Phil Leader (619 KP) rated Guns of the Dawn in Books
Nov 14, 2019
Born into a priviliged family, she is nothing but practical, sparring with the local governor whom she blames for the suicide of her father. Then war breaks out with a neighbouring country and as the fighting drags on, taking the men of the Marshwic household, Emily ends up joining the army to do her bit. The war is brutal and through her experiences Emily finds out unexpected things about not only herself but those around her.
This story is entirely driven by character, not only of Emily but of all of those she meets and this is where Tchaikovsky shines, conjuring up a host of main and supporting cast, all of whom are three dimensional and painted in shades of light and shadow, even those whose lives are destined to be cut short. Emily herself is the central pillar of the book and is more than capable of that task.
The descriptions of the war - both of the frantic, muddled fighting and the times in between - is spot on, showing the futility of it all but also why the sides feel they must fight on. The plot is far from predictable and takes sudden turns onto new territory just as the reader becomes comfortable with the current situation.
The world is well drawn. This is definitely fantasy in style and there are magic users in the shape of the flame wielding Warlocks, but the main fighting is with muskets and flintlock pistols and it is clear that the war is driving technology on.
The only problem with this book? It is stand alone. I would definitely read more stories about Emily and will now be searching out Tchaikovsky's epic Shadows of the Apt series for future reading.
Advisory: Voilent scenes of battle and some sexual violence and references
JT (287 KP) rated Dawn Of The Planet Of The Apes (2014) in Movies
Mar 3, 2020
Ten years on and with the epidemic wiping out most of the world’s population humans are very much becoming the minority species. A small band of immune survivors still hold out hope that there are others out there and look to make contact with anyone who might be listening.
The apes have now settled deep in the San Francisco forests building their own fully functioning civilisation led by chimpanzee Caesar. What makes this film rise above (sorry) the first is much of the attention focuses on the apes and deep-rooted character development.
Caser is supported by fellow performance-capture actor Toby Kebbell who plays Koba. An ape with a chip on his shoulder after years of being tested on. His dislike for the human race is made obvious to his best friend.
Their simmering relationship is one of the highlights of the film as they battle they decide whether to stay hidden in peace or go to war. With James Franco gone (albeit making a cameo via archived footage), the human-ape relationship is centred on Malcolm (Jason Clarke) and Caeser, who are bonded by a begrudging truce for peace.
It’s a film that soaks up tension extremely well. Grand battle sequences are cut between emotional and compelling moments interlocked by a very well written script.
The technical aspects of the film are simply stunning and the large set-pieces make for cataclysmic viewing. Caeser’s army arriving on horseback in a show of force to their human foes is captivating. As is the vertigo wincing finale and attack on the human stronghold.
This is was everything a summer blockbuster should be and is most certainly a template to follow.
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