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Gareth von Kallenbach (980 KP) rated Kubo and the Two Strings (2016) in Movies
Jul 15, 2019
If you must blink, do it now” or you might miss any number of details the
beautifully animated film, Kubo and the Two Strings, has to offer. Our
culturally rich journey begins with Kubo (Art Parkinson) and his mother
fleeing from his evil grandfather, the Moon King (Ralph Fiennes), after he
leaves Kubo with only one eye. Soon they settle in a cave where Kubo builds
a community around himself in a nearby Japanese village by using his
talents as a storyteller to charm the town’s people. With his stack of
origami papers and his shamisen that brings them to life he weaves tales of
Hanzo the Samurai. Soon though the danger his mother has tried so valiantly
to hide him from finds him and the real magic begins.
After he inadvertently summons an evil spirit from the past, Kubo is lead
on a quest by a monkey (Charlize Theron) to the far lands to recover three
pieces of a magical suit of armor. On their journey they find companionship
with a giant beetle (Matthew McConaughey) that they learn once belonged to
Kubo’s father’s army. The three are plagued by appearances from his aunts
(Rooney Mara) who try their best to keep Kubo from fulfilling his quest. In
the end Kubo is faced with having to choose immortality or to stay human
which we learn has a kind of magic all in its own.
Though I found parts of the film a bit dark for younger viewers it seems it
is a theme of the animated film studio Laika (Coraline, ParaNorman). There
was some comic relief through the banter of Charlize Theron (monkey) and
Mathew McConaughey (beetle) but the movie always circled backed to a more
serious tone. I also felt it could have done a better job of giving us a
back story about how Kubo comes to posses his magical items (origami papers
and his shamisen) and it glossed over some important details, like why his
mother is so fragile after they reach the cave, which we are left to assume
for ourselves. Kubo does however emphasize the power of our memories and
how important stories become in telling what one holds in his or her heart.
Kubo is thoughtful and weaves a story of how family shapes us but how in
the end we must forge our own path.
beautifully animated film, Kubo and the Two Strings, has to offer. Our
culturally rich journey begins with Kubo (Art Parkinson) and his mother
fleeing from his evil grandfather, the Moon King (Ralph Fiennes), after he
leaves Kubo with only one eye. Soon they settle in a cave where Kubo builds
a community around himself in a nearby Japanese village by using his
talents as a storyteller to charm the town’s people. With his stack of
origami papers and his shamisen that brings them to life he weaves tales of
Hanzo the Samurai. Soon though the danger his mother has tried so valiantly
to hide him from finds him and the real magic begins.
After he inadvertently summons an evil spirit from the past, Kubo is lead
on a quest by a monkey (Charlize Theron) to the far lands to recover three
pieces of a magical suit of armor. On their journey they find companionship
with a giant beetle (Matthew McConaughey) that they learn once belonged to
Kubo’s father’s army. The three are plagued by appearances from his aunts
(Rooney Mara) who try their best to keep Kubo from fulfilling his quest. In
the end Kubo is faced with having to choose immortality or to stay human
which we learn has a kind of magic all in its own.
Though I found parts of the film a bit dark for younger viewers it seems it
is a theme of the animated film studio Laika (Coraline, ParaNorman). There
was some comic relief through the banter of Charlize Theron (monkey) and
Mathew McConaughey (beetle) but the movie always circled backed to a more
serious tone. I also felt it could have done a better job of giving us a
back story about how Kubo comes to posses his magical items (origami papers
and his shamisen) and it glossed over some important details, like why his
mother is so fragile after they reach the cave, which we are left to assume
for ourselves. Kubo does however emphasize the power of our memories and
how important stories become in telling what one holds in his or her heart.
Kubo is thoughtful and weaves a story of how family shapes us but how in
the end we must forge our own path.
Gareth von Kallenbach (980 KP) rated The Twilight Saga: Eclipse (2010) in Movies
Aug 8, 2019
The beautiful people of Forks, Washington, are back in the latest installment of the Twilight saga. This time around there’s a little bit more story and a lot more action. Still, not nearly enough of either to make this movie compelling for anyone but diehard fans. Oh, I’m sorry..Twi-hard fans.
Edward Cullen (Robert Pattinson) and Bella Swann (Kirsten Stewart) are reunited and still very much in love, to the brokenhearted dismay of Jacob Black (Tayor Lautner). As Edward and Bella prepare for graduation and contemplate marriage, Victoria, a vengeful vampire now played by Brice Howard, is creating an army to destroy Bella and the Cullen family. Because of this, the Cullen and the werewolves form an uneasy alliance to keep Bella from harm. Bella finds herself struggling with her desire to be with Edward and have him “change” her and her feelings for Jacob. Not your typical teenage angst, but in Bella’s world of vampires and werewolves, these are actually the least of her worries.
Directed by David Slade, of Hard Candy and 30 Days of Night, Eclipse at least makes attempts to flesh out the supporting characters, which helped keep the movie interesting because, honestly, if it just focused on the love triangle of Edward, Bella and Jacob, it would have felt interminably slower. While Pattinson, Stewart and Lautner play tortured, awkward and earnest well, they play it too much. Thank goodness for Chief Swan, portrayed with perfect unease by Billy Burke and the stories of Jasper (Jackson Rathbone) and Rosalie (Nikki Reed) and the first Quileute werewolves.
When there was action, it was fast and furious and and when there was humor it was usually when Jacob was around, but I’m sure there were a couple of funny lines that were missed because of the collective sighs and moans the predominantly female audience emitted every time Jacob graced the screen in all his shirtless splendor. A slowly paced tale that picks up speed towards the end, Eclipse is definitely easier to watch than the previous two movies. While no true Twi-hard will care what critics say about the movie, if you’re on the fence about watching this movie, stay on it, especially if you haven’t read the series or watched the previoius two.
Edward Cullen (Robert Pattinson) and Bella Swann (Kirsten Stewart) are reunited and still very much in love, to the brokenhearted dismay of Jacob Black (Tayor Lautner). As Edward and Bella prepare for graduation and contemplate marriage, Victoria, a vengeful vampire now played by Brice Howard, is creating an army to destroy Bella and the Cullen family. Because of this, the Cullen and the werewolves form an uneasy alliance to keep Bella from harm. Bella finds herself struggling with her desire to be with Edward and have him “change” her and her feelings for Jacob. Not your typical teenage angst, but in Bella’s world of vampires and werewolves, these are actually the least of her worries.
Directed by David Slade, of Hard Candy and 30 Days of Night, Eclipse at least makes attempts to flesh out the supporting characters, which helped keep the movie interesting because, honestly, if it just focused on the love triangle of Edward, Bella and Jacob, it would have felt interminably slower. While Pattinson, Stewart and Lautner play tortured, awkward and earnest well, they play it too much. Thank goodness for Chief Swan, portrayed with perfect unease by Billy Burke and the stories of Jasper (Jackson Rathbone) and Rosalie (Nikki Reed) and the first Quileute werewolves.
When there was action, it was fast and furious and and when there was humor it was usually when Jacob was around, but I’m sure there were a couple of funny lines that were missed because of the collective sighs and moans the predominantly female audience emitted every time Jacob graced the screen in all his shirtless splendor. A slowly paced tale that picks up speed towards the end, Eclipse is definitely easier to watch than the previous two movies. While no true Twi-hard will care what critics say about the movie, if you’re on the fence about watching this movie, stay on it, especially if you haven’t read the series or watched the previoius two.
Rob P (30 KP) rated The Heroes in Books
Dec 20, 2018
Character Arc (3 more)
Universe exploration and progression
Minor characters from previous trilogy (The First Law) explored to great satisfaction of readers.
Morally very challenging.
The Heroes
First of all I’d like to say that although this is a great read for any fantasy fan, the importance and virtues of this book are enforced greatly by having read Abercrombie’s trilogy; The First Law. That’s not to say it could not be read on its own, the story is dramatic, rich, honest and satisfying. Characters are interesting, morally grey (an Abercrombie staple) and fundamentally human in their relatability.
The story centres on a battle between the empirical Union, or otherwise the seat of power from the south of the continent, and the brutish Northmen united under a legendary fighter, Black Dow. Dow has (presumably) killed, and seized power from the previous lord of war, Logen Ninefingers (also known as The Bloody Nine) and declared the north independent.
In the south, the Union (under guidance and governance from external parties) raises it’s army to march north and deal with this threat, with the two armies set to collide at an old northern monument of stone pillars, known as The Heroes.
Now, for a reader with a severe completion complex, this book is just a warm hug. Leading on from the trilogy that left just enough unanswered to make you need more, this book if anything over-delivers on detail and lends some of its best moments from characters you just didn’t realise you wanted to know more about, or passed you by entirely.
The very best state of mind to go into with this read, is to remember that both story and moral lines are perennially blurred. Every character belongs to one side or the other in theory, but with their own agenda entirely.
Abercrombie, to me, really stands out when it comes to fighting sequences, and there’s no shortage in this offering. He uses point of view accounts from multiple characters, chaining them as they fall or impact the flow of battle, making for a visceral and investing read.
Ultimately, fans of the series or Abercrombie’s works will already have enough to know they want to read this, but if you’re thinking of picking this as a starting point, your bookshelf will be sponsored by Abercrombie before you even know what is happening – Rob.
The story centres on a battle between the empirical Union, or otherwise the seat of power from the south of the continent, and the brutish Northmen united under a legendary fighter, Black Dow. Dow has (presumably) killed, and seized power from the previous lord of war, Logen Ninefingers (also known as The Bloody Nine) and declared the north independent.
In the south, the Union (under guidance and governance from external parties) raises it’s army to march north and deal with this threat, with the two armies set to collide at an old northern monument of stone pillars, known as The Heroes.
Now, for a reader with a severe completion complex, this book is just a warm hug. Leading on from the trilogy that left just enough unanswered to make you need more, this book if anything over-delivers on detail and lends some of its best moments from characters you just didn’t realise you wanted to know more about, or passed you by entirely.
The very best state of mind to go into with this read, is to remember that both story and moral lines are perennially blurred. Every character belongs to one side or the other in theory, but with their own agenda entirely.
Abercrombie, to me, really stands out when it comes to fighting sequences, and there’s no shortage in this offering. He uses point of view accounts from multiple characters, chaining them as they fall or impact the flow of battle, making for a visceral and investing read.
Ultimately, fans of the series or Abercrombie’s works will already have enough to know they want to read this, but if you’re thinking of picking this as a starting point, your bookshelf will be sponsored by Abercrombie before you even know what is happening – Rob.
Phil Leader (619 KP) rated Slow Bullets in Books
Nov 25, 2019
I have been a fan of Alastair Reynolds since I picked up a copy of Revelation Space when it was first published. He is the master of telling stories that span solar systems while still maintaining a human perspective via his characters.
The set up is interesting and simple, at least in summary. A ship carrying soldiers, mostly war criminals of one sort or another, following a ceasefire malfunctions and they are awoken from hibernation much later than they expected. Almost immediately the the rivalries from the war become apparent again and it is up to Scur to put herself in the position of ensuring that they can at least survive without killing each other for a war long since finished.
The story is told from Scur's point of view as she effectively writes her memoir - and confessional - as she comes to the end of her life. Reynolds entwines several threads effortlessly producing some good dramatic moments and plot twists. The changes of direction are not so much surprising as they occur but the direction they go in.
Apart from the expected divisions between the different sides of the army and the civilians on the ship Scur needs to worry about where the advanced civilization that existed before the war has gone, the slow deterioration of the ship, the potential for a religious war and a war criminal which she would very much like to exact revenge upon, all played out in the pressure cooker environment of the ship.
The result is a tight story with plenty of action interspersed with serious considerations about society, justice and religion and how they interplay. Like any of Reynold's work the particular universe this story inhabits - as far as can be discerned this is not related to any other novel or short story - arrives fully formed and with perceptible depth and history, hinting at other stories that might be told elsewhere.
For one of Reynolds' stories there isn't much science and it doesn't stick to physical limits - faster than light travel and communications are both possible but not really explored in detail. But the focus is entirely on the individuals involved with the setting just a backdrop for them to play out the story in front of.
Overall a thoroughly good read and one I would recommend to anyone who likes their science fiction up close and personal.
Rating: Some violent scenes and bad language
The set up is interesting and simple, at least in summary. A ship carrying soldiers, mostly war criminals of one sort or another, following a ceasefire malfunctions and they are awoken from hibernation much later than they expected. Almost immediately the the rivalries from the war become apparent again and it is up to Scur to put herself in the position of ensuring that they can at least survive without killing each other for a war long since finished.
The story is told from Scur's point of view as she effectively writes her memoir - and confessional - as she comes to the end of her life. Reynolds entwines several threads effortlessly producing some good dramatic moments and plot twists. The changes of direction are not so much surprising as they occur but the direction they go in.
Apart from the expected divisions between the different sides of the army and the civilians on the ship Scur needs to worry about where the advanced civilization that existed before the war has gone, the slow deterioration of the ship, the potential for a religious war and a war criminal which she would very much like to exact revenge upon, all played out in the pressure cooker environment of the ship.
The result is a tight story with plenty of action interspersed with serious considerations about society, justice and religion and how they interplay. Like any of Reynold's work the particular universe this story inhabits - as far as can be discerned this is not related to any other novel or short story - arrives fully formed and with perceptible depth and history, hinting at other stories that might be told elsewhere.
For one of Reynolds' stories there isn't much science and it doesn't stick to physical limits - faster than light travel and communications are both possible but not really explored in detail. But the focus is entirely on the individuals involved with the setting just a backdrop for them to play out the story in front of.
Overall a thoroughly good read and one I would recommend to anyone who likes their science fiction up close and personal.
Rating: Some violent scenes and bad language
JT (287 KP) rated The Raid (2011) in Movies
Mar 10, 2020
As a big fan of action I always look for a film that really holds your attention as well as capture the imagination.We all know that there is a sense of unbelievability that is needed for some action films, and The Raid will certainly check those two points off the list.
The film follows Rama (Uwais) a rookie cop who is part of a S.W.A.T team sent into a tower block to bring down drug lord Tama (Sahetapy), who is holed up surrounded by a army of psychopathic knife wielding maniacs. This is a man that is not to be messed with as we see him viciously execute five men at close range. When he runs out of bullets on the last man we think he’ll let him go. Not so, as he goes to the desk draw, in it are a couple of bullets and a hammer….he takes the hammer.
Meanwhile as the team arrive at the building it’s clear that they are not going to get it all their own way as the majority of them are picked off one by one leaving only a few survivors trapped on the seventh floor. With seemingly nowhere to go, the small band of brothers agree to finish what they started, and go get Tama. The action is explosive, right from the moment the cops set foot inside the carnage begins and doesn’t really let itself catch breath for the 90 minutes.
The fight scenes in-particular are brilliantly choreographed, the climatic fight at the end just seems to keep going and going. A lot of work has gone into getting them just right, in fact the character Mad Dog who is played by Yayan Ruhian had a big part to play in orchestrating them.
There might be the risk that seeing one Indonesian getting the shit kicked out of them one after another may become boring, but that is not the case. Director Gareth Evans has immersed us fully in the action, with wide angled shots giving us a a beautiful picture to look at.
It’s a fully enjoyable film that will have you wincing in pleasure, there must be something about the tower block that attracts, but Evans has taken the action genre to great heights with this one.
The film follows Rama (Uwais) a rookie cop who is part of a S.W.A.T team sent into a tower block to bring down drug lord Tama (Sahetapy), who is holed up surrounded by a army of psychopathic knife wielding maniacs. This is a man that is not to be messed with as we see him viciously execute five men at close range. When he runs out of bullets on the last man we think he’ll let him go. Not so, as he goes to the desk draw, in it are a couple of bullets and a hammer….he takes the hammer.
Meanwhile as the team arrive at the building it’s clear that they are not going to get it all their own way as the majority of them are picked off one by one leaving only a few survivors trapped on the seventh floor. With seemingly nowhere to go, the small band of brothers agree to finish what they started, and go get Tama. The action is explosive, right from the moment the cops set foot inside the carnage begins and doesn’t really let itself catch breath for the 90 minutes.
The fight scenes in-particular are brilliantly choreographed, the climatic fight at the end just seems to keep going and going. A lot of work has gone into getting them just right, in fact the character Mad Dog who is played by Yayan Ruhian had a big part to play in orchestrating them.
There might be the risk that seeing one Indonesian getting the shit kicked out of them one after another may become boring, but that is not the case. Director Gareth Evans has immersed us fully in the action, with wide angled shots giving us a a beautiful picture to look at.
It’s a fully enjoyable film that will have you wincing in pleasure, there must be something about the tower block that attracts, but Evans has taken the action genre to great heights with this one.
Debbiereadsbook (1444 KP) rated Without a Trace (Lancaster Falls Trilogy #2) in Books
Mar 23, 2020
Amazing book two!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Bok two in the Lancaster Falls trilogy. I would say you really SHOULD read book one, What Lies Beneath, before this one. There is a underlaying story line that runs through all three and you need the information that comes out in that book.
Drew returns home when his brother's remains are discovered. Logan is a cop in town, and the pair butt heads. But deeper than the need to know what happened to his brother, Drew finds he needs Logan at his side. Both men have their secrets, though. As the town reveals its darker side, Drew and Logan have to decide whether the other is worth the heartache.
So, book 2 and Lancaster Falls is giving up its secrets. Darker, deadly and so much MORE than book one, I LOVED this!
Drew ran, after Casey disappeared and did not return. He said some things, his mum said some things and they fell out, and Drew ran away to the army. Now, with Casey's body being found, Drew returns to face not only his own demons, but Casey's too. Logan is a distraction, one he will willing use to attempt to shut out his problems.
Logan will, in turn, use Drew but to a lesser extent. Their first coming together is angry, its a battle, and its glazed over in a way that I really and honestly LOVED! I mean, the whole scene is a couple of pages, but it packs a powerful punch. It sets the way for these two, in a way I really enjoyed watching develop, and in a way I really didn't quite see coming.
Something set me off about certain people, and turns out, I was right, but now I'm left with some questions about how things will become clear as to what happened, not only to Casey, but the others.
Again, nothing is laid out for you, and I find myself putting bits together all wrong and now, I want book three! I NEED book three and I have to wait til June. I need to know what happened to everyone, and what that epilogue means, cos let me tell ya, I have no freaking clue how this will play out and I bloody LOVE that I don't!
5 more amazing stars!
**same worded review will appear elsewhere**
Bok two in the Lancaster Falls trilogy. I would say you really SHOULD read book one, What Lies Beneath, before this one. There is a underlaying story line that runs through all three and you need the information that comes out in that book.
Drew returns home when his brother's remains are discovered. Logan is a cop in town, and the pair butt heads. But deeper than the need to know what happened to his brother, Drew finds he needs Logan at his side. Both men have their secrets, though. As the town reveals its darker side, Drew and Logan have to decide whether the other is worth the heartache.
So, book 2 and Lancaster Falls is giving up its secrets. Darker, deadly and so much MORE than book one, I LOVED this!
Drew ran, after Casey disappeared and did not return. He said some things, his mum said some things and they fell out, and Drew ran away to the army. Now, with Casey's body being found, Drew returns to face not only his own demons, but Casey's too. Logan is a distraction, one he will willing use to attempt to shut out his problems.
Logan will, in turn, use Drew but to a lesser extent. Their first coming together is angry, its a battle, and its glazed over in a way that I really and honestly LOVED! I mean, the whole scene is a couple of pages, but it packs a powerful punch. It sets the way for these two, in a way I really enjoyed watching develop, and in a way I really didn't quite see coming.
Something set me off about certain people, and turns out, I was right, but now I'm left with some questions about how things will become clear as to what happened, not only to Casey, but the others.
Again, nothing is laid out for you, and I find myself putting bits together all wrong and now, I want book three! I NEED book three and I have to wait til June. I need to know what happened to everyone, and what that epilogue means, cos let me tell ya, I have no freaking clue how this will play out and I bloody LOVE that I don't!
5 more amazing stars!
**same worded review will appear elsewhere**
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