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Ross (3284 KP) rated The Rage of Dragons in Books
May 21, 2020
Good Africa-inspired fantasy but nothing original
This book takes place in alternative version of pre-historic Africa. The Omehi race were seeking to escape turmoil in their homeland and have invaded a nearby land. They have historically used their magical and strategic advantages to keep the more savage natives, who have significant numerical advantages, at bay.
The story follows the development and move into manhood of one of the lower social classes of the Omehi.
Tau is nothing special, one of the lower classes and only mediocre with a sword. He is hoping to get into the army and find himself so badly injured he can be honourably discharged and have the social standing to ask his love to marry him.
However, early on in his testing for acceptance into the army, he wins a fight with a pathetic noble and his father is subsequently murdered for justice.
The story then follows Tau's travels and training in order to be accepted on his own merit. He is quickly accepted into an experimental set of trainees and his development picks up a gear, thought he keeps hidden his secret desire to kill those nobles responsible for his father's death. Through mixing with magic and extreme training, Tau becomes a force to be reckoned with, but is still to pick the right side to fight against.
The writing style is good, however a number of made-up (I presume) terms are used throughout the book, and it can be quite hard to determine what they mean and who they refer to. This covers the different ranks of the armies, so can largely be ignored, but it is a little jarring for the reader.
The pacing was all over the place. It was slow to get moving, and when it did it quickly ground to a halt again, as we suffered through days and weeks of training. While this was generally for the benefit of the overall story as a whole, it did take some effort to get through. If this was a film, it would have needed a montage for sure.
The plot itself starts fairly basic - one man out for revenge against people he can't possibly beat and using this as motivation to better himself. However the final quarter of the book brings in another aspect and the book significantly improves for that.
The story follows the development and move into manhood of one of the lower social classes of the Omehi.
Tau is nothing special, one of the lower classes and only mediocre with a sword. He is hoping to get into the army and find himself so badly injured he can be honourably discharged and have the social standing to ask his love to marry him.
However, early on in his testing for acceptance into the army, he wins a fight with a pathetic noble and his father is subsequently murdered for justice.
The story then follows Tau's travels and training in order to be accepted on his own merit. He is quickly accepted into an experimental set of trainees and his development picks up a gear, thought he keeps hidden his secret desire to kill those nobles responsible for his father's death. Through mixing with magic and extreme training, Tau becomes a force to be reckoned with, but is still to pick the right side to fight against.
The writing style is good, however a number of made-up (I presume) terms are used throughout the book, and it can be quite hard to determine what they mean and who they refer to. This covers the different ranks of the armies, so can largely be ignored, but it is a little jarring for the reader.
The pacing was all over the place. It was slow to get moving, and when it did it quickly ground to a halt again, as we suffered through days and weeks of training. While this was generally for the benefit of the overall story as a whole, it did take some effort to get through. If this was a film, it would have needed a montage for sure.
The plot itself starts fairly basic - one man out for revenge against people he can't possibly beat and using this as motivation to better himself. However the final quarter of the book brings in another aspect and the book significantly improves for that.
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Mark Halpern (153 KP) rated The Godfather (1972) in Movies
Jan 11, 2018 (Updated Jan 11, 2018)
EPIC
Best Mafia story ever written. The Godfather is not just a classic it is a must watch movie for every movie goer ever. 3 of the most iconic lines in movie history come from this movie. The cast is not just a whose who, it is a plethora of stars who make this film in my top five favorite movies ever.
The story of a young Italian who chooses to go into the army and not deal with the family businesses in any way comes home to his sisters wedding to be with family. Not two days later chain events happen that changes his point of view on the family and makes him join. He rises to power not only with in the family but, against other mafia familes and becomes most feared.
This movie shows one of the greatest transformations of a character ever in film history. A hero who becomes a villain for the right reasons you could say. This movie spawns two sequels. The second being better than the first and the third really just closes the story out but, this story will always be the best mafia story ever written.
The story of a young Italian who chooses to go into the army and not deal with the family businesses in any way comes home to his sisters wedding to be with family. Not two days later chain events happen that changes his point of view on the family and makes him join. He rises to power not only with in the family but, against other mafia familes and becomes most feared.
This movie shows one of the greatest transformations of a character ever in film history. A hero who becomes a villain for the right reasons you could say. This movie spawns two sequels. The second being better than the first and the third really just closes the story out but, this story will always be the best mafia story ever written.
Chris Hooker (419 KP) rated The Yanks Are Starving: A Novel of the Bonus Army in Books
Jan 12, 2018
[The Yanks Are Starving] by [Glen Craney] was a very well written book that I really did not want to put down. Which is why I often found my eReader on the floor the next morning where it dropped. As a student of history I am glad to see one of the most glossed over and darkest times in American history addressed. The Bonus Army was a real thing. Our government asked young men to defend democracy overseas but when they returned they were shunned and treated as criminals.
Although some of Craney's characters were fictional(as he states in his notes) they were based on real life people. The hurricane that is referred to at the end of the book where WWI vets were left to fend for themselves is also a true event often called "Hemingway's Hurricane" because of the scathing report he wrote after being one of the first to see it's aftermath.
I think this is a must read book for anyone who wants to learn the truth about American history. Even though it is a fiction story it is purely based on fact and the author really did his research well.
Although some of Craney's characters were fictional(as he states in his notes) they were based on real life people. The hurricane that is referred to at the end of the book where WWI vets were left to fend for themselves is also a true event often called "Hemingway's Hurricane" because of the scathing report he wrote after being one of the first to see it's aftermath.
I think this is a must read book for anyone who wants to learn the truth about American history. Even though it is a fiction story it is purely based on fact and the author really did his research well.
Awix (3310 KP) rated Gamera: Advent of Legion (1996) in Movies
Mar 15, 2019 (Updated Mar 15, 2019)
Startlingly sophisticated mash-up of the giant monster and alien invasion B-movie genres; second in Shusuke Kaneko's trilogy of Gamera movies. A meteorite brings the gestalt organism Legion to Earth, specifically Japan (of course). Scientists and the army embark on a desperate race to figure out how to stop the various manifestations of the creature, but may have to rely on their unlikely ally: the giant nuclear turtle Gamera.
The bare bones of the plot make it sound fairly absurd, but the combination of a clever, cine-literate script that knows exactly when to play it loose and when to get to the point, and superbly accomplished special effects mean this is one of the highlights of the Japanese monster movie tradition; arguably very influential within the genre, not least for the way it plays with all the classic tropes and manages to rationalise many of them. The design of the antagonist monster could have been a bit less weird, but you can't have everything I suppose. Exceeded in its crazed grandiosity only by the third part of the trilogy, but still outscores that in the script department.
The bare bones of the plot make it sound fairly absurd, but the combination of a clever, cine-literate script that knows exactly when to play it loose and when to get to the point, and superbly accomplished special effects mean this is one of the highlights of the Japanese monster movie tradition; arguably very influential within the genre, not least for the way it plays with all the classic tropes and manages to rationalise many of them. The design of the antagonist monster could have been a bit less weird, but you can't have everything I suppose. Exceeded in its crazed grandiosity only by the third part of the trilogy, but still outscores that in the script department.
Awix (3310 KP) rated Spartacus (1960) in Movies
May 19, 2019 (Updated May 19, 2019)
Kubrick famously disowned the historical epic he took on as work-for-hire, but almost any other director would and should have been proud of the result. Based on a true story (albeit very loosely), Spartacus the slave (Douglas) is sold to a gladiator trainer, leads his fellow inmates in a revolt, and resolves to free every slave in Italy; ruthless autocrat Crassus (Olivier) scents the chance to exploit the crisis for his own political ends.
Slightly disjointed in its structure: the opening act in the gladiator school barely puts a foot wrong (the fight between Douglas and Woody Strode is exceptional), but then the story splits between the story of the growing slave army, which is hokey and sentimental, and that of the political games in Rome, which features a bunch of great actors giving terrific performances. Usual epic spectacle, but a very atypical downbeat ending: the film works very hard to give Spartacus a moral victory, but it's hard not to see this as a conclusion as bleak as that of any of the films that Kubrick actually admitted to. Stirring entertainment anyway; they don't make 'em like this any more.
Slightly disjointed in its structure: the opening act in the gladiator school barely puts a foot wrong (the fight between Douglas and Woody Strode is exceptional), but then the story splits between the story of the growing slave army, which is hokey and sentimental, and that of the political games in Rome, which features a bunch of great actors giving terrific performances. Usual epic spectacle, but a very atypical downbeat ending: the film works very hard to give Spartacus a moral victory, but it's hard not to see this as a conclusion as bleak as that of any of the films that Kubrick actually admitted to. Stirring entertainment anyway; they don't make 'em like this any more.