BankofMarquis (1832 KP) rated Operation Finale (2018) in Movies
Sep 11, 2018
Set in the early 1960's, OPERATION FINALE tells the tale of Israeli Secret Service Agent's attempt to capture Adolph Eichman in Argentina and bring him back to Israel to face a very public, world-wide trial for his role as the "Architect of the Final Solution".
In other hands, this film could have very easily devolved into a Jason Bourne-type action flick with kick-ass Mossad agents fighting Nazi-loving Argentinian police (with assists from once and future Nazi's). But, in the hands of Writer Matthew Orton (in his major Screenplay debut) and Director Chris Weitz (ABOUT A BOY) this film becomes something much more, much deeper and much more interesting than that, it becomes a character study between Eichman and Mossad Agent Peter Malkin.
The first 1/2 hour of the film starts out "action-y" enough, with the discovery of Eichman and the Mossad's planning of the caper that will bring him to justice. We get the "gathering of the team" - and there's a couple of interesting characters in this group - specifically the characters played by Nick Kroll and Melanie Laurent - but the film really takes off and finds it's footing when the team - and the film - is forced to slow down (waiting for their escape plane to show up) and coax a confession (of sorts) out of Eichman.
So the middle part of this film is really a "two-hander" interrogation between Malkin (Oscar Isaac) and Eichman (Sir Ben Kingsley) - and both really bring it. Isaac (EX MACHINA, STAR WARS) shows a sadness and vulnerability as the agent who's life was deeply affected by the death of his sister (and other family members) at the hands of the SS. He is out to nail Eichman for his crime, but discovers a humanity (both in himself and in Eichman) along the way.
But the picture really belongs to the performance of Sir Ben as Eichman. This is a larger than life actor portraying a larger than life character and more than holds the audience's attention whenever he is on the scene - and when it comes down to an interrogation of Eichman by Malkin, the positions are quickly switched and it is Eichman who is the interrogator and Malkin is in the hot seat. It's not quite an "Oscar-worthy" performance, falling just short of that, but darn good nonetheless.
The final 1/2 hour of the film falls prey to the "Argo" ending - making a more exciting escape than it was in real life - but that is just a quibble for a really good, really intelligent and really ADULT film. One that is well worth checking out at an Art House near you.
Letter Grade A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
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Eleanor Luhar (47 KP) rated A Fire Story in Books
Jun 24, 2019
Fies begins by illustrating how the couple awoke on the night of the fire, and how they began to frantically yet methodically pack up their belongings. He details the escape, the bewilderment they felt and the huge sense of loss. Later, he really emphasises how much a person grieves for the loss of their home and belongings. It's not the value that's important, it's the memories.
Throughout the book there are also several other people's experiences. Some were also in their home at the time of the fire, while others were on holiday abroad, watching the events unfold through social media. All of these accounts had one particular thing in common: they all mention how they did not expect to be gone from their homes forever. They thought they would be able to return soon, and did not plan on leaving everything behind for the final time.
This was a fantastic book. Fies included little comics illustrating "a day in the life" after the fire, where the little, seemingly insignificant things reminded them of their loss. He also follows up with the process of reconstructing their house - and outlines some of the difficulties they never expected to face.
The art was lovely, with enough detail to clearly illustrate the events. The dialogue was perfect and sounded completely authentic, and expressed the emotions well. 5 stars.
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BUT, when I looked at it on Goodreads, one of the tags was “historical fiction”. Has it come to this now, that 1995 - the year I graduated from Uni - is seen as historical fiction?!
I’m feeling a bit old.
Anyway, I’ll hobble on to the review…
Diana and Aurelle live next door to one another in a wealthy neighbourhood, but have nothing to do with one another until Diana’s brother unexpectedly dies. Diana has had a poor relationship with her brother, but he was clearly their parent’s favourite. Diana is pushed away by her parents, and she ends up next door with Aurelle.
They become close friends, decide to study at the same college, and live together in Aurelle’s family house near the university campus. It’s an idyllic setting. Classrooms in woodland, near a lake. It sounds beautiful.
Aurelle starts to go off the rails, whilst Diana’s art really takes off.
And then it all goes terribly wrong with misunderstandings, envy and obsession.
I didn’t see the latter half of this book coming at all, and it was a real shock!
The whole book was fascinating, though. A prime example of young adults cut loose from the relative stability of their families and left to do whatever they want. And what these girls want to do, especially Aurelle, just isn’t good for them.
So if you like a ‘good’ toxic relationship in a story, then this will be for you. I thoroughly enjoyed it
Lyndsey Gollogly (2893 KP) rated The Muse in Books
Jan 30, 2022
Book
The Muse
By Jessie Burton
⭐️⭐️
Seductive, exhilarating and suspenseful, The Muse is an unforgettable novel about aspiration and identity, love and obsession, authenticity and deception – a masterpiece from Jessie Burton, the million-copy bestselling author of The Miniaturist.
A picture hides a thousand words . . .
On a hot July day in 1967, Odelle Bastien climbs the stone steps of the Skelton gallery in London, knowing that her life is about to change forever. Having struggled to find her place in the city since she arrived from Trinidad five years ago, she has been offered a job as a typist under the tutelage of the glamorous and enigmatic Marjorie Quick. But though Quick takes Odelle into her confidence, and unlocks a potential she didn't know she had, she remains a mystery – no more so than when a lost masterpiece with a secret history is delivered to the gallery.
The truth about the painting lies in 1936 and a large house in rural Spain, where Olive Schloss, the daughter of a renowned art dealer, is harbouring ambitions of her own. Into this fragile paradise come artist and revolutionary Isaac Robles and his half-sister Teresa, who immediately insinuate themselves into the Schloss family, with explosive and devastating consequences . . .
Oh it started so well and I was enjoying it but I just got so bored. I really wanted to enjoy this book but I couldn’t find anything to keep me hooked in! The characters were wushu washy and the story lost it appeal. Such a shame!



