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Lucy Buglass (45 KP) rated Velvet Buzzsaw (2019) in Movies
Jun 20, 2019
Ever since Netflix have proven themselves as a fantastic streaming platform, everyone gets hyped about their ‘Originals’. Velvet Buzzsaw was no exception, and when the first trailer dropped I was so excited to watch it. Everything about it seemed great; it was written and directed by Dan Gilroy (the guy who gave us the fantastic Nightcrawler), and the cast was incredible. Who could say no to Jake Gyllenhaal, Rene Russo AND Toni Collette? Not me. Unfortunately, this wonderful mix didn’t live up to my expectations at all and left me feeling very disappointed.
The main issue I had with Velvet Buzzsaw is that the pacing is horrendously slow. The first 45 minutes felt like nothing but exposition, when it was a relatively simple concept for the audience to grasp. The film follows a bunch of art critics, artists and patrons of the arts as they uncover a series of paintings from an unknown artist. However, they’re not your normal paintings because a supernatural force lurks within them waiting to enact revenge. That’s it, that’s the synopsis. So why waste so much screen time dragging things out? The trailer made this look like a fast paced, intense thriller, but the reality is nothing like that.
It’s a shame the pacing and screenplay is so weak, because Velvet Buzzsaw does have a few redeeming features. The quality of acting is very good, and visually it’s beautiful to look at, particularly the locations and the paintings that appear throughout. I especially enjoyed the characters Rhodora Haze (Rene Russo) and Gretchen (Toni Collette), as they embody the typically powerful, ruthless and bitchy personas one would expect from this industry. They satirise art lovers perfectly, which is partially why I haven’t rated this film lower. In all honesty, these actors deserved better than the script they were dealt, and it’s a shame such talent was wasted here. I’m having trouble understanding how you can take such an interesting concept and brilliant actors, and make it so boring.
Even the inevitable death scenes are pretty dull, and play like a straight to TV horror film that doesn’t quite hit the mark. Velvet Buzzsaw fails to execute any sort of suspense, or even terror, so when people eventually die you’re just sat there like “Huh, is that it?”. After such a slow first act, you expect some kind of payoff, but it never arrives. Again, the trailer had some pretty scary moments that made me expect a few jump scares or intense moments. I’m confused about why this was even marketed as a horror-thriller, when it lacks so many of the aspects that make both those genres great. I didn’t feel scared at all, and even when the characters we were supposed to hate met their demise, there was no morbid satisfaction in it. To be completely honest, I was apathetic towards the whole thing. I just wanted it to end.
If you are a fan of slow-burning films that take a while to get going, then you might enjoy Velvet Buzzsaw more than I did. I don’t necessarily have a problem with these types of films, but you still need to keep the audience gripped somehow. You need to give people a reason to keep watching.
Gilroy’s attempt to show the horrors of the art world falls flat, and certainly doesn’t live up to the expectations based on the success of Nightcrawler. Part of me even wondered how this was the same man, it felt so vastly different to his other work. Netflix Originals rarely let me down, but this time, they really did.
https://jumpcutonline.co.uk/review-velvet-buzzsaw-2019/
The main issue I had with Velvet Buzzsaw is that the pacing is horrendously slow. The first 45 minutes felt like nothing but exposition, when it was a relatively simple concept for the audience to grasp. The film follows a bunch of art critics, artists and patrons of the arts as they uncover a series of paintings from an unknown artist. However, they’re not your normal paintings because a supernatural force lurks within them waiting to enact revenge. That’s it, that’s the synopsis. So why waste so much screen time dragging things out? The trailer made this look like a fast paced, intense thriller, but the reality is nothing like that.
It’s a shame the pacing and screenplay is so weak, because Velvet Buzzsaw does have a few redeeming features. The quality of acting is very good, and visually it’s beautiful to look at, particularly the locations and the paintings that appear throughout. I especially enjoyed the characters Rhodora Haze (Rene Russo) and Gretchen (Toni Collette), as they embody the typically powerful, ruthless and bitchy personas one would expect from this industry. They satirise art lovers perfectly, which is partially why I haven’t rated this film lower. In all honesty, these actors deserved better than the script they were dealt, and it’s a shame such talent was wasted here. I’m having trouble understanding how you can take such an interesting concept and brilliant actors, and make it so boring.
Even the inevitable death scenes are pretty dull, and play like a straight to TV horror film that doesn’t quite hit the mark. Velvet Buzzsaw fails to execute any sort of suspense, or even terror, so when people eventually die you’re just sat there like “Huh, is that it?”. After such a slow first act, you expect some kind of payoff, but it never arrives. Again, the trailer had some pretty scary moments that made me expect a few jump scares or intense moments. I’m confused about why this was even marketed as a horror-thriller, when it lacks so many of the aspects that make both those genres great. I didn’t feel scared at all, and even when the characters we were supposed to hate met their demise, there was no morbid satisfaction in it. To be completely honest, I was apathetic towards the whole thing. I just wanted it to end.
If you are a fan of slow-burning films that take a while to get going, then you might enjoy Velvet Buzzsaw more than I did. I don’t necessarily have a problem with these types of films, but you still need to keep the audience gripped somehow. You need to give people a reason to keep watching.
Gilroy’s attempt to show the horrors of the art world falls flat, and certainly doesn’t live up to the expectations based on the success of Nightcrawler. Part of me even wondered how this was the same man, it felt so vastly different to his other work. Netflix Originals rarely let me down, but this time, they really did.
https://jumpcutonline.co.uk/review-velvet-buzzsaw-2019/
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Gareth von Kallenbach (971 KP) rated Neofeud in Video Games
Jun 19, 2019
Some of the most popular games to be released in the mid 80’s to mid 90’s were the point and click adventure games. Sierra Online ruled the 80’s with games such as Kings Quest and Leisure Suit Larry, while the 90’s was dominated by Lucasarts with their release of titles such as Day of the Tentacle and Full Throttle. These games were puzzle driven stories, where the main character interacted with their environment by clicking on items, pressing a button, and occasional mini games to complete the level. Sadly, except for very few remastered greats, there has been little to be excited about in this once popular and well-loved genre. This is where Neofued hopes to fill the gap with its mix of Blade Runner and District 9 storyline.
Neofeud is set in the not too distant future, a dystopian society where 1% of the wealthy Pureblood human megacorporation’s live in floating cities, and the other 99%, a mix of humans (Pure or otherwise), cyborgs and androids are barely able scrape by. Purebloods (those completely human) hold down low wage jobs, where those from the mechanical genepool (robots, androids, etc.) are treated as lower class citizens, living in Section 8 housing and off government food stamps.
You are Karl Carbon, a dishonorably discharged cop who now makes a living as social worker for Sentient Services. Karl is tasked by his boss (who for better or worse looks and sounds a lot like Emilio Estevez) to travel to a local ghetto to checkup on Johnny, an at-risk youth (artificial person). This will catapult Karl into an adventure, with a gangsta robot named Proto-J and Princess Cybil, a wealthy aristocrat who believes in equality for all sentient beings. Karl also travels to “The Arcade”, where robot gangsters and drug dealers hang out, and will even do a little time-traveling, but not more than 24 hours.
The game play is standard fare for this type of genre. The cursor can be changed from an eye icon to look at an item or object, hand icon to use an item, you get the idea. You collect various items that you then use on something in the environment to advance the story. Find a door knob on the ground? There will certainly be a door missing a knob to use it on. For any who have played point and click games in the past, the controls will be second nature to you.
The visuals are good, they aren’t great, but they are vibrant and gritty. There is a mix of 2D and 3D objects in the environment to tell the story. You will see lots of nods to the 80’s if you look close enough…”You made a time machine out of a DeLorean?”, Yes Marty, he did. I feel that someone familiar enough with classic 80’s movies will get more out of these little quips than those less familiar. That isn’t to say you can’t appreciate the game without this knowledge, you’ll just be missing a lot of the inside jokes that abound.
The voice acting is a mixed bag here. Some of the characters nail the dialog and help with character development. Unfortunately, the main character Karl tends to deliver an inconsistent performance which can seriously distract you during key moments in the game. That being said though, all the characters are voiced (no reading endless dialog boxes as you did in the 80’s) which is an achievement for any game. So while the voice acting isn’t always amazing, it’s still preferred to reading line after line of text when the characters speak.
The game clocks in around 15 hours, which is a pretty astonishing feat when you realize that the story, gameplay and art work was all done by one guy.
Is the game worth $14.99 on Steam? That depends on your nostalgia for a point and click adventure with a lot of references to 80’s films. The story is interesting, albeit a bit convoluted at times, and the characters range from likeable to annoying, but still have you rooting for them until the end.
http://sknr.net/2017/11/16/neofued/
Neofeud is set in the not too distant future, a dystopian society where 1% of the wealthy Pureblood human megacorporation’s live in floating cities, and the other 99%, a mix of humans (Pure or otherwise), cyborgs and androids are barely able scrape by. Purebloods (those completely human) hold down low wage jobs, where those from the mechanical genepool (robots, androids, etc.) are treated as lower class citizens, living in Section 8 housing and off government food stamps.
You are Karl Carbon, a dishonorably discharged cop who now makes a living as social worker for Sentient Services. Karl is tasked by his boss (who for better or worse looks and sounds a lot like Emilio Estevez) to travel to a local ghetto to checkup on Johnny, an at-risk youth (artificial person). This will catapult Karl into an adventure, with a gangsta robot named Proto-J and Princess Cybil, a wealthy aristocrat who believes in equality for all sentient beings. Karl also travels to “The Arcade”, where robot gangsters and drug dealers hang out, and will even do a little time-traveling, but not more than 24 hours.
The game play is standard fare for this type of genre. The cursor can be changed from an eye icon to look at an item or object, hand icon to use an item, you get the idea. You collect various items that you then use on something in the environment to advance the story. Find a door knob on the ground? There will certainly be a door missing a knob to use it on. For any who have played point and click games in the past, the controls will be second nature to you.
The visuals are good, they aren’t great, but they are vibrant and gritty. There is a mix of 2D and 3D objects in the environment to tell the story. You will see lots of nods to the 80’s if you look close enough…”You made a time machine out of a DeLorean?”, Yes Marty, he did. I feel that someone familiar enough with classic 80’s movies will get more out of these little quips than those less familiar. That isn’t to say you can’t appreciate the game without this knowledge, you’ll just be missing a lot of the inside jokes that abound.
The voice acting is a mixed bag here. Some of the characters nail the dialog and help with character development. Unfortunately, the main character Karl tends to deliver an inconsistent performance which can seriously distract you during key moments in the game. That being said though, all the characters are voiced (no reading endless dialog boxes as you did in the 80’s) which is an achievement for any game. So while the voice acting isn’t always amazing, it’s still preferred to reading line after line of text when the characters speak.
The game clocks in around 15 hours, which is a pretty astonishing feat when you realize that the story, gameplay and art work was all done by one guy.
Is the game worth $14.99 on Steam? That depends on your nostalgia for a point and click adventure with a lot of references to 80’s films. The story is interesting, albeit a bit convoluted at times, and the characters range from likeable to annoying, but still have you rooting for them until the end.
http://sknr.net/2017/11/16/neofued/
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ClareR (5603 KP) rated Happy Family in Books
Oct 29, 2019
One to look out for next year!
Happy Family is set in the near future, where people game via glasses and one augmented reality game in particular is very popular: Happy Family. This game was invented by Tom Hannah, also an artist, who has hidden himself away with his suicidal thoughts in Spain in the middle of nowhere, after the death of his mother. Germaine Kiecke, an art academic, is a huge fan of Tom’s and wants to interview him for her new book. But Tom is guarded by a strange girl and three huge dogs who are named after the Marx brothers. Germaine has had a traumatic upbringing as an orphan in Belgium in a notorious orphanage called ‘Motherhood’. Thus she finds it impossible to express her feelings except through Tom’s game Happy Family. So when she finds out that something threatens this game for her and millions of others, she’s forced to take a look at how she lives her life.
Germaine was a difficult character to get an understanding of, but I think in view of her childhood that was reasonable. The other characters who also relied on Tom Hannah in some way were actually very amusing - whether they were supposed to be or not, I don’t know, but towards the end of the novel, their antics descended (or ascended!) into slapstick. For various reasons that I won’t go into (I don’t want to spoil it!), this was both sad and funny - there was a healthy dose of black humour throughout really.
I read this on The Pigeonhole, and the other readers had a real mix of opinions: it seems to have been a real ‘marmite’ book. Personally, I loved it. It ticked a lot of boxes for me, first and foremost being it’s quirkiness. There was some gaming talk, but it was relevant to the story and the characters, and I don’t actually think there was that much considering that it was set against the backdrop of the game (and lets face it, I have two teenage sons who are obsessed with the Xbox 🙄).
I really enjoyed this book, and thanks to The Pigeonhole for serialising it.
Germaine was a difficult character to get an understanding of, but I think in view of her childhood that was reasonable. The other characters who also relied on Tom Hannah in some way were actually very amusing - whether they were supposed to be or not, I don’t know, but towards the end of the novel, their antics descended (or ascended!) into slapstick. For various reasons that I won’t go into (I don’t want to spoil it!), this was both sad and funny - there was a healthy dose of black humour throughout really.
I read this on The Pigeonhole, and the other readers had a real mix of opinions: it seems to have been a real ‘marmite’ book. Personally, I loved it. It ticked a lot of boxes for me, first and foremost being it’s quirkiness. There was some gaming talk, but it was relevant to the story and the characters, and I don’t actually think there was that much considering that it was set against the backdrop of the game (and lets face it, I have two teenage sons who are obsessed with the Xbox 🙄).
I really enjoyed this book, and thanks to The Pigeonhole for serialising it.
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Darren (1599 KP) rated American Animals (2018) in Movies
Jun 20, 2019
Story: American Animals starts as we see the heist about to take place, rewinding us 18 months where we meet Spencer Reinhardt (Keoghan) an art student in Transylvania University, struggling with his identity, turning to his streetwise friend Warren Lipka (Peters) the two discuss the potential of stealing rare expensive books from the library.
As the idea turns into a plan they bring in Chas Allen (Jenner) and Eric Borsuk (Abrahamson), can they make this plan come off, well the answer is no because as we see the planning we meet the real thieves now in their 30s discussing what they remember about the idea.
Thoughts on American Animals
Characters – Warren is the streetwise student on a scholarship, not living up to his potential, he will always get things down however illegal they might be. He is the one that brings the team together to make this happen even if he is also the one that gets them in the most problems. Spencer is the art student that comes up with the idea because he is sick of not standing out in the art world, looking for the pain be believes artist require. He is all in with the planning but when it comes to following through he thinks they will need to go too far. Chas is the getaway driver, he has the most money which helps with the planning of the heist. Eric becomes the brains learning where things could and would go wrong if they do it in certain directions. We do also meet the adult versions of these characters in the real version that are looking back on the crime they committed.
Performances – Evan Peters is the clear highlight in this film, he always comes off unpredictable which seeing the older versions of the characters you completely understand too. Barry Keoghan does play the stranger member of the crew well, he is the one that is happy to plan not commit a crime, he needs to be straighter faced than Peters character. When it comes to the rest of the cast they are fine without needing to do that much.
Story – The story here is based on the real story of four university students that robbed the rare book collection in the library of their university. The way the story is told is interesting because it does both help and hinder the film, having a mix of the actors playing the younger versions and the real men talking about the events does give the story a documentary feel. Where this does hinder the story is by telling us that they failed early on and are now just remembering what happen which takes away any excitement or edge of your set moments towards anything going on. There are moments in the story which are good to watch, for example the scene where they are watching heist movies to learn how to pull it off and seeing the pitch perfect plan in Warren’s head. If we are being honest, the story is about 20 minutes too long because the opening hour just drags you along, once the heist gets underway things get more exciting but by then you might see the audience lose interest.
Crime – The crime follows a real heist that happened at the same university, we get to see how it was planned, how things went down and seeing the consequences the boys felt.
Settings – The film is mostly set in and around the university, this helps for any heist film, we do get moments where we step away, but that is for the plan which does work when you see how the boys are out of their depth at times.
Scene of the Movie – Selecting the names.
That Moment That Annoyed Me – The first hour.
Final Thoughts – This is an overly long heist movie that drags along at a horribly slow pace, once things kick off we do get some interest, but the fact we have the real criminals involved in telling the story we know the outcome.
Overall: Just watch for Evan Peters being slightly crazy.
https://moviesreview101.com/2018/08/28/american-animals-2018/
As the idea turns into a plan they bring in Chas Allen (Jenner) and Eric Borsuk (Abrahamson), can they make this plan come off, well the answer is no because as we see the planning we meet the real thieves now in their 30s discussing what they remember about the idea.
Thoughts on American Animals
Characters – Warren is the streetwise student on a scholarship, not living up to his potential, he will always get things down however illegal they might be. He is the one that brings the team together to make this happen even if he is also the one that gets them in the most problems. Spencer is the art student that comes up with the idea because he is sick of not standing out in the art world, looking for the pain be believes artist require. He is all in with the planning but when it comes to following through he thinks they will need to go too far. Chas is the getaway driver, he has the most money which helps with the planning of the heist. Eric becomes the brains learning where things could and would go wrong if they do it in certain directions. We do also meet the adult versions of these characters in the real version that are looking back on the crime they committed.
Performances – Evan Peters is the clear highlight in this film, he always comes off unpredictable which seeing the older versions of the characters you completely understand too. Barry Keoghan does play the stranger member of the crew well, he is the one that is happy to plan not commit a crime, he needs to be straighter faced than Peters character. When it comes to the rest of the cast they are fine without needing to do that much.
Story – The story here is based on the real story of four university students that robbed the rare book collection in the library of their university. The way the story is told is interesting because it does both help and hinder the film, having a mix of the actors playing the younger versions and the real men talking about the events does give the story a documentary feel. Where this does hinder the story is by telling us that they failed early on and are now just remembering what happen which takes away any excitement or edge of your set moments towards anything going on. There are moments in the story which are good to watch, for example the scene where they are watching heist movies to learn how to pull it off and seeing the pitch perfect plan in Warren’s head. If we are being honest, the story is about 20 minutes too long because the opening hour just drags you along, once the heist gets underway things get more exciting but by then you might see the audience lose interest.
Crime – The crime follows a real heist that happened at the same university, we get to see how it was planned, how things went down and seeing the consequences the boys felt.
Settings – The film is mostly set in and around the university, this helps for any heist film, we do get moments where we step away, but that is for the plan which does work when you see how the boys are out of their depth at times.
Scene of the Movie – Selecting the names.
That Moment That Annoyed Me – The first hour.
Final Thoughts – This is an overly long heist movie that drags along at a horribly slow pace, once things kick off we do get some interest, but the fact we have the real criminals involved in telling the story we know the outcome.
Overall: Just watch for Evan Peters being slightly crazy.
https://moviesreview101.com/2018/08/28/american-animals-2018/