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Kissinger: 1923-1968: The Idealist
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The definitive biography of Henry Kissinger, based on unprecedented access to his private papers ...
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The Mortal Coil by Polaris
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JOIN THE MINI NINJAS – THE SMALLEST HEROES TAKING ON THE BIGGEST DANGERS Mini Ninjas is the...
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“A brilliant multiplayer FPS that you should just go and play right now. 9/10” — PocketGamer...
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Featured by Apple in: 15 Most Mind-Bending Puzzlers, 15 Most Mysterious Games, The Best Games...
A Circle of Firelight
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The execution is for the most part charming and clever, with lively dialogue, easy pacing, and...
Andy Meakin (5 KP) rated Thor: Ragnarok (2017) in Movies
Jul 11, 2018
Thor-oughly entertaining.
Thor has always come across as the weaker of the Marvel film series’. The first film was well made, but never really demanded a repeat watch. The second, whilst not as bad as some people will attest, still felt more like a stop gap filler. You can’t blame the casting for the feeling of nonchalance that the films, so far, have delivered. Hemsworth is great in the role, and the support cast have always given their all, from Hiddleston as Loki, to Anthony Hopkins as Odin. But the stories have just felt superfluous, generic, and lacking in anything fantastical or mystical. In addition they have made the same error that DC made when they adapted Green Lantern – they spent too much time on Earth! You see, there are enough super-hero films that focus on a threat to Earth, so even though you could argue that it is faithful to the comics to have Thor defending Midgard against some mythical enemy, it has the unfortunate effect of making it seem just a little too…familiar. Wisely the decision was made for this third film to break away from Midgard, and go ‘cosmic’ with the story – and the end result is a damn sight better as a result.
The film spends the first act tying up some loose ends from the previous film, and returning Thor to Asgard. There he finds things are not as he left, and pretty soon Hela (Cate Blanchett) arrives to take control of Asgard, and threaten all the kingdoms with her army. Thor himself finds himself stranded on a remote junk-planet called Sakaar, where he finds himself thrown into gladiatorial combat against…well…an old friend. Can Thor unite an army to return to Asgard and save his people?
To say the film is immense fun would be an understatement! Director Taika Waititi, known for comedy dramas such as Hunt for the Wilderpeople and What We Do In The Shadows, definitely had an aim to explore the somewhat sillier side of the character, and the film is funny from the outset. Thor, who has always been a little naïve and shown some more awkward moments, is really given a lot of great lines, jibes, and clumsy aspects to round him out as more than just a ‘dumb, cocky Asgardian’. Throughout the film, characters quip and riff on ideas, creating genuine laughs and quotable moments, with even the newer characters getting their moments to impress on the audience. Amongst those newer additions, Karl Urban as Skurge, Jeff Goldblum as Grandmaster, and Tessa Thompson as Valkyrie steal any moments they appear on screen (Goldblum in particular just needs to have a wry grin and a raised eyebrow and all focus is on him). But Waititi himself gets to play with the best new addition to the cast, and one we will apparently see more of in the future, as Korg, a Kronan warrior.
So far, so entertaining, but is it all comedy and no substance? Far from it! The comedy serves well to balance against the dark drama of the story. This is titled Ragnarok, and Hela’s assault on Asgard is chilling indeed. In addition, the weaving in of elements from the Planet Hulk storyline, to give the mid-point journey part of the film some meat, ensures that there is never any dip in the tale, and there is plenty going on. The delicate balance of drama, emotion, and comedy is very reminiscent of the Guardians of the Galaxy films, and the franchise is so much better for it. After all, Asgardians are an alien race, so why not explore the cosmos a little with them? Even the soundtrack feels a little ‘Guardians-esque’ in style, with Led Zeppelin’s fabulous Immigrant Song being utilised perfectly for battle moments, but a somewhat electro-pop-synth score resonating throughout the film.
This is a film that flies by in run time (130 minutes, but never dragging), and finally gives Thor an identity in the Marvel Cinematic Universe. As the end credits finish rolling, the immediate desire is to watch it all again – which is not a feeling that the other two films left in me at all. Jostling for position in the top three Marvel films to date (Avengers and Guardians for those who are curious – yes, I know Winter Soldier and Civil War are damned good too, but these films are just fun). Thor: Ragnarok looks amazing, and entertains thoroughly. Ragnarok may mean the end of Asgard according to myth and legend, but it signals the true start of Thor as a character in his own right. All of that positive without even mentioning Ruffalo as Hulk (which you just knew was going to be great anyway)! Just watch the film for yourself, and enjoy.
The film spends the first act tying up some loose ends from the previous film, and returning Thor to Asgard. There he finds things are not as he left, and pretty soon Hela (Cate Blanchett) arrives to take control of Asgard, and threaten all the kingdoms with her army. Thor himself finds himself stranded on a remote junk-planet called Sakaar, where he finds himself thrown into gladiatorial combat against…well…an old friend. Can Thor unite an army to return to Asgard and save his people?
To say the film is immense fun would be an understatement! Director Taika Waititi, known for comedy dramas such as Hunt for the Wilderpeople and What We Do In The Shadows, definitely had an aim to explore the somewhat sillier side of the character, and the film is funny from the outset. Thor, who has always been a little naïve and shown some more awkward moments, is really given a lot of great lines, jibes, and clumsy aspects to round him out as more than just a ‘dumb, cocky Asgardian’. Throughout the film, characters quip and riff on ideas, creating genuine laughs and quotable moments, with even the newer characters getting their moments to impress on the audience. Amongst those newer additions, Karl Urban as Skurge, Jeff Goldblum as Grandmaster, and Tessa Thompson as Valkyrie steal any moments they appear on screen (Goldblum in particular just needs to have a wry grin and a raised eyebrow and all focus is on him). But Waititi himself gets to play with the best new addition to the cast, and one we will apparently see more of in the future, as Korg, a Kronan warrior.
So far, so entertaining, but is it all comedy and no substance? Far from it! The comedy serves well to balance against the dark drama of the story. This is titled Ragnarok, and Hela’s assault on Asgard is chilling indeed. In addition, the weaving in of elements from the Planet Hulk storyline, to give the mid-point journey part of the film some meat, ensures that there is never any dip in the tale, and there is plenty going on. The delicate balance of drama, emotion, and comedy is very reminiscent of the Guardians of the Galaxy films, and the franchise is so much better for it. After all, Asgardians are an alien race, so why not explore the cosmos a little with them? Even the soundtrack feels a little ‘Guardians-esque’ in style, with Led Zeppelin’s fabulous Immigrant Song being utilised perfectly for battle moments, but a somewhat electro-pop-synth score resonating throughout the film.
This is a film that flies by in run time (130 minutes, but never dragging), and finally gives Thor an identity in the Marvel Cinematic Universe. As the end credits finish rolling, the immediate desire is to watch it all again – which is not a feeling that the other two films left in me at all. Jostling for position in the top three Marvel films to date (Avengers and Guardians for those who are curious – yes, I know Winter Soldier and Civil War are damned good too, but these films are just fun). Thor: Ragnarok looks amazing, and entertains thoroughly. Ragnarok may mean the end of Asgard according to myth and legend, but it signals the true start of Thor as a character in his own right. All of that positive without even mentioning Ruffalo as Hulk (which you just knew was going to be great anyway)! Just watch the film for yourself, and enjoy.
Acanthea Grimscythe (300 KP) rated Eat the Night in Books
May 16, 2018
If you’re looking for a good ol’, classic horror tale in the flavor of <i>Evil Dead</i> or <i>Army of Darkness</i>, Tim Waggoner’s <i>Eat the Night</i> is a must-read. It’s fast paced and filled with the sort of material horror fans like me grew up with. Death cult? Check. Mass suicide? Check. Possession? Check. Vivid, gore-filled scenes? Hideous monsters from another dimension? Reincarnation? Check, check, and check. I can’t even begin to describe how hungrily I devoured this book, and though it has its ridiculous moments, I’ll definitely be looking out for more from this author!
Thirty years ago, retired rockstar Mark Maegarr and his devout followers, in true Jonestown fashion, committed suicide in tropic Suriname. It was Maegarr’s belief that this ritual would hasten the approach of Entropy, or the total dissolution of the world as we know it. Unfortunately for Maegarr, something went wrong and he spends the next several decades reaching from beyond the grave to finish what he started.
Joan Lantz and her husband, Jon, are first time home-owners. Burdened with a troubled past, Joan is glad to finally have a home of her own. After waking from a horrific nightmare detailing the grisly end that befell Mark Maegarr and his cult, she discovers a hidden basement in her home, which had not been on the house’s plans and was previously unknown to the home’s last owners, who were friends of hers.
Kevin Benecke works for Maintenance, a secretive company that is reminiscent of Men in Black. Aware that they cannot save the world from its fate, their goal is to slow the coming of the end down from the sidelines. He’s an unfortunate sort of fellow and things don’t happen to go the way they ought to in his line of work, but he has his own boyish charm.
Together, these three characters weave a story that is brimming with horrific scenes and action. The plot is fairly solid as well, and Waggoner doesn’t hold back when it comes to the laws of the world he has created to coexist alongside the one we know so well. Maegarr’s cult is expertly crafted, with a belief so plausible it could be defined as chilling.
<i>Eat the Night</i> is easily one of my favorite reads so far this year and is perfect for those looking for a good Halloween read. I would like to extend a special thanks to NetGalley, DarkFuse, and Tim Waggoner for providing me with an advanced copy for the purpose of an honest, unbiased review.
Thirty years ago, retired rockstar Mark Maegarr and his devout followers, in true Jonestown fashion, committed suicide in tropic Suriname. It was Maegarr’s belief that this ritual would hasten the approach of Entropy, or the total dissolution of the world as we know it. Unfortunately for Maegarr, something went wrong and he spends the next several decades reaching from beyond the grave to finish what he started.
Joan Lantz and her husband, Jon, are first time home-owners. Burdened with a troubled past, Joan is glad to finally have a home of her own. After waking from a horrific nightmare detailing the grisly end that befell Mark Maegarr and his cult, she discovers a hidden basement in her home, which had not been on the house’s plans and was previously unknown to the home’s last owners, who were friends of hers.
Kevin Benecke works for Maintenance, a secretive company that is reminiscent of Men in Black. Aware that they cannot save the world from its fate, their goal is to slow the coming of the end down from the sidelines. He’s an unfortunate sort of fellow and things don’t happen to go the way they ought to in his line of work, but he has his own boyish charm.
Together, these three characters weave a story that is brimming with horrific scenes and action. The plot is fairly solid as well, and Waggoner doesn’t hold back when it comes to the laws of the world he has created to coexist alongside the one we know so well. Maegarr’s cult is expertly crafted, with a belief so plausible it could be defined as chilling.
<i>Eat the Night</i> is easily one of my favorite reads so far this year and is perfect for those looking for a good Halloween read. I would like to extend a special thanks to NetGalley, DarkFuse, and Tim Waggoner for providing me with an advanced copy for the purpose of an honest, unbiased review.
Hazel (1853 KP) rated Window in the Wall in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>The Window in the Wall</i> by Ginny Merritt is based upon the bible story of Rahab and the spies, and the fall of Jericho. Although most Christians will know this story well it is probably not as well known amongst children. By making the main character a young girl, Talia, Merritt makes it suitable for young readers to enjoy.
Talia lives with her parents and brother within the walls of Jericho and loves helping her father in the flax fields. An approaching army strikes fear into her heart despite reassurances that nothing can destroy the strong walls and get into the city. However Talia’s aunt, Rahab, has been told different by a couple of Israelite spies who promise her and all her family safety as a reward for helping them. As many family members that Rahab can persuade sit and wait in Rahab’s room to see what happens and hopefully be saved. Unfortunately there are a few people who refuse to believe in what Rahab is saying nor that there is a God that is Lord of all.
Those familiar with the story will know the outcome of the story, but children will race through this book eagerly wanting to discover what happens to Talia and her family.
As an adult reading <i>The Window in the Wall</i> the references to Rahab’s characteristics will make more sense whereas they will most likely go over children’s heads. Having it written from a child’s perspective will help children to learn this bible story. Talia has many questions, which adults will not answer, as will the readers!
Merritt has helpfully included a pronunciation guide at the back of the book to help readers with the tricky foreign names that they encounter in the story. As an adult these names were not particularly difficult, but this would be a great benefit to younger readers.
Adults that read this book need to keep in mind the age of the target audience. The story does not go into much depth and may not be that engaging to those familiar with their bible stories.
The story of Rahab is not an easy one to rewrite for children but Merritt has done an excellent job. Books such as <i>The Window in the Wall</i> would be a great way of teaching Christian children about their faith without boring them with sermons.
<i>The Window in the Wall</i> by Ginny Merritt is based upon the bible story of Rahab and the spies, and the fall of Jericho. Although most Christians will know this story well it is probably not as well known amongst children. By making the main character a young girl, Talia, Merritt makes it suitable for young readers to enjoy.
Talia lives with her parents and brother within the walls of Jericho and loves helping her father in the flax fields. An approaching army strikes fear into her heart despite reassurances that nothing can destroy the strong walls and get into the city. However Talia’s aunt, Rahab, has been told different by a couple of Israelite spies who promise her and all her family safety as a reward for helping them. As many family members that Rahab can persuade sit and wait in Rahab’s room to see what happens and hopefully be saved. Unfortunately there are a few people who refuse to believe in what Rahab is saying nor that there is a God that is Lord of all.
Those familiar with the story will know the outcome of the story, but children will race through this book eagerly wanting to discover what happens to Talia and her family.
As an adult reading <i>The Window in the Wall</i> the references to Rahab’s characteristics will make more sense whereas they will most likely go over children’s heads. Having it written from a child’s perspective will help children to learn this bible story. Talia has many questions, which adults will not answer, as will the readers!
Merritt has helpfully included a pronunciation guide at the back of the book to help readers with the tricky foreign names that they encounter in the story. As an adult these names were not particularly difficult, but this would be a great benefit to younger readers.
Adults that read this book need to keep in mind the age of the target audience. The story does not go into much depth and may not be that engaging to those familiar with their bible stories.
The story of Rahab is not an easy one to rewrite for children but Merritt has done an excellent job. Books such as <i>The Window in the Wall</i> would be a great way of teaching Christian children about their faith without boring them with sermons.
Hazel (1853 KP) rated The Moon Field in Books
Dec 17, 2018
<b>My rating: 3.5</b>
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Moon Field</i> is an historical romance novel set during the First World War. It focuses mainly on two people: George and Violet, although there is a wide range of characters.
Split into three parts the novel begins with George, an 18 year old postman planning on telling Miss Violet of his feelings for her, only to find out that she is already engaged. He runs off feeling jealous and ends up enlisting for the army. At first I thought the description of George made him seem more like a child than a young adult and this annoyed me a little, however this helped to emphasise the changes he undergoes as a result of the war.
Part two is mostly set in Flanders where George is involved in the fighting resulting in deaths of certain other characters for which George blames himself despite it not really being his fault. This section ends with George being hurt himself and part three begins with him being returned to a hospital in England where he begins to recover although is now deformed. Throughout this final part George suffers with depression and thinks that he is now a freak. He has to deal with lots of rejection but, thankfully, the novel ends with a more positive outlook for his future.
Knowing in advance that romance was to be involved, it appeared at first that there might be some romantic attachment developed between George and Violet. From the very beginning I personally did not want this to happen. It did not feel right particularly as they were of different social classes, which at that time was quite important. Fortunately this did not happen and I was fairly pleased with the ending.
I think that Allnatt’s writing is extremely good and reflects the time period well. I quite often find when reading historical novels that authors use words or phrases that are too modern to have actually been said at that time. There was none of that problem with <i>The Moon Field</i>. Allnatt had also researched extremely well to get across the experiences of the soldiers on the Western Front. She mentions in her acknowledgements that she read many soldiers accounts of their experiences in the Great War. All her research defiantly paid off!
All in all it is a great historical novel.
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Moon Field</i> is an historical romance novel set during the First World War. It focuses mainly on two people: George and Violet, although there is a wide range of characters.
Split into three parts the novel begins with George, an 18 year old postman planning on telling Miss Violet of his feelings for her, only to find out that she is already engaged. He runs off feeling jealous and ends up enlisting for the army. At first I thought the description of George made him seem more like a child than a young adult and this annoyed me a little, however this helped to emphasise the changes he undergoes as a result of the war.
Part two is mostly set in Flanders where George is involved in the fighting resulting in deaths of certain other characters for which George blames himself despite it not really being his fault. This section ends with George being hurt himself and part three begins with him being returned to a hospital in England where he begins to recover although is now deformed. Throughout this final part George suffers with depression and thinks that he is now a freak. He has to deal with lots of rejection but, thankfully, the novel ends with a more positive outlook for his future.
Knowing in advance that romance was to be involved, it appeared at first that there might be some romantic attachment developed between George and Violet. From the very beginning I personally did not want this to happen. It did not feel right particularly as they were of different social classes, which at that time was quite important. Fortunately this did not happen and I was fairly pleased with the ending.
I think that Allnatt’s writing is extremely good and reflects the time period well. I quite often find when reading historical novels that authors use words or phrases that are too modern to have actually been said at that time. There was none of that problem with <i>The Moon Field</i>. Allnatt had also researched extremely well to get across the experiences of the soldiers on the Western Front. She mentions in her acknowledgements that she read many soldiers accounts of their experiences in the Great War. All her research defiantly paid off!
All in all it is a great historical novel.