is a GENIUS for Driver is EXTREMELY watchable in this film - the best thing (by far) in this so-so sci-fi/dinosaur mash-up.
The rest of the movie? Not so much.
Basically Jurassic Park with a spaceman twist, 65 (so named for the spaceman that crash lands on Earth at around 65 million years B.C. - just before the “dinosaur killing” asteroid hits the Earth) tells the tale of said Spaceman, MIlls (Driver) who crashes on Earth and (along with another survivor, Koa played by Ariana Greenblatt) must make their way across unfriendly, hungry Dinosaur territory to their escape ship and get off the planet before the asteroid hits.
You’ve seen the humans vs. dinosaur action before in all of the Jurassic Park films - so there’s nothing new here. Writer/Directors Scott Beck and Bryan Woods put together a fairly standard “man vs. beast” action flick. It felt like that these two were playing with their Jurassic Park and Astronaut toys in their bedroom and this was the adventure they came up with.
The differentiator in this film is the performance of Driver who puts his all into his portrayal of Mills as he (mostly) silently, but professionally, makes his way across hostile territory to gain access to rescue. Driver (who I don’t think has ever given a bad performance) is head and shoulders above the material here and he, alone, is worth spending an hour and a 1/2 of your time on this film.
Roll your eyes at the Dinosaur action, marvel at the Adam Driver performance.
Letter Grade: C+ (Driver “A”, the rest of the film “D”)
6 stars (out of 10) - and that’s being generous - and you can take that to the Bank (ofMarquis)
The rest of the movie? Not so much.
Basically Jurassic Park with a spaceman twist, 65 (so named for the spaceman that crash lands on Earth at around 65 million years B.C. - just before the “dinosaur killing” asteroid hits the Earth) tells the tale of said Spaceman, MIlls (Driver) who crashes on Earth and (along with another survivor, Koa played by Ariana Greenblatt) must make their way across unfriendly, hungry Dinosaur territory to their escape ship and get off the planet before the asteroid hits.
You’ve seen the humans vs. dinosaur action before in all of the Jurassic Park films - so there’s nothing new here. Writer/Directors Scott Beck and Bryan Woods put together a fairly standard “man vs. beast” action flick. It felt like that these two were playing with their Jurassic Park and Astronaut toys in their bedroom and this was the adventure they came up with.
The differentiator in this film is the performance of Driver who puts his all into his portrayal of Mills as he (mostly) silently, but professionally, makes his way across hostile territory to gain access to rescue. Driver (who I don’t think has ever given a bad performance) is head and shoulders above the material here and he, alone, is worth spending an hour and a 1/2 of your time on this film.
Roll your eyes at the Dinosaur action, marvel at the Adam Driver performance.
Letter Grade: C+ (Driver “A”, the rest of the film “D”)
6 stars (out of 10) - and that’s being generous - and you can take that to the Bank (ofMarquis)
DaveySmithy (107 KP) rated Wicked (2024) in Movies
Dec 3, 2024
A Magical, If Slightly Uneven Journey
The long-awaited Wicked movie finally graces the big screen in 2024, bringing the beloved Broadway musical to life with all the magic, heart, and soaring melodies that made it iconic. Directed by Jon M. Chu, this adaptation dives deep into the untold story of the witches of Oz, offering stunning visuals, powerhouse performances, and emotional depth that will captivate fans of the musical and newcomers alike.
The film explores the complex relationship between Elphaba (played by Cynthia Erivo), the misunderstood green-skinned girl who will become the Wicked Witch of the West, and Glinda (Ariana Grande), the glamorous and ambitious witch-in-training. Both actresses deliver strong performances, with Erivo’s soulful voice shining in ballads like “Defying Gravity” and “I’m Not That Girl.” Grande brings charm and humor to Glinda, though her performance occasionally leans into caricature rather than character depth.
Visually, Wicked is breathtaking. The vibrant and intricate production design transports viewers to a fantastical Oz, from the emerald spires of the Emerald City to the mystical forests of Shiz University. Coupled with dazzling costume design and vivid CGI, the world feels alive and immersive.
However, the film does falter in pacing. At over two hours, certain scenes—particularly in the first act—feel overly drawn out, while others are rushed. Some of the musical numbers lose their emotional weight due to awkward transitions from dialogue to song, a challenge many stage-to-screen adaptations face.
Despite these shortcomings, Wicked soars where it matters most: its emotional core. The themes of friendship, identity, and the cost of doing what’s right resonate deeply. By the time the climactic “For Good” duet arrives, the film earns its tears and applause.
While not perfect, Wicked (2024) is a spellbinding adaptation that captures much of the magic of the original musical. Fans will walk away satisfied, and newcomers will find themselves enchanted. A solid 8/10.
The long-awaited Wicked movie finally graces the big screen in 2024, bringing the beloved Broadway musical to life with all the magic, heart, and soaring melodies that made it iconic. Directed by Jon M. Chu, this adaptation dives deep into the untold story of the witches of Oz, offering stunning visuals, powerhouse performances, and emotional depth that will captivate fans of the musical and newcomers alike.
The film explores the complex relationship between Elphaba (played by Cynthia Erivo), the misunderstood green-skinned girl who will become the Wicked Witch of the West, and Glinda (Ariana Grande), the glamorous and ambitious witch-in-training. Both actresses deliver strong performances, with Erivo’s soulful voice shining in ballads like “Defying Gravity” and “I’m Not That Girl.” Grande brings charm and humor to Glinda, though her performance occasionally leans into caricature rather than character depth.
Visually, Wicked is breathtaking. The vibrant and intricate production design transports viewers to a fantastical Oz, from the emerald spires of the Emerald City to the mystical forests of Shiz University. Coupled with dazzling costume design and vivid CGI, the world feels alive and immersive.
However, the film does falter in pacing. At over two hours, certain scenes—particularly in the first act—feel overly drawn out, while others are rushed. Some of the musical numbers lose their emotional weight due to awkward transitions from dialogue to song, a challenge many stage-to-screen adaptations face.
Despite these shortcomings, Wicked soars where it matters most: its emotional core. The themes of friendship, identity, and the cost of doing what’s right resonate deeply. By the time the climactic “For Good” duet arrives, the film earns its tears and applause.
While not perfect, Wicked (2024) is a spellbinding adaptation that captures much of the magic of the original musical. Fans will walk away satisfied, and newcomers will find themselves enchanted. A solid 8/10.