"The first book that really made an impression was The Story of Dr. Doolittle by Hugh Lofting. An English country doctor who lived in Puddleby-on-the-Marsh who was taught how to speak to animals by his parrot, Polynesia. His amazing household ranging from Jip, the dog and Whitey the white mouse to Dab Dab the duck who took over as housekeeper when the Doctor’s sister left in a huff because he would have animals in the house and she found mice nesting in her linen cupboard…Mum got it for me from the library – we could not afford new books. I read it at least twice before it had to go back. In fact I loved it so much that Danny (my grandmother, with whom Mum, my sister Judy and I went to live after war broke out and my father joined up in the army) gave it to me as a great treat for Christmas, 1944. It was one of the most exciting presents I remember – my very own book!"

"I suppose given the tenor of this list, Melville is pretty predictable, being that he’s a genius of crime noir, but this film is neither noir nor gangster; it’s about a thoughtful, intelligent, wise, and committed country priest, played by the young Jean-Paul Belmondo (!). Melville has a strong moral code, standards of honor and loyalty, as seen not just in his crime movies, but in the devastating Army of Shadows, his film drawn from his experience in the French Resistance, but I never could have foreseen him making a movie that is basically an argument of morality between a compassionate young stud of an impeccably behaved priest and a wild and magnetic, cynical woman, the riveting Emmanuelle Riva. Also, it made me get Catholicism in a way I never had before, namely the appeal of having as a confessor and advisor someone whose concern is for one’s soul. What could be more moving and fulfilling (and flattering)? It’s way more seductive than a psychiatrist, and it’s almost free."