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Otway93 (580 KP) rated the PlayStation 4 version of Dragon Ball Z: Kakarot in Video Games

Aug 27, 2022  
Dragon Ball Z: Kakarot
Dragon Ball Z: Kakarot
2020 | Action, Fighting, Role-Playing
Story (5 more)
Character Roster
Range of Attacks
Updates
Cooking and Fishing
Original Dragon Ball references
DLC (2 more)
Speech
Combat
Great game let down by the DLC.
To start with, this is an outstanding game if you love Dragon Ball.

The game allows you to fight your way through the entire story of Dragon Ball Z, obviously just keeping to the key battles as otherwise the game would be far too long.

The game allows you to play as a reasonable variety of characters from the game. Some characters are only available as support though, so if you want to play as Krillin, Tien, Goten or Trunks, you're out of luck I'm afraid. But you do have Goku, Vegeta, Piccolo, Gohan and Future Trunks to choose from, which is a pretty decent mix.

Every single character also has a unique skill tree to allow you to power up and attain new skills and attacks, even on support characters, which is a nice touch and allows you to mix and match your fighting style.

Also included is the ability to hunt and gather ingredients to boost your stats, which although doesn't sound that fun, it can be! The fishing mini-game is also a nice touch. Simple, but nice.

Though one of my favourite things about this were the nods to the original Dragon Ball, bringing characters that Dragon Ball Z forgot about such as Eighter and The Pilaf Gang, and The Red Ribbon Army.

As it is with most things, there are downsides.

Firstly, the DLC. The 3rd DLC was a great addition, expanding on a part of Dragon Ball Z that wasn't fully explored. But the first two, you go I'm expecting a story, but they are basically training exercises that give you access to new transformations, which is pretty cool, but not really a DLC that needed to be separate from the game.

Secondly, the speech. During the game, instead of saying what the characters are actually saying, they will just say single words or sometimes just noises, which is honestly quite annoying and repetitive, and sometimes doesn't even relate to what they are saying.

And finally, this is just a minor thing, but combat is a bit limiting. For some reason all combat takes place in the air, even before the characters learned how to fly, combat still takes place in the air. It's not bad, but allowing combat on the ground would add a new level to the combat, or even some new moves!

Overall though, thoroughly recommended! Enjoy!
  
Their Finest (2017)
Their Finest (2017)
2017 | Comedy, Drama, Romance
8
8.3 (3 Ratings)
Movie Rating
Keep Calm and Carry on Writing.
In a well-mined category, “Their Finest” is a World War 2 comedy/drama telling a tale I haven’t seen told before: the story behind the British Ministry of Information and their drive to produce propaganda films that support morale and promote positive messages in a time of national crisis. For it is 1940 and London is under nightly attack by the Luftwaffe during the time known as “The Blitz”. Unfortunately the Ministry is run by a bunch of toffs, and their output is laughably misaligned with the working class population, and especially the female population: with their husbands fighting overseas, these two groups are fast becoming one and the same. For women are finding and enjoying new empowerment and freedom in being socially unshackled from the kitchen sink.

The brave crew of the Nancy Starling. Bill Nighy as Uncle Frank, with twins Lily and Francesca Knight as the Starling sisters.

Enter Catrin Cole (Gemma Arterton, “The Girl with all the Gifts“) who is one such woman arriving to a dangerous London from South Wales to live with struggling disabled artist Ellis (Jack Huston, grandson of John Huston). Catrin, stretching the truth a little, brings a stirring ‘true’ tale of derring-do about the Dunkirk evacuation to the Ministry’s attention. She is then employed to “write the slop” (the woman’s dialogue) in the writing team headed by spiky Tom Buckley (Sam Claflin, “Me Before You“).
One of the stars of the film within the film is ‘Uncle Frank’ played by the aging but charismatic actor Ambrose Hilliard (Bill Nighy, “Dad’s Army“, “Love Actually”). Catrin proves her worth by pouring oil on troubled waters as the army insist on the introduction of an American airman (Jake Lacy, “Carol“) to the stressful mix. An attraction builds between Catrin and Tom, but how will the love triangle resolve itself? (For a significant clue see the “Spoiler Section” below the trailer, but be warned that this is a major spoiler!).
As you might expect if you’ve seen the trailer the film is, in the main, warm and funny with Gemma Arterton just gorgeously huggable as the determined young lady trying to make it in a misogynistic 40’s world of work. Arterton is just the perfect “girl next door”: (sigh… if I was only 20 years younger and unattached!) But mixed in with the humour and the romantic storyline is a harsh sprinkling of the trials of war and not a little heartbreak occurs. This is at least a 5 tissue movie.

Claflin, who is having a strong year with appearances in a wide range of films, is also eminently watchable. One of his best scenes is a speech with Arterton about “why people love the movies”, a theory that the film merrily and memorably drives a stake through the heart of!

Elsewhere Lacy is hilarious as the hapless airman with zero acting ability; Helen McCrory (“Harry Potter”) as Sophie Smith vamps it up wonderfully as the potential Polish love interest for Hilliard; Richard E Grant (“Logan“) and Jeremy Irons (“The Lion King”, “Die Hard: with a Vengeance”) pop up in useful cameos and Eddie Marsan (“Sherlock Holmes”) is also touching as Hilliard’s long-suffering agent.
But it is Bill Nighy’s Hilliard who carries most of the wit and humour of the film with his pompous thespian persona, basking in the dwindling glory of a much loved series of “Inspector Lynley” films. With his pomposity progressively warming under the thawing effect of Sophie and Catrin, you have to love him! Bill Nighy is, well, Bill Nighy. Hugh Grant gets it (unfairly) in the neck for “being Hugh Grant” in every film, but this pales in comparison with Nighy’s performances! But who cares: his kooky delivery is just delightful and he is a national treasure!

Slightly less convincing for me was Rachael Stirling’s role as a butch ministry busybody with more than a hint of the lesbian about her. Stirling’s performance in the role is fine, but would this really have been so blatant in 1940’s Britain? This didn’t really ring true for me.
While the film gamely tries to pull off London in the Blitz the film’s limited budget (around £25m) makes everything feel a little underpowered and ’empty’: a few hundred more extras in the Underground/Blitz scenes for example would have helped no end. However, the special effects crew do their best and the cinematography by Sebastian Blenkov (“The Riot Club”) suitably conveys the mood: a scene where Catrin gets caught in a bomb blast outside a clothes shop is particularly moving.

As with all comedy dramas, sometimes the bedfellows lie uncomfortably with each other, and a couple of plot twists: one highly predictable; one shockingly unpredictable make this a non-linear watch. This rollercoaster of a script by Gaby Chiappe, in an excellent feature film debut (she actually also has a cameo in the propaganda “carrot film”!), undeniably adds interest and makes the film more memorable. However (I know from personal experience) that the twist did not please everyone in the audience!
Despite its occasionally uneven tone, this is a really enjoyable watch (particularly for more mature audiences) and Danish director Lone Scherfig finally has a vehicle that matches the quality of her much praised Carey Mulligan vehicle “An Education”.