Search
Therapy by Anne-Marie
Album
Anne-Marie’s second studio album, ‘Therapy’, is the official follow-up to her multi-platinum...
The Marinated Meeple (1848 KP) rated Jurassic Park (1993) in Movies
Apr 5, 2018
The CGI (2 more)
The Special Effects
The Storytelling
The all time best dinosaur movie made so far....
This move is a great one and will hold up for many many years. They way the original king Kong holds up the groundbreaking special effects for the time are solid enough to fool people nowadays in a charming old fashioned way. Yes technology is evolving faster than dinosaurs ever did, but when something is made this well, it tends to age well, not poorly. Jaws is another example of aging well, yes we can see the flaws and the seems, but it doesn't matter. Yes I understand the science is flawed, but the premise is interesting, and the pseudo science is good enough to capture the imagination. And the imagination runs wild here like a T-Rex after a Jeep. It gobbled me up like a guy on a toilet. I still love to visit Isla Sorna. And plan to go back many many more times.
Fun Tidbit: All of the cast were given a Raptor model, signed by Steven Spielberg as a gift. It looked very frightening, and Ariana Richards has it in her house to shock anyone coming in, like a guard at the gate. Jeff Goldblum's model has a prime spot in his house and is a cherished object. Laura Dern put her Raptor model in her son's room near his crib. When he was older and saw it he screamed like never before. She had to put it in storage, but hopes one day, the two will be friends.
Here's 2 awesome movie posters:
Fun Tidbit: All of the cast were given a Raptor model, signed by Steven Spielberg as a gift. It looked very frightening, and Ariana Richards has it in her house to shock anyone coming in, like a guard at the gate. Jeff Goldblum's model has a prime spot in his house and is a cherished object. Laura Dern put her Raptor model in her son's room near his crib. When he was older and saw it he screamed like never before. She had to put it in storage, but hopes one day, the two will be friends.
Here's 2 awesome movie posters:
Sarah Blythe (22 KP) rated Fantastic Beasts: Crimes of Grindelwald (2018) in Movies
Aug 24, 2019
Characterisation (2 more)
Theming
Atmosphere
Continuity (1 more)
World canon
It's the Wizarding World, but not quite as we know it...
Contains spoilers, click to show
OK. So. I loved this movie as a continuation of the fantastic beasts universe. I think that the cast does an amazing job of portraying the characters, and I honestly can't imagine anyone other than Eddie Redmayne playing Newt. The atmosphere of the whole thing was built up really well, and the American and European Wizarding worlds that have been created are visually stunning and full of depth.
However, I have a few niggles. I have some minor misgivings about the idea of Jude Law as Dumbledore, not because I dont think he'll do a good job, but because his Dumbledore is so far removed from the one we know and love. I mean, seriously, how do you get from suits to full blown robes? They're opposite ends of the style scale! I think my biggest issue with the whole thing is the lack of continuity from the potter series. I don't understand the back story of Nagini, I want to know what happened between Albus and Grindelwald, and don't get me started on the revelation at the end?!? There was a whole story arc about a hidden Dumbledore child in the HP book series (I love Ariana) and yet here we are, supposed to believe there's another one! I just don't get it!
Overall it's a great film as part of the Fantastic Beasts franchise, and as part of the Wizarding World, but let's not link it too closely to the events of Harry Potter. If we try to work out that labyrinth, I fear all our brains may just explode!
However, I have a few niggles. I have some minor misgivings about the idea of Jude Law as Dumbledore, not because I dont think he'll do a good job, but because his Dumbledore is so far removed from the one we know and love. I mean, seriously, how do you get from suits to full blown robes? They're opposite ends of the style scale! I think my biggest issue with the whole thing is the lack of continuity from the potter series. I don't understand the back story of Nagini, I want to know what happened between Albus and Grindelwald, and don't get me started on the revelation at the end?!? There was a whole story arc about a hidden Dumbledore child in the HP book series (I love Ariana) and yet here we are, supposed to believe there's another one! I just don't get it!
Overall it's a great film as part of the Fantastic Beasts franchise, and as part of the Wizarding World, but let's not link it too closely to the events of Harry Potter. If we try to work out that labyrinth, I fear all our brains may just explode!
Rachel King (13 KP) rated Silver Borne (Mercy Thompson, #5) in Books
Feb 11, 2019
This plotline delved more deeply into the interplay between wolf and man in the werewolf, which is interesting since Mercy does not have that issue with becoming a coyote. It also explored the way that being connected to a pack could either help you or hurt you. The complexities and interplays were fascinating, especially since Mercy had to learn to fight only "in the mind." It kind of validates being intelligent as a viable form of defense. What I did find annoying was when Sylvia and her brood would use Spanish to communicate, and their words were not translated. I studied French in high school, folks, not Spanish. It's poor form to put a foreign language in your book and not at least roughly translate it. Moving on.
I thought the way that the fairy queen operated was, put simply, stupid. She got so many basic things wrong that it did not even make sense that she was even living in the modern world. For instance, she really should have thought of the capabilities of cell phones. As "bad guys" go, she was rather pathetic, and even Bran, the Marrok agreed with me, calling her "stupid fairy queen." I loved that the fight against the fairy queen brought a past love of Samuel's to the forefront, thus giving him a reason to want to live, as well as giving me a different female character to root for. I'm also hoping that Ariana will stick around in future books.
This was not my favorite book in the series, despite centering around an actual book in the plot, as well as showing a bit more "bonding" between Adam and Mercy. The climax seemed less "climactic" than normal, thanks to a less believeable villian, but there was lots for me to like about this book despite what it lacked.
I thought the way that the fairy queen operated was, put simply, stupid. She got so many basic things wrong that it did not even make sense that she was even living in the modern world. For instance, she really should have thought of the capabilities of cell phones. As "bad guys" go, she was rather pathetic, and even Bran, the Marrok agreed with me, calling her "stupid fairy queen." I loved that the fight against the fairy queen brought a past love of Samuel's to the forefront, thus giving him a reason to want to live, as well as giving me a different female character to root for. I'm also hoping that Ariana will stick around in future books.
This was not my favorite book in the series, despite centering around an actual book in the plot, as well as showing a bit more "bonding" between Adam and Mercy. The climax seemed less "climactic" than normal, thanks to a less believeable villian, but there was lots for me to like about this book despite what it lacked.
Hazel (1853 KP) rated Stir of Shadows in Books
Jun 17, 2018
This ARC was provided by the publisher via NetGalley in exchange for an honest review
Here it is, book six in the never-ending Legend of Rhyme series by Jaime Lee Mann. Stir of Shadows takes readers back to the magical land of Coraira, reuniting everyone with the twins Asher and Ariana, the mermaid Teagan and all of their friends. Once again, the magical land is in trouble and all the characters are impacted in some way.
As with every book in this series, there are new characters introduced into the story – perhaps too many. And, of course, each individual has their own story to be told. The narrative is constantly switching between locations, often leaving the reader hanging with unresolved issues. Thankfully, the author separates these sections with short poems that sum up the general gist of the book as it progresses.
The Legend of Rhyme series feels overdone and the storyline in Stir of Shadows seemed to be snatching at straws, trying to piece something together. There are so many characters to keep track of, some who disappear for a while only to be reintroduced as if they had never been away.
There was no sense of danger or action in this instalment. Problems arose, only to be solved moments later. Unlike previous books where readers were overwhelmed with foreboding, the scenes were over and done within no time at all. The book, however, to give it its due, is fast-paced; I read it in less than two hours.
Perhaps it is not the storyline or authorship that is the problem, it could be my age. I am 26, whereas, Legend of Rhyme is targeted at people half that. There is little for an adult reader to latch onto and enjoy before it is snatched away by an easy solution.
Nonetheless, Jaime Lee Mann is great at ending her books on a cliffhanger. Stir of Shadows may not be anything to rave over, but I certainly want to know what happens next!
Here it is, book six in the never-ending Legend of Rhyme series by Jaime Lee Mann. Stir of Shadows takes readers back to the magical land of Coraira, reuniting everyone with the twins Asher and Ariana, the mermaid Teagan and all of their friends. Once again, the magical land is in trouble and all the characters are impacted in some way.
As with every book in this series, there are new characters introduced into the story – perhaps too many. And, of course, each individual has their own story to be told. The narrative is constantly switching between locations, often leaving the reader hanging with unresolved issues. Thankfully, the author separates these sections with short poems that sum up the general gist of the book as it progresses.
The Legend of Rhyme series feels overdone and the storyline in Stir of Shadows seemed to be snatching at straws, trying to piece something together. There are so many characters to keep track of, some who disappear for a while only to be reintroduced as if they had never been away.
There was no sense of danger or action in this instalment. Problems arose, only to be solved moments later. Unlike previous books where readers were overwhelmed with foreboding, the scenes were over and done within no time at all. The book, however, to give it its due, is fast-paced; I read it in less than two hours.
Perhaps it is not the storyline or authorship that is the problem, it could be my age. I am 26, whereas, Legend of Rhyme is targeted at people half that. There is little for an adult reader to latch onto and enjoy before it is snatched away by an easy solution.
Nonetheless, Jaime Lee Mann is great at ending her books on a cliffhanger. Stir of Shadows may not be anything to rave over, but I certainly want to know what happens next!
BankofMarquis (1832 KP) rated 65 (2023) in Movies
May 8, 2023
Driver is Heads and Shoulders above this material
Whoever decided to cast Adam Driver as an alien spaceperson (who looks and acts suspiciously like a 21st Century American) who crash-lands on prehistoric Earth and has to battle Dinosaurs equipped with only his alien technology (including his laser-blaster) is a GENIUS for Driver is EXTREMELY watchable in this film - the best thing (by far) in this so-so sci-fi/dinosaur mash-up.
The rest of the movie? Not so much.
Basically Jurassic Park with a spaceman twist, 65 (so named for the spaceman that crash lands on Earth at around 65 million years B.C. - just before the “dinosaur killing” asteroid hits the Earth) tells the tale of said Spaceman, MIlls (Driver) who crashes on Earth and (along with another survivor, Koa played by Ariana Greenblatt) must make their way across unfriendly, hungry Dinosaur territory to their escape ship and get off the planet before the asteroid hits.
You’ve seen the humans vs. dinosaur action before in all of the Jurassic Park films - so there’s nothing new here. Writer/Directors Scott Beck and Bryan Woods put together a fairly standard “man vs. beast” action flick. It felt like that these two were playing with their Jurassic Park and Astronaut toys in their bedroom and this was the adventure they came up with.
The differentiator in this film is the performance of Driver who puts his all into his portrayal of Mills as he (mostly) silently, but professionally, makes his way across hostile territory to gain access to rescue. Driver (who I don’t think has ever given a bad performance) is head and shoulders above the material here and he, alone, is worth spending an hour and a 1/2 of your time on this film.
Roll your eyes at the Dinosaur action, marvel at the Adam Driver performance.
Letter Grade: C+ (Driver “A”, the rest of the film “D”)
6 stars (out of 10) - and that’s being generous - and you can take that to the Bank (ofMarquis)
The rest of the movie? Not so much.
Basically Jurassic Park with a spaceman twist, 65 (so named for the spaceman that crash lands on Earth at around 65 million years B.C. - just before the “dinosaur killing” asteroid hits the Earth) tells the tale of said Spaceman, MIlls (Driver) who crashes on Earth and (along with another survivor, Koa played by Ariana Greenblatt) must make their way across unfriendly, hungry Dinosaur territory to their escape ship and get off the planet before the asteroid hits.
You’ve seen the humans vs. dinosaur action before in all of the Jurassic Park films - so there’s nothing new here. Writer/Directors Scott Beck and Bryan Woods put together a fairly standard “man vs. beast” action flick. It felt like that these two were playing with their Jurassic Park and Astronaut toys in their bedroom and this was the adventure they came up with.
The differentiator in this film is the performance of Driver who puts his all into his portrayal of Mills as he (mostly) silently, but professionally, makes his way across hostile territory to gain access to rescue. Driver (who I don’t think has ever given a bad performance) is head and shoulders above the material here and he, alone, is worth spending an hour and a 1/2 of your time on this film.
Roll your eyes at the Dinosaur action, marvel at the Adam Driver performance.
Letter Grade: C+ (Driver “A”, the rest of the film “D”)
6 stars (out of 10) - and that’s being generous - and you can take that to the Bank (ofMarquis)
Gareth von Kallenbach (971 KP) rated The Broken Hearts Gallery (2020) in Movies
Oct 8, 2020
Lucy (Geraldine Viswanathan) works in a very well-known art gallery owned by the ever so extraordinary Eva Woolf (Bernadette Peters). It has been a dream of hers since she was very young to work as a curator in a gallery and she is starting as an assistant at “The Woolf”.
She has been seeing Max (Utkarsh Ambudkar), the gallery curator for a while. Helping him with information on the artists as well as the likes and dislikes of Eva. On the night of the latest show launch, Eva asks Lucy to step to the podium and introduce Max so he could open the show. In a matter of minutes, Lucy loses her job and is dumped.
Lucy, having been through a traumatic loss, mistakenly hops into a stranger’s car under the assumption that it was her uber. She then proceeds to tell the driver of her night of disaster without registering that she is in the car of a stranger that is not her uber driver. Come to find out, the driver, Nick (Dacre Montgomery) is a budding hotelier trying to build a small boutique hotel.
He drops her off at the apartment, where her roommates immediately cocoon her in a dance that they have done oh so many times.
She has known Nadine (Phillipa Soo) and Amanda (Molly Gordon) since they were in high school. This trio is the partner in crime type of best friends. The interactions between them is so well coordinated I believed that they have been the closest of friends for ages. The same goes for Nick and his best friend Marcos (Arturo Castro).
.This film is the perfect Romantic Comedy that is very well suited for this moment in time.
It is a well-deserved salve on the dearth of darkness in cinema as of late. The lines are funny, the timing of the responses, quick and clever. It is also quirky and charming as well as emotional and sweet.
Natalie Krinsky, the Writer and Director had cast the characters perfectly. The actors drew me into the film as I laughed at their escapades, vicariously experienced celebrations. This movie was a joy to watch. It was sweet, funny, clever, and heartwarming.
Viswanathan embodied Lucy. The character is of the modern twenty something woman in hipsterville. She showed that Lucy is intelligent, imperfect and at times, insecure, but she is brave and willing to forge through anything.
The soundtrack is fantastic, the songs support the scenes and it is a veritable list of the current pop artists that are played in daily rotation.
Beyonce, Taylor Swift, Halsey, Rita Ora, Ariana Grande, and Selena Gomez who is an executive producer on the film.
If this is the direction of the modern romantic comedy, I look forward to the development of this genre as it grows. I rarely want to watch most films a second time. If you like the Romcom, this is one that is thoroughly enjoyable. Well worth the time and the ticket.
She has been seeing Max (Utkarsh Ambudkar), the gallery curator for a while. Helping him with information on the artists as well as the likes and dislikes of Eva. On the night of the latest show launch, Eva asks Lucy to step to the podium and introduce Max so he could open the show. In a matter of minutes, Lucy loses her job and is dumped.
Lucy, having been through a traumatic loss, mistakenly hops into a stranger’s car under the assumption that it was her uber. She then proceeds to tell the driver of her night of disaster without registering that she is in the car of a stranger that is not her uber driver. Come to find out, the driver, Nick (Dacre Montgomery) is a budding hotelier trying to build a small boutique hotel.
He drops her off at the apartment, where her roommates immediately cocoon her in a dance that they have done oh so many times.
She has known Nadine (Phillipa Soo) and Amanda (Molly Gordon) since they were in high school. This trio is the partner in crime type of best friends. The interactions between them is so well coordinated I believed that they have been the closest of friends for ages. The same goes for Nick and his best friend Marcos (Arturo Castro).
.This film is the perfect Romantic Comedy that is very well suited for this moment in time.
It is a well-deserved salve on the dearth of darkness in cinema as of late. The lines are funny, the timing of the responses, quick and clever. It is also quirky and charming as well as emotional and sweet.
Natalie Krinsky, the Writer and Director had cast the characters perfectly. The actors drew me into the film as I laughed at their escapades, vicariously experienced celebrations. This movie was a joy to watch. It was sweet, funny, clever, and heartwarming.
Viswanathan embodied Lucy. The character is of the modern twenty something woman in hipsterville. She showed that Lucy is intelligent, imperfect and at times, insecure, but she is brave and willing to forge through anything.
The soundtrack is fantastic, the songs support the scenes and it is a veritable list of the current pop artists that are played in daily rotation.
Beyonce, Taylor Swift, Halsey, Rita Ora, Ariana Grande, and Selena Gomez who is an executive producer on the film.
If this is the direction of the modern romantic comedy, I look forward to the development of this genre as it grows. I rarely want to watch most films a second time. If you like the Romcom, this is one that is thoroughly enjoyable. Well worth the time and the ticket.
BankofMarquis (1832 KP) rated Don't Look Up (2021) in Movies
Jan 9, 2022
A Brilliant Satire
Satire is a tricky thing to get right, there is a balance between humor and pathos that must be struck in order to drive home the point.
The Netflix Original Satire, DON’T LOOK UP, Directed by Adam McKay (THE BIG SHORT) finds the right line, beautifully.
A send-up of the Climate Change debate (but also, a condemnation of the reaction to the current Global Virus), DON’T LOOK UP has a who’s who of performers that are at the top of their game and delivers a top-notch entertainment that also makes you think.
The plot of the film is simple enough - a PhD Student (Jennifer Lawrence) discovers a “planet killing” comet that is on a collision course with Earth and, joined by her Professor (Leonardo DiCaprio), tries to get the “powers-that-be” to listen to the threat.
DiCaprio (in essence, in the Anthony Fauci role) is superb as the Professor that tries to convince the Politicians about the Science of the threat. His frustration at hitting the brick wall of “political spin” crescendos in an absurdly bravura performance.
Meryl Streep is brilliant (of course) as the President who is more interested in how this situation affects her, politically, than how it affects the populace. She is joined by a sychophantic Jonah Hill (as her son and Chief of Staff). Hill has never been better and understands the nature of this character and mines it for comedic gold.
Cate Blanchette and Tyler Perry are also strong as the Cable News Anchors who are more interested in keeping the conversation “light and fun” and they actually have good “co-anchor” chemistry with each other.
Timothee Chalamet, Mark Rylance, Rob Morgan, Ron Perlman and, yes, Ariana Grande are also strong in smaller, almost cameo, roles.
But the standout star of this film is Jennifer Lawrence as PhD student Kate DiBiasky, the person who discovers the comet (and for whom the comet is named). It is easy to forget just how strong of a performer that Lawrence is but she goes toe-to-toe with Streep/DiCaprio/Blanchette et al and more than holds her own. Her character/performance is the backbone - and conscience - that holds this film together.
Of course, credit for all of this must go to Writer/Director Adam McKay who showed in THE BIG SHORT that he is more than “the comedy Director” of such films like ANCHORMAN and he puts that ability to work, strongly, in this film. He clearly had a vision of what he wanted to put across in this film and straddles the line between humor and seriousness in such a way that no matter what side of the “Global Change” and “Global Pandemic” crisis you are on, you will think that this film skewers you and favors the other side.
Which is the sign of a terrific satire.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The Netflix Original Satire, DON’T LOOK UP, Directed by Adam McKay (THE BIG SHORT) finds the right line, beautifully.
A send-up of the Climate Change debate (but also, a condemnation of the reaction to the current Global Virus), DON’T LOOK UP has a who’s who of performers that are at the top of their game and delivers a top-notch entertainment that also makes you think.
The plot of the film is simple enough - a PhD Student (Jennifer Lawrence) discovers a “planet killing” comet that is on a collision course with Earth and, joined by her Professor (Leonardo DiCaprio), tries to get the “powers-that-be” to listen to the threat.
DiCaprio (in essence, in the Anthony Fauci role) is superb as the Professor that tries to convince the Politicians about the Science of the threat. His frustration at hitting the brick wall of “political spin” crescendos in an absurdly bravura performance.
Meryl Streep is brilliant (of course) as the President who is more interested in how this situation affects her, politically, than how it affects the populace. She is joined by a sychophantic Jonah Hill (as her son and Chief of Staff). Hill has never been better and understands the nature of this character and mines it for comedic gold.
Cate Blanchette and Tyler Perry are also strong as the Cable News Anchors who are more interested in keeping the conversation “light and fun” and they actually have good “co-anchor” chemistry with each other.
Timothee Chalamet, Mark Rylance, Rob Morgan, Ron Perlman and, yes, Ariana Grande are also strong in smaller, almost cameo, roles.
But the standout star of this film is Jennifer Lawrence as PhD student Kate DiBiasky, the person who discovers the comet (and for whom the comet is named). It is easy to forget just how strong of a performer that Lawrence is but she goes toe-to-toe with Streep/DiCaprio/Blanchette et al and more than holds her own. Her character/performance is the backbone - and conscience - that holds this film together.
Of course, credit for all of this must go to Writer/Director Adam McKay who showed in THE BIG SHORT that he is more than “the comedy Director” of such films like ANCHORMAN and he puts that ability to work, strongly, in this film. He clearly had a vision of what he wanted to put across in this film and straddles the line between humor and seriousness in such a way that no matter what side of the “Global Change” and “Global Pandemic” crisis you are on, you will think that this film skewers you and favors the other side.
Which is the sign of a terrific satire.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The Marinated Meeple (1848 KP) Apr 5, 2018
The Marinated Meeple (1848 KP) Apr 5, 2018